Arts & Culture

Pearl Creates MILTON, a Performance, Community Engagement Experience

miltonFrom Wisconsin to Massachusetts, Assistant Professor of Theater Katie Pearl has visited five small American towns named Milton and developed a series of performances, each focused on (and performed in) a particular Milton.

Since 2012, Pearl and Lisa D’Amour—known collectively as PearlDamour—have led the performance and community engagement experiment.

In November 2019, PearlDamour released MILTON, a book that includes the full text of PearlDamour’s North Carolina performance, along with photos and excerpts from performances in Oregon and Massachusetts, and essay reflections on the process and practice of community-based art-making.

For more than 20 years, Obie-Award winning PearlDamour has pushed the boundaries of theatrical experience both inside and outside traditional theater spaces. PearlDamour’s work also includes the 8-hour performance installation How to Build a Forestinspired by Hurricane Katrina and the BP oil spill and devised for traditional theatre stages; and Lost in the Meadow, created for a 40-acre hillside at Longwood Botanical Gardens outside Philadelphia, exploring the short-sightedness of humans. They were honored with the Lee Reynolds Award in 2011 for How to Build a Forest, and with an Obie Award in 2003 for Nita and Zita.

This spring, Pearl is teaching the THEA 381 course Directing II.

Davison Art Center Offers Museum-Quality Art Reproductions

Breton Women at a Fence (Bretonnes à la Barrière) BuyPaul Gauguin

“Breton Women at a Fence” (“Bretonnes à la Barrière”) by Paul Gauguin is available for reproduction in Art Authority’s Davison Art Center collection.

Art enthusiasts can now enjoy Wesleyan’s Davison Art Center (DAC) collections on their own living room walls.

The DAC has partnered with Art Authority and 1000 Museums to offer the public high-quality reproductions of select holdings from the DAC collection. Currently, the DAC store includes works by Albrecht Dürer, Paul Gauguin, and all 80 prints in Francisco de Goya’s series, Los Caprichos.

Each reproduction is made using a professionally photographed digital image and printed on archival fine art paper. A variety of sizes and framing options are available for each print.

The DAC is working to make reproductions of additional DAC holdings available over time.

To see what’s available now, visit wesleyan.edu/dacprint.

art

Wesleyan in the News

NewsIn this recurring feature in The Wesleyan Connection, we highlight some of the latest news stories about Wesleyan and our alumni.

Wesleyan in the News

  1. NPR: “Book Review: ‘The Movie Musical!’ Is a Symphony in Praise of the ‘Razzmatazz’ of the Genre”

“Encyclopedic in scope, but thankfully not in structure, The Movie Musicals! is a downright delightful read,” this NPR review of Corwin-Fuller Professor of Film Studies, Emerita, Jeanine Basinger’s new book proclaims. The Movie Musicals! truly “dazzles” for its insight into the roles these films have played over the 20th century and into the 21st, the review states, noting, “And throughout the hefty volume, Basinger addresses—both directly and indirectly—the essential question at the heart of musicals: What compels us to suspend disbelief and accept, if not wholly enjoy, the fantastical idea of people spontaneously breaking into song? What does this sorcery say about the immersiveness of film, and the power of song, and the mechanism of the human imagination?”

2. BBC: “Galileo’s Lost Letter”

Professor of Religion Mary-Jane Rubenstein is interviewed on “Discovery” from the BBC about the historical conflict between religion and science. “The notion that religion is somehow a backward, authoritarian, anti-rational opponent to science really comes at the end of the 19th century,” she says. There is a misperception that science and religious belief have to always be in conflict, but in actuality, Rubenstein says, it is “a battle between Protestants and Catholics that gets grafted onto and renewed as some sort of dispute between the secular and the religious.” Rubenstein comes in around 15:44 minutes.

3. PBS Newshour: “Why Haitians Say They Won’t Stop Protesting”

Krishnan Authors New Book on Tamil Cinema, Bharatanatyam Dance

Krishnan book Hari Krishnan, associate professor of dance, is the author of a new book, Celluloid Classicism: Early Tamil Cinema and the Making of Modern Bharatanatyam, published by Wesleyan University Press in August 2019.

According to the publisher:

Celluloid Classicism provides a rich and detailed history of two important modern South Indian cultural forms: Tamil Cinema and Bharatanatyam dance. It addresses representations of dance in the cinema from an interdisciplinary, critical-historical perspective. The intertwined and symbiotic histories of these forms have never received serious scholarly attention. For the most part, historians of South Indian cinema have noted the presence of song and dance sequences in films, but have not historicized them with reference to the simultaneous revival of dance culture among the middle-class in this region. In a parallel manner, historians of dance have excluded deliberations on the influence of cinema in the making of the “classical” forms of modern India. Although the book primarily focuses on the period between the late 1920s and 1950s, it also addresses the persistence of these mid-twentieth century cultural developments into the present. The book rethinks the history of Bharatanatyam in the 20th century from an interdisciplinary, transmedia standpoint and features 130 archival images.

Paintings by Schechter ’17 on Exhibit in NYC

Sarah Schechter, Walrus at Night, 2019, oil and mixed media on canvas, 36" x 48"

Sarah Schechter, Walrus at Night, 2019, oil and mixed media on canvas, 36″ x 48″

Sarah Schechter ’17 is exhibiting her first solo show, “Kasual Bagel,” at the Shrine Gallery in New York City. Her paintings will be on display through Jan. 5.

Shrine is open from noon to 6 p.m. Wednesday through Sunday, and is located at 179 East Broadway.

Schechter, who majored in history at Wesleyan, lives and works in Harlem, and is completing an art education certification program at Teachers College, Columbia University.

Gaby Giangola ’17 Is Goth Girlfriend

Along with other musicians around the world this week, Goth Girlfriend (Gaby Giangola ’17) posted her “2019 Spotify Wrapped” overview to Instagram. Accompanied by the caption “gotta start somewhere, eh?,” the photo summarizes the number of streams and listeners who tuned in to Goth Girlfriend’s music on the streaming service this year. The caption encapsulates Goth Girlfriend’s tireless ambition.

Two years after graduation, Gaby Giangola ’17 aka Goth Girlfriend, is pursuing a career in music. (Photo by Blaise Bayno)

The up-and-coming artist’s music is self-described as banshee rap or alternative rock; her sound is raw and meticulous at the same time. The five tracks on her recent EP, Sex Sprain, mix guitar chords and hip-hop beats with punk vocals, and touch on themes of isolation, mental illness, sexism, and the hedonism of a “sympathetic nervous system surging for kicks.” By night, Goth Girlfriend is a singer-songwriter, bassist, and DJ. By day, she is Gaby Giangola, an administrative assistant at an entertainment law firm in New York City. This dichotomous identity defines not only her working week, but her artistic expression as well.

Tucker in The Conversation: From Their Balloons, the First Aeronauts Transformed Our View of the World

Wesleyan faculty frequently publish articles based on their scholarship in The Conversation US, a nonprofit news organization with the tagline “Academic rigor, journalistic flair.” On the release date of the new film The Aeronauts, Associate Professor of History Jennifer Tucker writes about how the first hot-air balloon trips in the 19th century transformed our views of the world and opened up a new “laboratory for discovery” for scientists interested in studying the atmosphere and meteorology.

From their balloons, the first aeronauts transformed our view of the world

A lithograph from Gaston Tissandier’s balloon travels depicts falling stars. Archive.org

A lithograph from Gaston Tissandier’s balloon travels depicts falling stars. Archive.org

Near the beginning of the new film “The Aeronauts,” a giant gas-filled balloon called the “Mammoth” departs from London’s Vauxhall Gardens and ascends into the clouds, revealing a bird’s eye view of London.

To some moviegoers, these breathtaking views might seem like nothing special: Modern air travel has made many of us take for granted what we can see from the sky. But during the 19th century, the vast “ocean of air” above our heads was a mystery.

These first balloon trips changed all that.

Wesleyan in the News

NewsIn this recurring feature in The Wesleyan Connection, we highlight some of the latest news stories about Wesleyan and our alumni.

Wesleyan in the News

  1. CNN: “What the ‘Woke Student’ and the ‘Welfare Queen’ Have in Common”

“Every age seems to need a bogeyman, some negative image against which good people measure themselves,” writes President Michael Roth ’78 in this op-ed. Roth compares today’s bogeyman, the “woke” college student, with those of past eras—the “welfare queen” and “dirty hippie”—and seeks to build understanding and dispel negative misperceptions of activist college students. “The images of the welfare queen and of the woke student are convenient because they provide excuses to not engage with difference, placing certain types of people beyond the pale,” he writes. “These scapegoats are meant to inspire solidarity in a group by providing an object for its hostility (or derision), and educators and civic leaders should not play along.”

2. Los Angeles Times: “Opinion: Our Food Is Tainted with E. Coli, Yet the FDA Is Rolling Back Safety Rules”

As yet another food-borne E. coli outbreak sickens Americans, Fred Cohan, the Huffington Foundation Professor in the College of the Environment and professor of biology, and Isaac Klimasmith ’20, argue in this op-ed that more can and should be done to prevent dangerous contaminations of our food supply. The Food and Drug Administration (FDA) has rolled back rules that “would have required monitoring and treating irrigation water for E. coli,” a major cause of these outbreaks. “We should not be surprised that a regulation-averse administration would disregard the science of food safety, but it is concerning that consumers have become complacent about yearly outbreaks of E. coli contamination and largely silent about the rollback of food safety regulations,” they write.

3. The Washington Post: “What Happens When College Students Discuss Lab Work in Spanish, Philosophy in Chinese or Opera in Italian?”

Stephen Angle, director of the Fries Center for Global Studies, professor of philosophy, and the Mansfield Professor of East Asian Studies, is interviewed about Wesleyan’s efforts to promote language study, including the new Cultures and Languages Across the Curriculum (CLAC) initiative, through which students can study a range of disciplines in other languages. For example, Angle teaches a Mandarin-language section of Classical Chinese Philosophy, a course historically taught in English. Read more about CLAC and Wesleyan’s language instruction here.

“You Just Have to Read This…” 3 Books By Wesleyan Authors: Otteson ’94, Stoberock ’92, Wickwire PhD ’83

In the sixth of this continuing series, Sara McCrea ’21, a College of Letters major from Boulder, Colo., reviews alumni books and offers a selection for those in search of knowledge, insight, and inspiration. The volumes, sent to us by alumni, are forwarded to Olin Library as donations to the University’s collection and made available to the Wesleyan community.

book cover for ActivistKK Ottesen ’94, Activist: Portraits of Courage (Chronicle Books, Oct. 8, 2019)
Ranging in age from 12 to 94 years old, the activists photographed and recorded in Activist: Portraits of Courage will inspire you to “dissent, disrupt, and otherwise get in the way.” They are those who took action on the Senate floor, on art museum walls, and in leading marches throughout city centers. In short, they are people who made difficult choices, out of hope for and faith in a better future. In this beautifully assembled book of portraits and stories, KK Ottesen ‘94 highlights 40 of the most influential, admirable change-makers of our time, following their journeys from the beginning. While each featured activist stood out and stepped up in a way that was unique to their talents and character, they all did so with the shared vision of justice and equality. This book comes at a time where it has perhaps never felt so relevant; yet upon further consideration, it seems to have always been exactly the inspiration we needed. Striking in its images and moving in its stories of change, Activist is an homage to the people who practice courage as a way of life.

KK Otteson ’94 is an author and editor who is a regular contributor to the Washington Post magazine. A government major at Wesleyan who earned an MBA at Yale University, she is the author of Great Americans (Bloomsbury 2003), which explored what it meant to be an American through interviews with ordinary citizens who shared a name with national icons.

 

cover of the novel PIGSJohanna Stoberock ’92,  Pigs: A Novel (Red Hen Press, 2019)
On an island filled with reposited trash, four children live among pigs. In Pigs: A Novel—which has been compared to Golding’s Lord of the Flies and Orwell’s Animal Farm—Johanna Stoberock ’92 writes a tale that is disturbingly familiar in its outlandishness. The pigs on the island are insatiable and greedy, eating any filth or wreckage that comes to the island. But when a barrel washes up on the shore of the island with a boy inside, the carefully constructed dynamic between the children and the pigs is thrown into conflict. Though the premise is absurd, Stoberock grounds the novel in a multi-faceted emotional realness that permeates the narrative with tenderness and compassion. The reader may start to see themselves not only in the children who are just trying to get by, but also in the snouted characters, as the animality of the pigs is reminiscent of humans in late-capitalism at their worst, as well as at their most vulnerable. In a meditation on consumerism, community, and culpability, Pigs portrays some of the most frightening parts of being human today, while ultimately encouraging immersive empathy as a method of response.

Johanna Stoberock ’92, who majored in English and religion at Wesleyan, earned an MFA at the University of Washington. Her honors include the James W. Hall Prize for Fiction, as well as an Artist Trust GAP award. Her work has appeared in the New York Times and the Best of the Net anthology and other venues. She teaches at Whitman College.

 

AT the Bridge coverWendy Wickwire PhD ’83, At the Bridge: James Teit and an Anthropology of Belonging (UBC Press, 2019)
From a base of Spences Bridge, British Columbia, little-known ethnographer James Teit created a new form of participatory anthropology which allowed him to work with and advocate for Indigenous peoples in the area from 1884 to 1922. Despite his unquestionable innovation in the field of anthropology and dedication to ethical storytelling, Teit had almost disappeared from the historical record before Wendy Wickwire wrote At the Bridge: James Teit and an Anthropology of Belonging. In this impressive cobbling together of history, Wickwire crafts a stunning biographical portrait that not only secures Teit as one of the most influential anthropologists of his time, but also continues in Teit’s tradition of representing stories in their full complexity. Traversing the narrative plains of Pacific Northwest political history, the field of anthropology, the concepts of indigenous knowledge, and the hidden corners of historical archives, At the Bridge makes a compelling case for the intentional preservation of stories, while bringing the story of a very notable storyteller out of lost history.

Wendy Wickwire PhD ’83 is a professor emerita in the Department of History at the University of Victoria. She earned her bachelor’s degree in music at the University of Western Ontario and her doctorate at Wesleyan in ethnomusicology. 

Parker ’48, First Theater Major, Mentor to Hamilton Creators, Dies at 92

Gilbert Parker ’48, a retired literary agent who represented many of the country’s most influential playwrights over the span of nearly half a century, died Oct. 29, 2019. He was 92 and had served in the US Navy during World War II.

The first theater major at Wesleyan, he earned his degree with honors and distinction. Beginning his career at Liebling-Wood, Inc., as the assistant to Audrey Wood, the renowned agent who represented Tennessee Williams and other significant playwrights, Parker later joined the William Morris Agency, retiring in 2000.

Parker was noted as an adviser and mentor to many young and aspiring Wesleyan theater majors, and in his honor, Thomas Kail ’99 and Claire Labine (a former client of Parker’s and creator/head writer of Ryan’s Hope) created a Wesleyan scholarship in Parker’s name in 2012. In a note to those gathered in New York City to celebrate the Gilbert Parker Endowed Scholarship, President Michael S. Roth ’78 had observed, “During your sparkling 50-year career as an agent, the Wesleyan community took pride in your reflected glory. You made this relationship with our alma mater deeper and more personal, then and following your retirement, by closely mentoring Wesleyan graduates in the theater world like Thomas Kail ’99, Lin-Manuel Miranda ’02, John Buffalo Mailer ’00, and Bill Sherman ’02, among others. It’s wonderful that a group of your friends and protégés initiated this scholarship fund (and typical of your generosity, Gilbert, that you have contributed to it).”

A memorial service is planned for Parker on Feb. 3, 2020, in New York City. Those who would like more information, or would like to make a gift to the Gilbert Parker Endowed Scholarship Fund at Wesleyan University in celebration of his life, please contact Marcy Herlihy at mherlihy@wesleyan.edu; 860/685-2523; Wesleyan University Office of Advancement, 291 Main Street, Middletown, CT 06457.

Language Study at Wesleyan Holds Strong, Bucking Trend of National Declines

Bologna study abroad class

Students use and develop their Italian language skills through Wesleyan’s study abroad program in Bologna, Italy, designed to complement the rigorous language curriculum offered on campus.

Foreign language enrollments at colleges and universities across the country have sharply declined in recent years, according to the Modern Language Association, yet language study at Wesleyan is holding quite strong.

Despite the fact that Wesleyan, unlike the vast majority of our peers, has no language requirement, 60 to 70% of Wes students choose to study a language other than English. The average student takes around three semesters of language classes, while approximately 30% go on to study at advanced levels and 13% study more than one language.

Wesleyan has stepped up to meet students’ interest in language study. With the addition of courses in Hindi-Urdu in Fall 2019, Wesleyan now offers full classroom instruction in 15 different languages—the most of any liberal arts college in the country, tied only with Wellesley College.

Smith ’66 on Translating and Promoting Global Indigenous Literature

Front cover of Meditations After the Bear Feast: The Poetic Dialogues of N. Scott Momaday and Yuri Vaella

Claude Clayton “Bud” Smith ’66, professor emeritus of English at Ohio Northern University, is an author who throughout his career has worked behind the scenes to bring Native Siberian creative writing to an English-speaking audience and to promote global indigenous literature. In that spirit, before Smith’s story starts, he recommends we tune in to the PBS premiere of N. Scott Momaday: Words From a Bear, on Nov 18.

Smith’s connection with N. Scott Momaday is personal. In 2016, Smith co-edited and translated Meditations After the Bear Feast, a collection of poems exchanged between Momaday, a Kiowa writer and the defining voice of the Native American Renaissance in American Literature, and Yuri Vaella, a writer, reindeer herder, and political activist of the Forest Nenets people in western Siberia. But Meditations After the Bear Feast nearly did not see print. How did Smith, a descendant of one of the founders of Hartford, Conn., on his father’s side and an immigrant Czech on his mother’s—who does not speak Russian or any native languages—become the critical player in bringing Meditations to publication? According to Smith, the story begins where it does for every writer, in his childhood backyard.

Claude Clayton “Bud” Smith ’66 enjoying “retirement” at an art show at University of Wisconsin, 2017. (Photos courtesy of C.C. Smith ’66)

Smith grew up a 45-minute drive from Wesleyan, in Stratford, Conn. Despite the erasure of Native American history, Smith became aware of his hometown’s long past through local Stratford history and the stories of the Sioux man who rented fishing boats to his grandfather. He remembers that, as a child on a field trip to where the Paugussett tribe first encountered settlers in 1639, “my imagination went wild.”

By 1978 Smith had published his first book, The Stratford Devil, and begun teaching when his mother sent him an article from the Bridgeport Post that mentioned the Paugussett tribe. The tribe had just won a yearslong struggle to protect from termination their quarter-acre reservation—a small remnant of their ancestral lands and the oldest continuous reservation in the United States. The reservation happened to be three miles from where Smith grew up, and so Chief Big Eagle of the Paugussett tribe became the subject of Smith’s first book of creative nonfiction. After hours of taped interviews on the Chief’s front porch, Smith began writing the tribe’s story in the voice of the Chief. Miscommunications often arose; of one such conflict Smith said, “I was discussing the gustoweha (the chief’s headdress), which has antlers. The Chief had evidently led quite a love life, marrying four times, and so when discussing the headdress I commented, in the Chief’s voice, something to the effect that, ‘the antlers remind me of myself as a young buck.’ The Chief fumed, and I changed the line to, ‘reminds me of the deer, a noble animal.'” Through the Chief’s editing of his drafts, Smith learned how to write in another’s voice, a skill that would serve him well in his translating work later. The book, Quarter-Acre of Heartache, was published in 1985, a first-person account from the perspective of the Chief, and today, when Smith reads the quotes on the novel’s rear jacket, “half are the Chief’s actual words, half are mine. I’d so absorbed his voice that I can’t now tell which is which.”