Arts & Culture

Students Receive Patricelli Center Grants, Priebatsch Summer Internship

This month, five Wesleyan students received Summer Experience Grants, supported by the Patricelli Center for Social Entrepreneurship. The honor comes with a $4,000 stipend to supplement costs associated with a summer internship experience.

The grants are available for Wesleyan sophomores and juniors currently receiving need-based financial aid who plan to do socially innovative or socially responsible work during summer break.

The recipients include Theodora Messalas ’15, Dara Mysliwiec ’16, Keren Reichler ’16, Geneva Jonathan ’15 and Jared Geilich ’15. In addition, film major Aaron Kalischer-Coggins ’15 received a Priebatsch Internship Grant. All grantees report on their experiences on the Patricelli Center’s ENGAGE blog.

Theodora Messalas

Theodora Messalas ’15

Sociology major Theodora Messalas is working with a food pantry, soup kitchen and women’s homeless shelter called Crossroads Community Services in New York City, exploring ways to implement successful social services in which the needs and preferences of the end-users are paramount.

“I am interested in finding out exactly how Crossroads is run in the hopes of one day spearheading my own similar organization,” Messalas said. “I want to see firsthand how they have translated the desire to provide food and shelter to underserved New Yorkers into a running operation that can actually get these services to people. I want to see all their successes, and I want to get to know the roadblocks that they meet.”

Biology and earth and environmental studies major Dara Mysliwiec is addressing food sovereignty in Lamas, Peru, using sustainable – and previously lost – indigenous farming techniques

ICPP Offers New Masters Degree in Performance Curation

wo-year low residency MA program to begin in summer of 2015; Existing pilot ten-month Certificate Program in Performance Curation also made permanent.

Wesleyan will offer a new, two-year low residency MA program through the Institute for Curatorial Practice in Performance (ICPP).

Next summer, Wesleyan’s Institute for Curatorial Practice in Performance (ICPP) will offer a new Master of Arts in Performance Curation degree program, in addition to the permanent establishment of the Certificate Program in Performance Curation.

The Institute for Curatorial Practice in Performance was founded in 2010, and introduced as a pilot initiative in 2011, by Wesleyan graduates Samuel Miller ’75 and Pamela Tatge, director of the Center for the Arts, in partnership with Judy Hussie-Taylor and New York’s Danspace Project. ICPP is the first institute of its kind, a center for the academic study of the presentation and contextualization of contemporary performance. Distinct from graduate programs in Curatorial Studies, Arts Administration, Performance Studies, and the Humanities, ICPP offers its students a graduate-level education in innovative and relevant curatorial approaches to developing and presenting time-based art.

The new MA is a two-year, low residency program that can be pursued concurrently with one’s existing professional responsibilities.

Ukrainians’ Utopian Mindset Toward Art

Katja Kolcio, chair and associate professor of dance, associate professor of environmental studies, writes in The Huffington Post about how the arts have been critical in defining Ukrainian sovereignty over the centuries.

In Ukraine’s long history, political sovereignty has existed only for three brief time periods, while the country has spent most of its existence under control of the Mongol, Polish, Lithuanian, Russian, Ottoman, Austrian and German Empires.

Yet, Kolcio writes, “Despite the absence of political sovereignty, a distinctly Ukrainian sensibility was preserved in the graphic designs of folk arts, in the philosophical words of poets, and in the historical lyrics sung by kobzari, members of a guild for blind bards. For most of the 20th century, artists fueled the social consciousness and dignity of people de-individualized under Soviet regime, despite the dire consequences they faced.”

Read more here.

Richards ’69, Basinger Speak on Adapting Bridges of Madison County into a Film and Musical

On Saturday, May 24 at the Center for Film Studies, veteran Broadway producer Jeffrey Richards ’69 (All the Way, The Realistic Joneses, Lady Day at Emerson’s Bar and Grill) and Corwin-Fuller Professor of Film Studies Jeanine Basinger spoke to a packed house about the different approaches in adapting the novel The Bridges of Madison County into a film, directed by Clint Eastwood Hon. ’00, and into a musical, which Richards recently co-produced on Broadway.

On May 24 at the Center for Film Studies, veteran Broadway producer Jeffrey Richards ’69 (All the Way, The Realistic Joneses, Lady Day at Emerson’s Bar and Grill) and Corwin-Fuller Professor of Film Studies Jeanine Basinger spoke to a packed house about the different approaches in adapting the novel The Bridges of Madison County into a film, directed by Clint Eastwood Hon. ’00, and into a musical, which Richards recently co-produced on Broadway. During the WESeminar, Richards discussed the difficulties of producing and marketing a show with a new musical score as opposed to a jukebox musical with familiar songs, which is popular show genre on Broadway these days. Richards also spoke about the influence of critics on the success of a play or a musical and the possibility of making money on a show on tour even if it doesn’t do well on Broadway.

David Low '76, associate director of publications; Marc Longenecker, technical and programming manager in film studies; Lea Carlson, associate director of film studies, and Lilly Holman '15 enjoyed the WESeminar with Jeffrey Richards '69 and Jeanine Basinger.

David Low ’76, associate director of publications; Marc Longenecker ’03, MA ’07, technical and programming manager in film studies; Lea Carlson, associate director of film studies, and Lilly Holman ’15 enjoyed the WESeminar with Jeffrey Richards ’69 and Jeanine Basinger.

40 Years of the CFA

“Looking back isn’t something Wesleyan University’s Center for the Arts is much interested in doing,” begins a WNPR report on the 40th anniversary of Wesleyan’s Center for the Arts.

“During this 40th Anniversary Season, instead of reflecting on the past and patting itself on the back for four decades of innovative and non-traditional arts programming, CFA chose to celebrate with business as usual.

That means engaging audiences in less that’s familiar, repetitive, or comfortable, and more in timely visits from new visionary artists and performers — global rock stars of the experimental art and performance world.”

Read the whole report, along with pictures and video of recent CFA performances, here.

Photographs, Drawing, Sculpture from Studio Art Majors Displayed

"Thesis Art 2014" is on display through May 24 at the Ezra and Cecile Zilkha Gallery. The reception, honoring Class of 2014 studio art majors, will be held from 2 to 4 p.m. May 24. Pictured are Hannah May Knudsen’s archival image prints selected from “The Apron." Her photographs capture horseracing culture in present-day United States.

An exhibit titled “Thesis Art 2014″ was on display through May 24 at the Ezra and Cecile Zilkha Gallery. Class of 2014 studio art majors were honored at the reception. Pictured are Hannah May Knudsen’s archival image prints selected from “The Apron.” Her photographs capture horseracing culture in present-day United States.

Nathaniel Elmer, who completed his thesis, beat_space, in architecture, is displaying his images titled “3 photographs."

Nathaniel Elmer, who completed his thesis, beat_space, in architecture, displayed his images titled “3 photographs.”

Rebecca Schisler ’14’s painting, “Field notes and personal Hieroglyphs”, selected from the larger Out of Line: Paintings collection examine optical spontaneity at “the intersection of reference and abstraction”.

Rebecca Schisler’s paintings, selected from her larger “Out of Line: Paintings” collection examine optical spontaneity at “the intersection of reference and abstraction.”

Seniors Write, Direct, Act in “Shrak the Musical”

Wesleyan students presented “Texts.com Presents Shrak the Musical: the Musical” May 3 in WestCo Cafe. Nick Petrillo ’14, Sky McGilligan ’14, Keegan Dufty ’14 and Liza Pine ’14 wrote, directed and acted in the musical. Charlie Kaplan ’14 directed the music and co-directed the show. Ben Kafoglis ’14 also wrote, directed and produced the show. (Photos by Ryan Heffernan ’16)

Keegan Dufty '14 starred as "Shrak" and Nick Martino '15 played the role of "Donkey."

Keegan Dufty ’14 starred as “Shrak” and Nick Martino ’15 played the role of “Donkey.”

Pictured from left, are Linsin Smith '16 as "Fiona," Zachary Logan '15 as "Gingerbread Man" and Kate Centofanti '14 as "Officer Boots."

Pictured from left, are Linsin Smith ’16 as “Fiona,” Zachary Logan ’15 as “Gingerbread Man” and Kate Centofanti ’14 as “Officer Boots.”

Low’s Short Story Published in Solstice Literary Magazine

David Low

David Low

David Low ’76, associate director of publications in University Communications, is the author of a short story titled “Elevor,” published in the Spring 2014 literary magazine Solstice.

“Elevor” is about a young Chinese American woman living and working in Manhattan who suffers from claustrophobia and has several surprising adventures around the city.

In addition to his many articles in Wesleyan magazine, Low’s fiction has appeared in the Ploughshares Reader, American Families, Under Western Eyes: Personal Essays from Asian America, Many Lights in Many Windows, and Mississippi Review.

He is a recipient of fellowships from the National Endowment of the Arts, the MacDowell Colony and Yaddo, a New York State Arts Council Grant, and a Wallace Stegner Writing Fellowship at Stanford University.