Olivia Drake

Sousa ’03 Produces, Directs Native America Documentary for PBS

Clockwise from top left: Alan Hunt prepares to become a Kwakwaka'wakw Hereditary Chief; Potlatch cedar carving; Onondaga tribal member Angela Ferguson; Comanche tribal members Philip Bread and Jhane Myers. Credit: Providence Pictures

Joseph Sousa ’03 is the producer and director of a documentary titled “Native America.” Pictured are stills from the show. Clockwise from top left: Alan Hunt prepares to become a Kwakwaka’wakw Hereditary Chief; a Potlatch cedar carving; Onondaga tribal member Angela Ferguson; Comanche tribal members Philip Bread and Jhane Myers. (Photo courtesy of Providence Pictures)

A four-part documentary directed by Joseph Sousa ’03 will be released on Oct. 23 on PBS.

Native America, produced by Providence Pictures, weaves history and science with living indigenous traditions. The series travels through 15,000 years to showcase massive cities, unique systems of science, art, and writing, and 100 million people connected by social networks and spiritual beliefs spanning two continents.

Joseph Sousa '03

Joseph Sousa ’03 is a producer, director, and nonfiction writer of television, commercial content, and independent documentaries.

Sousa and his fellow producers and film crew were provided access to Native American communities, going behind the scenes at special events, including a pilgrimage to ancestral ruins at Chaco Canyon in New Mexico, a trek across lost territories in the American West, and an investiture ceremony for a chief in the Pacific Northwest, surrounded by cedar totem poles and centuries of tradition. Tribal members and descendant communities, whose ancestors built this world, share their stories, revealing long-held oral traditions as the thread that runs through the past to these living cultures today.

Kiman Speaks on Klezmer Music during Graduate Speaker Series

On Oct 10, Douglas Kiman, a second year PhD student in ethnomusicology, presented a Graduate Speaker Series talk titled “Klezmorim and Klezmer Music: From Europe to the United States and Back Again.” Klezmer music is the instrumental folklore of Eastern European Yiddish-speaking communities played by Jewish musicians called klezmorim. For centuries, these musicians traveled with their music, playing for the nobles and for the masses, within and outside their communities, adapting and absorbing from their surrounding cultures.

On Oct 10, Douglas Kiman, a second year PhD student in ethnomusicology, presented a Graduate Speaker Series talk titled “Klezmorim and Klezmer Music: From Europe to the United States and Back Again.” Klezmer music is the instrumental folklore of Eastern European Yiddish-speaking communities played by Jewish musicians called klezmorim. For centuries, these musicians traveled with their music, playing for the nobles and for the masses, within and outside their communities, adapting and absorbing from their surrounding cultures.

Wes in the News

In this recurring feature in The Wesleyan Connection, we highlight some of the latest news stories about Wesleyan and our alumni.

Recent Wesleyan News

  1. The New York Times: “Why Half a Degree of Global Warming Is a Big Deal”

Gary Yohe, the Huffington Foundation Professor of Economics and Environmental Studies, comments on a new report from the Intergovernmental Panel on Climate Change (IPCC), a group with which he was involved from the early 1990s through 2014.

2. Avant Music News: “Tyshawn Sorey Residency at the Kitchen”

On Oct. 21–23, Tyshawn Sorey MA ’11, assistant professor of music; assistant professor, African American studies; will present a rare three-night New York City appearance in a residency at The Kitchen in Chelsea with a variety of musicians.

2018 Homecoming Game Features Cardinals vs. Amherst on Oct. 20

Wesleyan hosted its annual Homecoming celebration Oct. 20 on campus. The Cardinals took on Little Three rival Amherst College during this year’s Homecoming game.

Other highlights included:

  • Athletics Hall of Fame Ceremony and Dinner
  • Alumni Volunteer Leaders Meeting
  • Team Tailgates hosted by baseball, men’s basketball, women’s basketball, football, lacrosse, softball, and swimming and diving.
  • Reception Honoring Leadership Donors and Volunteers
  • Alpha Delta Phi Reception and Banquet Dinner
  • Guided Gallery Tour: Kahlil Robert Irving Exhibition

    View the photo gallery below or on Wesleyan’s Flickr Album.

Homecoming 2018

 

19th Annual Biophysics Retreat Includes Speakers, Poster Sessions

Wesleyan faculty, students, alumni and guests participated in the 19th annual Molecular Biophysics Retreat Sept. 27 at Wadsworth Mansion.

Wesleyan faculty, students, alumni, and guests attended the 19th annual Molecular Biophysics Retreat Sept. 27 at Wadsworth Mansion. The event included a series of speakers, two poster sessions, and a keynote address.

Alison O’Neil, assistant professor of chemistry, spoke on "Investigating the toxicity of SOD1 aggregates in a stem cell-derived model of ALS." Research in the O'Neil lab is focused on understanding the structure-function relationship of proteins involved in neurodegenerative diseases, specifically ALS.  Utilizing human stem cells allows us to study the unique cell types associated with disease. 

Alison O’Neil, assistant professor of chemistry, spoke on “Investigating the toxicity of SOD1 aggregates in a stem cell-derived model of ALS (amyotrophic lateral sclerosis).” ALS is a progressive neurodegenerative disease that affects nerve cells in the brain and the spinal cord. Research in the O’Neil lab is focused on understanding the structure-function relationship of proteins involved in neurodegenerative diseases, specifically ALS.

Athletic Contests, WESeminars, and Other Highlights of 2018 Family Weekend

Rebecca Goldfarb Terry ’19 shares a hug with her parents, Leslie Goldfarb Terry and Al Terry, who visited from Brooklyn, N.Y., during Family Weekend 2018. Leslie and Al enjoy attending WESeminars. (Photo by Olivia Drake)

More than 2,000 parents, family members, friends, and alumni attended Family Weekend 2018 Sept. 28–30 on campus. Activities included campus tours, WESeminar lectures, panel discussions, performances, a Wesleyan Summer Grants showcase, an Alumni and Student of Color Celebration, the 8th Annual Stone A Cappella Concert, the 26th Annual Dwight L. Greene Symposium presenting “Black Phoenix Rising,” and much more.

In Family Weekend athletic news, all four home contests (football, field hockey, and men’s and women’s soccer) saw hard-fought battles against Hamilton. Hamilton blocked a Wesleyan punt and recovered it in the end zone with just 1:34 to play in regulation as the Continentals stunned the Cardinals, 33-29. Men’s and women’s soccer were both forced into overtime, with the women earning a 1–1 draw, and the men falling 1–0. Field hockey fell by one goal, 2–1, to the 14th-ranked Continentals.

Men’s crew opened up its fall season with a first-place finish in the Collegiate Open 8, taking home the Muncie Cup at the Head of the Riverfront in Hartford, Conn. Volleyball won its second consecutive Little Three Championship following a 3–0 sweep over archival Amherst, and remain perfect in NESCAC play with a 5–0 mark. The women’s cross country team placed 8th of 43 teams at the 45th Annual Paul Short Run, with Becky Lopez-Anido ’21 crossing the finish line 30th of 363 runners. Golf placed 8th at the NESCAC Championship Qualifier. In men’s tennis on Sept. 30, Peter Anker ’22 led the way for Wesleyan at the ITA Regional Championships in Middlebury, Vt., making the quarterfinals in doubles alongside Zach Fleischman ’21 as well as winning a pair of singles matches to make the third round. Victoria Yu ’19 and her sister, Kristina Yu ’22, came away with a winning 6–4, 6–3 win at the New England ITA Regional Doubles Championship.

This weekend, Wesleyan Athletics also collaborated with the Headway Foundation to raise awareness about concussions.

View a selection of images below, or visit the full Family Weekend photo album on Wesleyan Flickr. (Photos by Olivia Drake, Tom Dzimian, Jonas Powell ’18, Rebecca Goldfarb Terry ’19, and Caroline Kravitz ’19. Additional info provided by Cynthia Rockwell and Mike O’Brien.)

Mary Falls P’22 came in from Nashville, Tenn., to visit son Christopher Falls ’22. The two enjoyed a fire-spinning performance, as well as the WESeminar, “Civic Engagement and Social Entrepreneurship Workshop.” Christopher, a prospective physics major, is the nephew of the late David Mariani ’77, who was a student of Foss Professor of Physics Tom Morgan.

Alumni-Led Kitchen Ceilí and Friends Performs Traditional Music Spanning Cultures

Kitchen Ceilí and Friends performed at Russell House on Sunday afternoon of Family Weekend.

Formed in 1993, Kitchen Ceilí features private lessons teacher Stan Scott PhD ’97 on vocals, guitar, mandolin, and banjo; Dora Hast PhD ’94 on vocals, tin whistle, and recorders; and George Wilson on vocals, fiddle, banjo, and guitar. A ceilí (English pronunciation: kā’lē) is a traditional Gaelic social dance or gathering with music.

On Sunday, the trio was joined by “Friends”—the Hindustani vocalists of the Rangila Chorus and vocalist/guitarist Sam Scheer—and the group widened their geographic focus, performing not only original and traditional music from Ireland, America, England, and Scotland, but also from South Asia.

The event was held in conjunction with the Center for the Arts’ Music at the Russell House Series.

Photos of their concert are below: (Photos by Caroline Kravitz ’19)



 

Weiss Pens Book on Indigenous Peoples’ Futures on Canadian Islands

Joseph Weiss, assistant professor of anthropology, is the author of Shaping the Future on Haida Gwaii: Life beyond Settler Colonialism, published by the University of British Columbia Press in September 2018.

Shaping the Future on Haida Gwaii shows how an indigenous nation in British Columbia not only continues to have a future but is at work building many different futures—for themselves and for their non-indigenous neighbors. The project emerges from an almost decade-long relationship between Weiss and the citizens of the Haida Nation of Haida Gwaii, a series of islands off the west coast of Canada.

Weiss explores these possible futures in detail, demonstrating how Haida ways of thinking about time, mobility, and political leadership are at the heart of contemporary strategies for addressing the dilemmas that come with life under settler colonialism.

Too often, Weiss explains, indigenous peoples have been portrayed as being without a future, destined either to disappear or assimilate into settler society. This book asserts the opposite: Indigenous peoples are not in any sense “out of time” in our contemporary world.

“This work was in large part about trying to respond to dominant assumptions—both in the academy and in North American society—about the ways that indigenous peoples experience settler colonialism,” Weiss said. “I sought to shift the narrative from one that emphasizes domination and constraint towards telling stories about how Haida citizens and communities are building all sorts of different futures, claiming their right to decide for themselves what should come next and what should not.”

From the threat of ecological crisis to the assertion of sovereign rights and authority, Weiss shows that the Haida people consistently turn towards their possible futures, desirable and undesirable, in order to work out how to live in and transform the present. His book breaks new ground in the exploration of the relationship between time and colonialism as experienced in the day-to-day lives of an indigenous community.

Weiss first started visiting Haida Gwaii in 2010 through ties of friendship and a deep admiration for and interest in the work of the Haida Nation in fighting for Haida rights to their sovereign territories and to self-determination. In 2013, he moved to the Haida community of Old Massett to begin a two-and-a-half-year period of full-time fieldwork, focusing on exploring communities’ experiences and understandings around political and social change. While there, he worked as a classroom assistant and occasional school play director for the community’s primary school, the Chief Matthews School.

Weiss’s work was and remains an attempt to engage in respectful anthropological research grounded in dialogue with and accountability to the community of Old Massett and the Haida Nation. This extended both to the kinds of questions that were asked and to the ways interviews were conducted and then approved by Weiss’s Haida friends and colleagues.

“Shaping the Future is as much the result of building relationships and this commitment to respect as it is an academic text,” Weiss said.

This book will appeal to scholars and students of indigenous studies, particularly in anthropology, political science, sociology, and history. Researchers planning to work with communities will learn from the author’s reflections on conducting ethnographic fieldwork with First Nations.

 

Angle, Glick to Speak at Human Rights Teach-Out

Stephen Angle

Stephen Angle

Megan Glick

Megan Glick

Wesleyan faculty Stephen Angle and Megan Glick are participating in a Global Human Rights Teach-Out Oct. 17–20, hosted on Coursera.

The Teach-Out will address the various dimensions of human rights. Participants will join citizens from all over the world to contribute to an online discussion on various human rights with scholarly input in the form of podcasts from over 20 academic instructors, including some contributions from advocacy groups addressing the urgency of issues.

The event will end with a live-streamed discussion, hosted in The Hague by Leiden University, where participants can ask questions of some of the speakers as well as participants from all over the world.

Shinohara’s Woodcuts, Monotypes on Exhibit

Artwork by Artist-in-Residence Keiji Shinohara is on display at the Deerfield Academy’s von Auersperg Gallery in Deerfield, Mass., through Oct. 29. The exhibit, titled Whispers of the Infinite, features multiple woodcuts and monotypes that Shinohara created while participating in residencies in Denmark over the past two summers.

Shinohara was born and raised in Osaka, Japan. After 10 years as an apprentice to the renowned Keiichiro Uesugi in Kyoto, he became a Master Printmaker and moved to the U.S. Shinohara’s natural abstractions are printed on rice paper with water-based inks from woodblocks in the Ukiyo-e style–the traditional Japanese printmaking method dating to 600 CE. Shinohara has been a visiting artist at more than 100 venues. He has received grants from the Japan Foundation and the National Endowment for the Arts and his work is in many public collections, including the Fine Arts Museums of San Francisco, the Cleveland Museum of Art, the Milwaukee Art Museum, the Fogg Art Museum at Harvard University, and the Library of Congress.

This semester, Shinohara is teaching Introduction to Sumi-e Painting and Alternative Printmaking: Beginning Japanese Woodblock Technique.

Gilmore, Greenwood Recipients of NASA Grant to Map Venus’s Craters

Caption: Radar image of Venus. Alpha Regio tessera is partly covered by the dark parabola of the impact crater Stuart on the volcanic plains.

Professors Martha Gilmore and James Greenwood recently received a NASA grant to study crater parabolas on Venus using radar data. Pictured is a Magellan radar image of Venus. Alpha Regio tessera is partly covered by the dark parabola of the impact crater Stuart on the volcanic plains. (Photo courtesy of NASA)

Like planet Earth, the geology of Venus is diverse; consisting of areas of flat plains and deformed, mountain-like terrains called tesserae. And like Earth, Mars, and the Moon, Venus is checkered with hundreds of craters.

“What’s odd about Venus’s craters, is that craters we do see are relatively young, indicating the surface of Venus has been covered by planet-wide volcanic flows,” says Martha “Marty” Gilmore, George I. Seney Professor of Geology, professor of earth and environmental sciences. “The tesserae are the only terrains older than these volcanic flows and thus our only hope at accessing rocks from the first billion years of Venus’s history, when the planet may have had an ocean and may have been habitable.”

As the recipient of a three-year $430,801 grant from NASA’s Solar System Workings Program, Gilmore and James Greenwood, assistant professor of earth and environmental sciences, will use Magellan radar data to create the first map of crater ejecta on Venus classified by origin on plains or tessera terrain. Their project is titled “Radar Emissivity and Dielectric Permittivity of the Venus Surface Beneath Crater Parabolas.” Crater parabolas refer to the shape of the ejecta deposits as they are carried westward by the high-altitude Venus winds.

Film by Modi ’22 Screened at LA Film Festival’s Future Filmmakers Showcase

Ishan Modi ’22 directed a short film titled Just Stories that was shown at the LA Film Festival’s 2018 Future Filmmakers Showcase, a special screening of films made by talented high school students from across the globe.

Since his filmmaking debut at the age of 11, Ishan Modi ’22 has directed more than 20 short films. And the prospective film and history major has yet to call his creative talent “a wrap.”

Ishan Modi '22

Ishan Modi ’22

On Sept. 22, Modi’s short film Just Stories (2017) was shown at the LA Film Festival’s 2018 Future Filmmakers Showcase, a special screening of films made by talented high school students from across the globe. The film features a senior couple who—after a lively visit with their grandchildren—experience the isolation and uncertainty of old age.

In addition to screening at the LA Film Festival, Just Stories also was named an official selection at the Nashville Film Festival (2018); Rhode Island International Film Festival (2018); Carmarthen Bay Film Festival (2018); San Luis Obispo International Film Festival (2018); and the world’s largest high school film festival, the All American High School Film Festival (2018).

Modi’s other recent film, SuperNova (2017), screened at the Across Asia Youth Film Festival, the 17th Annual Laurie Nelson Film Festival, and the Newark International Film Festival Youth in 2017. For this film, Modi was named a finalist of the “Young Filmmaker Award” presented at the My Rode Reel Film Competition and a finalist of the 60th Golden Eagle Award for “Student & Youth Media.”

His other recent projects include Nextstep (2018) and the Singapore American School’s Class of 2018 senior video.

Modi, who is currently taking a class on Dante’s Comedy during his first semester in college, is looking forward to learning more about the filmmaker’s craft during the next four years.

“Wesleyan’s Film Studies Department offers a unique equilibrium of theory and craft,” he said. “While I’ve created many films in the past, I haven’t had many opportunities to learn about the history and study behind movies, which is also very important! Wesleyan represents the best of both worlds. I will learn skills to improve my practical filmmaking abilities, and at the same time heavily study film theory, bringing into focus what constitutes a powerful narrative.”

When applying for colleges, Wesleyan’s liberal arts environment was also appealing to Modi, who wants to explore different branches of knowledge.

“At Wesleyan, I have the freedom to take classes from multiple disciplines,” he said. “Filmmaking revolves around powerful storytelling. By immersing myself in history, philosophy, literature etc. I hope to satisfy my curiosity and find inspiration for stories that I can share with the world.”

For more information and to view other films, visit ModiFilms.com. Read comments from Modi in “Get to Know the 2018 Future Filmmakers on the Road to the LA Film Festival,” an article published on filmindependent.org.