Alumni news.

International Women’s Day Celebrated with Alumnae Spotify Playlist

Featuring album covers from four alumnae musicians, the logo of the “Women of Wesleyan” playlist on Spotify highlights the range of music performed by Wesleyan artists. Wesleyan collected the 43 songs as part of the university’s celebration of International Women’s Day.

On March 8, Wesleyan’s Facebook post read: ”In honor of International Women’s Day, we’re celebrating some of the most talented musicians we know with our ‘Women of Wes’ Spotify playlist. There’s something for everyone in this eclectic mix of Wesleyan alumnae, including Amanda Palmer ’98, Santigold ’97, J.R. Rhodes ’90, and Dar Williams ’89. Listen here, or go to #NowPlaying #IWD18.”

Also included on this list of 43 songs were pieces by Flo Anito ’01, Jess Best ’14, Amy Crawford ’05, Beanie Feldstein ’15, Mary Halvorson ’02, The Overcoats (JJ Mitchell ’15 and Hana Elion ’15), Chris Pureka ’01, Anna Roberts-Gevalt ’09 (of Anna and Elizabeth), Peri Smilow ’92, Tierney Sutton ’86,  Julia Scolnik ’78, and Nina Zeitlin ’03.

If you are a Wesleyan musician on Spotify, please let us know, so that we can include you in future music highlights. Contact Wesleyan’s digital content manager Sami Jensen.

Houston-Based Artist Herrick ’16 Is Named Luce Scholar

Casey Herrick ’16, a Houston-based artist and designer, was named a Henry Luce Scholar for 2018 and will be moving to Beijing this summer. (Photo courtesy Casey Herrick)

Casey Herrick ’16, a Houston-based artist and designer, was named a Henry Luce Scholar for 2018. One of 18 scholars selected from among 162 candidates, Herrick will begin with an orientation in New York starting in June, before the cohort embarks for Asia. The Henry Luce Foundation was established in 1936 by Henry R. Luce, the co-founder and editor-in-chief of Time Inc., to honor his parents, who were missionary educators in China. The Luce Scholars Program was launched in 1974 to “enhance the understanding of Asia among potential leaders in American society.”

Upon his graduation from Wesleyan, Herrick, who majored in studio art and psychology, returned to his hometown of Houston to work as lead 3D-designer, as well as photographer, graphic designer, and video editor at ttweak LLC, an artist-based strategic communications firm. Herrick notes that his work at ttweak has provided the opportunity to work with some of the area’s most prominent institutions, including the Houston Endowment, the Texas Medical Center, the Lawndale Art Center, and the Houston Parks Board. His collaborations focus on helping the organizations communicate dynamically, with maximum effectiveness.

Transitioning out of the design field, Herrick now works as a full-time painter. At Wesleyan, he was deeply involved with Wesleyan’s Center for the Arts, serving as a photography lab assistant, a woodshop monitor, and a studio arts teaching assistant. In 2015, he received the university’s Zawisa Grant to photograph the American South, with a focus on regional identity in Louisiana and East Texas. His thesis, Safe Conduct, focused on expectations and traditions associated with gender and the role of society in boys’ coming-of-age. Featuring a 10-by-6 foot canvas, in addition to five other paintings, his thesis work earned him Highest Honors—and New York’s Leslie-Lohman Museum purchased one of the paintings, “The Herndon Climb,” for its permanent collection. He was also awarded the Studio Art Program Award for departmental achievement.

Says Herrick, “I’m thrilled to be given this opportunity. This summer, I’ll be moving to Beijing to work at the China Central Academy of Fine Arts and with the city’s art community at large. Right now, I’m frantically trying to learn Mandarin. I know the words for coffee, sandwich, and horse—so I’d say I still have some work to do!”


For more information on fellowships and scholarships, please contact Kate Smith, associate director of fellowships, internships and exchanges, at Wesleyan’s Fries Center for Global Studies. Smith says: “Applicants are interested in fellowships and scholarships for a number of reasons; they offer opportunities to continue academic or language study and to pursue research or explore professional interests. The more students engage with their coursework and harness opportunities available at Wesleyan, the more purposeful they can be when considering these programs.”



Helping Widowed Fathers Move Forward with Their Children: An Interview with Author Rosenstein ’80, MD

In The Group: Seven Widowed Fathers Reimagine Life (Oxford University Press, 2018), Donald L. Rosenstein ’80, MD, and Justin M. Yopp, PhD, tell the stories of how seven men whose wives died from cancer came to terms with their grief and learned how to move forward into a meaningful future with their children. The book is based on the experiences of the men as members of a support group run by Rosenstein and Yopp at the Comprehensive Cancer Support Program at the University of North Carolina at Chapel Hill. All proceeds from the book will be donated to Rosenstein and Yopp’s clinical and research work at UNC with widowed parents. For more about the widowed parents group, visit

Boger ’73 Recalls “Weightless Flight” With Hawking for WNPR

Noted physicist Stephen Hawking (center), who died on March 14, enjoys zero gravity during a 2007 flight aboard a modified Boeing 727 aircraft owned by Zero Gravity Corporation. Joshua Boger ’73 (not pictured), founder of Vertex Pharmaceuticals, was on the flight with Hawking and recalled it for a tribute on WNPR. In this photo, Hawking, who suffered from amyotrophic lateral sclerosis (also known as Lou Gehrig’s disease) was being rotated by (right) Peter Diamandis, co-founder of Zero G Corp., and (left) Byron Lichtenberg, former shuttle payload specialist and now president of ZERO-G. Kneeling behind Hawking is Nicola O’Brien, a nurse practitioner who was Hawking’s aide. (Photo courtesy of Zero Gravity Corp., Wikimedia Commons)

Joshua Boger ’73, P’06, ’09

Joshua Boger ’73, P’06, ’09

Connecticut Public Radio tapped Joshua Boger ’73, P’06, ’09, chair emeritus of the Wesleyan Board of Trustees, for his recollections of a historic flight he had taken back in 2007 with noted physicist Stephen Hawking, who died March 14 at the age of 76. The flight had been sponsored by Zero Gravity Corporation and provided, for those on board, eight zero-G opportunities—or “eight brief windows of weightlessness,” as WNPR correspondent Patrick Skahill described them in his story, “Remembering The Flight Where Stephen Hawking Went Weightless.”

Boger had written in detail about the experience of this zero-G flight with Hawking in  “Weightless But Weighty” in Wesleyan magazine, 2007 issue 3:

“Zero-Gravity One!” Hawking, gently guided by Peter [Diamandis] and Byron [Lichtenberg] rises into the air, supine, on his back, still, curiously, completely flat. It is an electric moment, mocking the classic magician trick with the floating assistant, as he remains floating with no one touching him. . . . I glance over at Hawking’s heart monitor and see that his pulse has raised only a few beats from baseline. Mine is racing. He is in bliss. What is he thinking? What is he feeling?

We’d all give worlds to know. . . .

“Zero-G Eight!” . . . We sit in lotus position, cross-legged, and push a finger gently on the “floor,” floating effortlessly into the center of the cabin. Peaceful, unspinning, we learn at last the cosmic serenity of no gravity. This is the one weightless segment of all the zero-Gs that I will remember the most. No spins. No flights. No ceiling dances. Just gravity down. Gravity up. Nothing happening in between except novel cognition. A glance at Professor Hawking confirms he was there six zero-Gs ago.

Hendel ’85, It’s Not Always Depression at Wesleyan RJ Julia Author Event

Hilary Jacobs Hendel ’85, P’18, licensed psychoanalyst and certified Accelerated Experiential Dynamic Psychotherapy (AEDP) therapist and supervisor, spoke about her new book, It’s Not Always Depression (Random House and Penguin U.K., 2018), on March 1 at Wesleyan RJ Julia Bookstore in Middletown. 

For the gathering of Wesleyan and Middletown community members, Hendel described her introduction to psychotherapeutic techniques at a lecture by Diana Fosha, the founder of AEDP; her work as a therapist, providing a safe environment in which her clients can experience core emotions; and the use of the Change Triangle, a guide to carry people from a place of disconnection back to their true self.

In an audience question-and-answer period, featured in the video below by Jon Hendel, Hilary Jacobs Hendel explained the usefulness of core emotions—including anger—and offered suggestions for nonthreatening ways that a reader could begin to talk about emotions with family and friends:

After the talk, Hendel signed copies of her book and answered individual questions.

Additionally, Hendel, right, enjoyed the opportunity to catch up with cousin Makaela Steinberg Kingsley ’98, director of the Patricelli Center for Social Entrepreneurship. (Photos by Cynthia Rockwell)

Playwright Buck ’99: Quest for Citizenship as Game Show in American Dreams

American Dreams playwright Leila Buck* ’99, in the role of game show host Sherry Brown, keeps the tone light—although it is a play meant to spark discussions of consequence and conscience, resources and reality, ideals and ideology. It is an evening of theater that she hopes will reverberate long after the curtain comes down. Pictured (left to right): Imran Sheikh* as Usman Bhutt; Andrew Aaron Valdez as Alejandro Rodriguez; Ali Andre Ali as Adil Akram Mansour; Leila Buck* as Sherry Brown; Jens Rasmussen* as Chris White. (Photo by Steve Wagner and Cleveland Public Theatre) *Actor appears courtesy of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

A game show where three contestants compete for the grand prize—immediate citizenship to the U.S.A.—and the audience decides who wins. That’s the premise of American Dreams, the newest work by actor/playwright Leila Buck ’99, which just completed its world premiere at Cleveland Public Theatre on March 3rd.

In this participatory theater piece, each night the contestants—a Mexican-American medic and Dreamer, a Pakistani cartoonist, and a Palestinian chef—compete in five rounds: How America Works (a buzzer-style quiz with questions from the U.S. citizenship test); America’s Favorites (audience volunteers help contestants answer questions from national surveys about Americans’ “favorite things”); Aliens with Extraordinary Skills (contestants pit their talents against each other to see who can most contribute to American society); American Dreams (contestants share their dreams and plans for life in the United States); and The Hot Seat (audience members and hosts interrogate contestants before deciding who should be their newest neighbor).

The audience is invited to participate and to vote throughout the play in various ways, and whoever accrues the most points in all five rounds, wins. The winner (potentially different each night) then swears the Oath of Citizenship as the grand finale of the show—until an unexpected turn of events asks those on stage, and the audience, to question what happens to those who don’t win.

Buck began imagining this piece with her director and co-creator Tamilla Woodard during the summer of 2016, with the presidential election still ahead and questions of immigration and citizenship top-of-mind in the national consciousness. Meeting regularly with Woodard throughout that year, Buck says, “We wanted to create something that would invite audiences to engage with what it means to them to be and to become a citizen of this country.”

And in a moment that she calls typical of their process, they seemed to come to the same idea at the same time: “It’s a game show!”—and the real creative journey began.

The nascent idea was chosen for workshops at LaGuardia Performing Arts Center and Queens College. “They each gave us a budget, time and space to see what this might look like on its feet,” says Buck. Raymond Bobgan, the executive artistic director of Cleveland Public Theatre, came to one of their workshop presentations at LaGuardia, and immediately asked how to bring it to his venue—and American Dreams headed westward.

Alumni Panelists Discuss Wesleyan Black Male Achievement

On Feb. 22, the Patricelli Center for Social Entrepreneurship welcomed three alumni back to campus to speak on "Wesleyan Black Male Achievement: Narratives of Power, Purpose and Resilience." The panel included Shawn Dove '84, John Johnson '82 and Marquis Lobban '85 and was held in conjunction with Black History Month.

On Feb. 22, the Patricelli Center for Social Entrepreneurship welcomed three alumni back to campus to speak on “Wesleyan Black Male Achievement: Narratives of Power, Purpose and Resilience.” The panel included Shawn Dove ’84, John Johnson ’82 and Marquis Lobban ’85 and was held in conjunction with Black History Month. Pictured at left is Makaela Kingsley, director of the Patricelli Center.

Hendel ’85: It’s Not Always Depression Offers Guidance on Emotional Health

Psychotherapist and author Hilary Jacobs Hendel ’85 will be speaking about her new book, It’s Not Always Depression, at Wesleyan RJ Julia Bookstore at 7 p.m. on Thursday, March 1. (Photo by Chia Messina)

Hilary Jacobs Hendel ’85, P’18, a licensed psychoanalyst and certified Accelerated Experiential Dynamic Psychotherapy (AEDP) therapist and supervisor, is the author of It’s Not Always Depression (Random House and Penguin UK, 2018). She’ll be speaking at Wesleyan RJ Julia Bookstore, at 7 p.m. on March 1, about a psychotherapeutic tool she calls the Change Triangle, a guide to carry people from a place of disconnection back to their true self. It’s a step-by-step process to work with emotions to minimize stress and move toward authentic living. Through moving, persuasive stories of working the Change Triangle with her own patients, Hendel teaches us how to apply these principles to our everyday lives.

In this Q&A, she discusses the book:

Q: Your book is titled “It’s Not Always Depression”—then what is it?

HJH: It’s the effect that adverse life experiences have on us.

Traumas, adversity or just feeling alone or different from others—poor, gay, transgender, from another country, disabled—can overwhelm us and evoke emotions that we can’t process. For instance, if we feel anger about our difficult experiences, but that emotion is too much to bear, we block it and turn it inward, so we feel it as depression or anxiety.

The Rooks’ Taylor ’12 Releases Single, Collaborates with Dancers

Garth Taylor ’12, a member of The Rooks, is also starting a solo career with “Human Nature.” In the video for the song, he collaborates with alumni he knew as talented artists when they were undergraduates. (Photo by Bennett Taren ’12)

Garth Taylor ’12 is branching out. Over the past five years he has witnessed his Wesleyan band, The Rooks, expand beyond raucous campus concerts. Since graduation, they’ve relocated to New York City and to shows at larger and more established venues. His confidence and skills have grown in tandem with his band’s. And now he feels ready for a new challenge—a solo career, with the song “Human Nature.”

“It was a slow decision. In fact, I don’t even know if it was a decision,” he says. At first he didn’t feel very confident. But the city, so full of creative energy and collaboration, seemed to push him to expand his artistic limits. After arriving, he began to pursue background singing to broaden his skills and to adapt to the music industry.

But of course, he also sang out of necessity: “I’m an artist and I live in New York City—you have to pay some bills, here!”

In 2014, around the same time he took up background singing, he also began to collaborate with a friend from Toronto who had stayed with him in the city. “It was with him that I wrote my first solo song,” he recalls. The two traded tracks and Taylor began to find his own style, drawing upon the R&B and Neo Soul sounds. Some inspirations include D’Angelo, Frank Ocean and Solange.

Rothschild ’94 Speaks to Students about His Entrepreneurial Path

On Feb. 8, Tomer Rothschild '94 returned to campus to speak to students at the Gordon Career Center about his entrepreneurial path. Rothschild, who graduated from Wesleyan with a degree in philosophy, is the co-founder of Elite Scholars of China (ESC), an agency that aims to educate China's top high school students about their undergraduate options in the United States.

On Feb. 8, Tomer Rothschild ’94 returned to campus to speak to students at the Gordon Career Center about his entrepreneurial path. Rothschild, who graduated from Wesleyan with a degree in philosophy, is the co-founder of Elite Scholars of China (ESC), an agency that aims to educate China’s top high school students about their undergraduate options in the United States. He previously worked on Wall Street and as a China country manager of a publicly traded U.S. company, among other jobs. “Fumbling is necessary to find your path,” Rothschild said to the students. “Follow your passion—even if you don’t know what it is immediately. It took me seven years of working in different fields and jobs to finally figure out what I really wanted to do.”

Grateful Dead Lyricist, Internet Rights Advocate John Perry Barlow ’69 Dies

This photo of John Perry Barlow ’69, seated on Foss Hill, ran in the 1994 summer issue of Wesleyan, for the article titled “Cognitive Dissident,” by Lisa Greim ’81, (Photo by Bill Burkhart)

Lyricist for the Grateful Dead and cofounder of the Electronic Frontier Foundation John Perry Barlow ’69 died Feb. 7, 2018. He was 70.

A College of Letters major as an undergraduate, he collaborated with his friend from high school, Grateful Dead guitarist Bob Weir, on lyrics for songs that included “Cassidy,” “Mexicali Blues” and “Black-Throated Wind.”

In the 1980s Barlow was active in an early online community. Then in 1990, with John Gilmore and Mitch Kapor, founded the Electronic Frontier Foundation (EFF). In the summer 1994 issue of Wesleyan, an article, “Cognitive Dissident,” written by Lisa Greim ’81, profiled his journey.

“To the surprise of many who know him, John Perry Barlow ’69 has become respectable,” wrote Greim.

“In the last ten years, Barlow, 46, has evolved from a Wyoming cattle rancher into one of the nation’s most outspoken computer experts and defenders of the right to electronic freedom….

‘I don’t know anyone else who is welcome at the White House, backstage at a Grateful Dead concert, at CIA headquarters and at a convention of teenage hackers,’ says Howard Reingold, author of The Virtual Community.

In a statement released by the EFF, Executive Director Cindy Cohn said of Barlow: “He always saw the Internet as a fundamental place of freedom, where voices long silenced can find an audience and people can connect with others regardless of physical distance.”

To read the article from the 1994 issue of Wesleyan, click this link: JPBarlow_WesMag1994.


Bloom ’75 Goes Behind Closed Doors in “White Houses”

Award-winning author Amy Bloom ’75, Shapiro-Silverberg Professor of Creative Writing, will release her latest novel, White Houses, on Feb. 13. The book centers on First Lady Eleanor Roosevelt’s love affair and friendship with reporter Lorena “Hick” Hickok. Told from Hickok’s point of view, White Houses covers everything from the inner workings of the Roosevelt administration to Hick’s own brutal upbringing in rural South Dakota.

Kirkus Reviews, in a starred review, says, “Bloom elevates this addition to the secret-lives-of-the-Roosevelts genre through elegant prose and by making Lorena Hickok a character engrossing enough to steal center stage from Eleanor Roosevelt.” While Publishers Weekly says, “Cleverly structured through reminiscences that slowly build in intimacy, Bloom’s passionate novel beautifully renders the hidden love of one of America’s most guarded first ladies.”

Amy Bloom ’75 is the Shapiro-Silverberg Professor of Creative Writing and director of the Shapiro Creative Writing Center.

Bloom will embark on a book tour in support of White Houses later this month, starting at R.J. Julia in Madison, Conn., on Feb. 13. A full list of events, including several additional Connecticut appearances, can be found on Bloom’s website.

We caught up with Bloom to ask about her experience writing White Houses.

Is this your first time attempting such a novel, based on historical figures and events? Why this story, in particular? And what were the biggest challenges involved?
Every novel is, for me, an attempt to do something new. The Roosevelts were fascinating: great leaders, complicated people. The story of Eleanor Roosevelt and Lorena Hickok was a love story not just lost to history but literally torn out of the history pages. (Lorena was routinely cropped out of White House photos.) The greatest challenge was pretty much what it always is: Who are the people, how to the tell the story and who is telling the story. With the added burden that periodically a little voice would yell: These are real people!

How was this process different than creating characters sprung from your imagination (even if based on real people)?
The characters inevitably, even when based on fact and history, are products of my imagination, of empathy, of research and of a certain hard-to-describe leap.

How did you begin the process? Did you read the letters first and then decide to write a novel based on the relationship? Or were you always interested in exploring the genre?
I read Blanche Weisen Cook’s wonderful biography of Eleanor Roosevelt in which she mentions the 3,000 letters between Eleanor and Lorena and writes a bit about who Lorena was—crack reporter, first woman to have a byline in The New York Times, author—and about the love affair between them. Cook was pilloried for asserting that it seemed very likely there had been a love affair, until other historians finally read the letters and, slowly, too slowly, and privately, apologized and acknowledged that it was obvious from the letters that this had not been a schoolgirl crush on either side—between women in their 40s!—but a love affair that laid the foundation for a lifelong friendship.

How much did you know about the relationship, and about “Hick,” specifically, when you began writing? What additional research did you do, and how did that additional research inform your writing?
Research always offers one new rivers to follow, new gardens to visit. There have been tons of books about Eleanor Roosevelt and a few about Lorena Hickok in relation to Eleanor. I read an awful lot.

What did you find most interesting about (and what were the challenges involved in) inhabiting the mind of, and creating a voice for, Hick?
I struggled to find my narrator and there were parts of Hick I did not admire, but the Hick that I created from her letters and from her professional work is funny, frank, tough, clear-eyed, impulsive and a hell of a storyteller.

What about this story spoke to you—and what did you learn along the way that will stay with you?
Two things: A life of pretense is a death sentence, and love is not wasted, even when it ends.