Alex Gilvarry, visiting writer in English.
Alex Gilvarry, visiting writer in English, was named a “5 Under 35″ award recipient from the National Book Foundation.
Gilvarry is the author of From the Memoirs of a Non-Enemy Combatant, published by Viking/Penguin Group in January 2012. He was selected for the award by 1993 National Book Award Finalist Amy Bloom, the Distinguished University Writer-in-Residence and Director of the Shapiro Center for Creative Writing.
Gilvarry was born in Staten Island, N.Y. in 1981. He holds an MFA from Hunter College and has been a Norman Mailer Fellow and a visiting scholar at the Harry Ransom Center at the University of Texas, Austin. His first novel, From the Memoirs of a Non-Enemy Combatant, won the Hornblower Award at the 2012 New York City Book Awards. He is an artist-in-residence at Monmouth University and teaches the course, Techniques of Fiction at Wesleyan.
Gilvarry will receive the award during the National Book Foundations’ Ninth Annual Celebration of Emerging Fiction Writers. The “5 Under 35″ authors will be honored at the powerHouse Arena in Brooklyn, N.Y. on Nov. 17.
The Mission of the National Book Foundation is to celebrate the best of American literature, to expand its audience, and to enhance the cultural value of good writing in America.
The 4th Annual Stone A Cappella Concert at Memorial Chapel Sept. 28 featured the vocal talent of Wesleyan’s many student a capella groups. The event was part of Wesleyan’s Family Weekend. (Photos by Dat Vu ’15)
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Maho Ishiguro, an ethnomusicology doctoral student, received a Fulbright Hays Doctoral Dissertation Research Abroad (DDRA) Fellowship to study the female Saman dance in Indonesia. The award came with a $29,508 stipend.
Ishiguro’s proposed research title is “Saman Dance in Diaspora Presence of Female Saman Dance as Expressions of Piety Cultural Identity and Popular Culture.” Her DDRA project will examine the contemporary life of female Saman dance in Jakarta, Yogyakarta and Banda Aceh.
Saman dance, or the dance of a “thousand hands” is typically performed in Gayo Lues, a mountainous region of Aceh, by eight to 20 male performers who kneel in a row and make different kinds of torso movements accompanied by songs, clapping hands, slapping chests or slapping the floor. The dance traditionally is performed to celebrate the birthday of Prophet Muhammad and has been used recently to promote Acehnese as well as Indonesia’s national culture.
“Indonesia’s deepening Islamization today impacts the nations’ performing arts and the conduct of Muslim women’s lives,” Ishiguro said. “In Aceh, despite its Islamic origin, female adults were prohibited from performing Saman dance at public events.
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Many works at the Davison Art Center will be digitally photographed starting with a collection of Dutch and German prints.
A significant federal grant will support efforts to make works in Wesleyan’s Davison Art Center more accessible to students, faculty and the wider world.
The $111,173 grant from the Institute of Museum and Library Services, announced this week, will fund digital photography of some of the DAC’s permanent collection, beginning in 2015 with Dutch and German “old master” prints.
The funds, awarded in the Museums for America program, will allow the DAC to execute high quality, rapid photography of key parts of its holdings; these images can then be used for collection management or in classes.
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On Sept. 16, Professor of Art Tula Telfair spoke about her new landscape paintings which are on display through Dec. 7 in the Ezra and Cecile Zilkha Gallery.
“A World of Dreams—New Landscape Paintings” by Professor of Art Tula Telfair will be on exhibit through Dec. 7 at the Ezra and Cecile Zilkha Gallery. “A World of Dreams” includes new large-scale paintings in which Telfair presents monumental landscapes and epic-scale vistas that are simultaneously awe-inspiring and intimate. This is her second exhibition in the Zilkha Gallery. Read more about the exhibit here.
The exhibit’s opening reception was held Sept. 16 at the gallery. (Photos by Dat Vu ’15)
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President Michael Roth discussed “The Future of Education” at the 92nd Street Y’s Social Good Summit on Sept. 21.
In his second appearance at the annual two-day festival of ideas, Roth discussed why education is still the best vehicle for social change, even while it has become more controversial then ever.
“Education remains the most potent tool for changing the world, ” he said. “And training teachers who can help students acquire the skills to keep learning, the skills to think for oneself, is one of the most pressing demands of social justice.”
Last year, Roth’s inspirational talk at the 92Y event focused on “how to change the world,” which later became the topic of a popular MOOC he taught on the Coursera platform. This year, his speech was informed by his recently published book, Beyond the University: Why Liberal Education Matters (Yale Press).
This year’s summit, with the theme “Connecting for Good, Connecting for All,” brought together world leaders, new media and technology experts, grassroots activists, and voices from around the world to explore how technology and new media can be leveraged to benefit people everywhere and create a better world by the year 2030.
It was called “the war to end all wars.” Causing the downfall of three major empires, and eclipsing all previous wars in its destruction, World War I changed the course of global history. And decades before television and sophisticated print advertising, it changed the way conflict was marketed to the American people.
A new exhibit, Call to Action: American Posters in World War I, at the Davison Art Center, displays dramatic posters that recruited soldiers, celebrated shipbuilding, called women for war work and even urged homemakers to prepare alternative foods in support of the war effort.
“The best illustrators of the day were recruited to donate their time to make these posters,” said Clare Rogan, curator of the DAC. “Artists recognized this was how they could serve. And this was the high point in American illustration, you have fabulous artists working as illustrators, and monthly periodicals are all illustrated before photography takes over in these areas.”
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Uncover the hidden stories of East Asia’s religion and folklore at a new exhibit, “Not of This World,” at the College of East Asian Studies’ gallery. To inaugurate the new College of East Asian Studies, students curated this exhibition of the most compelling artworks from the college’s collection.
“Not Out of This World” is on display Sept. 10-Dec. 5 and features aesthetically pleasing pieces that reveal spiritual worlds filled with love, betrayal and faith. A ghost woman who searches for her husband, an immortal trapped in a peasant’s body, and a wheel that spins prayers are examples of the East Asian artwork displayed that weave the supernatural with mystical elements.
The gallery is open noon to 4 p.m. Tuesday through Sunday and closed on Mondays. The gallery will be closed Oct. 18-21 and Nov. 25-Dec. 2. For more information call 860-685-2330.
Photos of the show’s opening are below: (Photos by Dat Vu ’16)
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Tula Telfair, professor of art, will debut her newest collection of large-scale oil paintings at the Zilkha Gallery Sept. 16. Pictured is her painting titled “The Structured Depth of Meaning and Desire,” 2014, 72 x 100 inches.
“A World of Dreams—New Landscape Paintings” by Professor of Art Tula Telfair will be on exhibit Sept. 16 through Dec. 7 at the Ezra and Cecile Zilkha Gallery. The exhibit’s opening reception will be held 5 to 6:30 p.m. Sept. 16 at the gallery.
“Civilization Could Not Do Without It,” 2014, 75 x 100 inches.
“A World of Dreams” includes new large-scale paintings in which Telfair presents monumental landscapes and epic-scale vistas that are simultaneously awe-inspiring and intimate. She combines stillness with motion, solitude with universality, and definition with suggestion in her bold and quiet works. This is her second exhibition in the Zilkha Gallery.
All paintings are oil on canvas.
“The work for this show is entirely different. The subjects are different, the techniques are different in each painting, and from piece to piece,” she explained. “There is a lot of diversity of images in this exhibition that reflect a broad range of environments from the Antarctic to the jungles of Africa to rolling fields and soaring mountains. There are a full range of landscapes.”
Telfair’s contemporary paintings demonstrate the spirit and potency
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