In an audience question-and-answer period, featured in the video below by Jon Hendel, Hilary Jacobs Hendel explained the usefulness of core emotions—including anger—and offered suggestions for nonthreatening ways that a reader could begin to talk about emotions with family and friends:
Tag Archive for alumni books
by Cynthia Rockwell •
Hilary Jacobs Hendel ’85, P’18, a licensed psychoanalyst and certified Accelerated Experiential Dynamic Psychotherapy (AEDP) therapist and supervisor, is the author of It’s Not Always Depression (Random House and Penguin UK, 2018). She’ll be speaking at Wesleyan RJ Julia Bookstore, at 7 p.m. on March 1, about a psychotherapeutic tool she calls the Change Triangle, a guide to carry people from a place of disconnection back to their true self. It’s a step-by-step process to work with emotions to minimize stress and move toward authentic living. Through moving, persuasive stories of working the Change Triangle with her own patients, Hendel teaches us how to apply these principles to our everyday lives.
In this Q&A, she discusses the book:
Q: Your book is titled “It’s Not Always Depression”—then what is it?
HJH: It’s the effect that adverse life experiences have on us.
Traumas, adversity or just feeling alone or different from others—poor, gay, transgender, from another country, disabled—can overwhelm us and evoke emotions that we can’t process. For instance, if we feel anger about our difficult experiences, but that emotion is too much to bear, we block it and turn it inward, so we feel it as depression or anxiety.
by Cynthia Rockwell •
“The title character is, of course, a Wesleyan graduate,” says author Heidi Mastrogiovanni ’79, of her debut comic novel, Lala Pettibone’s Act Two (Amberjack Publishing, 2017). The novelist herself is also a comic actor, an animal welfare advocate and a screenwriter—and her second novel, sequel Lala Pettibone: Standing Room Only, will be available in August. To celebrate, she and a fellow Amberjack author—with similarly titled books, both with a reference to a second act—visited bookstores and venues across the country to talk about the writer’s life and the ways in which a book written by a female is perceived, welcomed and marketed.
In a question-and-answer interview, Mastrogiovanni speaks about her journey from Wesleyan to cross-country author’s events.
Q: You were a German and theater major at Wesleyan. How did this translate into a career in writing?
H.M.: Looking back, the connection is clear. It was at Wesleyan where I really grew to love spending time in the company of words. We read so much wonderful German literature, it was almost impossible to not be inspired. And being an actor in the Theater Department provided a solid foundation for developing an ear for dialogue—absolutely essential to a writer in any medium. Both majors shared an appreciation for the profound power of words.
After college, I moved to New York (back when you could still get a one-bedroom for less than $500 a month: AKA, the Stone Age) and formed a sketch comedy group with people I met at Manhattan Punch Line Theater. That’s when the urge to write really hit. We needed new material all the time, so I started writing sketches with another performer in the group. I discovered that saying a line and getting a laugh was addictive, and especially compelling when I’d also written the line.
Q: Where did the character of Lala Pettibone come from—how did she arrive in your head?
H.M.: Lala had such an unexpected arrival. My ideas for stories often come from an observed moment, a snippet of thought, a piece of overheard dialogue. Lala had two distinct phases in her journey to the forefront of my mind. It began with the first dog my husband and I adopted together, a wonderful, 12-year-old Beagle we named Eunice Petunia, because it just fit. Eunice had a lot of nicknames, among them “Baba Ganoush” and “Lala.” I have always believed—to borrow from T.S. Eliot’s words regarding the naming of cats—that a dog should have at least three different names.
Months after Eunice joined our family, the phrase “Lala Pettibone, Journalist to the Stars,” popped into my head out of nowhere. That was the first time Lala’s full name appeared to me—although she didn’t end up being a journalist to the stars.
Lala Pettibone is a lot like me in many respects. We’re both Wesleyan graduates, we were both widowed at a young age and found love again in our Act Two, and we both overuse ellipses in our writing. . . .
Since graduating just last May, Jenny Fran Davis ’17 has become a published author with the fall release of her debut novel, Everything Must Go. The story revolves around Flora Goldwasser, a teenager from New York City who has just transferred to a rural, Quaker boarding school in her junior year. Through a collection of journal entries, e-mails and other archived materials, Flora pieces together her experience and lets readers into her tumultuous period of adjustment.
Davis wrote the book in her freshman year of college and spent the next few years editing, before landing a contract for two novels with St. Martin’s Press in 2016. In this Q&A, Davis discusses how it feels to be a published author, in what ways her time at Wesleyan has impacted her writing and what readers can expect from her next book.
Author Daniel Handler ’92 enjoys a prolific career as a celebrated novelist, best known for using the pseudonym Lemony Snicket to publish A Series of Unfortunate Events. This 13-book series about three orphaned children and their increasingly tumultuous lives—which has been adapted for film, video games and, most recently, a Netflix series—established Handler as an appealingly sinister storyteller, a writer with a penchant for narratives without happy endings. The first episode of Articulate on PBS delves into some of Handler’s inspirations and how he came to develop his dark approach to children’s writing.
In the clip, titled “The Very Fortunate Daniel Handler,” he points out that one goal of his writing is to create worlds more exciting than the one we are offered. But while his stories teeter on the absurd and fantastical, they largely operate by exploring the tragic realities of the world we already inhabit—the kind of grim truths that children are already catching onto and, Handler argues, deserve to have addressed. As a young kid, with a father who had escaped Nazi Germany and a family that discussed war as a standard topic of conversation, it was made clear that the human experience could be dark and disastrous. A reflection of his upbringing, Handler refuses to sugarcoat misfortune or grief for his readers, regardless of their age.
by Cynthia Rockwell •
“My sister’s cancer might have been diagnosed sooner — if doctors could have seen beyond her weight,” wrote Laura Fraser ’82, in an article that detailed how medical personnel ignored her sister Jan’s serious symptoms as the whinings of “a fat, complaining older woman.”
The article, published on Statnews, a site focused on medicine, health, and science journalism and produced by the Boston Globe Media, received more social media shares, Fraser said, than anything else she has written.
Fraser’s first book Losing It: America’s Obsession with Weight and the Industry that Feeds on It (Random House, 1997) had given her a background knowledge of the biases that work against those with obesity and what she saw in her sister’s quest for help. “Sometimes I think fatness is the last bastion of acceptable prejudice in the United States,” she reflects.
by Cynthia Rockwell •
Writing in a New York Times opinion piece, Joseph J. Fins ’82, M.D., The E. William Davis, Jr., M.D., Professor of Medical Ethics and the chief of the Division of Medical Ethics at Weill Cornell Medicine, describes the startling case of a young woman thought to be in a vegetative state but later able to communicate through the movement of one eye.
In “Brain Injury and the Civil Right We Don’t Think About,” Fins says that many seemingly vegetative individuals are misdiagnosed and suffer a loss of personhood and civil rights when they do have some conscious awareness and are, in fact, in the minimally conscious state.
Because minimally conscious patients can feel pain while vegetative patients can not, a misdiagnosis of a patient’s brain state can lead to a lack of pain medication administered during a medical procedure, a horrifying possibility. So too, says Fins, is “segregating” these patients in “custodial care” facilities without offering them rehabilitative opportunities to foster their recoveries. He writes:
I use the verb “segregated” deliberately, to invoke a time when separate but equal was the law. In the wake of legal advances like the Americans with Disabilities Act and the United Nations Convention on the Rights of the Disabled, which call for the integration of people with disabilities into civil society, how is the pervasive segregation of this population justified?
Part of the problem is that when these laws were written, the notion of reintegration was focused on physical mobility … When we restore voice to these patients we bring them back into the room and the conversation.
I often speak to university students brought up in the era of L.G.B.T.Q. rights who can’t understand how my generation did not appreciate that people could love those they chose to love. … I caution against smugness, suggesting that their own children may well ask them how they allowed society to ignore conscious individuals and deprive them of their rights.
Fins, a co-director of the Consortium for the Advanced Study of Brain Injury, is the author of Rights Come to Mind: Brain Injury, Ethics, and the Struggle for Consciousness (Cambridge University Press, 2015) and the Solomon Center Distinguished Scholar in Medicine, Bioethics and the Law at Yale Law School. He spoke on these topics at Wesleyan in 2015 as the Kim-Frank Visiting Writer. A trustee emeritus of Wesleyan, he was named a Distinguished Alumnus of the university in 2012.
by Laurie Kenney •
A star-studded cast of contributors curated by Shapiro-Silverberg Professor of Creative Writing Amy Bloom ’75 fill the pages of New Haven Noir, featuring original stories from Michael Cunningham, Stephen Carter, Roxana Robinson, Assistant Professor of English Hirsh Sawhney and many others. The book is the latest addition to an award-winning series of original noir anthologies published by Akashic Books, founded by publisher and editor-in-chief Johnny Temple ’88.
“I’m a big fan of noir,” says Bloom, editor of the anthology, which has garnered praise from both Publishers Weekly and Kirkus Reviews. “When Johnny called me and said, I don’t know if you’re from New Haven, but I know you’re connected to New Haven and I’d love you to edit the anthology, I jumped at the opportunity,” she said.
Bloom worked with Temple to select contributors for the anthology, with Bloom choosing to invite several writer friends who hadn’t written noir before, including Alice Mattison and Michael Cunningham. “I told them, it’s conflict and it’s mystery. Bleak. Snappy outfits. Great dialogue,” Bloom said. “And they said, count us in.”
In addition to serving as editor of the anthology, Bloom also is a contributor. Her story, “I’ve Never Been to Paris,” set in New Haven’s East Rock neighborhood, is actually an excerpt from a mystery she wrote years ago, tailored specifically for New Haven Noir.
Clinical psychologist and YA novelist Becky Albertalli ’05 is the author of Simon vs. the Homo Sapiens Agenda, an award winning coming-of-age story published by Harper Collins in 2015. It follows Simon Spier, a junior in high school struggling to come to terms with his sexual identity without coming out, before a leaked email threatens to compromise his secret and his comfort zone. This past October, Fox 2000 Pictures and Temple Hill Entertainment began developing a movie adaptation of the book. The major motion picture will feature a star-studded cast––including Nick Robinson, Katherine Langford and Jennifer Garner––and is set to be released in March 2018.
Directed by Greg Berlanti, the comedy-drama film of the same name as Albertalli’s debut novel is currently in post-production. Fans of the popular book and members of the cast, like Alexandra Shipp, Logan Miller and Josh Duhamel, are excited to see an underrepresented, LGBTQA-centered story told on the big screen.
by Cynthia Rockwell •
Joshua Dubler ’97, assistant professor of religion at the University of Rochester, is one of 33 national recipients of a 2016 Carnegie Award. With this fellowship, Dubler is studying prison abolition. His book manuscript, Break Every Yoke: Religion, Justice, and the End of Mass Incarceration, presents abolitionist logic to make the case. Co-authored with Vincent Lloyd, it explores the ways that religion has underwritten and sustained mass incarceration. Currently under peer review, it has an expected publication date of 2018.
While an advocate of both ending mass incarceration and offering educational programs for those imprisoned, Dubler is seeking something further than these revisions to our current system—a true revisiting of the concept of prison.
“Right now, our vision of bringing people to justice is to put them in cages,” he says “That’s a really impoverished notion of justice. It doesn’t serve the person who has been convicted of the crime, does very little for the person who is the victim of the crime, and it perpetuates the destruction of the community. Abolitionists are looking to reconceptualize how it is that we do justice.”
by Andrew Logan ’18 •
Kevin Prufer ‘92 is co-editor a forthcoming collection of essays on literary translation Into English: Poems, Translations, Commentaries (Graywolf 2017). For this collection, Prufer invited 25 translators and poets to select a poem and three corresponding English translations. To follow the selections, each of the 25 contributors composed a brief essay on what these various versions say about the art of literary translation.
Additionally, Prufer co-curates the Unsung Masters Series, published through Pleiades Press, which attempts to bring out-of-print and relatively unknown poets to new readers. To complement the writer’s poems, each edition features critical essays, interviews, and letters.
Prufer sees this initiative as opportunity to add new voices to the world of poetry. “Poets are so frequently unknown,” says Prufer, “and the ones we do know tend to tell a very particular narrative.” The reason they lose favor, he says, “is almost always part of an intriguing story.”
One such poet, Dunstan Thompson, first inspired Prufer to launch the series. Thompson, a gay poet whose books had been out of print since 1948, frequently wrote homoerotic work that depicted the battlefields and combat hospitals of World War II. Once a highly regarded young American poet, Thompson struggled with his sexuality and renewed his religious devotion, eventually settling into obscurity in England.
Today the series often relies on dedicated readers to suggest additional subjects to explore. Many send e-mails, but sometimes, Prufer says, “people even come up to me at parties to suggest writers.”
Prufer is also at work on his own poetry—a collection of poems titled The Art of Fiction, focusing on how an author controls the passage of time within literature. He derived this particular interest in narrative structure, he says, in part from his experience writing fiction, which he pursued at Wesleyan as a College of Letters major.
Yet another book of his poetry, How He Loved Them, is forthcoming with Four Way Books in 2018 and features a political emphasis. When asked how his poems might relate to the current political climate, Prufer responded, “You know, poetry is really bad at telling you who to vote for; I think we have a enough of that…I think what poems do is meditate on the complexity of, in the case of political poetry, political situations, and to my mind, that seems like a more interesting act of politics.”
Prufer is the author of six books of poetry, most recently Churches, which made the New York Times list of Ten Favorite Poetry Books of 2014. Also the editor of several anthologies, he is editor-at-large of Pleiades: A Journal of New Writing. With graduate degrees from Hollins University and Washington University, he is a professor in the Creative Writing Program at the University of Houston and the low-residency MFA at Lesley University. His awards include four Pushcart prizes, and he has received numerous awards from the Poetry Society of America, as well as fellowships from the National Endowment for the Arts and the Lannan Foundation.
by Andrew Logan ’18 •
The film, Voices Beyond the Wall: Twelve Love Poems from the Murder Capital of the World, documents the experiences of poet, priest, and teacher Spencer Reece ’85 in the year he spent teaching poetry at Our Little Roses, a home for abused and abandoned girls in San Pedro Sula, Honduras.
Executive produced by Hollywood actor James Franco and directed by Brad Coley, the film had its world premier at the Miami Film Festival in March. Sherri Linden, in the Hollywood Reporter, called it “eloquent,” adding that “[i]t captures an inspiring connection between Reece and his students, whether they’re discussing love and loss or exploring meter through Auden and salsa dancing. It’s the connection between language and life.”
Reese, whose debut collection, The Clerk’s Tale, (Houghton Mifflin, 2004) was chosen for the Bakeless Poetry Prize, had been ordained as an Episcopal priest in 2011, and first visited Our Little Roses as a three-month-long Spanish language immersion program to help him serve his community. He told Joan Crissos of the Washington Post (The Priest Who Healed Orphans with Poetry) that over the course of these months he was struggling to learn Spanish and did not spend much time with the girls. But the night before he returned to America, he noticed one of the girls outside his room. Speaking in a language he was just beginning to understand, she told him, “Don’t forget us.”
And he didn’t. Back in the States, he applied for a Fulbright to return to teach poetry to the girls, “using the lines of meters and verse to help them excavate the layers of emotional scars left behind after their parents abandoned them.” The Fulbright, he admitted to Crissos, might have seemed an unlikely stretch: “’The whole thing didn’t look very good on paper…. I hadn’t taught before, I wasn’t a priest that long, and I hardly spoke Spanish.’
“‘But poetry was what I knew…. It gave me a place where I could find solace, feel that I was loved.'”
With the grant—and a film crew to help tell his story—Reece returned in 2013. His curriculum included a variety of English language poets such as Shakespeare, W.H. Auden, and Langston Hughes, and he encouraged the girls to write their own poetry, which they would translate from Spanish into English. He had planned to publish these poems, and the book, Counting Time Like People Count Stars (Tia Chucha Press), will be published in time for Christmas, he notes on the Little Roses Facebook page.