CNN’s Maria Santana ’98 interviews the mayor of the town of Aguadilla (pop. 60,000) in Puerto Rico. “To help his people, he’d set up three locations where people could gather water from the local aqueduct. Daily, he traveled the two hours to San Juan at 4 a.m., hoping to pick up FEMA aid. Other mayors were also making that same trip, because each town still lacked a way to communicate with the central government. The mayors would have to show up in person to find out if any aid was available.”
When CNN en Español journalist Maria Santana arrived on the island of Puerto Rico on Sept. 25, five days after category 4 Hurricane Maria tore over the land, she was eager to do her work—tell the stories of those in the center of the devastation and report on the efforts to support the victims and rebuild. But the situation was not what she expected, and—though her job has taken her to many places in the United States that had been ravaged by natural disasters—this was nothing like what she’d seen before.
While she and the crew stayed at a hotel in San Juan—with internet accessibility to transmit her reports—even short trips into the countryside showed massive devastation, but little aid reaching the people.
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Laura Fraser’s sister Jan. with her dog, Sunny, at her home in Colorado, several months before Jan died of endometrial cancer, Jan had sought medical attention earlier but her symptoms had not been met with attention they warranted, says Fraser ’82. (Photo by Cynthia Fraser Taylor)
“My sister’s cancer might have been diagnosed sooner — if doctors could have seen beyond her weight,” wrote Laura Fraser ’82, in an article that detailed how medical personnel ignored her sister Jan’s serious symptoms as the whinings of “a fat, complaining older woman.”
The article, published on Statnews, a site focused on medicine, health, and science journalism and produced by the Boston Globe Media, received more social media shares, Fraser said, than anything else she has written.
Fraser’s first book Losing It: America’s Obsession with Weight and the Industry that Feeds on It (Random House, 1997) had given her a background knowledge of the biases that work against those with obesity and what she saw in her sister’s quest for help. “Sometimes I think fatness is the last bastion of acceptable prejudice in the United States,” she reflects.
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Charisse Lillie ’74 was honored with the A. Leon Higginbotham Jr. Lifetime Achievement Award for her accomplishments, service and dedication to the legal profession and minority community. She initially met the late Justice Higginbotham while she was an undergraduate at Wesleyan.
Charisse Lillie ’74, an attorney, member of the business community, and a lecturer on issues of diversity and corporate responsibility, will receive the A. Leon Higginbotham Jr. Lifetime Achievement Award during the Pennsylvania Bar Association (PBA) Minority Attorney Conference, “Advocacy and Fundamental Rights for Changing Times.”
The award recognizes her accomplishments and dedication to the legal profession and the minority community through civil, community or legal service. Now the CEO of CRL Consulting LLC, she recently retired from Comcast Corporation, where she held senior-level positions. Higginbotham, who died in 1998, was a civic leader, author, academic and federal appeals court judge active in efforts eliminate racial discrimination. He was awarded an honorary doctorate of laws from Wesleyan in 1996, delivering the Commencement address that year. He had also delivered Wesleyan’s Hugo L. Black Lecture in 1991, an annual series endowed by Leonard S. Halpert ’44.
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Twenty-three students and one faculty member are co-authors of a forthcoming manuscript in the journal G3.
More than 20 Wesleyan students — including three former first-years — are co-authors of a research manuscript accepted for publication in a prestigious biology research journal. The paper focuses on a species of fruit fly that has evolved, and has the ability to ingest a toxic plant.
The paper, which is forthcoming in G3: Genes | Genomes | Genetics, is the result of a study completed by BIOL310 Genomics Analysis students. Course instructor and co-author Joseph Coolon, assistant professor of biology, created BIOL310 to provide students a course-based research experience focused on measuring gene expression.
“Because the students in the course and in my lab collaborated on all the analysis, interpretation, and wrote the paper, all 23 students are co-authors of the published manuscript,” Coolon said. “G3 is a well-known and highly reputable journal for publishing in my field and I am honored to have been able to publish there, especially given the number of undergraduates that are now published authors in such a great journal.”
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Bobbito Garcia ’88 (AKA Bob Kool Love) and DJ Stretch Armstrong, a legendary duo from late-night hip-hop radio in the ’90s, have reunited—reigniting their wit and wisdom in interviews with current cultural icons for the NPR podcast, What’s Good With Stretch and Bobbito.
Bobbito Garcia ’88 and DJ Stretch Armstrong are back broadcasting—just like they were in the ’90s. Except:
It’s not student radio WKCR at Columbia University; it’s National Public Radio.
It’s not in the 1 until 5 a.m. timeslot; it’s an audio-on-demand podcast.
And the guests are not the as-yet-undiscovered hip-hop artists.
In What’s Good with Stretch and Bobbito, the listener will find Garcia and Armstrong offering smart, lively conversation with trendsetters and cultural icons ranging from Chance The Rapper, to activists Linda Sarsour, to Stevie Wonder. (“The standout interview of my career,” says Garcia, “with the legend of legends.”)
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J.R. Rhodes ’90 has a new album coming out Nov. 3, and a single from it has already been picked up for play in Starbucks. (Photo by Michelle Smith-Lewis)
Next time you’re seeking a caffeine fix in Starbucks, keep your ears open for a song by J.R. Rhodes ’90. Hers is a haunting alto voice—with a throatiness and rich, emotional depth reminiscent of Joan Armatrading—and the song, in a minor key, “Your Pillow,” was the first single released from her album I Am, due out Nov. 3.
A music major at Wesleyan and a singer/songwriter since then, Rhodes had released three albums previously: Elixir (2011), Afriqueen Stare (2003) and Songs of Angels (1999).
The high-profile single placement, however, is something entirely new.
“A career in music can definitely be a winding road,” she says. “You have your days when you want to give up. And then you get a little help. And sometimes—you get a lot of help.”
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Beanie Feldstein ’15 (Photo courtesy of Little Fang Photography)
Actress Beanie Feldstein ’15 has made her Broadway debut as Minnie Fay in the sold-out, Tony-winning revival of Hello, Dolly! this past April. The role has her playing a fresh-faced shopgirl in this comedic musical theater hit about a meddlesome matchmaker named Dolly Gallagher Levi. Starring alongside the iconic Bette Middler and Broadway veteran Kate Baldwin, Feldstein is living out her childhood dream night after night in Broadway’s Shubert Theatre—and certain magazine outlets, such as Vogue, are asking whether we are seeing the next Middler in Feldstein.
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Sasha Alpert ’82 won the Primetime Emmy Award for casting A&E’s Born This Way. (Photo courtesy of Bunim/Murray Productions)
At the 69th Annual Primetime Emmy Awards on Sept. 17, Sasha Alpert ’82, CSA, was awarded the Emmy for the Outstanding Casting for a Reality Program for A&E’s original docuseries Born This Way.
The series follows seven young adults diagnosed with Down syndrome who pursue personal and professional success and try to defy expectations, according to A&E’s website.
Born This Way earned a total of three Emmy wins, going into the evening with six nominations. It was the television show to receive the inaugural award for reality casting, a move that recognizes the process of casting an unscripted show.
“I am thrilled to have won the first Emmy given for reality casting, and especially thrilled that it was for Born this Way,” Alpert said. “Bringing the story of young adults with Down syndrome to television has been an incredible experience. Many people have a story to tell, and by creating a show with a diverse group of people we vastly expand our ability to tell compelling stories.”
Alpert is known for her work in casting reality television shows, such as The Real World and Project Runway, as well as in producing numerous documentaries and specials for PBS, CBS, MTV, TBS, and Disney Channel. The winner of Primetime Emmy Awards, she has had 11 nominations, including a News and Documentary Emmy Award for her work on Valentine Road (2013).
With two fellowships, Mika Reyes ’17 joined the tech-savvy world of Silicon Valley and encourages other Wesleyan humanities majors to follow her path.
Mika Reyes ’17 has stayed busy since graduating just last May, as both a summer fellow with the Horizons School of Technology and a year-long Product fellow with the Kleiner Perkins Caufield & Byers (KPCB) fellowship program. These prestigious programs have helped Reyes jump-start a career in tech.
The Horizons Fellowship immerses university students looking to become leaders in technology in a rigorous summer program that teaches them how to build web and mobile applications and connects them with mentors in the field: startup founders, technology executives, and engineering leaders. Horizons requires no prior programming knowledge and chooses a few members of every cohort for the Horizons Fellowship, which covers the cost of tuition and housing in San Francisco.
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Matt Coan ’89, Mike Charlton ’89 and Jim Lukowski ’89 met in the late 1980s while students at Wesleyan.
The gridiron is the foundation where lifelong friendships are built. At Wesleyan, this bond between teammates started way back in 1881 and has only flourished since then.
It would be difficult to find a better example of the friendships Wesleyan Football produces than in the three captains from the 1988 team: Mike Charlton ’89, Matt Coan ’89 and Jim Lukowski ’89.
Charlton, a Connecticut native who grew up in Detroit, played four years on the defensive line as a nose guard. As if football and academics weren’t enough, he also competed on the wrestling team throughout his college tenure.
“You miss football a lot when the playing days are over because it’s not only a very fun sport to play, but it’s very much a team sport and a team sport leads to friendships that—in my case with Matty and Jimmy as good examples—last a lifetime,” Charlton said. “Those bonds are things that are created on and off the playing field.”
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Glenn Ligon ’82 in front of his piece, White #15, on exhibit at the Wadsworth Atheneum. (Photo by Cynthia Rockwell)
In a program jointly sponsored by the Wadsworth Atheneum Museum of Art and The Amistad Center for Art & Culture, artist Glenn Ligon ’82 joined Dean and Professor of Art History at Northwestern University Huey Copeland for a discussion on Sept. 13 at the Atheneum in Hartford. The two, who noted their longstanding friendship as they began their onstage discussion, explored Ligon’s creative practices and Copeland’s research on the ways African American artists have addressed race in the history of American art.
Prior to the conversation, attendees were invited to view the Atheneum’s permanent installation of post-2000 contemporary art in the Hilles Gallery. Ligon’s piece, White #15 (1994, paintstick on linen and wood), is on exhibit there. Ligon had been featured at the Athenaeum in MATRIX 120, the 1992 exhibit in an ongoing and changing series of contemporary art exhibitions, initially funded 1974, with a grant from the National Endowment for the Arts.
The conversation between Ligon and Copeland explored Ligon’s work, including the installation, To Disembark (1993), and that of other contemporary artists, including Cameron Rowland ’11—as well as the museums charged with illustrating the history of African Americans, including the National Museum of African American History and Culture—in the context of current events.
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