Multimedia artists Aditi Natasha Kini ’13 MALS ’16 and Hanna Edizel ’14 recently premiered the music video for “Park Slope,” a song from rapper, producer and 2010 Wesleyan alumnus OHYUNG. The co-directors were joined by cinematographer Neo Sora ’14 and actor Stephen Acerra ’12 in creating an absurdist accompaniment to OHYUNG’s record, which parodies Brooklyn gentrification and the “lifestyle” it sponsors for white gentrifiers.
Focusing on Park Slope, one of New York City’s most affluent neighborhoods, OHYUNG and his collaborators enter into a larger citywide and national dialogue about the ever-growing problem of gentrification. As Kini explains in an interview with Brokelyn, “Park Slope is a petri dish for everything bad that’s happening in New York.”
Suki Hawley ’91, director and editor for the award-winning independent film studio RUMUR, is debuting the collaborative’s latest film in New York this week. The documentary, titled All the Rage, chronicles the work of renowned physician Dr. John Sarno and his radical methods for treating chronic pain. It will debut at Cinema Village in New York on Friday, June 23. A Q&A with directors and special guests will follow after every screening Friday (June 23), Saturday (June 24) and Sunday (June 25).
All the Rage comes at a critical time, when the epidemic of chronic pain is afflicting over 100 million Americans and millions more worldwide. Dr. Sarno, professor of rehabilitation medicine at the NYU School of Medicine and writer of four bestselling books on pain management, is considered a medical pioneer in the field for the connections he draws between his patients’ emotions and their pain. Despite backlash from the mainstream medical community, Sarno has spent 50 years developing his revolutionary treatment program. Some of his most notable patients include Larry David and Howard Stern, both of whom are featured in the film.
Jazz pianist, band leader and composer Darius Brubeck ’69 recently toured in Israel with his renowned Darius Brubeck Quartet as part of the Hot Jazz Series. The quartet performed seven shows across the country from June 3 to 10, presenting compositions written by Brubeck and his late father, a legendary jazz pianist best known for his album Time Out.
Before returning to a career as a touring musician, Brubeck spent many years at the University of Natal in Durban, South Africa, where he founded the Centre for Jazz and Popular Music. Both an artist and an academic, he has toggled between these identities for many years.
Since publishing her latest book, The Argonauts, winner of the 2016 National Book Critics Circle Award for Criticism, author Maggie Nelson ’94 has received attention from more mainstream outlets and audiences. As her popularity grows beyond academic circles, her earlier works, including The Red Parts and Bluets, are gaining in visibility.
A recent article from The Telegraph discusses Nelson’s books of nonfiction published between 2005 and 2015, and draws connections between them, focusing on the similarities in content and form that tie these works together:
More than anything, Nelson’s project [is]: to behave as though the land of the heart were automatically a subject for reportage, and not just a cause for an outpouring of emotion. Heartbreak, longing, sex, death, fear, family trauma, love, maternity, homonormativity: these are the territories from which Nelson has chosen to deliver her dispatches. If that sounds merely confessional, the books are far from it . . .
Nelson’s interest in form might be traced to her beginnings as a poet. “I think of the ‘I’ as a character that I’m controlling in a certain way,” she explains.
Anthropologist Shalini Shankar ’94 has been named one of 173 recipients of the prestigious Guggenheim Fellowship for 2017. Winners of the annual competition were chosen from a pool of 3,000 applicants that includes scholars, artists and scientists who are advanced professionals in their respective fields. She was chosen on the basis of prior achievement as a productive scholar who has published several works on teen and youth culture, as well as her exceptional promise to continue research in the social sciences.
Shankar, who studied anthropology in Wesleyan and received her PhD in the field from New York University, is a sociocultural and linguistic anthropologist. An associate professor of anthropology and Asian American studies at Northwestern University, she has conducted ethnographic research with South Asian American youth and communities, and is one of three Guggenheim Fellows of Indian origin this year.
Elizabeth “Beezer” Clarkson ’94, managing director for Sapphire Ventures, was recently profiled in Forbes magazine. A 2014 “Forty Over 40 Women to Watch” honoree and one of 2016’s “Top 30 Women Rising Stars in Institutional Investing,” Clarkson is highly regarded in the tech and venture communities. The Forbes article, Want To Be Appreciated, Give Someone A Shot by Whitney Johnson, details both Clarkson’s background and her commitment “to magnify opportunities for other women,”—or “give them a shot,” in the vernacular of the Broadway hit, Hamilton.
Clarkson found her first post-college position—a financial analyst at Morgan Stanley—through what is now Wesleyan’s Gordon Career Center, before following the path of the booming tech industry west, relocating to San Francisco. A former Wesleyan trustee, she holds an MBA from Harvard and has 20-year career as a strategy consultant and investor for various firms and large companies.
Jess Eliot Myhre ’05 is a professional touring musician with the band Bumper Jacksons. Their newest album, “I’ve Never Met a Stranger,” will be broadcast nationally on NPR’s Mountain Stage on May 5. The live performance will air on more than 200 NPR stations around the country, and the band will perform five original songs from the record.
The group originally began as a duo—Jess Myhre (clarinet, vocals, washboard) and Chris Ousley (acoustic and electric guitar, vocals, banjo)—crafting a sound inspired by the jazz clubs of New Orleans and southern Appalachian folk music festivals.
In the Delaware State News, the band discusses its growth from this duo in 2012 to its current configuration:
Lin Manuel Miranda ’02 and Bill Sherman ’02 can add a Grammy to the awards and accolades they’ve received in the last 12 months for the Broadway musical ‘In the Heights.’ Miranda and Sherman were among a team of producers and performers on the production who were awarded a Grammy on Sunday, February 8, for “Best Musical Show Album.” The play was first performed as a student play at Wesleyan when Miranda was a student.