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Brown ’19 to Address Gender Inequality as Davis Projects for Peace Grant Recipient

Jamaica native Shantelle Brown ’19 is the recipient of a Davis Projects for Peace grant. She will return to Jamaica this summer to help 24 high school become "truly aware of their power as change makers, proud of their individuality, and believe that their dreams are attainable." (Photo by Olivia Drake) 

Jamaica native Shantelle Brown ’19 is the recipient of a Davis Projects for Peace grant. She will return to Jamaica this summer to help 24 high school become “truly aware of their power as change makers, proud of their individuality, and believe that their dreams are attainable.” (Photo by Olivia Drake)

Shantelle Brown ’19 has been awarded a Davis Projects for Peace grant for her summer project, Sisters for Empowerment & Equality (SEE), which aims to address gender inequality in Jamaican culture through an art-based mentorship program for girls age 13 to 16.

Brown’s project is one of 120 initiatives selected for a Davis Projects for Peace grant, each receiving $10,000 for implementation during the summer of 2017. In 2007, Projects for Peace was the vision of philanthropist Kathryn W. Davis on the occasion of her 100th birthday to motivate tomorrow’s promising leaders by challenging them to find ways to “prepare for peace.” More information is available here.

SEE is geared toward the creation of a supportive community that will encourage girls from low-income or rural communities (where gender discrimination and violence are most prevalent) to pursue their dreams. SEE will take the form of high school societies, monitored and maintained by mentors as well as school administrators, in which students will pursue art-based projects that promote a positive relationship with the community.

“We hope to challenge gender stereotypes and create a platform from which girls can shine, through: mentorship, creative expression, and community outreach,” states the project proposal.

Wesleyan Joins the Northeast Small College Art Museum Association in Statement in Support of Major Arts Agencies

With the proposed elimination of the National Endowment for the Humanities (NEH), the National Endowment for the Arts (NEA), and the Institute of Museum and Library Services (IMLS), one representative of the arts community at Wesleyan has petitioned against these cuts alongside the Northeast Small College Art Museum Association (NESCAMA).

Clare Rogan, curator of the Davison Art Center at Wesleyan University, joined the initiative on behalf of Wesleyan.

In 2014, the Davison Art Center was the recipient of a three-year IMLS grant in the amount of $111,000 to further the digital imaging of works on paper in the art center’s permanent collection.

Rogan explained, “The Institute of Museum and Library Services has been transformative in the ways people can study the Davison Art Center’s internationally renowned collection. The ability for anyone on campus, or even on the other side of the world, to download high quality images and study these rare works of art is something that can’t be accomplished without this kind of funding.”

The statement, signed by 18 institutions affiliated with NESCAMA, explains how college art museums rely on funding from these sources.

With small operational budgets, college and university art museums are particularly reliant on funding from the NEH, NEA, and IMLS. This funding preserves artistic, ethnographic, scientific, and historic collections, and creates access to cultural heritage unique to our respective diverse communities. This funding not only supports essential infrastructure, it enables us to pursue transformative programs that provide employment for emerging and young professionals. This funding ensures that our collections are interpreted, understood, and valued.

The statement encourages members of Congress “to recognize that the resilience of the NEH, NEA, and IMLS, despite opposition over the years, is a testament to their enduring value.”

Yohe Joins Conn. Governor to Oppose Environmental Program Cuts

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Gary Yohe

Gary Yohe, the Huffington Foundation Professor of Economics and Environmental Studies, joined Connecticut Gov. Dannel Malloy at a press conference March 22 at the Connecticut Science Center to speak out against major cuts to environmental programs proposed by President Donald Trump.

“As a scholar with more than three decades of experience studying climate change, I fear our new president is on a course to reverse this progress with extremely dangerous consequences,” Yohe said at the event, according to The Hartford Courant.

Yohe was a senior member of the Intergovernmental Panel on Climate Change (IPCC)—which received a share of the 2007 Nobel Peace Prize—from the early 1990s through 2014. He is past-vice chair of the National Climate Assessment Development and Advisory Committee for the Obama Administration; the Assessment was released by the White House in 2014.

Yohe contrasted progress made against climate change by former President Barack Obama to the approach taken by Trump.

“By way of stark contrast, President Trump does not even have a science advisor,” Yohe said. “His administration has attacked climate science, and it has announced its intention to abandon any initiative designed to ameliorate climate risk in any way.”

Yohe also was interviewed by Fox CT, and his comments were featured in stories on WTNH and CT News Junkie.

CFA Performing Arts Series Concert to Feature Italian Baroque Chamber Music

Photo by Andy Kahl

Tempesta di Mare will perform on March 31, concluding the 2016-2017 season of the Center for the Arts’ Performing Arts Series. (Photo by Andy Kahl)

Members of the Philadelphia-based ensemble Tempesta di Mare will perform baroque chamber music from Venice and Naples on period instruments for the Connecticut premiere of A Tale of Two Italian Cities in Crowell Concert Hall at 8 p.m., Friday, March 31.

This performance by Tempesta di Mare is part of the Performing Arts Series at the Center for the Arts, and the conclusion of the 2016-2017 season.

“These performances feature a wide array of world-class musicians, cutting-edge choreography, and groundbreaking theater,” explained Sarah Curran, director of the Center for the Arts. “We’re excited to include a baroque chamber orchestra this year and we think the audience will love experiencing the sounds and culture of Italy.”

The audience can expect to hear music that reflects the two cities’ different cultures, explained Richard Stone, co-director of Tempesta di Mare. “Venice was Italy’s party town, while Naples was where you’d go to university or, if you were a musician, to conservatory,” said Stone. “Neapolitan music grabs its listeners with a heady intensity, while the Venetian music catches you with technical brilliance. That’s the generalization though. Naples’ music could get pretty wild, and Venetian music can get pretty cerebral. They’re both great musical worlds to dive into.”

Celebrating their 15th anniversary season, the members of the ensemble performing at Wesleyan will play recorder, violin, cello, lute and harpsichord on trios, quartets and concerti written by Antonio Vivaldi, Alessandro Scarlatti, Dario Castello, Andrea Falconieri, Francesco Mancini and Giovanni Legrenzi.

Tickets can be purchased through the Wesleyan University Box Office. Tickets are $28 for the general public; $26 for senior citizens, Wesleyan faculty/staff/alumni, and non-Wesleyan students; and $6 for Wesleyan students and youth under 18.

Toronto Star: Dance Department’s Krishnan ‘Slaughters’ Stereotypes

(photo c/o Michael Slobodian)

Hari Krishna (Photo by Michael Slobodian)

In the March 21 issue, the Toronto Star profiles Associate Professor of Dance Hari Krishnan in connection with his latest full-length work, “Holy Cow(s)!”

Krishnan discusses the ways in which he often endures “ridiculous if non-malevolent cultural prejudices,” such as assumptions that he practices yoga or doesn’t eat beef due to his Indian heritage.

Krishnan would prefer people to look beyond the stereotypes, beyond what he calls such false binaries as East/West, white/coloured, masculine/feminine, tradition/modernity.

Says Krishnan: “I’m brown. I’m a beef-eating Hindu from Singapore and I’m proudly gay. I’m not a tourism poster.”

Krishnan, an award-winning dancer/choreographer, is founder of the performing company inDANCE. The writer describes his style: “Krishnan’s dances, whether full-on Bharatanatyam — he’s won a coveted Bessie award in New York for his own performance of this Indian classical form — or a contemporary hybrid of styles is consistently exuberant, physically dynamic and often more than a little bit naughty.”

Of the latest performance, he writes:

Holy Cow(s)!, with a cast of two women and five men, is unusual in that while most of the choreography is Krishnan’s it also includes three solos, each made for him by an outside choreographer and expressing very different movement esthetics. The original intent was for Krishnan to perform these himself but a knee injury put paid to that. With the concurrence of American choreographers Sean Curry and David Brick and Vancouver’s Jay Hirabayashi, Krishnan has now distributed these among three of the cast’s men.

Watching a studio run-through of Holy Cow(s)!, it is clear Krishnan relishes the opportunity to explode any number of assumptions audiences might make about a choreographer of South Asian descent. The movement vocabulary at times references, even parodies, classical Indian dance but it also embraces a whole range of cultural forms. It pokes fun at the stereotypes of beguiling female and chest-thumping machismo. It is sensual to the point of overt eroticism. Krishnan even manages to work in some thinly veiled political criticism, alerting us to the dangerous bigotry that the current climate has unlocked.

Says Krishnan: “My mission is to slaughter every one of these holy cows.”

Hecht ’04 Finds the Irresistible Music for Commercial Clients

Jonathan Hecht ’04, whose company, Venn Art, finds the perfect music for commercial clients, was photographed at the premiere of a snowboarding documentary he worked on for Red Bull, The Art of Flight.

Jonathan Hecht ’04, whose company, Venn Arts, finds the perfect music for commercial clients, was photographed at the premiere of a snowboarding documentary, The Fourth Phase, which he worked on for Red Bull.

“Wait, turn that up! What is that song?”

If you’ve ever watched a commercial that became more significant the second you heard a song you just had to hear again, chances are Jonathan Hecht ’04—founder of Venn Arts—was behind its discovery.

His interest in pairing music with picture was inspired by the Paul Thomas Anderson film Boogie Nights: “I realized how different some of the musical selections were, but how they all fit together to create a sound and musical character for the film.”

He began to wonder if he could create a career out of this observation—which became Venn Arts, the music supervision company specializing in curating and procuring licensed music for commercial projects. Hecht took the name from a Venn diagram, with its “intersection or coming together of two things to make something unique,” he said. For Hecht, one of those “things” is always music: “There are so many nuanced emotions that can be inflected when you find the right music.”

Now, collaborating with brands such as Under Armour, Free People, Mercedes, and most recently, supervising the music for Subaru’s phenomenally effective “Love” ad campaign, he is gaining attention: Forbes recently wrote about his work as a music supervisor to Subaru’s marketing and rapid sales growth. “I’ve been working with Subaru’s ad agency, Carmichael Lynch, since 2011 and have placed more than 30 songs into national TV ads for the brand,” he says.  The campaign was also highlighted as “Ad of the Day” on Adweek.

Fry to Be Honored at Electrochemical Symposium in May

Albert J. Fry will be honored at a symposium for the Electrochemical Society.

Albert Fry will be honored at a symposium for the Electrochemical Society.

Albert Fry, the E.B. Nye Professor of Chemistry, Emeritus, will be honored at the Electrochemical Society National Meeting in New Orleans in May.

The symposium, aptly titled, “The 80th Birthday Trifecta in Organic Electrochemistry,” celebrates Fry, and his two colleagues, Professor Jean Lessard of Sherbrooke University and Professor Denis Peters of Indiana University, who will all be celebrating their 80th birthdays.

“Besides having carried on research in organic electrochemistry for many years, each of us has served as chair of the organic and biological electrochemistry division of the Society, and Peters and I received the Baizer Award in organic electrochemistry,” explained Fry. “Although I retired in January, I’m still carrying computational research in electrochemistry and will present a lecture on recent results of this computational work at the New Orleans meeting.”

Morgan Appointed Honorary Professor at Queen’s University

Foss Professor of Physics Thomas J. Morgan

Tom Morgan

Foss Professor of Physics Thomas Morgan has been appointed as honorary professor at Queen’s University in Belfast, Northern Ireland. He will hold this title for the next three years.

Morgan was recognized for this honor for his broad research contributions to the fields of atomic and molecular physics and plasma physics. He has published over 90 research papers, including many with international collaborators from Germany, France, Mexico and Japan.

Morgan will continue his research work at Wesleyan on highly excited states of diatomic molecules, and, as an honorary professor title holder, he will have access to Queen’s University’s resources for his research in the area of low temperature plasma physics. The appointment provides him an opportunity to concentrate on specific research projects in this area with collaborators at Queen’s University.

Architecture Firm, Owned by Rich ’02, Praised for Innovative Design

Nathan Rich '02, contributed photo

Nathan Rich ’02

Architects Newspaper praised Nathan Rich ’02 and his firm, Peterson Rich Office (PRO) for the design of a new gallery-residential building at 282 Grand Street in New York City.

The building, which is located in the Lower East Side, covers 20,000 square feet and will house 20 condos, climbing to 80 feet. Aside from the two penthouses at the top level, the rest of the dwellings are 550 square-foot one-bedroom condos. The gallery space is larger than most galleries in the area, spanning 45 feet wide.

Each space is highly efficient and the building features an innovative perforated aluminum rain-screen façade, which doubles as a shading device and a panel for air exchange.

Rich and his firm were commended for keeping the design true to the area’s history. In an interview with The Wesleyan Connection, Rich said, “We love working on the Lower East Side. It’s the most dynamic residential neighborhood in New York City, and there is a deep history stored in every block. Our design draws from this history to create a contemporary and forward-thinking building that feels rooted in its site.”

Additionally, PRO has connections to Wesleyan. Rich explained, “Our first project as an office was to design a painting studio for Tula Telfair [professor of art] in Lyme, Conn. “My wife and business partner, Miriam Peterson, managed construction on the job while teaching in the Wesleyan architecture studio.”

The project will break ground on 228 Grand Street this spring and is scheduled to be finished in fall 2018.

McAlister Writes Op-Ed on ‘Demystifying Vodou’

Elizabeth McAlister

Elizabeth McAlister

Elizabeth McAlister, chair and professor of religion, is the co-author of an op-ed on CNN titled, “Haiti and the distortion of its Vodou religion.”

Together with her co-author, Millery Polyné, a Haitian-American professor of African-American and Caribbean history at the Gallatin School–NYU, she provides an introduction to the Vodou religion—the creation of African slaves who were brought to Haiti and converted by Roman Catholic missionaries in the 16th and 17th centuries. While Vodou shares much with Christianity, and its initiates must be Roman Catholic, it departs in its views of the cosmos. Vodou teaches that there is no heaven or hell, and humans are “simply spirits who inhabit the visible world in a physical body.”

They explain:

Historically, Vodou has been an emancipatory faith that enslaved people turned to when they were brutalized.

For that reason, French slave owners considered Vodou a threat and that is why it has been grossly misrepresented by white colonists and Haitian political and spiritual leaders alike.

Indeed, Vodou spirits inspired the revolution against Haiti’s French colonizers more than 200 years ago that established Haiti as the second independent nation in the Americas after the United States — and the first to abolish slavery.

It was during a religious and political gathering that enslaved Africans and Creoles mounted an insurrection against plantation owners in August 1791. This famous nighttime meeting — known as the ceremony at Bois Caïman — was a tremendous feat of strategic organizing, since it unified Africans assembled from different plantations and diverse ethnic groups.

At this clandestine ceremony, a leader named Dutty Boukman led an oath to fight for freedom. A priestess named Cecile Fatiman consecrated the vow when she asked the African ancestral spirits for protection during the upcoming battle.

Under a tree, she slaughtered a black pig as an offering.

Two weeks later, the rebels set plantations ablaze and poisoned drinking wells, kicking off the revolution.

Panicked slave owners throughout the Americas reacted by clamping down with extra force on all African-based religious practices.

They circulated stories that linked the religion with blood and violence, images that endure to this day.

McAlister is also professor of American Studies, professor of African American studies, professor of Latin American studies, and professor of Feminist, Gender & Sexuality studies.

 

Yohe Talks Climate Change and Politics on ‘Where We Live’

Gary-YoheGary Yohe, the Huffington Foundation Professor of Economics and Environmental Studies, was a guest on WNPR’s “Where We Live” recently to discuss climate change and politics. President Donald Trump’s newly released budget proposal substantially cuts the Environmental Protection Agency, the Department of Energy, the Department of Commerce and other agencies that conduct research and do work on climate change. (Yohe begins speaking around 2 minutes into the program).

Since the election, Yohe explains, he and others in the scientific community “have been concerned that part of the attack on science will be the eradication of scientific data scattered around all of the federal agencies. A lot of us have been spending an enormous amount of time trying to protect that data” by posting it to public websites outside the country.

Yohe says that for the next four years, most of the action against the effects of climate change is going to be at the local and state levels.

“That’s where people have the ability to tell their leaders that they want to be protected from the risks of climate change and want them to do something to reduce the sources of growth in the temperatures that they’re seeing,” he said.

Yohe also spoke about a recent visit by former Vermont Governor Peter Shumlin ’79 to his class at Wesleyan. Shumlin’s message: “You can’t just sit here and study this stuff and be convinced that it’s happening. You have to go out and do something which means, in this environment, run for office,”

Fowler, Gollust ’01 Author Paper on Insurance Enrollment, Advertising

Erika Franklin Fowler is co-director of The Wesleyan Media Project.

Erika Franklin Fowler is co-director of The Wesleyan Media Project.

Associate Professor of Government Erika Franklin Fowler is an author of a new paper released in HealthAffairs examining the link between health insurance changes after the first Affordable Care Act (ACA) open enrollment period and the efforts of federal, state, and non-profit sponsors to market their products.

Fowler and her co-authors found that advertising worked—more ads for the ACA produced a significantly higher rate of insurance enrollment.

The study, conducted in collaboration with researchers at the University of Minnesota (including Sarah Gollust ’01), uses advertising and television news data from the Wesleyan Media Project. It is one of the key papers to come out of a Robert Wood Johnson Foundation State Health Access Reform Evaluation (SHARE) grant for Wesleyan/University of Minnesota, on which Gollust is principal investigator and Fowler is co-PI.

The researchers considered the relationship between the volume of television insurance advertising in a given area during this time period and the area’s rate of uninsurance and Medicaid coverage before and after open enrollment (ie. In 2013 and 2014). They found that the percentage of the population younger than age 65 that lacked health insurance fell by an average of 2.9 percentage points between the two time periods. Counties with larger advertising volumes saw larger declines in uninsurance than other counties. For every increase of 1,000 insurance advertisements, there was a 0.1 percentage-point reduction in uninsurance. Furthermore, state-sponsored insurance ads had the strongest relationship with declines in uninsurance from 2013 to 2014, compared to ads from private, federal, and other sponsors. An increase of 1,000 state-sponsored insurance ads was associated with a 0.23 percentage-point reduction in uninsurance.

The researchers emphasized the particular importance of state-sponsored insurance advertisements in driving coverage improvements. They calculated that roughly 2.5 people gained insurance for every state-sponsored ad aired during the first open enrollment period, and that doubling this advertising would lead to a 1.19 percent reduction in the uninsured. While strategic investment in advertising will be important to increase the uptake of insurance going forward, the authors stress that the type of advertising might affect the responsiveness of consumers.

“Although Republican control of government and the recent American Health Care Act proposal brings much uncertainty to the ACA’s future, insurance advertising will remain an important feature of encouraging enrollment in any marketplace,” said Fowler.