Kali Gross, professor of African American studies, details the 1887 crime of the disembodied torso found near a pond outside Philadelphia, and the subsequent, scandal-driven trial of Hannah Mary Tabbs and George Wilson, in her most recent book Hannah Mary Tabbs and the Disembodied Torso: A Tale of Race, Sex, and Violence in America, published February 2, 2016.
Gross explains in an editorial published on her website, her use of “detectives’ notes, trial and prison records, local newspapers, and other archival documents to reconstruct this ghastly who-done-it true crime in all its scandalous detail and in doing so, gives the crime context by analyzing it against broader evidence of police treatment of black suspects and violence within the black community.”
Copies of Gross’ Hannah Mary Tabbs and the Disembodied Torso can be purchased from Amazon, Barnes & Noble, and Oxford University Press.
Laura Patey (photo by John Noltner for “A Peace of My Mind: American Stories”)
Laura Patey, associate dean for student academic resources, was featured in the newest book of the series, A Peace of My Mind: American Stories, by award-winning photographer and author, John Noltner. In his book, Noltner drove 40,000 miles across the country to ask people the simple question, “What does peace mean to you?” This resulted in the stories of “58 people from diverse backgrounds, who share stories of hope, redemption, and forgiveness, paired with compelling color portraits.”
Patey’s personal story highlights the peace she has finally found with embracing her own identity, with a focus on her experience adopting her sons out of foster care and how her experience of not fitting in when she was younger made her into an advocate for the marginalized in society. She also spoke of her challenges of coming out and being accepted. In the end, she has found peace now that she realizes “it’s not about having people tolerate or accept you, it’s about embracing your identity.”
An excerpt of Dean Patey’s story, along with her full audio interview was published on the website for the Peace of My Mind Project. Moreover, her story was highlighted in one of Noltner’s blog posts as a tool he was able to use to connect with a young student who was having her own trouble and felt isolated dealing with the reality of her own similar family situation.
Hilary Barth, associate professor of psychology, is a co-author of a paper titled, “How feedback improves children’s numerical estimation,” published in the August 2016 issue of the journal Psychonomic Bulletin and Review. Barth’s co-authors are former members of her Cognitive Development Lab, which include Shipra Kanjlia ’11 and Jennifer Garcia ’10, former lab managers Jessica Taggart and Elizabeth Chase, and former postdoctoral fellow Emily Slusser, PhD.
The paper explores one theory of children’s cognitive development that there are fundamental developmental changes in the ways children think about numbers. This theory says numbers are arranged on a different mental scale for younger children. Changes in children’s estimates following corrective feedback have been interpreted as support for that theory.
Barth’s team tested this study and wrote about the results. “This study with second-grade children shows that the changes observed in estimation following corrective feedback are more consistent with a different theory of children’s numerical development,” said Barth. “Instead of thinking of numbers in a fundamentally different way with development, children are probably changing by gaining knowledge of numerical ordering and magnitude, and gaining facility with measurement processes.”
Read the full abstract here.
Erika Taylor, associate professor of chemistry, is a co-author of a paper titled, “Methyl transfer by substrate signaling from a knotted protein fold,” published in the August 2016 issue of the Nature Structural & Molecular Biology newsletter.
The paper describes the protein TrmD, an enzyme that catalyzes tRNA modification, but unlike most proteins, TrmD has an “interesting knotted configuration, which is not common,” Taylor said.
The paper demonstrates that even in proteins with knotted configurations, the internal protein movements and dynamics are important for binding, signaling and catalysis.
“This is exciting because one might expect knotted proteins to be more static in their structure due to the knot, where the amino acids wrap in on themselves, but the evidence suggests that protein dynamics are just as important in these types (knotted configurations) of proteins,” she said.
Gina Athena Ulysse, professor of anthropology, recently contributed to the #BlackLivesMatterSyllabus, a new project by The Anthropoliteia, an online anthropology journal. Ulysse also is professor of feminist, gender and sexuality studies.
One of the main goals of the project is to “mobilize anthropological work as a pedagogical exercise addressing the confluence of race, policing, and justice.” In this vein, Ulysse uses her entries to analyze the film series “Race: The Power of Illusion.” As part of the Race: Are We So Different? Project created by the American Anthropological Association, the film serves as a teaching tool for Ulysse in her own classroom at Wesleyan. Ulysse enters with the aim of unpacking the notion of “race is a social construct,” by paying attention to “1) the making of this narrative and the rise of academic disciplines; 2) changes in social structure and the language of racial classifications in relation to power; and 3) the multiple meanings/ significations of racial difference concomitant to capital signs.”
Throughout her entry, Ulysse talks of the importance of filling in the partial truths of the U.S. and its relations that students have been taught in history classes for their entire lives. She recounts the numerous times she has heard the exclamations, “I had no idea”; “This wasn’t even a sidebar in my textbook”; “Never thought of all these connections. Oh my God! It is all one big story.” For Ulysse, after years of teaching, she is “only too aware of what it means to make this intervention in their thinking given the body of students that she is in.”
Ulysse’s entry is online here.
The Wesleyan Center for the Arts was featured in The Journal of the Society of Architectural Historians (JSAH), the main U.S. peer-reviewed scholarly journal for architectural history, in an article written by Joseph Siry, the Kenan Professor of the Humanities, professor of art history. The article, titled “Roche and Dinkeloo’s Center for the Arts at Wesleyan University: Classical, Vernacular, and Modernist Architecture in the 1960s,” detailed the extensive history and creative motives behind the impressive 11-building complex.
From 1962, under the presidency of Victor Butterfield (in office 1943–67), Wesleyan’s trustees committed the college to develop into a small university, and in 1964 they commissioned a master plan that identified the eventual site of the Center for the Arts as an integral part of the expansion. The overall goal, in the words of the trustees, was to “reaffirm the relevance of liberal arts in a world of
The $11.8 million Center for the Arts was designed in the fall of 1965, at a time when Wesleyan had an endowment of $151 million for a student body of about 1,240.
Officially opening in the fall of 1973, the Wesleyan CFA’s “minimal aesthetic has invoked a sense of timelessness.” From the faculty committee tasked with choosing an architectural firm that met specific guidelines outlined by President Butterfield, to the subsequent hiring of Kevin Roche and John Dinkeloo, and then the eventual construction of the CFA, the buildings were created as a “clear and impressive formal statement of what they would be used for, but at the same time, expresses what they stand for and represent,” Siry writes. “As modernist architecture, what these buildings lack in handcrafted ornament they compensate for in material and spatial effects.”
This bird’s-eye view photograph shows the of the 1966 Center for the Arts model.
Situational judgment tests (SJTs) have become an increasingly important tool for predicting employee performance.
In a recent study, Steven Stemler, associate professor of psychology, and two executives at pre-hire assessment firm Aspiring Minds asked current employees at several firms in India to review scenarios and then pick the “best” and “worst” choices from a set of options.
The colleagues found a statistically significant correlation between job success and those who correctly identified the ‘worst’ answers to scenarios.
Their results were surprising.
“What we found in our research is that the ability to correctly identify the ‘worst’ response to a situation is a systematically different skill than the ability to identify the ‘best’ response, and the two may not even be related,” Stemler said.
As a result, Stemler, Varun Aggarwal and Siddharth Nithyan produced a paper titled “Knowing What Not to Do Is a Critical Job Skill: Evidence from 10 Different Scoring Methods,” which was published in the September 2016 International Journal of Selection and Assessment.
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Sumarsam, University Professor of Music, and Andy McGraw PhD ’05 served as co-editors for Performing Indonesia, a Smithsonian Freer Sackler online publication of 16 articles on Indonesian music, dance and drama.
Topics include choral singing of Indonesian and Malaysian Borneo; learning from American schoolchildren playing Balinese gamelan; the challenges of music sustainability in Lombok, Indonesia; gong evolution and practices, “the dancing goddess;” the acoustic concept of an American gamelan; musical kinship in the transnational Balinese gamelan community; and more.
In addition to serving as an editor, Sumarsam co-authored the introduction to the publication, and delivered the keynote address titled, “Dualisms in the Formative and Transformational Processes of Javanese Performing Arts.” His address was delivered at the Performing Indonesia Conference held at the Smithsonian’s Sackler Gallery in Washington, D.C. in 2013.
The paper examines the “formative and transformational processes of gamelan and wayang, Javanese performing art forms, and the ways in which these art forms impacted the arts as they were exposed by and introduced to the West.” Sumarsam and McGraw also analyzed some of the dualisms that accompany traditions, such as stasis/motion, sacred/secular, good/evil, traditional/contemporary and ethnicity/nationality.
Meredith Hughes, assistant professor of astronomy, is the co-author of “Debris Disks in the Scorpius-Centaurus OB Association Resolved by Alma,” published in The Astrophysical Journal, Vo. 828, No. 1. Jesse Lieman-Sifry ’15 also is a co-author of the article.
In addition, the international weekly journal of science Nature mentioned the article in a Sept. 8 publication.
The co-authors explored the idea of carbon-monoxide potentially being in large-star disks. As explained in her abstract, “Stars twice the size of the sun can feature carbon-monoxide-rich gas disks around them, contrary to the expectation that ultraviolet radiation would have stripped away the gas.”
Hughes used the “Atacama Large Millimeter/submillimeter Array in northern Chile to probe the regions around 24 young star systems, only about 5 million to 10 million years old. They chose stars surrounded by a disk of dust debris—resembling a scaled-up version of the Solar System’s Kuiper belt—this leftover material could form new planets, including gas giants.
In conclusion, the researchers noted that three of the larger stars in the sample had strong carbon monoxide emissions.
Scott Higgins author of new book, Matinee Melodrama
Scott Higgins, professor of film and chair of the College of Film and the Moving Image, is the author of a new book titled, Matinee Melodrama: Playing with Formula in the Sound Serial, published in February 2016 by Rutgers University Press.
Higgins newest work delves into the genre of adventure serials as a distinct art form, unwrapping its different elements and what makes adventure serials so successful. Intrigued by the active, dedicated fan culture, Higgins suggests that serial’s incoherent plotting and reliance on formula, as well as, the use of other cinematic elements such as, stock characters and cliffhangers, are actually some of the genre’s most appealing attributes, not faults. The earliest forms of this genre, including before Batman, Flash Gordon, or the Lone Ranger had their own TV shows, laid the groundwork for today’s blockbusters like, Star Wars and Raiders of the Lost Tomb.
As the first book about the adventure serial, Matinee Melodrama examines the nature of suspense, the aesthetics of action, and the potentials of formulaic narrative, while giving readers the opportunity to analyze everything from Zorro’s Fighting Legion to Daredevils of the Red Circle.
David Kuenzel, assistant professor of economics, is the co-author of a new paper published in the Canadian Journal of Economics titled “The Elusive Effects of Trade on Growth: Export Diversity and Economic Take-off.”
In the paper, Kuenzel and his co-author, Theo Eicher from the University of Washington, investigate whether the diversity of countries’ export portfolios affects their economic growth performance.
In the paper, Kuenzel and Eicher propose a structured approach to trade and growth determinants based on recent advances in international trade. The results show that export diversity serves as a crucial growth determinant for low-income countries, and the effect weakens with a country’s level of development.
Victoria Pitts-Taylor, chair and professor of feminist, gender and sexuality studies, is the editor of Mattering: Feminism, Science and Materialism published by NYU Press in August 2016.
Anthony Hatch, assistant professor of science in society, co-authored a chapter in the collection titled “Prisons Matter: Psychotropics and the Trope of Silence in Technocorrections.”
Mattering presents contemporary feminist perspectives on the materialist or ‘naturalizing’ turn in feminist theory, and also represents the newest wave of feminist engagement with science. The volume addresses the relationship between human corporeality and subjectivity, questions and redefines the boundaries of human/non-human and nature/culture, elaborates on the entanglements of matter, knowledge, and practice, and addresses biological materialization as a complex and open process.
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