Arts & Culture

Sumarsam, Students, Alumni Attend Traditional Music Conference in Kazakhstan

PhD candidate Ander Terwilliger, University Professor of Music Sumarsam and PhD candidate Christine Yong attended the International Council for Traditional Music conference in Astana, Kazakhstan.

PhD candidate Ander Terwilliger, University Professor of Music Sumarsam and PhD candidate Christine Yong attended the International Council for Traditional Music conference in Astana, Kazakhstan.

From July 14–23, two ethnomusicology PhD candidates — Christine Yong and Ander Terwilliger — along with five alumni —Tan Sooi Beng ’80, Donna Kwon ’95, Jonathan Kramer ’71, Sylvie Bruinders ’99, and Becky Miller ’94 — joined University Professor of Music Sumarsam at the 2015 conference of the International Council for Traditional Music (ICTM) in Astana, Kazakhstan. Tan Sooi Beng was elected to the ICTO executive board.

The International Council for Traditional Music is a non-governmental organization in formal consultative relations with UNESCO. It aims to further the study, practice, documentation, preservation and dissemination of traditional music and dance of all countries.

At the conference, Sumarsam presented a talk titled “Expressing And Contesting Java-Islam Encounters In The Performing Arts;” and Kwon spoke on “Glimpses Beyond The Curtain: Making Sense Of North Korean Musical Performance in the Age of Social Media.” Kwon also was a recipient of this year’s prestigious American Council of Learned Societies grant.


Beatles Benefit Concert Created in Memory of CFA Intern

A 21-member all-star band, featuring four members of the Wesleyan community, will come together to perform the Beatles White Album in its entirety at Blackbird: A Benefit Concert for the Stephanie Nelson Memorial Scholarship Fund, on Saturday, July 25 at Crowell Concert Hall. Pictured: Nadya Potemkina, Andy Chatfield, and Shona Kerr. (Photo by Cynthia Rockwell).

A 21-member all-star band, featuring four members of the Wesleyan community, will come together to perform the Beatles’ White Album in its entirety at Blackbird: A Benefit Concert for the Stephanie Nelson Memorial Scholarship Fund, July 25 at Crowell Concert Hall. Pictured, from left, are Wesleyan’s Nadya Potemkina, Andy Chatfield and Shona Kerr. (Photo by Cynthia Rockwell)

A 21-member all-star band will come together to perform the Beatles’ White Album in its entirety at Blackbird: A Benefit Concert for the Stephanie Nelson Memorial Scholarship Fund, at 8 p.m. Saturday, July 25 at Crowell Concert Hall. The concert is being held in memory of former Center for the Arts intern Stephanie Nelson, of Middletown, who passed away earlier this year at the age of 25. All proceeds from ticket sales will go toward creating a scholarship fund for Middlesex Community College students in support of internships at Wesleyan.

The concert is the brainchild of drummer Andy Chatfield, press and marketing director of the Center for the Arts. “Stephanie was the CFA’s first broadcast communications and multimedia intern from Middlesex Community College in 2013, and we all appreciated the energy and light that she brought to our office and to everything she did,” Chatfield said. “This event will celebrate Stephanie’s life with her family and friends and create a scholarship fund in her memory to support interns from Middlesex Community College to be paid for time spent working at Wesleyan.”

Basinger Comments on Why Today’s TV is So Good

Jeanine Basinger, the Corwin-Fuller Professor of Film Studies, curator of the Cinema Archives, spoke with The Huffington Post about why today’s television is so good. TV has come a long way since 1961 when Federal Communications Commission Chairman Newton Minow proclaimed television “a vast wasteland” in an address to the National Association of Broadcasters. The article explores how advances in technology and television production have vastly improved the experience for viewers.

One of the biggest changes was the introduction of DVR and streaming services, which mean we’re no longer slaves to the television schedule, required to sit on the couch for an hour when our favorite show airs.

“I think that’s a very ‘old people’ view, that we’re all just sitting around on our couch and eating cookies,” Basinger told The Huffington Post. “That’s very 1960s. I don’t think people do that anymore. We can control our viewing of TV, when we watch it and how we watch it.”

The writer also argues that “TV is now the definitive space for starting a dialogue around social issues.”

“TV has become a global forum of discussion, information, entertainment and intellectual stimulation,” Basinger agreed. “Watching TV doesn’t eliminate your intellectual life. It actually adds to it.”

Haverford Hosts Belanger’s “Rift/Fault” Photography Series

Marion Belanger, an instructor in Graduate Liberal Studies, is currently displaying her photography series “Rift/Fault” at Haverford College. The series is two dozen photography pairings of the North American continental plate, which stretches from California to Iceland. In an intersection of geology and art, the display walks a viewer through images of plate tectonics and the stories that they tell.

More information about the gallery, including dates and hours of operation, can be found here.  Samples of her photography are below:

One of Belanger's photo pairings in her "Rift/Fault" series.


One of Belanger's photo pairings in her "Rift/Fault" series.

Shapiro Reads from Fables in a Modern Key

Norman Shapiro, professor of french.

Norman Shapiro

On June 28, Norman Shapiro, professor of French, provided light verse readings, including a passage from his recently translated Fables in a Modern Key, as part of the Find Your Park summer festival event series. The reading took place at Longfellow House–Washington’s Headquarters in Cambridge, Mass.

Shapiro is a member of the Academy of American Poets and an Officier de l’Ordre des Arts et des Lettres de la République Française.

Fables was written by by Pierre Coran (whose real name is Eugene Delaisse), a poet and novelist of the Belgian French-language. One of Begium’s most renowned poets with some 45 poetry books published to date, he also is the author of 25 published novels, 24 books of fables, hundreds of comic book stories, and several albums which have been translated into more than a dozen languages. His children’s stories and fables are published around the world, but this the first selection of his fables to be translated into English in a full length book format.

Longfellow House–Washington’s Headquarters National Historic Site was home to 19th century poet and scholar Henry Wadsworth Longfellow and his family from 1837–1950. The historic 1759 colonial mansion also was General George Washington’s first major headquarters during the American Revolution. The house and its collections were a gift to the nation from Longfellow’s descendants in 1972. Its extensive collections and grounds represent more than 250 years of America’s history and literature.

Shapiro’s book can be found here.

Shapiro Translates Haitian Poetry Collection

haitianpoetryNorman Shapiro, professor of romance languages and literatures and the Distinguished Professor of Literary Translation, translated the book Poetry of Haitian Independence, published by Yale University Press in May 2015.

At the turn of the 19th century, Haiti became the first and only modern country born from a slave revolt. During the first decades of Haitian independence, a wealth of original poetry was created by the inhabitants of the former French Caribbean island colony and published in Haitian newspapers. These deeply felt poems celebrated the legitimacy of the new nation and the value of the authors’ African origins while revealing a common mission shared by all Haitians in the young republic: freedom from oppressors and equality for all.

This collection of Haitian verse written between 1804 and the late 1840s sheds a much-needed light on an important and often neglected period in Haiti’s literary history. Editors Doris Kadish and Deborah Jenson have gathered together poetry that has remained largely unknown and difficult to access since its original publication two centuries ago. Featuring translations a foreword by the Haitian-born novelist Edwidge Danticat, this volume describes a turning point in Haitian and world history and makes a significant corpus of poetry accessible to a wide audience.

Scott Published in Routledge’s The Modernist Reader

Stanley Scott

Stanley Scott

Stanley Scott, private lessons teacher in music, authored a chapter titled “Modernism in South Asian Art Music,” published in the The Modernist World, part of the Routledge Worlds series, in 2015.

Scott traces modernism in South Asian art music from its 18th century roots to the 21st century. The examples, drawn from Pakistan, North India and Bangladesh, represent parallel developments throughout South Asia. The seeds of South Asian modernism were sown in 18th century Calcutta, with the emergence of British orientalist scholarship and the development of the urban South Asian intelligentsia. The orientalist discovery of India’s “golden age” allowed Hindu nationalists to find inspiration in an India that predated both European colonization and Islamic rule. North Indian music, in particular, served sometimes as an icon of national identity, sometimes of revived Hindu hegemony, and sometimes of an Indo-Islamic synthesis.

President Roth Discusses the History of Freud’s Couch

Seventy-five years after Sigmund Freud’s death, the father of psychoanalysis’ couch has remained a powerful symbol in our culture. The public radio show 99% Invisible interviewed President Michael Roth, a Freud historian, for an episode exploring the history and cultural significance of Freud’s couch.

Freud, and others of his time, used a couch as part of hypnosis–a cutting edge but controversial treatment. One of Freud’s patients, a wealthy woman named Franny Moser who was struggling from multiple ailments, proved difficult to hypnotize.

“He wasn’t a very good hypnotist. He was kind of a clumsy hypnotist,” explained Roth. “Freud would say, ‘You’re getting sleepy, you’re getting sleepy,’ and she’d say, ‘No I’m not! I’m not sleepy at all.'” Instead of getting sleepy, Moser would talk. At first, Freud tried to interrupt her with his theories, but she insisted on talking.

Then, Roth said, Freud realized that if he just let patients talk and didn’t say anything, they would let down their defenses, revealing their unconscious.

“This is the moment when the pre-Freudian Freud becomes the Freudian Freud,” Roth said. These new techniques and theories for therapy would come to be called psychoanalysis.

“The couch, especially Freud’s couch, it came to symbolize an invitation to open your mind, to let someone see inside,” Roth said. “It’s a reminder that we have the ability to reveal ourselves. And it’s irresistible, right? It’s like a magic carpet. I can get on the couch and suddenly I’ll say things that reveal what I really love…when my whole life I’ve been pretending to love other things.”

Jody Sperling ’92 Performing ‘Dancing in the Arctic’ in NYC, June 20-21

Choreographer Jody Sperling '92 traveled to the Arctic Ocean to create her dance pieces on climate change. (Photo by Pierre Coupel)

Choreographer Jody Sperling ’92 traveled to the Arctic Ocean to create her dance pieces on climate change. (Photo by Pierre Coupel)

Jody Sperling ’92 will present a dance performance, Bringing the Arctic Home, at the JCC in Manhattan on June 20-21. The event includes the premier of Ice Cycle, a collaboration with Alaskan-born composer Matthew Burtner, a specialist in the music of snow and ice. The weekend features three performances, a kids’ workshop, and two climate-themed panel discussions.

Tickets and more information are available here. See the Bulletin at Wesconnect for Sperling’s posting about this event, and to get her special discount code for the Wesleyan community.

Read more about Sperling in this story in the Wesleyan magazine.

Jimmy Stewart Stars in Free Summer Film Series

stewardfilmsThis July, Wesleyan’s 2015 Summer Film Series presents “Hollywood Icons: Jimmy Stewart,” a four-film series sponsored by Wesleyan’s College of Film and the Moving Image (CFILM). Films will be shown at 7:30 p.m. on Tuesdays in July at the Center for Film Studies.

All films are free and open to the public and will be preceded by an introduction by Marc Longenecker, CFILM’s programming and technical director. The “Hollywood Icons: Jimmy Stewart” film series includes Mr. Smith Goes to Washington (July 7), Harvey (July 14), Rear Window (July 21), and Winchester ’73 (July 28).

See Wesleyan’s Summer Film Series website for more information.


Basinger Reflects on Star Wars Sequel Success

Though movie sequels had been successful in the past, it was a huge surprise when The Empire Strikes Back turned out to be as popular as the original Star Wars film, Jeanine Basinger, the Corwin-Fuller Professor of Film Studies, told the website Boing Boing for a story reflecting on Empire 35 years after it arrived in cinemas.

“When you have set a level that you set with Star Wars in terms of financial success, critical success, audience success, quality of production, greatness of storytelling, you don’t really think even if the second one is going to be good that it can hit that same level twice because Star Wars was a real landmark film,” Basinger said. “It was a real big impact film and so you don’t expect the next one in that sequence to also be a landmark. It just doesn’t seem possible the way storytelling works but Empire was a movie that did not let down the standards set by Star Wars and that was great. Everybody was thrilled.”

She added that Empire opened up in a new way the possibility of sequential storytelling on a giant scale.

Basinger also is curator of the Wesleyan Cinema Archives.