Arts & Culture

Dachs ’98 Receives Sci-Tech Oscar for PIX System

Eric Dachs ’98, founder and CEO of PIX System, accepts a Sci-Tech Oscar for technical achievement. “For over 15 years, serving the talent in this industry has been a profound honor,” he said. “We are humbled and grateful to the academy for recognizing our efforts.” (Photo courtesy of AMPAS)

The Academy of Motion Picture Arts and Sciences (AMPAS) honored Eric Dachs ’98, the founder and CEO of PIX System, with a Technical Achievement Award at its Oscars 2019 Scientific and Technical Awards Presentation on Feb. 9, 2019.

Since its creation in 2003, PIX System has become the entertainment industry gold standard in providing secure communication and content management capabilities. Dachs, a theater major while at Wesleyan, designed and coded the initial software early in his career when he was an assistant to sound designer Ren Klyce for Panic Room. It was then that he saw the need for an easy, safe digital platform to share revisions and collaborate across locations.

Accepting the Oscar along with three members of his team—director of R&D Erik Bielefeldt, technical director Craig Wood, and Paul McReynolds—Dachs said, “For over 15 years, serving the exceptional talent in this industry has been a profound honor. We are humbled and grateful to the Academy for recognizing our efforts.” Among those he thanked were clients, as well as the open-source community “whose often unrecognized critical efforts make PIX possible,” and family and friends.

Dachs’s PIX System was used in production of eight Oscar-winning films this year, including A Star Is Born, Black Panther, First Man, Green Book, Roma, and Spider-Man: Into the Spider-Verse.

For Dachs, Wesleyan’s creative liberal arts education was the basis for his achievement in technology and business. A transfer student, he focused on sound design in both film and theater, using analog and the then-new digital equipment.

Wesleyan in the News

In this recurring feature in The Wesleyan Connection, we highlight some of the latest news stories about Wesleyan and our alumni.

Recent Wesleyan News

  1. Forbes: “Three Questions to Ask Yourself at the Beginning of Your Career”

Sharon Belden Castonguay, director of the Gordon Career Center, offers career advice for young people just starting out.

2. The Times Literary Supplement: “Multiple Lives”

Hirsh Sawhney, assistant professor of English, coordinator of South Asian studies, explores the “complicated existence” of Mahatma Gandhi.

3. The Washington Post: “The Delight of Being Inconspicuous in a World That’s Always Watching Us”

President Michael Roth reviews a new book, How to Disappear: Notes on Invisibility in a Time of Transparency, by Akiko Busch.

Yannatta ’91: Opium Moon Wins Grammy on Her Be Why Music Label

Grammy Celebration: Julie Yannatta ’91 (left), founder and CEO of Be Why Music, with Opium Moon (l. to r.: M.B. Gordy, Lili Haydn, Itai Disraeli, Hamid Saeidi), whose debut album, Opium Moon, won a Grammy for Best New Age Album in 2018. (Photo courtesy Julie Yannatta ’91)

When Opium Moon won the Grammy Award for the Best New Age Album this year, “Thank you, Julie Yannatta…” were the first words from singer/violinist Lili Haydn’s lips once she reached the stage.

Yannatta ’91 is founder and owner of Be Why Music, the label that released the self-titled debut album by the eclectic band—Lili Haydn on violin/voice, Hamid Saeidi on santoor (Persian hammered dulcimer) and voice, M.B. Gordy on ancient percussion, and Itai Disraeli on fretless bass. Their haunting music draws from each member’s cultural traditions: Iran, Israel, Canada, and the United States.

Yannatta, with a career path as eclectic as the roots of this music—a lawyer and musician who moved back to the States from Finland in 2005—calls the variety in her pursuits “the gift of my Wesleyan education: my absolute fearlessness to do whatever it is I’m inclined or excited to do.”

Arevalo Mateus PhD ’13 Named Lead Scholar for NY State Archives Documentation Plan

Jorge Arévalo Mateus

Jorge Arévalo Mateus earned a PhD in ethnomusicology from Wesleyan in 2013.

Jorge Arévalo Mateus PhD ’13 is a lead scholar on a developing plan for The New York State Archives. The plan will focus on the collection and preservation of, as well as accessibility to, records involving under-documented topics and communities.

Arévalo Mateus will guide the research process of the project, which will include surveys on collections and communities and regional meetings across the state. The project is one of the Documentary Heritage and Preservation Services for New York (DHPSNY), a statewide program that supports a network of library and archival repositories that contain New York’s historical records and is in conversation with other collecting institutions in the state.

President Roth Hosts Brunch in Conjunction with Art Miami

As part of Art Miami‘s 29th annual art week held Dec. 4-9 in Miami, Fla., several alumni, parents, and friends attended a brunch with Wesleyan President Michael Roth ’78. The brunch included a general day pass to view three fairs at Art Miami, CONTEXT Art Miami, and AQUA Art Miami.

Former Wesleyan Trustee Alberto Ibarguen ’66, P’97, Hon.’11 introduced President Roth at the brunch. Ibarguen is president and CEO of the John S. and James L. Knight Foundation in Miami.

View photos of the event below and in this Wesleyan Flickr album. (Photos by Leo Photographer, Miami)

Audible Bacillus Exhibit Explores the Fluidity of the Human Biome

The exhibit, Audible Bacillus, opened at the Ezra and Cecile Zilkha Gallery on Jan. 29.

Audible Bacillus opened at the Ezra and Cecile Zilkha Gallery on Jan. 29.

The opening reception included opening remarks by Curator Benjamin Chaffee, associate director of visual arts.

The opening reception included opening remarks by curator Benjamin Chaffee, associate director of visual arts.

Chaffee set out to answer questions such as, "What does it mean for our world concept, language, ethics, and knowledge if we accept that human bodies co-evolved with their microbiomes?"

With the exhibit, Chaffee set out to answer questions such as, “What does it mean for our world concept, language, ethics, and knowledge if we accept that human bodies coevolved with their microbiomes?”

The works are presented not as practical scientific rhetoric but rather as investigations in their own right into a variety of themes including alternative epistemologies, the nature and source of volition, a breakdown of the boundary between self/other, the limits of our language(s), and into the radical care we need to sustain a future.

The works are presented as investigations into a variety of themes including alternative epistemologies, the nature and source of volition, a breakdown of the boundary between self/other, the limits of our language(s), and the radical care we need to sustain a future.

Stromatolites, the fossilized remains of ancient cyanobacteria, the dominant species on the Earth billions of years ago, will also be included in the exhibition.

Stromatolites, the fossilized remains of ancient cyanobacteria that were the dominant species on the Earth billions of years ago, are included in the exhibition.

The exhibit presents pieces of audio and video to create an experience of movement for visitors, mirroring Chaffee’s efforts to understand the fluidity of the human biome.

The exhibit incorporates multi-media pieces, including artist Ed Atkin's video short titled "Warm, Warm, Warm Spring Mouths."

The exhibit also incorporates multimedia pieces, including artist Ed Atkin’s video short titled “Warm, Warm, Warm Spring Mouths.”

Listen to a conversation between Benjamin Chaffee and Curator of the Davison Art Center Miya Tokumitsu about this exhibition on the Center for the Arts Radio Hour.

A conversation between Chaffee and Curator of the Davison Art Center Miya Tokumitsu about this exhibition can be heard on the Center for the Arts Radio Hour.

Gallery Hours: Tuesday and Wednesday, 12-5 p.m.; Thursday, 12-7 p.m. (NEW Extended Hours); Friday through Sunday, 12-5pm.

The Zilkha Gallery is open Tuesday and Wednesday, noon to 5 p.m.; Thursday, noon to 7 p.m.; and Friday through Sunday, noon to 5 p.m.

Audible Bacillus will be on display through Sunday, March 3, 2019. (Photos by Sara McCrea ’21)

Murillo’s Poem Featured in American Poetry Review

John Murillo (Photo courtesy of American Poetry Review)

New poetry by John Murillo, assistant professor of English, is published in the Feb. 2019 issue (Volume 48, No. 1) of American Poetry Review. Murillo also is featured on the publication’s cover page.

His poem, titled “A Refusal to Mourn the Deaths, by Gunfire, of Three Men in Brooklyn,” is a nod to Dylan Thomas’s famous poem, “A Refusal to Mourn the Death, by Fire, of a Child in London.”

Sawhney Speaks at Tata Mumbai LitFest

Hirsh Sawhney, assistant professor of English, coordinator of South Asian Studies, spoke on a panel about the way in which outsiders write about India at Tata Literature Live! The Mumbai LitFest. Other panelists included, from left, memoirist Carlo Pizzati, Sawhney, writer Scott Carney, and renowned Indian publisher Karthika VK.

Hirsh Sawhney, assistant professor of English and coordinator of South Asian Studies, second from left, spoke on a panel at Tata Literature Live! The Mumbai LitFest about the way in which outsiders write about India. Pictured, from left, are fellow panelists: memoirist Carlo Pizzati, writer Scott Carney, and renowned Indian publisher Karthika VK.

Hirsh Sawhney, assistant professor of English and coordinator of South Asian Studies, recently participated in Tata Literature Live! The Mumbai LitFest. The ninth annual event was held Nov. 15–18 in Mumbai and was attended by more than 100 participants from around the world.

At the festival, Sawhney participated in a panel discussion about the way in which outsiders write about India, and how outside perspectives have shaped both Euro-American and South Asian perspectives on India.

“A lot of this conversation focused on the undying legacy of empire, and we had a nuanced conversation about issues of representation and authenticity, a discussion that seemed very relevant to parallel conversations occurring here at Wes,” he said. “The conversations were obviously focused on books and writers, and there were some big writers there, such as Allan Hollinghurst. But there were also provocative conversations about contemporary political issues, such as the rise of right-wing extremist policy and rhetoric in both Indian and North American politics.”

Curran’s Diderot Biography Touches on Affairs, Tormented Relationships, Social Beliefs

Andrew Curran, the William Armstrong Professor of the Humanities, is the author of Diderot and the Art of Thinking Freely, published by Other Press on Jan. 15.

According to the publisher:

“Denis Diderot is often associated with the decades-long battle to bring the world’s first comprehensive Encyclopédie into existence. But his most daring writing took place in the shadows. Thrown into prison for his atheism in 1749, Diderot decided to reserve his best books for posterity—for us, in fact. In the astonishing cache of unpublished writings left behind after his death, Diderot challenged virtually all of his century’s accepted truths, from the sanctity of monarchy, to the racial justification of the slave trade, to the norms of human sexuality. One of Diderot’s most attentive readers during his lifetime was Catherine the Great, who not only supported him financially but invited him to St. Petersburg to talk about the possibility of democratizing the Russian empire.”

Organizing the biography by theme, “Curran vividly describes Diderot’s tormented relationship with Rousseau, his curious correspondence with Voltaire, his passionate affairs, and his often iconoclastic stands on art, theater, morality, politics, and religion. But what this book brings out most brilliantly is how the writer’s personal turmoil was an essential part of his genius and his ability to flout taboos, dogma, and convention.”

Andrew Curran

Andrew Curran

Curran is a fellow in the history of medicine at the New York Academy of Medicine and a Chevalier dans l’Ordre des Palmes Académiques. At Wesleyan, he also is professor of French and chair of Romance Languages and Literatures. This spring, he’s teaching French Composition and Conversation.

Curran also is the author of two previous books, Sublime Disorder: Physical Monstrosity in Diderot’s Universe and The Anatomy of Blackness: Science and Slavery in an Age of Enlightenment.

Curran’s book was featured in The New York Times’s New & Noteworthy section on Jan. 15. Read a review on the book in Kirkus.

Alumni, Family Members Gather for Hamilton Performance in Hartford

On Dec. 18, approximately 100 Wesleyan alumni and family members as well as staff gathered at The Bushnell in Hartford to celebrate the Connecticut debut of Hamilton: An American Musical, the Tony Award-winning musical created by Lin-Manuel Miranda ’02 and directed by Thomas Kail ’99. Hamilton is currently touring the U.S., with a run at the Bushnell Dec. 11-30, 2018.

Photos from the event are below: (Photos by Rich Marinelli)

Attendees also enjoyed a reception before the performance at the Maxwell M. and Ruth R. Belding Theater.

Attendees also enjoyed a reception before the performance at the Maxwell M. and Ruth R. Belding Theater.

Jack Mitchell '61 gave a toast to Barbara-Jan Wilson, special advisor to the president, who in December retired as long-time vice president for University Relations.

Jack Mitchell ’61, GP’16, gave a toast to Barbara-Jan Wilson, special advisor to the president, who in December retired as long-time vice president for University Relations.

Wesleyan Receives $250,000 Mellon Foundation Grant to Support Artist Residency, Commission Program

Wesleyan has considerable experience hosting artist residencies of varying length and complexity. Pictured is artist-in-residence Eiko Otake with Institute for Curatorial Practice in Performance students in 2017. (Photo by Brendan Plake, courtesy of Wesleyan University’s Center for the Arts.)

Wesleyan has considerable experience hosting artist residencies of varying length and complexity. Pictured is visiting artist-in-residence Eiko Otake with Institute for Curatorial Practice in Performance students in 2017. (Photo by Brendan Plake, courtesy of Wesleyan University’s Center for the Arts.)

The Andrew W. Mellon Foundation has awarded Wesleyan a $250,000 grant to implement an innovative artist residency model to deepen engagement with the arts on campus and expand their impact in the community. The grant will be spent over three-and-a-half years, in a period ending in June 2022.

Wesleyan has a long history of hosting artist residencies, in which visiting artists offer master classes and give talks based around a single performance or art installation. Most residencies have been relatively short-term, with a few notable exceptions. Under the Mellon grant, the University will establish an expanded version of the artist residency model with a focus on commissioning original, innovative work. Resident artists will teach a semester-long course, and will become embedded in a particular department but also work across departmental and community borders. They will also conceive and develop a piece of art or performance with student interns/apprentices who are integrally engaged in the generative process over a 12-month period, and premiere that commissioned piece as part of Wesleyan’s presenting or exhibition season or, depending on the work, in a venue off campus.

“Historically, universities have been crucial for artistic experimentation, and Wesleyan has long been a home for adventurous, creative work. With support from the Mellon Foundation, we will nurture, support, and promote innovative artistic work,” said President Michael S. Roth. “Our goal is to give artists the resources and stimuli to help them be cultural catalysts, while also infusing the arts more deeply into campus life at Wesleyan.”

New Book by Film Historian Arnold ’91: Christmas in the Movies

Jeremy Arnold ’91 on set at Turner Classic Movie channel, discussing his newest book, Christmas in the Movies: 30 Classics to Celebrate the Season (Turner Classic Movies and Running Press, 2018).

Newsday writer Rafer Guzmán quotes Jeremy Arnold ’91, a film historian, commentator, and author, in his roundup of new movies and old favorites for this time of year in his article “More Christmas Movies Than Ever This Holiday Season.”

Arnold, the author of Christmas in the Movies (Running Press, 2018) a Turner Classic Movies book, points out that “The new big-screen films are not only competing with Hallmark and Lifetime but all the previous feature films that are available on home video.”

A film studies major as an undergraduate, Arnold also answers Guzmán’s question of what constitutes a film of this genre: “‘I would say a successful Christmas movie is when Christmas plays a meaningful role in the story,’ Arnold says. ‘That encompasses many things—not just joy and love, but also loneliness and alienation, commercialism and dysfunction. You could do dramas or comedies about any of those things.’”

(Photos courtesy of Jeremy Arnold)

With the 30 classics listed chronologically, beginning with Miracle on Main Street (1939) through Elf and Love Actually (both 2003), the book invites nostalgia and offers film buffs plenty of stills from favorite scenes, as well as commentary along with little-known facts—for example, how director Bob Clark cast Peter Billingsley as Ralphie in A Christmas Story (page 145).

This was the second book that Arnold wrote for TCM, following The Essentials, published in 2016. He also appeared on TCM as a guest host in early December to present four films included in his newest book and discuss their place in the Hollywood tradition of Christmas movies.