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Otake on “An Artist’s Practice in the Year of Pandemic and Political Cries”

As a dancer and choreographer, Wesleyan’s Visiting Dance Artist-in-Residence Eiko Otake spent the past 45-plus years of her career presenting her work in theaters, universities, museums, galleries, outdoor sites, and festivals worldwide. But like other artists navigating through the crisis, Otake was forced to find creative ways to re-focus, re-imagine, and share her work during the ongoing pandemic.

In March 2020, the Center for the Arts invited Otake to begin a Virtual Creative Residency, during which she began shifting her performance-based art to an online venue named Eiko Otake’s Virtual Studio. Here, Otake posts her new creations, dialogues, and reflections.

On Nov. 15, Otake led a virtual tour and conversation titled “An Artist’s Practice in the Year of Pandemic and Political Cries.” She was joined by two of her collaborators, DonChristian Jones ’12 and Iris McCloughan ’10. McCloughan also moderated the discussion.

The group shared works such as Your Morning Is My Night, Fish House, Visit, Attending, A Body in a Cemetery, Saving, and others.

otake

On Nov. 15, Eiko Otake, DonChristian Jones ’12, and Iris McCloughan ’10 presented a live, virtual conversation titled “An Artist’s Practice in the Year of Pandemic and Political Cries.” McCloughan also moderated the discussion. In 2020, Otake was invited by Wesleyan’s Center for the Arts (CFA) to its first Virtual Creative Residency. In response to the COVID-19 pandemic, Otake created Virtual Studio, a space to share newly created and newly edited video works, written reflections, the voices of her collaborators, dialogues with artists and writers, and response from viewers.