Many of us have experienced an intense emotional and physical sensation while listening to a particularly moving piece of music–often described as a thrill, chill or goosebumps. In a new article published in Frontiers in Psychology, Psyche Loui, assistant professor of psychology, assistant professor of neuroscience and behavior, and psychology major Luke Harrison ’14 integrate the existing multidisciplinary literature to create a comprehensive, testable model of “transcendent psychophysiological moments in music.” The paper came out of Harrison’s final paper in Loui’s course on Music Perception and Cognition.
They begin by considering the different nomenclature used in popular and academic discourse for this phenomenon, and the advantages and disadvantages of terms such as “thrills,” “chills,” “frissons,” or even “skin orgasms.” They go on to discuss the importance of cultural and social context in explaining musical “frisson,” and the emotional and neurobiological mechanisms behind this sensation. Finally, they explore the specific types of musical stimuli that elicit this reaction.
Read the full article here.