Tag Archive for Zheng

7 Wesleyan Faculty, Alumni, Graduate Student Make Presentations at SEM Annual Meeting

semFour faculty, two alumni, and one graduate student participated in the virtual Society for Ethnomusicology Annual Meeting held Oct. 22–31.

As part of a panel addressing contemporary musical issues in Iran, Bridgid Bergin MA ’17 spoke about the Iranian Female Composers Association (IFCA), which was established in 2017 by three female-identifying Iranian composers: Anahita Abbasi, Niloufar Nourbakhsh, and Aida Shirazi. IFCA supports Iranian female-identifying composers by encouraging organizers and ensembles in Iran and beyond to commission and engage these composers in collaborations, while also discovering and mentoring young female composers who are fighting against all odds to become contemporary classical composers in 21st-century Iran. In 2018 the International Contemporary Ensemble (ICE) became an organizational partner in reinforcing IFCA’s platform as well as advocating for its members. Bergin presented three composer portrait videos and explored IFCA’s “her-story”—its founding members and an analysis of the intersections of gender, music, politics, and identity.

Eric Charry, professor of music, spoke about “An Ethnography of the Five Spot Café,” as part of a panel on rethinking jazz canons. Drawing on cultural geography, Charry examined from multiple perspectives the Five Spot Café (on the Bowery, 1956–62), one of the most important venues in jazz history: as an object in the Lower East Side and in downtown New York City jazz club landscapes; as a place imbued with sociocultural meaning; as a phenomenological space with a unique feel; and as a flashpoint in a historically dynamic scene. Moving beyond reports by American and European journalists, over a half-dozen live LP recordings, and published interviews with musicians, Charry focused on photographs taken inside the club. In this talk, Charry investigated race, gender, age, and especially modes of participation in jazz performance, and explored how an expanded view of ethnographic analysis of the inner workings of a historic venue has much to offer the history of jazz.

Zheng: “Wherever There Are Africans, There Is Good Music”

Su Zheng, associate professor of music, associate professor of East Asian studies, spoke in a recent China Daily USA article about the number of African musical artists in China and how their presence is “creating new types of harmony between the two lands.”

Zheng starts off by pointing out that “Wherever there are Africans, there is good music – just like wherever there are Chinese, there is good food.”

When she discovered that there were no reports on the presence of African music in China, she decided to research the music of the African diaspora herself. The research completed by Zheng and her team of three graduate students from the Shanghai Conservatory of Music shows, while it seems improbable, that African music will greatly influence Chinese music at some point.

Zheng to Speak on Chinese Music at Year of the Dragon Celebration

Su Zheng, associate professor of music, associate professor of East Asian studies, will speak on “150 Years of Chinese Music” during a Year of the Dragon Festival Feb. 26. From 1 to 2:30 p.m., she will address her audience in English and from 3 to 4:30 p.m. in Mandarin. Her lecture will take place at Flushing Town Hall in Flushing, N.Y. Each lecture will be followed by a signing of her book, Claiming Diaspora.

The year 2012 is the Year of the Dragon, which comes once every 12 years; and is also a Year of the Water Dragon, which occurs once in 60 years. The lunar new year celebrations end Feb. 26.

Read more about the event in this Gazette article.