Arts & Culture

Students Perform at 45th Annual Worlds of Dance Concert

Students who are enrolled in Introduction to Dance, Bharata Natyam I, and Jazz Technique performed during the 45th annual Worlds of Dance Concert Dec. 2 in Crowell Concert Hall.

Introduction to Dance covers the basic components of dance technique—stretching, strengthening, aligning the body, and developing coordination in the execution of rhythmic movement patterns. Through improvisation, composition, and performing, students develop a solid framework applicable to all forms of dance. The class is taught by Katja Kolcio, chair and associate professor of dance; associate professor, environmental studies; and associate professor, Russian, East European, and Eurasian studies.

Bharata Natyam I: Introduction of South Indian Classical Dance is designed to introduce students to the fundamental aesthetic, social, and technical principles underscoring the culture of Bharata Natyam dance in both its indigenous and modern contexts. The course introduces students to Bharata Natyam largely through classroom practice (in the form of rhythmic and interpretive exercises), supplemented by brief lectures outlining the sociohistorical and cultural contexts of the form. The class is taught by Hari Krishnan, associate professor of dance and associate professor, feminist, gender, and sexuality studies.

Jazz Technique is an introduction to the African American jazz dance vernacular. Students learn about alignment, centering, and technique through the context of jazz’s African roots. Class sessions consist of movement exploration including a comprehensive warm-up and online discussions and media to better understand the place of jazz dance in society and culture at large. The class is taught by Joya Powell, visiting assistant professor of dance.

Photos of the concert are below: (Photos by Rebecca Goldfarb Terry ’19)

 

Shapiro Featured in Poetry Magazine Better Than Starbucks!

Norman Shapiro, professor of french.

Norman Shapiro

Four poems, translated by Distinguished Professor of Literary Translation and Poet in Residence Norman Shapiro, appear in the November 2018 Vol. III edition of the international esoteric journal, Better Than Starbucks!. This poetry magazine is edited by American poet and translator Michael Burch.

The poem below, titled “You …” is translated from the French of Cécile Périn and appeared in The Gentle Genius of Cécile Périn. (Copyright © 2016 by Norman Shapiro and Black Widow Press.)

You …

When you were but the merest tot,
Babbling in cowering awkwardness,
When you were only fresh-begot,
Flesh of my flesh, I loved you less …
What are you now? I scarce know what.

You are Yourself, not part of me:
So little mine, the soul within,
I cannot pierce your mystery!
Be beautiful, be good! Yes, be
Everything I could not have been.

I placed my desperate hopes upon
Your childhood … Light of heart, as then,
Joys will be born anew, anon,
As when you gave them birth. Though gone
Life holds them fast, to come again …

You are this, you are that … Ah yes …
You are our fruit of twofold race,
Who, with each step, bear off, caress
Against your breast, a bit of space.
You are this, you are that … Ah yes …

―Yet you are You, no more, no less.

View all of Shapiro’s poems published in Better than Starbucks here.

Shapiro also is a member of the Academy of American Poets, and Officier de l’Ordre des Arts et des Lettres de la République Française.

8 Undergraduates Make Presentations at Arts and Humanities Symposium

Eight Wesleyan students participated in the CTW Undergraduate Symposium in the Arts and Humanities held at Trinity College in November.

Eight Wesleyan students presented papers during the inaugural CTW (Connecticut College, Trinity College, Wesleyan University) Undergraduate Symposium in the Arts and Humanities on Nov. 10.

This symposium, hosted at Trinity, provided undergraduate students from the three partner institutions, as well as other institutions in the region, an opportunity to present their original scholarly work in a professional setting. Topics included languages and literatures, philosophy, theater and dance, art history, women’s studies, cultural studies, ethnic studies, religious studies, film studies, and more.

Paper submissions were accepted by a committee of faculty members.

During a panel on The Construction of Spaces, Teresa Naval ’19 spoke on “Corrugated Cartographies: Performing the Balikbayan Box” and Asa Spurlock ’20 presented his paper titled “Nature and Stone: A Mythology of Central Park.”

Aviv Rau ’19 presented his paper titled “Queering the ‘Quails’: The Making of White Womanhood at Wesleyan University 1872–1912” during a Considering Gender panel.

Visiting international student Victoria Bianchi spoke on “Sicily and the Dar-al-Islam: Multiculturalism in the pre-Crusading Mediterranean,” during a panel on Culture, Identity, Nation, and State.

As part of a panel on Negotiating Identity in France and the Francophone World, Sophie Tulchin ’20 presented her paper titled “Performing Diaspora: Mohamed Kacimi’s Babel Taxi (2005).”

Tomas Rogel ’19 presented a talk on “These Are Not People, These Are Animals: An Analysis of the American Perception of Salvadorans” during a panel focusing on Giving Voice to the Voiceless.

Lizzie Whitney ’19 spoke on “Refugee Crisis in German Literature” during a panel on The Production of Culture across Borders.

And during a panel on Ancient Texts, Benjamin Sarraille ’19 shared his paper titled “Measure for Measure: Translating the Illiad of Homer.”

In addition to sharing their own work, the students had the opportunity to participate in 16 different panels and attend a keynote lecture by Maurice Samuels, the Betty Jane Anlyan Professor of French and Chair of the Department of French at Yale University.

Support for this symposium was provided in part by a grant from The Andrew W. Mellon Foundation.

Submission guidelines and further information are online here.

Curran Receives French Academy of Sciences Book Prize

Andy Curran

Andy Curran

Andrew Curran, the William Armstrong Professor of the Humanities, has received the 2018 Prix Monsieur et Madame Louis Marin from the Académie des sciences d’outre-mer for his 2017 book L’Anatomie de la noirceur [The Anatomy of Blackness], which was published by Classiques Garnier.

This prize, which is given by the French Académie des Sciences d’outre-mer, recognizes an outstanding work in the social sciences. The Académie des Sciences d’outre-mer was founded in 1922 and has conferred the Prix Marin since 1976.

Curran’s book, a translation of his Anatomy of Blackness: Science and Slavery in an Age of Enlightenment, is the first comprehensive history of the birth of race in French thought. Curran is also professor of French and chair of Romance languages and literatures.

Wesleyan in the News

In this recurring feature in The Wesleyan Connection, we highlight some of the latest news stories about Wesleyan and our alumni.

Recent Wesleyan News

  1. The Washington Post: “Major Trump Administration Climate Report Says Damage is ‘Intensifying Across the Country'”

Gary Yohe, the Huffington Foundation Professor of Economics and Environmental Studies, was widely quoted in the media about the fourth National Climate Assessment, the first to be released under the Trump Administration. “The impacts we’ve seen the last 15 years have continued to get stronger, and that will only continue,” Yohe, who served on the National Academy of Sciences panel that reviewed the report, told The Washington Post. “We have wasted 15 years of response time. If we waste another five years of response time, the story gets worse. The longer you wait, the faster you have to respond and the more expensive it will be.” Yohe was also quoted on the report in The Hill, The Verge, Al Jazeera, and many other news sources. He is also professor of economics, and professor, environmental studies.

2. The Hill: “If Brits Don’t Want a Redo on Brexit, They Should”

In this op-ed, Richard Grossman, professor and chair of economics, writes that Brexit, or Britain’s “divorce” from the European Union, is anticipated to “reduce Britain’s economic prospects in both the short and long run and leave the country poorer than it would have been had it remained within the European Union.” He writes: “There is a way out of this mess,” but the difficulties are political, not legal.

Sumarsam Named Honorary Member of the Society for Ethnomusicology

Sumarsam

Sumarsam, pictured standing, at right, was named an honorary member of the Society for Ethnomusicology.

For his contribution to the field of ethnomusicology and music scholarship, Sumarsam, the Winslow-Kaplan Professor of Music, was recently named an honorary member of the Society for Ethnomusicology (SEM).

The encomium was presented by Wesleyan alumna Maria Mendonca MA ’90, PhD ’02, during the 63rd SEM General Membership Meeting, Nov. 17, in Albuquerque, N.M.

Sumarsam was commended for his scholarship on gamelan and wayang performance traditions, which inspired the SEM membership, explained Gregory Barz, president of the Society for Ethnomusicology.

“Your mentorship of countless students and colleagues, both directly and by example, is held in high esteem, and the ways that you simultaneously embrace and speak to the various subfields among the disciplines of music scholarship is exemplary,” Barz said. “You demonstrate not only a unique career, but one to which we all aspire.”

Sumarsam is the third Wesleyan faculty member to receive this award. The first one is the late David McAllester, professor of music and anthropology, emeritus (2001); the second is Mark Slobin, the Winslow-Kaplan Professor of Music, Emeritus (2013).

During the meeting, Sumarsam also attended a number of panels, the Society for Asian Music Business meeting, and the SEM Journal of Editorial Board meeting, in which he is a member.

Holtzberg ’79 Honored by American Folklore Society

Past prize winner Maida Owens (left) and AFS President Dorothy Noyes present Maggie Holtzberg (center) with the 2018 Benjamin A. Botkin Prize at the Annual Meeting of the American Folklore Society in Buffalo, New York. Photo credit: Meredith A. McGriff.

Past prizewinner Maida Owens (left) and AFS President Dorothy Noyes present Maggie Holtzberg (center) with the 2018 Benjamin A. Botkin Prize at the Annual Meeting of the American Folklore Society in Buffalo, New York. Photo credit: Meredith A. McGriff.

At its recent annual meeting in Buffalo, N.Y., the American Folklore Society (AFS) named prominent American folklorist Maggie Holtzberg ’79 of Boston, Mass., as the 2018 recipient of its prestigious Benjamin A. Botkin Prize.

The Botkin Prize is given each year by the American Folklore Society and its Public Programs Section in the name of Benjamin A. Botkin (1901–1975) to recognize lifetime achievement in public folklore. Botkin—eminent New Deal–era folklorist, national folklore editor of the Federal Writers’ Project in 1938–1939, advocate for the public responsibilities of folklorists, author and compiler of many publications on American folklore for general audiences, and head of the Archive of American Folk Song at the Library of Congress 1942–1945—has had a major impact on the field of public folklore and on the public understanding of folklore.

In its report, the 2018 Botkin Prize Committee praised the outstanding contribution of this year’s awardee, noting: “Maggie Holtzberg has surveyed, documented, and promoted public understanding of the traditional arts and heritage in three states.

Artist Melissa Stern ’80 on Strange Girls as a State of Being

Artist Melissa Stern ’80 and her piece, ‘Wig Shop,’ that appears in her latest exhibition, Strange Girls, now at the Garvey|Simon Gallery in New York City through Nov. 11. “All the people in my work and in my head are triumphant,” she says.

In this Q&A, we speak to artist Melissa Stern ’80, whose latest exhibition, Strange Girls, is open at the Garvey Simon Gallery in New York City Oct. 11–Nov. 11. Stern double-majored in anthropology and studio art at Wesleyan, and earned her MFA in ceramics from SUNY New Paltz. In Strange Girls, Stern uses media such as assemblage, ceramics, painting, drawings, and collage to explore girlhood as a state of being and state of mind.

Q: You have been exhibiting your art since the ’80s, and Strange Girls is your ninth solo show in New York. How is this exhibition a continuation of your past work, and how is it a departure?

A: I think that an artists’ work is like handwriting, if you look hard enough you will always recognize who they are from the work. If you look at my work from college on, maybe younger, you would always know it’s mine. Obviously, it’s changed. Hopefully it’s gotten better, more skillful, more developed, richer, but it is always a continuation of what’s going on in my head, what my cares and concerns are.

My interest in storytelling and narratives, none of that has fundamentally changed. This show is called Strange Girls, but, as I say in my artist statement, boys can be strange. It’s a show about the feeling of being on the outside. It’s about feelings that both genders have of trying to fit into the expectations of your gender, and the expectations of society. It’s about feeling like an outsider. It’s certainly more female-oriented because I’m a girl. My memories are of all of those things that you grow up with when you’re female, both positive and negative. The show encompasses a lot of ideas that I’ve always been interested in—identity, storytelling, and memory. I’m really interested in the stories that people have to tell. And the fact that my work can elicit a response, whether it be a story or a memory, a smile or a knowing laugh from someone is wonderful. This desire for connection is pretty fundamental to why I make things.

Bobkoff ’05 Explores Cultural History of ‘Household Name’ Brands in New Podcast

Dan Bobkoff '05 is the executive producer and host of the Household Name podcast from Business Insider.

Dan Bobkoff ’05 is the host and executive producer of the Household Name podcast from Business Insider.

Dan Bobkoff ’05 believes that, for better or worse, much of American life is lived through brands.

“Whether you like iPhones or Androids is almost like a religious affiliation,” he says. “Or you might have had a poignant family moment at McDonald’s.”

This is the lens through which Bobkoff explores brands in his new podcast, Household Name, from Business Insider. Bobkoff launched the podcast in July, and will produce and host 36 episodes over the course of the year. Its tagline—“Brands you know, stories you don’t”—captures the cultural history and surprising stories of unintended consequences that are featured in each episode about brands such as Pizza Hut, TGI Fridays, and Blockbuster.

“This is not a show for Wall Street traders. It’s a show for people who like stories and want to think about how we live,” he says.

Inaugural Liberal Arts + Forum in Shanghai Focused on Film Education, Collaborations

President Michael Roth moderated a discussion with alumni in the entertainment field, from left, Jon Turteltaub '85, Julia Zhu '91, and Jon Hoeber '93, on "practical idealism in action" at the inaugural Liberal Arts + forum in Shanghai on Oct. 20.

President Michael Roth moderated a discussion with alumni in the entertainment field—from left, Jon Turteltaub ’85, Julia Zhu ’91, and Jon Hoeber ’93—on “practical idealism in action” at the inaugural Liberal Arts + forum in Shanghai on Oct. 20.

On Oct. 20, Wesleyan held its inaugural Liberal Arts + forum in Shanghai, China. This year, the forum focused on film education and U.S.-China film collaborations, and featured discussions between three alumni in the entertainment industry; President Michael Roth; and Scott Higgins, director of the College of Film and the Moving Image. Each year, the forum will highlight a different area of liberal arts education for an audience of prospective families, alumni, and the general public in China.

The centerpiece of this public event, which was attended by approximately 80 people, was a panel discussion featuring Jon Hoeber ’93 and Jon Turteltaub ’85, screenwriter and director of the summer blockbuster, The Meg, as well as Julia Zhu ’91, a media and entertainment expert and entrepreneur and CEO of Phoenix TV Culture and Live Entertainment Company. Roth moderated the discussion, titled, “Practical Idealism in Action,” in which the three alumni described how their liberal arts educations prepared them for successful careers in the entertainment industry.

The three later shared insights into the future of film collaborations between the U.S. and China, in a conversation moderated by Higgins, who is also the Charles W. Fries Professor of Film Studies, chair of Film Studies, and curator of the Wesleyan Cinema Archives.

Higgins also offered a simulated film studies class for prospective students and others in the audience—bringing the Wesleyan liberal arts film education experience to Shanghai.

Higgins said of the Forum: “I learned a lot about how the Chinese and American media industries are interacting, and renewed my long-time interest in Chinese cinema. I also met with a few recent graduates who are now making commercials and short films in the country, and was introduced to a whole new generation who are just now applying to Wesleyan. It was touching to be so far away from Middletown and yet feel connected to our ever-growing community.”

Watch a video (created by Chengjun Huang) of the forum highlights below:


Additional photos (taken by Weiji Sun) of the forum are below:

Front row, from left, Julia Zhu, Scott Higgins, and Michael Roth.

Front row, from left, Julia Zhu ’91, Scott Higgins, and President Michael Roth.

Sousa ’03 Produces, Directs Native America Documentary for PBS

Clockwise from top left: Alan Hunt prepares to become a Kwakwaka'wakw Hereditary Chief; Potlatch cedar carving; Onondaga tribal member Angela Ferguson; Comanche tribal members Philip Bread and Jhane Myers. Credit: Providence Pictures

Joseph Sousa ’03 is the producer and director of a documentary titled “Native America.” Pictured are stills from the show. Clockwise from top left: Alan Hunt prepares to become a Kwakwaka’wakw Hereditary Chief; a Potlatch cedar carving; Onondaga tribal member Angela Ferguson; Comanche tribal members Philip Bread and Jhane Myers. (Photo courtesy of Providence Pictures)

A four-part documentary directed by Joseph Sousa ’03 will be released on Oct. 23 on PBS.

Native America, produced by Providence Pictures, weaves history and science with living indigenous traditions. The series travels through 15,000 years to showcase massive cities, unique systems of science, art, and writing, and 100 million people connected by social networks and spiritual beliefs spanning two continents.

Joseph Sousa '03

Joseph Sousa ’03 is a producer, director, and nonfiction writer of television, commercial content, and independent documentaries.

Sousa and his fellow producers and film crew were provided access to Native American communities, going behind the scenes at special events, including a pilgrimage to ancestral ruins at Chaco Canyon in New Mexico, a trek across lost territories in the American West, and an investiture ceremony for a chief in the Pacific Northwest, surrounded by cedar totem poles and centuries of tradition. Tribal members and descendant communities, whose ancestors built this world, share their stories, revealing long-held oral traditions as the thread that runs through the past to these living cultures today.