Annie Roach

“You Just Have to Read This…” Books by Wesleyan Authors Arnold ‘91, McKenna ’79, P’20, and Posner ’86

In this continuing series, Annie Roach ’22, an English and Italian studies major from Middletown, Del., reviews alumni books and offers a selection for those in search of knowledge, insight, and inspiration. The volumes, sent to us by alumni, are forwarded to Olin Library as donations to the University’s collection and made available to the Wesleyan community.

The Essentials Vol 2 coverJeremy Arnold ‘91, The Essentials Vol. 2: 52 More Must-See Movies and Why They Matter (Turner Classic Movies, 2020)

In 2020, many of us have been turning to movies for entertainment in the comfort of our homes, making the demand for good film recommendations even more urgent. In the second volume of a series based on the weekly film-focused television program The Essentials, Jeremy Arnold showcases 52 must-see films from the silent era to the late 1980s. In his detailed, wide-ranging collection, Arnold provides the opportunity for a movie a week, satisfying avid film watchers everywhere.

The book is replete with vivid, eye-catching photographs in both black and white and color, as well as detailed synopses explaining why each movie is essential, cast lists, and quotations from renowned actors and film critics like Drew Barrymore and Molly Haskell. The book satisfies both lifelong film buffs and more inexperienced film-watchers who want to increase their knowledge about the world of movies. Arnold’s engaging selections are full of variety, adding another gem to a comprehensive and valuable series.

Jeremy Arnold ’91 is a film historian and commentator. He is the author of Turner Classic Movies: The Essentials volumes 1 and 2, as well as Christmas in the Movies: 30 Classics to Celebrate the Season. His writing has appeared in a variety of publications, including Variety, the Hollywood Reporter, Moviemaker, and the Directors Guild of America magazine. While at Wesleyan, he studied film under Professor Jeanine Basinger.

Note: Arnold will be on Turner Classic Movies on Thursday, Nov. 5, 2020. He will be introducing four films that he programmed from the book, in on-air discussions with TCM host Ben Mankiewicz.

The Paleontologist's Daughter coverKatharine L. McKenna ’79, P’20, The Paleontologist’s Daughter (Ratski Publications, 2020)

In her energetic, vivid memoir, Katharine L. McKenna describes her experience as the daughter of renowned paleontologist Malcolm C. McKenna. Having inherited much of her father’s passion for the science, her childhood was a thrilling journey as she shadowed her father during many of his paleontological pursuits. She and her family explored the wonders of the American West—its landscapes, its rocks, its wide spaces, which later went on to inform her career as a painter.

McKenna’s story is about the concrete pleasures of her experience alongside her beloved father, but it is also about inheritance—what it means to inherit curiosity, talent, passion, and interests from a long lineage of family members, and how that inheritance can be translated in many different ways throughout a person’s life. McKenna depicts astounding scenes of wonder as the treasures of the American West are revealed to her throughout her childhood; the story is full of excitement and vigor. McKenna offers her readers a new dimension of her artistic capabilities with her memoir, demonstrating her multifaceted identity and creative, lively spirit.

Katharine L. McKenna ’79, P’20 is an artist specializing in abstract figurative painting. She is best known for her “color, light, and spirit” technique. Her primary inspirations for her work are the adventures she went on as a child with her paleontologist father in the American West. She currently teaches painting at the Woodstock School of Art in Woodstock, N.Y. Her work has been featured at a variety of museums, including the Rockwell Museum of Western Art, the Desert Caballeros Western Museum, the Booth Western Art Museum, the Museum of Northern Arizona, and Woodstock Artists Association and Museum.

Unholy coverSarah Posner ’86, Unholy: Why White Evangelicals Worship at the Altar of Donald Trump (Random House, 2020)

If you’ve ever wondered what accounts for the alliance between the evangelical movement and President Donald Trump, Sarah Posner’s Unholy has you covered. Having long studied the evangelical right in America, Posner is an expert on the demographic and therefore a fitting voice to identify the roots of the American evangelical movement and its perspective on Trump. Posner seeks to investigate the question of why a core part of Trump’s fan base consists of people who identify with the religious right, despite Trump himself having little religious affiliation.

The author delves deeply into Trump’s identity as a public figure, and explains why these characteristics make him the ideal candidate for white evangelicals, many of whom seek a leader who will guide the country away from liberalism. “Trump’s evangelical supporters,” Posner writes in Chapter 2, “have chosen to see him not as a sinner but as a strongman, not as a con man but as a king who is courageously unshackling them from what they portray as liberal oppression.” Her confident, sharp prose aids the urgency of her argument as she explores the stakes of another term of a Trump presidency. The book is timely and crucial as we approach the 2020 election.

Sarah Posner ’86 is a journalist and author. She is a reporting fellow with Type Investigations. In addition to Unholy, she is the author of God’s Profits: Faith, Fraud, and the Republican Crusade for Values Voters. Her reporting on the religious right in Republican politics has appeared in Rolling Stone, The New Republic, Vice, HuffPost, The Nation, Mother Jones, The New York Times, The Washington Post, The American Prospect, and Talking Points Memo, among other publications.

“You Just Have to Read This…” Books by Wesleyan Authors Goodman ’06, Thoms MAT’62, and Blake ’78

In this continuing series, Annie Roach ’22, an English and Italian studies major from Middletown, Del., reviews alumni books and offers a selection for those in search of knowledge, insight, and inspiration. The volumes, sent to us by alumni, are forwarded to Olin Library as donations to the University’s collection and made available to the Wesleyan community.

The Shame coverMakenna Goodman ’06, The Shame (Milkweed, 2020)

In a letter to her children that she writes in case of an untimely death, Makenna Goodman’s protagonist Alma muses, “My great fear, which has kept me up nights for years, is that you will have to live without a mother when you need one the most.” This sentiment does not stop her from abruptly escaping her rustic Vermont home one night and leaving behind her young children and professor husband in pursuit of a life in New York City. As Alma’s identity crisis unfurls throughout her road trip to Brooklyn, she gradually reveals to the reader the circumstances of her departure in hushed, urgent prose.

The development of the narrative mirrors the progression of a long drive: at times the story feels electrifying and precipitous, at other times dreamlike and ponderous. Goodman manages to create a character who is desperate, imaginative, and lost, evoking an image of motherhood that is Elena Ferrante-adjacent in its subtle rage and self-doubt. Goodman’s novel also ties issues of the female consciousness to overlying sociopolitical systems and modern-day capitalism, making her work revolutionary in the world of female-authored literature. The Shame feels ultra-relevant in its interrogation of the contemporary female psyche and the pressures of marriage, motherhood, and career.