For 15 minutes, Elizabeth Milroy, professor of art history, describes the life, artistic techniques and style of abstract expressionist painter and printmaker Helen Frankenthaler.
“Here, we see her thinking about framing and edging,” Milroy says, pointing at a lithograph in the Davison Art Center. “She emulates Chinese characters in this print. She bring out lusciousness in lithography.”
As part of the new series, “Artful Lunch,” faculty briefly speak about an artist, and display one example of the artist’s work from the Davison Art Center’s collection. The series is sponsored and hosted by the Friends of the Davison Art Center as part of the FDAC’s 50th Anniversary. Talks are open to FDAC members, Wesleyan students, staff and faculty.
Milroy presented Frankenthaler’s print titled A Slice of the Stone Itself on Sept. 28. The image was printed from two stones on French handmade paper at Universal Limited Art Editions in West Islip, N.Y. in 1969. The Davison Art Center purchased the print in 1980 with funds from the National Endowment for the Arts, and matching funds from the Friends of the Davison Art Center.
Milroy explained how Frankenthaler became known in the 1950s with her “stained” paintings on unprimed canvas. She later moved to lithography and ultimately woodcuts. Milroy visited Frankenthaler’s studio