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Q&A With Novelist Kate Greathead ’05 on Writing Laura & Emma

Kate Greathead ’05, who majored in English at Wesleyan, is the author of Laura & Emma: A Novel (Simon & Schuster, 2018).

Laura & Emma, the debut novel by Kate Greathead ’05, was reviewed by Wesleyan magazine books editor Laurie Kenney, who wrote: “Nine-time Moth StorySLAM champion Greathead’s debut novel offers an insightful and witty exploration of class, family, and privilege in New York blue-blood society in the 1980s and early ’90s, as told through the eyes of Laura, an Upper East Side single mother born into wealth, and her daughter, Emma, conceived during a one-night stand. Filled with an eclectic cast of supporting characters and told in vignettes that span more than a decade, Laura & Emma offers a fresh take on the mother-daughter bond and the struggles of trying to find oneself. Booklist says, ‘Greathead’s smart and original take on the mother-daughter novel impresses and charms.'”

In a follow-up conversation with the Connection, Greathead reflected on the writing process, including her work with Wesleyan mentors, and offered advice for those still working toward publication.

Q: How did your work at Wesleyan influence this book? Any great writing advice you received?

A: I wasn’t a confident person when I arrived at Wesleyan. I had some very kind and generous professors—Anne Greene, Phyllis Rose, Roxana Robinson—who helped me develop confidence in my writing, which made me take myself more seriously as a student and a person. One of my most valuable writing experiences was writing my senior thesis, a collection of personal essays, under the guidance of Elizabeth Bobrick [then a visiting professor in English]. Every two weeks we’d meet and discuss my work. The craft of writing can be taught, but of equal importance, the substance of what you write, can’t unless the teacher tries to get to know you. The best teachers find gentle ways to push you towards your most fertile material. Elizabeth took the time to do that and I benefited greatly.

Q: Any significant discoveries you made as you wrote about mother/daughter relationships?

A: I can’t speak for all mother/daughter relationships but I suspect in most there’s a volatility that’s just as intense as a romantic one, an undercurrent of jealousy, resentment, hurt, contempt, and neediness complicating the love. It might rarely erupt, but it’s there, simmering beneath the surface.

Wesleyan in the News


In this recurring feature in 
The Wesleyan Connection, we highlight some of the latest news stories about Wesleyan and our alumni.

 

 

Recent Wesleyan News

  1. Hartford Courant“Connecticut Natives at Wesleyan Organize TEDx Conference”

Wesleyan hosted its inaugural TEDx conference on April 7, featuring talks by many distinguished alumni, local officials, and others. Two of the student organizers, Eunes Harun ’20 and Leo Marturi ’20, are interviewed about the event.

2. The Hill: “Trump, Pelosi Appear Most in Early Ads—for the Other Side” 

A new analysis from the Wesleyan Media Project finds that Donald Trump has been the top target of political attack ads this year, with Nancy Pelosi the second favorite target, as both parties seek to drive their political bases to the polls. “Although presidents and presidential candidates are the most common targets in congressional campaign ads, it is noteworthy that Pelosi has consistently been singled out more than any other congressional leader since 2010 despite her minority party status for the bulk of that time,” said Erika Franklin Fowler, associate professor of government and WMP co-director.

3. Faith Middleton Food Schmooze: “Funeral Food with a Twist, a Seductive Rosé and Amy Bloom”

In connection with her new book, White Houses, Shapiro-Silverberg Professor of Creative Writing Amy Bloom talks about food in the Franklin Roosevelt White House. Bloom comes in around 21 minutes.

4. Naturally Speaking: “Extending Evolution, an Interview with Prof. Sonia Sultan”

On this podcast, Sonia Sultan, professor of biology, professor of environmental studies, discusses her research on phenotypic plasticity and transgenerational effect in plants, and shares her thoughts on one of most controversial ideas currently circulating in mainstream evolutionary biology: the so-called “extended evolutionary synthesis.” Sultan was honored at the University of Glasgow’s Institute of Biodiversity, Animal Health & Comparative Medicine’s annual Darwin Day lecture.

5. Inside Higher Ed: “The Data Should Make You Happy!”

President Michael Roth ’78 reviews Steven Pinker’s new book, Enlightenment Now: The Case for Reason, Science, Humanism, and Progress. Roth writes: “We don’t need cheerleading psychologists telling us we should be happier than we are.”

6. Squash Magazine: “Teaching the Game: Women and Squash”

Shona Kerr, Wesleyan’s head coach of men’s and women’s squash, is interviewed for a story about gender bias in the world of squash coaching. Kerr is one of only three women in the country who coaches a men’s collegiate squash team.

Recent Alumni News

  1. NDTV Profit: “Wipro Director, Harvard Alumnus Rishad Premji [’99] Appointed Chairman Of Nasscom” Rishad Premji, who was an economics major at Wesleyan and holds an MBA from Harvard, was appointed chairman of IT industry body Nasscom (National Association of Software and Service Companies) for 2018–19. Previously, he was chief strategy officer and board member of Wipro Ltd, which he joined in 2007. In 2014 he was named a Young Global Leader by the World Economic Forum. [See the site for a video message from Premji, on accepting this new position.]

2. NPR: “Mary Halvorson [’02] Re-Engineered Jazz Guitar. Now, She’s Hacking Her Own Code”

In this review of Halvorson’s new double album, Code Girl, Nate Chinen, director of editorial comment at NPR Music, calls Halvorson’s style “staunchly unplaceable in style—art-rock? avant-prog?—and mysterious in several other respects.” The article also refers to John Spencer Camp Professor of Music, Emeritus, Anthony Braxton as her “august mentor.” Code Girl is out on the Firehouse 12 label.

3. Harvard Medical School News: “Why the Fly? Geneticist Stephanie Mohr [’93] Delves into Science’s Favorite Winged Model Organism”

“[S]elf-described ‘fly person’ Stephanie Mohr,” a lecturer on genetics at Harvard Medical School and author of the book First in Fly: Drosophila Research and Biological Discovery (Harvard University Press, 2018)explains her fascination with the insect and its importance in genetics research.

4. New York Times: “Even With Scholarships, Students Often Need Extra Financial Help“

This article by Janet Morrissey profiles a number of programs at prestigious universities that are designed to assist low-income scholarship students with living expenses. Richard Locke ’81, provost at Brown University, is mentioned as “help[ing] prepare Brown’s E-Gap (Emergency, Curricular and Co-curricular Gap) Funds, and its FLi (First Generation Low-Income) Center in late 2015 after hearing stories from students who were struggling financially.”

5. WBAL 1090—Educator Beverly Daniel Tatum [’75, P’04, Hon. ’15] to Speak at Towson Commencement

WBAL NewsRadio 1090’s Tyler Waldman reported Towson University President Kim Schatzel said: “We are honored to welcome Beverly Daniel Tatum to campus as our commencement speaker. Not only is she a thought leader in the higher education community, her expertise in diversity, inclusion and race relations supports Towson University’s relentless pursuits in these areas.” Tatum will speak at Towson’s College of Liberal Arts commencement on May 23, 2018, and will receive an honorary doctorate. A former Wesleyan trustee, Tatum was awarded an honorary doctorate from Wesleyan in 2015.

Banks ’15 Receives Fulbright to Study International Crimes, Conflict, Criminology

Isabella Banks ’15 received a Fulbright Study/Research grant in International Crimes, Conflict, and Criminology for 2018–19.

Isabella Banks ’15 was awarded a 2018–19 Fulbright Study/Research Grant for the master’s program in International Crimes, Conflict, and Criminology at Vrije Universiteit Amsterdam. Combining perspectives and methodologies from the fields of criminology, law, psychology, sociology, and political science, the program also draws on resources available through its location near The Hague—home to the UN’s International Court of Justice and the International Criminal Court.

“I hope to focus my research on transitional justice, which applies restorative principles to systematic, conflict-related human rights violations,” says Banks, who majored in the College of Social Studies with a certificate in international relations while at Wesleyan. Her honors thesis, “The Jury Is Out: Negotiated Agreements in the German Inquisitorial System,” is an exploration of the United States’ adversarial system of justice in comparison with the German inquisitorial system. A 2015 article in the Connection noted that Banks said her interest in exploring alternatives to the U.S. system of criminal justice was initiated by what she observed as its “growing dysfunction” as well as the increasing measure of disapproval it garnered.

After graduating, Banks studied abroad on a one-year Watson Fellowship, pursuing research in restorative justice in countries such as New Zealand, Australia, England, and South Africa. For her project, “Making Crime Personal: Restorative Alternatives to Criminal Justice,” she interviewed individuals involved in a range of restorative justice processes and acted as a participant observer in schools, prisons, and community organizations working to implement restorative practices.

She is currently affiliated with the Center for Court Innovation in New York City, whose founding director was John Feinblatt ’73 and current director is Greg Berman ’89. Banks serves as a planner for the Research-Practice Strategies team led by Director of Policy and Research Julian Adler ’02.

“My Watson year opened my eyes to the importance of human relationships in justice processes and fostered a fascination with conflict transformation that I am sure will drive my learning for years to come,” said Banks.

 

Lobel ’97 Produces Empire on Blood Podcast

Empire on Blood, a new seven-part serialized podcast from Panoply, is produced by Mia Lobel ’97. The series investigates a 1992 double homicide in the Bronx, exploring the judicial process that led to a conviction. That conviction has now been overturned after Calvin Buari spent more than two decades in prison for these murders, which he did not commit.

The show, says Lobel, is the result of veteran journalist Steve Fishman’s six-year quest to determine the facts of the case.

“Steve brought us this incredibly complicated story he’d been working on,” recalls Lobel. “He had courtroom papers and 80 hours of taped interviews with all the key players. It was so exciting for me as a producer. The show takes a really deep look at the moral complexity of the criminal justice system: What happens if you are, actually, a criminal—but convicted of a crime you didn’t commit?”

An anthropology major at Wesleyan, Lobel earned her graduate degree in journalism, specializing in audio formats—“radio, at the time,” she says. She marks 2014 as the year the general public began to share her excitement for audio productions—podcasts—when Serial came out and smartphone technology made it accessible.

“People are being reintroduced to the power of sound alone—where you make all these pictures in your head,” she says.

All-Alumni Survey: Thank You, Participants!

For a four-week period in January and February, the Office of University Relations surveyed BA alumni to understand attitudes and preferences around key areas, including communications, Wesleyan events, and philanthropy.

Of the 27,000 alumni contacted via email, more than 5,400 participated. This 20-percent response rate far exceeded expectations. The average U.S. college survey response rate is closer to 5–10 percent.

“We are thrilled with the level of engagement shown by our alumni in responding to our most recent survey,” reports Thomas Diascro ’89, director of alumni and parent relations, “and I cannot thank them enough for taking the time to participate.”

In the coming weeks, University Relations staff will begin looking more closely at the full results, and they plan to share their findings with the entire community in early fall—but for those who want a teaser, Diascro offers the following:

  • 92 percent of respondents are proud to be Wesleyan alumni;
  • 86 percent of respondents have a positive feeling towards Wesleyan;
  • 84 percent of respondents believe Wesleyan is deserving of financial support from alumni.

Executive Producer Selkow ’96 Directs Hip-Hop Docu-Series Rapture

At SXSW film and music festival, members of the creative team behind Rapture are Executive Producer Ben Selkow ’96, Director Marcus Clarke, Executive Producer Peter Bittenbender (of Mass Appeal), and Executive Producer Sacha Jenkins (of Mass Appeal). Rapture, a docu-series produced by Mass Appeal for Netflix is available now. Netflix describes the project as: “star[ing] directly into the bright light that hip-hop culture shines on the world…. Rapture dives into the artists’ lives with their families and friends, to sitting front row in the studio and grinding on tour, to experiencing the ecstatic power of moving the crowd.” (Photo Credit: Daniel Boczarski/Getty for Netflix)

Rapture, a new eight-part docu-series on hip-hop that premiered on Netflix March 30, features Ben Selkow ’96 as executive producer, showrunner, and one of the directors. It is art with an overarching purpose: “We hope to bring audiences and fans closer to the artists’ experience by sharing their biography and showing the perseverance, talent, and luck that helped each transform and transcend their situation,” says Selkow, a film studies and African American studies major while at Wesleyan, who previously directed Reza Aslan’s CNN series Believer. After returning from the SXSW film and music festival in Austin, Texas, where the team showcased several episodes of Rapture, Selkow discussed the project.

Connection: What drew you into this project and made it personally compelling?
Ben Selkow: Netflix wanted to collaborate on a new hip-hop project with Mass Appeal, an on-the-rise culture media and content company. A Netflix executive introduced me to Mass Appeal’s Sacha Jenkins and Peter Bittenbender, who needed an executive producer and showrunner. We got on really well from jump—and spent the next 18 months conceiving, refining, staffing, shooting, editing, finishing, and promoting Rapture.

I was drawn to it on many levels. I’ve been listening to hip-hop since my first Beastie Boy, Ice-T, KRS-One, Big Daddy Kane, and Public Enemy tapes—yes, tapes! And at Wesleyan, I continued my education in hip-hop with Javaid Khan (DJ Van Vader) ’96, Phil Jenkins (DJ Casual Phil) ’96, Jason Rosado ’96, and my man Jake Sussman ’96 making me mixtapes, as well as partying at [Malcolm] X house, while Matt Dickerson (DJ Denmark) ’95 was spinning. And then—beyond my love of the music, the culture, the politics, and its growing power of expression and American reporting—I really dug Sacha and Peter. Of course, the opportunity to work with Netflix and connect with audiences in 190-plus countries/117 million subscribers was a dream.

Connection: What was your role on the project and what were your biggest challenges?
Ben Selkow: As showrunner and one of the executive producers, I worked with all our specialists in each area, leading the charge—from conception to the talent casting, to the aesthetic look, to team staffing, to legal, to music supervision, to running everything with our amazing post-production team and doing the general crisis control. I also directed the episode with 2 Chainz.

Hip-hop artist Nas (left) and Executive Producer and Director Ben Selkow ’96 attend the Rapture Netflix Original Documentary Series, Special Screening at The Metrograph in New York City, on March 20. (Photo by Johnny Nunez/Getty Images for Netflix)  Wesleyan viewers will want to know that Lin-Manuel Miranda ’02 makes a cameo appearance in Rapture‘s Nas/Dave East episode, when the three are shown filming the video for the Hamilton mixtape song, “Wrote My Way Out.”

As for challenges, we had no proof of concept as this was Season 1, so the initial casting was the first challenge. We wanted a diverse group of artists and we were trying to compel the artists to entrust their stories with us. We were also making big asks for their time—not just an interview and some B-roll, but we wanted to do longitudinal, observational cinema, which makes for totally unique narratives. But we were able to earn a tremendous amount of trust with all the artists. Then the challenge was keeping up with their kinetic lives and building narratives. In the end, it was both a relief and incredibly exciting to watch the artists’ reactions once we screened their episodes with them. Sitting in a screening room with Nas, Just Blaze, or 2 Chainz and hearing that they loved it and thanked us…. Man, amazing feeling.

Connection: Why is this piece important? What do you think are the most important points you are bringing to the world?
Ben Selkow: By selecting a wide breadth of artists who range aesthetically, regionally, generationally, racially, and gender-wise—as well as including a super producer—Rapture paints the portrait of hip-hop as a diverse, complex, and wildly dynamic music universe. By offering an immersive view of the artists’ personal lives—beyond just seeing them as superstars—we are afforded the privilege of witnessing the artists’ humanness and mortality, as well as seeing what it is to live a life of an international celebrity.
We hope that Rapture illuminates some of the misconceptions about hip-hop and rap culture. For so long society at large has written off hip-hop as being only for gangsters, thugs, people who were morally corrupt. But through Rapture, we sought to depict the brilliance, passion, intelligence, artistry, dexterity, humanness, complexity, and perseverance that has made hip-hop and rap music the dominant global form.

We hope the series shows the featured artists at the top of their game for a reason, rising because of supreme artistry, hard work, a desire to change their situation: in summary, rising through the American dream.

Connection: Were there some best moment, breakthroughs, or epiphanies? What did you learn?
Ben Selkow: We had many, many incredible moments—from rocking with Nas at JazzFest in New Orleans backed by a 10-piece brass band in the Soul Rebels, to watching T.I. and Harry Belafonte intensely examine contemporary issues. But one moment that I just experienced speaks to the moments of resonance, the nuances and many gems throughout this whole series: During the screening of the Nas episode at the 1,100-seat Paramount Theatre at SXSW, T.I. was sitting with Dave East in the audience (I was one row behind them). They were really enjoying the episode, where director Sacha is highlighting Nas’s power in hip-hop—and she tells him that legendary Bronx rapper Big Pun’s grandson’s given name is Ether (“Ether” was a famous diss track Nas made in 2001). On screen, Nas is visibly taken aback at hearing this—as, I can see, are T.I. and Dave East, Nas’s protégés.

The next thing that happens in the film is we play a line from “Ether” to punctuate the point, that Nas’s influence is deep: “I am the truest, name a rapper that I ain’t influenced.” When this line plays, the audience spontaneously sings this line together—led most loudly by T.I. and Dave East.

At that moment, I realized: Doesn’t matter what the reviews say; true hip-hop is feeling this project. We did it—and, hopefully, get an opportunity to keep telling these stories. [See trailer below].

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Sharing the Stage: Greenberger ’81 Wins Award, Whitford ’81 Presents

Sharing the Stage: Bradley Whiford ’81 (left) presents the Writers Guild Award to his senior-year housemate and fellow theater major, Dan Greenberger ’81. (Photo by Michael Buckner/Variety)

Dan Greenberger ’81 attended the Writers Guild Award as a nominee in the category of On-Air Promotion (“the TV equivalent of movie trailers,” he explains) on Feb. 11, 2018. As an award veteran (he’d already won twice previously), Greenberger had done his homework: checked who was presenting his category and prepared an acceptance speech in case he won.

Just before the ceremony, as people milled around the dinner tables, he ran into his Wesleyan senior-year housemate, Bradley Whitford ’81, who had news: the scheduled presenter in the on-air promotion category had canceled. Instead, “I’m presenting in your category,” Whitford told his friend.

And from there, everything went off script for Greenberger, who quickly tried to reformulate his prepared speech to celebrate the friendship on stage, should he win.

Greenberger was the winner, and when he dashed on stage, the two embraced and ribbed each other gently about their college housekeeping habits.

In a conversation afterward with the Connection, Greenberger acknowledged the uniqueness of sharing that moment with his fellow theater major. “Senior year was a bonding time, as we were both getting ready to go out into the world.

“Brad and I took a train together to New York to audition for Juilliard,” Greenberger recalls.”He got in and I didn’t—and that’s when I decided I would be a writer.” In fact, Whitford had appeared in Wesleyan plays that Greenberger had written.

“Obviously, at the presentation, we were joking around a lot—but how great a full-circle moment is that? To be on stage, getting an award, with someone to whom you’ve talked about dreams and hopes when we were in college—I’m just so proud of what Brad has done with his career. As an actor, he keeps getting better.”

Greenberger, whose current work at CBS includes writing the promotions for Kevin Can Wait, notes that his favorite assignment was also very Wesleyan: How I Met Your Mother, the nine-season sitcom written by Carter Bays ’97 and Craig Thomas ’97. “I loved the sensibility; it was smart, it was funny, it was edgy—and I loved the fact that it was created by Wesleyan guys,” he recalls.

And he also knew it well: “When you work on promoting a show, you really get to know it almost better than anyone. You watch every episode more than once, you take it apart, you take notes on it: ‘Oh, here’s a good line; there’s a good moment.’ These are the pieces of the puzzle that I use to build the promotion—a story in 20 seconds, and every syllable counts.”

As for Whitford, Greenberger maintains: “He’s one of the very funniest people I’ve ever known. I’ve always told him he should do more comedy.

“But seriously—any time I look at Brad I go back to those days at Wesleyan when we were both theater majors falling in love with ‘the business,’ and wondering, ‘how do we get into this, and how do we make our mark?’ It was so great to have our paths converge on that stage.”

 

Alumni Attribute Long Lane Farm for Jumpstarting Interests, Careers in Agriculture

Daniel Mays '06 owns and operates a 14-acre farm in Scarborough, Maine.

Daniel Mays ’06 owns and operates a 14-acre farm in Scarborough, Maine.

According to the recently published 2017 Long Lane Farm annual report, almost 100 Wesleyan alumni are working in agricultural production industries. Many of these alumni got their start working at Long Lane Farm, Wesleyan’s student-run organic farm devoted to allowing students a place to experiment and learn about sustainable agriculture.

The following alumni shared their farming experiences post-graduation:

Daniel Mays ’06
Mays studied math and physics at Wesleyan where he helped out in the early days of Long Lane. Since then, he has taught at a boarding high school, bicycled through Mexico, earned a graduate degree in environmental engineering, and worked on a number of farms. In 2010 he started and currently owns and operates Frith Farm in Scarborough, Maine. The farm encompasses 14 acres and offers organic vegetables, pasture-raised eggs, chicken, lamb, pork, and turkeys. Frith Farm employs no-till vegetable production methods.

Mays believes farmers should be stewards of the land, not miners of its resources, and that farms should be hubs of the community, not distant sources of its calories. He also believes that economic sustainability need not be sacrificed, but rather can come directly from the union of environmental stewardship and community involvement.

Jordan Schmidt ’08 at Remedy Farm in New York.

Jordan Schmidt ’08
After graduating, Schmidt worked on a few different vegetable farms and then spent several years organizing the field work at Hearty Roots Community Farm in the Hudson Valley. In 2013,  she helped her partner take over management of her family’s dairy farm, Chaseholm Farm, in Pine Plains, N.Y., which she has been transitioning over to 100 percent grass-fed cows. Schmidt also grows several acres of culinary and medicinal herbs on that same property and runs Remedy Farm. In addition to being a farmer, Schmidt is a nutritional therapy practitioner, associate instructor for the Nutritional Therapy Association, and a movement teacher. She has spent a decade working with organic farm systems and is fascinated by the connections between the health of our broader environment and the health of our internal bodies. Read more about Schmidt in her Remedy Farm profile.

International Women’s Day Celebrated with Alumnae Spotify Playlist

Featuring album covers from four alumnae musicians, the logo of the “Women of Wesleyan” playlist on Spotify highlights the range of music performed by Wesleyan artists. Wesleyan collected the 43 songs as part of the university’s celebration of International Women’s Day.

On March 8, Wesleyan’s Facebook post read: ”In honor of International Women’s Day, we’re celebrating some of the most talented musicians we know with our ‘Women of Wes’ Spotify playlist. There’s something for everyone in this eclectic mix of Wesleyan alumnae, including Amanda Palmer ’98, Santigold ’97, J.R. Rhodes ’90, and Dar Williams ’89. Listen here, or go to #NowPlaying #IWD18.”

Also included on this list of 43 songs were pieces by Flo Anito ’01, Jess Best ’14, Amy Crawford ’05, Beanie Feldstein ’15, Mary Halvorson ’02, The Overcoats (JJ Mitchell ’15 and Hana Elion ’15), Chris Pureka ’01, Anna Roberts-Gevalt ’09 (of Anna and Elizabeth), Peri Smilow ’92, Tierney Sutton ’86,  Julia Scolnik ’78, and Nina Zeitlin ’03.

If you are a Wesleyan musician on Spotify, please let us know, so that we can include you in future music highlights. Contact Wesleyan’s digital content manager Sami Jensen.

Houston-Based Artist Herrick ’16 Is Named Luce Scholar

Casey Herrick ’16, a Houston-based artist and designer, was named a Henry Luce Scholar for 2018 and will be moving to Beijing this summer. (Photo courtesy Casey Herrick)

Casey Herrick ’16, a Houston-based artist and designer, was named a Henry Luce Scholar for 2018. One of 18 scholars selected from among 162 candidates, Herrick will begin with an orientation in New York starting in June, before the cohort embarks for Asia. The Henry Luce Foundation was established in 1936 by Henry R. Luce, the co-founder and editor-in-chief of Time Inc., to honor his parents, who were missionary educators in China. The Luce Scholars Program was launched in 1974 to “enhance the understanding of Asia among potential leaders in American society.”

Upon his graduation from Wesleyan, Herrick, who majored in studio art and psychology, returned to his hometown of Houston to work as lead 3D-designer, as well as photographer, graphic designer, and video editor at ttweak LLC, an artist-based strategic communications firm. Herrick notes that his work at ttweak has provided the opportunity to work with some of the area’s most prominent institutions, including the Houston Endowment, the Texas Medical Center, the Lawndale Art Center, and the Houston Parks Board. His collaborations focus on helping the organizations communicate dynamically, with maximum effectiveness.

Transitioning out of the design field, Herrick now works as a full-time painter. At Wesleyan, he was deeply involved with Wesleyan’s Center for the Arts, serving as a photography lab assistant, a woodshop monitor, and a studio arts teaching assistant. In 2015, he received the university’s Zawisa Grant to photograph the American South, with a focus on regional identity in Louisiana and East Texas. His thesis, Safe Conduct, focused on expectations and traditions associated with gender and the role of society in boys’ coming-of-age. Featuring a 10-by-6 foot canvas, in addition to five other paintings, his thesis work earned him Highest Honors—and New York’s Leslie-Lohman Museum purchased one of the paintings, “The Herndon Climb,” for its permanent collection. He was also awarded the Studio Art Program Award for departmental achievement.

Says Herrick, “I’m thrilled to be given this opportunity. This summer, I’ll be moving to Beijing to work at the China Central Academy of Fine Arts and with the city’s art community at large. Right now, I’m frantically trying to learn Mandarin. I know the words for coffee, sandwich, and horse—so I’d say I still have some work to do!”

 

For more information on fellowships and scholarships, please contact Kate Smith, associate director of fellowships, internships and exchanges, at Wesleyan’s Fries Center for Global Studies. Smith says: “Applicants are interested in fellowships and scholarships for a number of reasons; they offer opportunities to continue academic or language study and to pursue research or explore professional interests. The more students engage with their coursework and harness opportunities available at Wesleyan, the more purposeful they can be when considering these programs.”

 

 

Helping Widowed Fathers Move Forward with Their Children: An Interview with Author Rosenstein ’80, MD

In The Group: Seven Widowed Fathers Reimagine Life (Oxford University Press, 2018), Donald L. Rosenstein ’80, MD, and Justin M. Yopp, PhD, tell the stories of how seven men whose wives died from cancer came to terms with their grief and learned how to move forward into a meaningful future with their children. The book is based on the experiences of the men as members of a support group run by Rosenstein and Yopp at the Comprehensive Cancer Support Program at the University of North Carolina at Chapel Hill. All proceeds from the book will be donated to Rosenstein and Yopp’s clinical and research work at UNC with widowed parents. For more about the widowed parents group, visit widowedparent.org.

Boger ’73 Recalls “Weightless Flight” With Hawking for WNPR

Noted physicist Stephen Hawking (center), who died on March 14, enjoys zero gravity during a 2007 flight aboard a modified Boeing 727 aircraft owned by Zero Gravity Corporation. Joshua Boger ’73 (not pictured), founder of Vertex Pharmaceuticals, was on the flight with Hawking and recalled it for a tribute on WNPR. In this photo, Hawking, who suffered from amyotrophic lateral sclerosis (also known as Lou Gehrig’s disease) was being rotated by (right) Peter Diamandis, co-founder of Zero G Corp., and (left) Byron Lichtenberg, former shuttle payload specialist and now president of ZERO-G. Kneeling behind Hawking is Nicola O’Brien, a nurse practitioner who was Hawking’s aide. (Photo courtesy of Zero Gravity Corp., Wikimedia Commons)

Joshua Boger ’73, P’06, ’09

Joshua Boger ’73, P’06, ’09

Connecticut Public Radio tapped Joshua Boger ’73, P’06, ’09, chair emeritus of the Wesleyan Board of Trustees, for his recollections of a historic flight he had taken back in 2007 with noted physicist Stephen Hawking, who died March 14 at the age of 76. The flight had been sponsored by Zero Gravity Corporation and provided, for those on board, eight zero-G opportunities—or “eight brief windows of weightlessness,” as WNPR correspondent Patrick Skahill described them in his story, “Remembering The Flight Where Stephen Hawking Went Weightless.”

Boger had written in detail about the experience of this zero-G flight with Hawking in  “Weightless But Weighty” in Wesleyan magazine, 2007 issue 3:

“Zero-Gravity One!” Hawking, gently guided by Peter [Diamandis] and Byron [Lichtenberg] rises into the air, supine, on his back, still, curiously, completely flat. It is an electric moment, mocking the classic magician trick with the floating assistant, as he remains floating with no one touching him. . . . I glance over at Hawking’s heart monitor and see that his pulse has raised only a few beats from baseline. Mine is racing. He is in bliss. What is he thinking? What is he feeling?

We’d all give worlds to know. . . .

“Zero-G Eight!” . . . We sit in lotus position, cross-legged, and push a finger gently on the “floor,” floating effortlessly into the center of the cabin. Peaceful, unspinning, we learn at last the cosmic serenity of no gravity. This is the one weightless segment of all the zero-Gs that I will remember the most. No spins. No flights. No ceiling dances. Just gravity down. Gravity up. Nothing happening in between except novel cognition. A glance at Professor Hawking confirms he was there six zero-Gs ago.