Olivia DrakeOctober 8, 20092min
The 33rd annual Navaratri Festival, a celebration of Indian music, dance and food, was held on campus Sept. 30-Oct. 4. Navaratri, one of India's major festival celebrations, is a time to see family and friends, enjoy music and dance and seek blessings for new endeavors. Wesleyan's 33rd annual festival celebrated traditional music and dance while giving audiences a glimpse at the contemporary arts scene. Exciting pre-festival activities extend the festival into nine (nava) nights (-ratri), featuring performances by some of India's leading artists, a film screening, Dandiya Raas dance parties and an honoring of Navaratri's religious traditions; it culminated with…

Corrina KerrOctober 8, 20094min
Paul Erickson, assistant professor of history and assistant professor of Science in Society, has been awarded the 2009 Prize for Young Scholars from the International Union for the History and Philosophy of Science, Division of History of Science and Technology (DHST). He received the award at an August ceremony in Budapest, Hungary. The award was bestowed in recognition for Erickson's significant scholarly contribution to the History of Science in Western Civilization. The prize is awarded every four years at meetings of the Union Congress to recent PhDs in the history of science and technology for outstanding dissertation projects on topics…

David LowOctober 8, 20091min
In his recent book Pandemonium and Parade: Japanese Monsters and the Culture of Yokai (University of California Press, 2009), Michael Dylan Foster ’87 focuses on Japanese water sprites, mountain goblins, shape-shifting animals, and the monsters known as yokai. He considers the role of these creatures in folklore, encyclopedias, literature, art, science, games, manga, magazines, and movies, and brings attention to an abundance of valuable and previously understudied material. Foster traces yokai over three centuries, from their appearance in 17th-century natural histories to their starring role in 20th-century popular media as he examines the monsters’ meanings within the Japanese cultural imagination.