Olivia Drake

Hogendorn Presents Economics Papers in New York and Portugal

Christiaan Hogendorn

Christiaan Hogendorn

On Oct. 3, Christiaan Hogendorn, associate professor of economics, presented a paper titled “Unequal Growth in Local Wages: Rail versus Internet Infrastructure” for the City College of New York’s Economics Department. David Schwartz ’17 co-authored the paper.

And on Oct. 12, Hogendorn presented a paper titled “The Long Tail of Online News Visits” at the 17th Media Economics Workshop in Braga, Portugal. The paper was co-authored by Hengyi Zhu ’15 and Lisa George of Hunter College. He also served as a discussant for a panel on Network-Mediated Knowledge Spillovers in ICT/Information Security.

MacArthur Fellow Rowland ’11 Speaks at Wesleyan

Cameron Rowland '11, a 2019 MacArthur Fellow, returned to campus on Oct. 15 to speak about his recent work at the Ring Family Performing Arts Hall.

Artist Cameron Rowland ’11, a 2019 MacArthur Fellow, returned to campus on Oct. 15 to speak about his recent work at the Ring Family Performing Arts Hall.

Cameron Rowland is an artist making visible the institutions, systems, and policies that perpetuate systemic racism and economic inequality. Rowland’s research-intensive work centers around the display of objects and documents whose provenance and operations expose the legacies of racial capitalism and underscore the forms of exploitation that permeate many aspects of our daily lives.

Rowland displays objects and documents whose provenance and operations expose the legacies of racial capitalism and underscore the forms of exploitation that permeate many aspects of our daily lives. Read more about his work on this MacArthur Foundation website.

Cameron Rowland, D37, Museum of Contemporary Art, Los Angeles, 2018, installation view

Rowland’s installation, D37, is on exhibit at the Museum of Contemporary Art, Los Angeles. Block D37, otherwise known as the Los Angeles suburb of Bunker Hill, received the lowest of ‘low red’ grade by the Home Owners’ Loan Corporation in 1939. The report indicated that residents were “low-income level” and were predominantly “Mexicans and Orientals.”

Rowland's talk was supported by the Samuel Silipo ’85 Distinguished Visitors Fund and sponsored by the Department of Art and Art History and the Center for African American Studies.

Rowland’s talk was supported by the Samuel Silipo ’85 Distinguished Visitors Fund and sponsored by the Department of Art and Art History and the Center for African American Studies. (Photos by Simon Duan ’23)

“Bomb Cyclone” Strikes Campus on Oct. 17, Causing Extremely Low Pressure, High Winds

weather station

The Wesleyan University Weather Station measures wind speed, barometric pressure, air temperature, relative humidity, and solar irradiance.

On Oct. 17, the Wesleyan Weather Station recorded a dramatic drop in atmospheric (barometric) pressure—a drop so severe it compared to one from Hurricane Sandy in November 2012.

Between 2 a.m. on Oct. 16 and 2 a.m. on Oct. 17, the pressure dropped from 1020 to 980 millibars, resulting in what meteorologists refer to as bombogenesis or a “bomb cyclone.” Bomb cyclones are defined by a drop of more than 24 millibars of pressure over less than 24 hours, and here, the pressure dropped 40 millibars.

During Hurricane Sandy the pressure also dropped to 980 millibars.

“We’ve looked through the last three years of data collected by the Wesleyan Weather Station, and no other event over that time period is more dramatic than this one,” said Dana Royer, professor of earth and environmental sciences. “This clearly shows that the bomb cyclone this month was indeed unusual.”

In Hartford, Conn., the pressure minimum (~980 millibars, similar to the pressure the Wesleyan Weather Station recorded) tied the all-time record for the month of October.

The bomb cyclone also affected wind speed. Between 1 and 2 a.m. on Oct. 17, wind rapidly increased from 0 to 34 mph and fluctuated between 5 and 25 mph over the next 24 hours.

The Wesleyan Weather Station was established with a Teaching Innovation Grant from President Michael Roth. The station is maintained by Royer; Joel LaBella, facilities manager for the Earth and Environmental Sciences Department; Johan “Joop” Varekamp, the Harold T. Stearns Professor of Earth Science; and staff from Information Technology Services.

bomb cyclone

The Wesleyan Weather Station recorded the dramatic drop in atmospheric pressure on Oct. 17. This graph shows the average air pressure from the last 30 days.

bomb cyclone

During the bomb cyclone, the Wesleyan Weather Station recorded the drastic fall in atmospheric pressure and the rapid rise in wind speed.

 

Abrell to Speak on the Future of Meat During 92nd Street Y’s Inaugural Food Summit

Elan Abrell, a fellow in animal studies and philosophy, will be a panelist at 92nd Street Y’s first-ever Food Summit on Nov. 9.

The Summit will explore the future of what and how we eat and will include some of the most dynamic and influential figures in the culinary world. Guests will discuss how food brings us together, the future of cookbook publishing, mental health in the food industry, how immigrant chefs continue to transform American cuisine, and much more.

Abrell’s panel will focus on the topic of “Meat: The Future.” He will join experts from the fields of anthropology, nutrition, and the emerging industry of cellular agriculture to explore the science, the implications, alternate sources of animal protein, and life after meat.

This fall, Abrell is teaching a course on Liminal Animals: Animals in Urban Spaces, which examines the major ways in which nonhuman animals influence and are influenced by human-built environments, with specific attention to the ethical, political, and social dimensions of human-animal interactions in these spaces.

For 145 years, 92nd Street Y has been serving its communities and the larger world by bringing people together and providing groundbreaking programs in the performing and visual arts; literature and culture; adult and children’s education; talks on a huge range of topics; health and fitness; and Jewish life.

Tickets are available online.

Indian Sarod Master Performs at Wesleyan’s 43rd Annual Navaratri Festival

Wesleyan’s 43rd Navaratri Festival, held Oct. 10-14, celebrated traditional Indian music and dance.

2019 Navaratri Festival events included:

    • A colloquium focusing on “Re-sounding Islam—Marking Religious and Aesthetic Pluralism in the Historiography of South Indian Music.”
    • The Saraswati Puja (Hindu ceremony), where audience members bring instruments, manuscripts, and other items for blessing.
    • “The Sarod Trilogy” by Amjad Ali Khan.
    • The Bhojanam (feast) featuring vegetarian Indian delicacies.
    • “The Courtesan Dance” from South India by guest performer Yashoda Thakore.
    • “Vocal Music of South India” by vocalist and Adjunct Associate Professor of Music B. Balasubrahmaniyan and Adjunct Assistant Professor of Music David Nelson on mridangam and violinist Nandini Viswanathan.
    • A free interactive presentation of the fundamental concepts of Indian classical music, and how the practice of composition continually helps to preserve both tradition and musical technique.

The festival was presented by the Center for the Arts, Music Department, and Dance Department, with leadership support from the Madhu Reddy Endowed Fund for Indian Music and Dance at Wesleyan University, and additional support from the Jon B. Higgins Memorial Fund.

Grammy Award-nominated sarod (19-stringed instrument) master Amjad Ali Khan performed “Sarod Trilogy” Oct. 10 as part of the 43rd Navaratri Festival at Wesleyan.

Khan was joined by his sarod-playing sons Amaan Ali Bangash and Ayaan Ali Bangash, along with tabla player Amit Kavthekar. Khan was born into the sixth generation of the illustrious lineage of the Senia-Bangash school of music, and is credited with reinventing the technique of playing the sarod, which means “melody” in Persian.

Photos of the “Sarod Trilogy” performance are below: (Photos by Rich Marinelli)

"Sarod Trilogy"

"Sarod Trilogy"

Alumni, Faculty Discuss Russia’s Return to the World Stage at Shasha Seminar

David Abramson ’87, Foreign Affairs Analyst at the U.S. Department of State, asks a question at a panel held by Wesleyan alumni on Saturday afternoon regarding Russia’s economic development, the prospects for foreign investors, and the range of careers available to graduates in Russian studies.

David Abramson ’87, foreign affairs analyst at the U.S. Department of State, asks a question regarding Russia’s economic development during the 2019 Shasha Seminar for Human Concerns.

shasha bannerRussia has returned to the world stage in dramatic fashion in recent years with military interventions and interference in elections.

What is driving this aggressive behavior? Will the current political system survive the scheduled departure of its architect, Vladimir Putin, in 2024? How should the United States deal with Russia?

On Oct. 11–12, Wesleyan alumni and faculty panelists tackled these questions and more during the 2019 Shasha Seminar for Human Concerns. This year’s theme was “Understanding Russia: A Dramatic Return to the World Stage,” with Peter Rutland, the Colin and Nancy Campbell Professor in Global Issues and Democratic Thought, serving as this year’s director. Rutland works on contemporary Russian politics and political economy, with a side interest in nationalism. (For a Q&A with Rutland, previewing the seminar, click here.)

The Shasha Seminar for Human Concerns, endowed by James Shasha ’50, P’82, supports lifelong learning and encourages participants to expand their knowledge and perspectives on significant issues.

Davison Art Center Offers Museum-Quality Art Reproductions

Breton Women at a Fence (Bretonnes à la Barrière) BuyPaul Gauguin

“Breton Women at a Fence” (“Bretonnes à la Barrière”) by Paul Gauguin is available for reproduction in Art Authority’s Davison Art Center collection.

Art enthusiasts can now enjoy Wesleyan’s Davison Art Center (DAC) collections on their own living room walls.

This month, the DAC has partnered with Art Authority and 1000 Museums to offer the public high-quality reproductions of select holdings from the DAC collection. Currently, the DAC store includes works by Albrecht Dürer, Paul Gauguin, and all 80 prints in Francisco de Goya’s series, Los Caprichos.

Each reproduction is made using a professionally photographed digital image and printed on archival fine art paper. A variety of sizes and framing options are available for each print.

The DAC is working to make reproductions of additional DAC holdings available over time.

To see what’s available now, visit wesleyan.edu/dacprint.

art

Hill ’93 Reads from Latest Book at Wesleyan RJ Julia Bookstore

On Oct. 8, Edwin Hill ’93 presented an author’s talk and reading at the Wesleyan RJ Julia Bookstore.

Hill is the author of the crime novel The Missing Ones, a follow up to his critically-acclaimed book Little Comfort. He presented his reading with Vanessa Lillie, author of Little Voices.

Hill, of Roslindale, Mass., served as the vice president and editorial director for Bedford/St. Martin’s, a division of Macmillan for many years before turning to writing full time. He has written for Publishers Weekly, the L.A. Review of Books, and Ellery Queen Mystery Magazine, among other publications.

Photos of his talk are below: (Photos by Nick Sng ’23)

Edwin Hill '93

Alumni, Parent Volunteers Sought to Host WEShadow 2020

The Gordon Career Center invites alumni and parents to participate in WEShadow, the winter externship program. In today’s highly competitive employment environment, undergraduates start career planning early and you can make this happen.

The WEShadow Program provides undergraduates with the opportunity to explore careers by “shadowing” a Wes alumna/us or parent during Winter Break. These job shadow opportunities range from observing a professional in a work environment to participating in a specific project within an organization or business. Last year, students benefited from shadow opportunities in various industries, including banking, theater, music, and medicine.

This academic year, WEShadow opportunities will be offered Jan. 6–17, 2020. Students apply specifically to a posted opportunity by Nov. 6. WEShadow volunteers then review and select the candidate(s) of choice.

If you are interested in sponsoring a job shadow experience as a part of the WEShadow Program, register online by Oct. 18.

For more information, contact Anne Santaniello in the Gordon Career Center at 860-685-2180 or via email at asantaniello@wesleyan.edu.

WESU Celebrates 80 Years of Community Radio

WESU

WESU student and community volunteers gathered for a staff photo prior to their October monthly staff meeting. (Photo by Tom Dzimian)

Throughout 2019, WESU 88.1 FM has been celebrating 80 years of community service on air and in the community.

Established in 1939, WESU began as one of the first student-owned and -operated radio stations in the country. That fall, Wesleyan freshman Arch Doty Jr. began broadcasting his homemade 1-watt AM transmitter from his Clark Hall dorm room.

Eighty years later, WESU is among the largest student groups on Wesleyan’s campus, uniting nearly 150 student and community volunteer broadcasters.

“WESU’s mission is to provide a unique mix of public affairs and free-form community programming to listeners throughout the Connecticut River Valley and southern Massachusetts,” explained WESU General Manager Ben Michael.

WESU’s eight-decade legacy of service can be explored in an online exhibit.

Miniature Artworks Displayed at Into the Image Exhibit

The exhibit titled Into the Image is on display at the Davison Art Center (DAC) through Nov. 24. This exhibition of miniature artworks—drawn entirely from the Davison Art Center collection—features objects made across several centuries and includes examples by Rembrandt van Rijn and Henri Matisse.

On Oct. 10, Miya Tokumitsu, DAC curator, and Andy Szegedy-Maszak, Jane A. Seney Professor of Greek and Professor of Classical Studies, led a gallery talk during the opening reception.

Into the Image will be the final exhibition in the Davison Art Center’s current gallery at 301 High Street. A new gallery will be constructed between Olin Library and the Public Affairs Center over the next few years.

Photos of the opening reception are below: (Photos by Simon Duan ’23)

exhibit
exhibit

Haitian Band Performs, Teaches Dance and African Drumming Students

Haiti’s “Roots” band RAM came to campus for a one-day artists’ residency and led drumming and dance workshops for Wesleyan students. They met with students in two classes on Oct. 8.

The group, led by Richard Morse, has produced music for more than 25 years. They recently released their seventh album, August 1791.

In the morning, RAM led a dance workshop for two combined classes: Afro-Brazilian Dance taught by Joya Powell, visiting assistant professor of dance, and Contemporary Dance Technique II/III taught by Katja Kolcio, chair and associate professor of dance. And in the afternoon, they led a workshop for the West African Music and Culture class, taught by John Wesley Dankwa, assistant professor of music.

“My students were thrilled to be in the company of such talented artists. They thoroughly enjoyed the uplifting dance workshop experience facilitated by Isabelle Morse, and were blown away by the powerful live drummers and singers,” Powell said. “They were able to make significant connections to the movement nuances and dance steps found in folkloric Haitian dances and Afro-Brazilian dances.”

RAM led students in the traditional Afro-Haitian dance and rhythms, and spoke to students about how these art forms had their source in West Africa, were brought with enslaved Africans to Haiti, were part of the 1791 slave uprising, and have been passed on through the generations since Haiti won its freedom and abolished slavery in 1804.

Photos of the workshop with the West African Music and Culture class are below: (Photos by Nick Sng ’23)

RAM