In Episodic Poetics, Garrett merges narrative theory with social and political history to explain the early American fascination with the episodic, piecemeal plot.
Since Aristotle’s Poetics, the episode has been a vexed category of literary analysis, troubling any easy view of the subsumption of unwieldy narrative parts into well-plotted wholes. Episodic Poeticsproposes a new method of reading and a new way of conceiving of literary history. The book combines theoretical reflection and historical rigor with careful readings of texts from the early American canon such as The Federalist, The Autobiography of Benjamin Franklin, and the novels of Charles Brockden Brown, along with hitherto understudied texts and ephemera such as Washington Irving’s Salmagundi, Susanna Rowson’s Trials of the Human Heart and the memoirs of the metalworker and failed entrepreneur John Fitch. Garrett recounts literary history not as the easy victory of grand nationalist ambitions, but rather as a series of social struggles expressed through writers’ recurring engagement with incompletely integrated forms.
This volume addresses the nature and quality of the lives of monks and canons in Western Europe during the middle ages and the early modern period. Building on the collaborative spirit of recent work on medieval religion, it includes studies by historians of the religious orders, liturgy and ritual as well as archaeologists and architectural historians. Several studies combine the interpretation of texts, most particularly customaries and rules, with the analysis of architecture. The volume sheds new and exciting light on monastic daily life in all its dimensions from the liturgical and the quotidian to the spatial and architectural.
Carolyn Marino Malone, professor of art history at the University of Southern California in Los Angeles co-authored the book.
At Wesleyan, Maines specializes in the study of monasticism from architecture in its structural and ritual dimensions to technology and monastic domains.
Twin comedians Todd ’05 and Adam Stone ’05 first took the stage as Stone and Stone while at Wesleyan. Today they perform standup together and have been featured on NBC’s Last Comic Standing, a series of national Verizon FiOS commercials and in videos on Comedy Central. They have performed at comedy clubs and theaters throughout New York and Los Angeles, including the UCB Theatre, Carolines, Gotham Comedy Club and the Laugh Factory, and they perform regularly at the People’s Improv Theater (PIT) and at the New York Friars Club, where they have roasted people including Larry King, George Takei, and most recently, Dennis Rodman.
A neuroscience major who is also pursuing the writing certificate, Rama Nakib ’16 comes to Wesleyan from Iraq. Around campus, she is a monitor in the Ezra and Cecile Zilkha Gallery, performs slam poetry, writes for the student-run blog Wesleying, and is known for her sewing and tailoring skills, which she shares with other students. After graduation, Rama wants to pursue a medical career while remaining involved in activism for women’s rights in the Middle East.
In this video, Ethan Kleinberg, director of the Center for the Humanities, professor of letter, professor of history, talks with Hayden White, professor of comparative literature at Stanford University, about history, theory and the humanities. White is the former director of the Center for the Humanities at Wesleyan. Watch this video and many more on the Video @ Wesleyan website.
Recorded at the campus-wide Mash music festival Sept. 6, this video EP features full-length original songs performed by Wesleyan bands Molly Rocket and the Crooks, Robert Don, Novelty Daughter and Sky Bars.
The Mash is co-sponsored by the Center for the Arts, the Office of Student Affairs and the Green Street Arts Center. This second annual festival is a legacy event of Music & Public Life. Watch this video and many others on the Video @ Wesleyan website.
This fall, Wesleyan will host fundraising events in San Francisco, Boston, and on campus during Homecoming/Family Weekend. These events—fundraisers for financial aid—feature thinkers, artists, and policy and culture makers you want to experience.
Jan Eliasberg ’74 is a rarity in Hollywood—a woman who directs action dramas. In this video, she reflects on being at Wesleyan in the 1970s, and talks about founding Second Stage at the ’92 Theater. Watch this video and many more on the Video @ Wesleyan website.
In this video, travel writer, editor, and radio host Pauline Frommer ’88 talks about growing up in the travel industry, and reveals how her Wesleyan education changed her mind about her career. Frommer majored in intellectual history at Wesleyan. “I thought I was going to be a theater major, and then I started taking a lot of history and philosophy classes and they blew my mind.” Watch this video and many more on the Video @ Wesleyan website.
Nandita Vijayaraghavan ’13 is a government and East Asian studies major with a love of music. In this video, Vijayaraghavan describes why she chose to come to Wesleyan from her hometown of Chennai, India. She applauds Wesleyan’s open curriculum.
At a special Reunion & Commencement appearance with all ticket sales going to financial aid, Amanda Palmer ’98 played the piano and the ukulele and joyfully performed a set of her inimitable songs on the stage in Crowell Concert Hall on May 24. Her husband, Neil Gaiman, winner of writing honors from the Newbery Medal to the Hugo Award to the Will Eisner Comic Award, read from his work and joined Palmer in fielding questions from a rapt audience of alumni, parents and students.