Tag Archive for Center for the Arts
by Laurie Kenney •
Wesleyan’s Institute for Curatorial Practice in Performance (ICPP) has been awarded a four-year, $100,000 grant from the Doris Duke Charitable Foundation to support the participation of low-income students and students of color in ICPP’s master’s and certificate programs through the ICPP Scholarship Fund.
Founded in 2010 and housed at Wesleyan’s Center for the Arts, ICPP is a center for the academic study of the presentation and contextualization of contemporary performance, and offers an interdisciplinary, graduate-level education in innovative and relevant curatorial approaches to developing and presenting time-based art. Starting in July 2015, the institute will offer a master’s degree in performance curation. ICPP’s ten-month, post-graduate certificate program is now in its fourth year.
“We are extremely grateful for the Doris Duke Charitable Foundation’s critical support for the Institute for Curatorial Practice in Performance’s expanded offerings,” said ICPP Director Samuel A. Miller ’75. “These funds will allow us to significantly enhance access to both our master’s and certificate programs.”
by Olivia Drake •
by Olivia Drake •
On Feb. 5, the Green Street Teaching and Learning Center hosted dancers from the Connecticut premier of Tari Aceh! (Dance Aceh!). The performance features a group of nine female performers from Aceh, Indonesia on their first-ever tour of the United States. Their dances, inherited from their ancestors, are stunning in their synchronicity and include rhythmic body percussion and the singing of both Islamic liturgical and folk texts, accompanied by percussion. The dancers are between the ages of 14 and 24, and study at Syiah Kuala University, located in Banda Aceh, the capital of the Aceh province on the western Indonesian island of Sumatra.
Green Street held a workshop with the Acehnese dancers for its AfterSchool students. The workshop exposed them to a similar dance from another culture. Afterwards, the Green Street TLC Hip Hop students taught the Indonesian dancers their own dance routine.
A supporter of Green Street TLC, the Center for the Arts regularly includes visiting artists in programming for the AfterSchool program.
A video and photos of the program are below: (Photos by Hannah Norman ’16)
by Lauren Rubenstein •
Beginning this month, Wesleyan’s College of the Environment, Center for the Arts and other outside partners will present “The Elements: An Annual Environmental Film Series.”
The first film, Elemental, will be screened at 7:30 p.m. March 30 in the Center for the Arts Hall. The award-winning film follows three activists as they work to protect air, water and earth around the world, and offers a call for global action.
The second film in the series, WATERSHED, will be screened at 7 p.m. May 4 in Middlesex Community College’s Chapman Hall, 100 Training Hill Rd. in Middletown. Executive produced and narrated by Robert Redford, this film tells the story of threats to the “once-mighty Colorado River, now dammed and diverted and struggling to support 30 million people.” The film offers solutions for “meeting the competing interests of cities, agriculture, industry, recreation, wildlife, and indigenous communities with rights to the waters, and the future of the American West.”
Admission to the screenings is free. For more information about the film series, call 860-685-3733. More information is available on the College of the Environment’s website.
The series is presented in partnership with The Connecticut River Coastal Conservation District, Middlesex Community College Environmental Science Program and The Rockfall Foundation.
by Olivia Drake •
Wesleyan’s “Music at the Russell House” series concludes with a free concert by the Connecticut-based jazz quartet Stanley Maxwell at 3 p.m. March 1 in the Russell House. The group plays music that blends tight arrangements with intricate group improvisations. The concert at Wesleyan will feature acoustic arrangements of original tunes from the past decade, including several world premieres.
Stanley Maxwell features the CFA’s Press and Marketing Director Andy Chatfield on drums, Mark Crino on bass, Eric DellaVecchia on alto saxophone, and Evan Green on piano.
The group has built a grassroots name for themselves at colleges and festivals throughout the northeast since 2001, combining the virtuosic and the simple into a visceral concoction, which helped lead to their winning “Best Jazz Band” in the Hartford Advocate’s Grand Band Slam Readers’ Poll in 2007, 2009, and 2010.
“Mousetrap,” an 11-bar blues written by pianist Evan Green, was influenced by Thelonious Monk, and was featured on Stanley Maxwell’s debut album Don’t Wake The Baby! The band’s recording of the composition attracted international attention, including “Mousetrap” winning “Best Jazz Song” at the 7th annual Independent Music Awards in December 2007. The band also won the Relix Magazine November 2007 “JamOff” contest for unsigned artists, with “Mousetrap” featured on that month’s Relix CD sampler, included with over 100,000 issues of the internationally distributed magazine, dedicated to jam bands and improvisational music.
by Bryan Stascavage '18 •
A Body in Fukushima, a series of color photographs and video presented in a groundbreaking exhibition across three Wesleyan galleries, is on display through April.
The series is an exploration into the area around the Fukushima Daiichi Nuclear Power Plant, which destabilized and melted down after a magnitude 9.0 earthquake and tsunami in March 2011. The power plant released radioactive materials into the surrounding environment.
In 2014, dancer-choreographer Eiko Otake and photographer/historian William Johnston followed abandoned train tracks through desolate stations into eerily vacant towns and fields in Fukushima, Japan. Otake is a visiting instructor in dance and Johnston is professor of history, professor of east Asian studies, professor of environmental studies and professor of science in society.
“By placing my body in these places, I thought of the generations of people who used to live there. I danced so as not to forget,” Otake said. A project of witness, remembrance, and empathy, A Body in Fukushima grapples with the reality of human failure.
The explosions of the Daiichi Power Plant made the area uninhabitable. Sometimes in vulnerable gestures and at other times in a fierce dance, Otake embodies grief, anger and remorse. Johnston’s images capture her with the cries of the Fukushima landscapes.
The works can currently be seen at the Freeman Center for East Asian Studies Gallery, the Ezra and Cecile Zilkha Gallery and the Davison Art Center Gallery. More hours and more information see the exhibit’s website.
by Olivia Drake •
by Olivia Drake •
The National Endowment for the Arts (NEA) awarded Wesleyan’s Center for the Arts a $20,000 grant to support the 2015–2016 Breaking Ground Dance Series. The CFA is one of the 919 nonprofit organizations nationwide to receive an NEA Art Works grant.
The Breaking Ground Dance Series, now in its 15th season at Wesleyan, features cutting-edge choreography, world-renowned companies, and companies pushing the boundaries of the art form.
Upcoming performances this season include the return of Montréal’s Compagnie Marie Chouinard on Feb. 6-7, 2015 and Tari Aceh! Music and Dance from Northern Sumatra on Feb. 27.
Compagnie Marie Chouinard will be performing the New England premiere of “Gymnopédies,” created around the theme of the duet set to music by French composer and pianist Érik Satie; and the Connecticut premiere of “Henri Michaux: Mouvements,” featuring texts and visually arresting projected India-ink drawings from the book “Mouvements” by Belgian-born poet, writer and painter Henri Michaux, and electroacoustic music by Canadian composer Louis Dufort.
by Olivia Drake •
On Oct. 24, the Dance Department and Center for the Arts present “To Not Forget Crimea: Uncertain Quiet of Indigenous Crimean Tatars,” a panel discussion and the Fall Faculty Dance Concert by Associate Professor of Dance Katja Kolcio.
While international media and political leaders are ignoring the situation in Crimea, this event draws public attention to the widespread violation of the Tatars’ human rights and the degree to which the Russian Occupation has forced them out of their ancestral homeland.
The evening will begin with a free panel discussion, “Indigenous Ukrainian Perspectives of Crimea Post Russian-Invasion,” from 6 to 7:30 p.m. in Fayerweather Beckham Hall. The discussion will revolve around the current situation in Crimea, the quest for indigenous status by its Tatar population, and the movement for Tatar rights under Mustafa Jemilev, which through non-violence and interfaith collaboration offers an inspiring model for other oppressed peoples.
The event will be live streamed; see here for information and the live stream link.
Panelists will include Arsen Zhumadilov, founder and chairman of the Crimean Institute for Strategic Studies; Ayla Bakkalli, United States representative of the Crimean Tatar Mejlis at the United Nations Permanent Forum on Indigenous Issues; and Greta Uehling, lecturer at the University of Michigan’s Program in International and Comparative Studies, and author of Beyond Memory: The Crimean Tatars’ Deportation and Return.