Assistant Professor of Dance Hari Krishnan has been nominated for the Bessie Award for Outstanding Performer for his solo performance of “The Frog Princess,” which he performed as part of the La Mama Moves! Dance Festival in New York City in June and July.
Tag Archive for Hari Krishnan
by Gabe Rosenberg '16 •
Hari Krishnan, assistant professor of dance, was featured in two recent journals, The Dance Currant and Religion Compass.
The Dance Currant article, “The Singular Path of Hari Krishnan,” discusses Krishnan’s solo at “The Men Dancers: From the Horse’s Mouth,” a concert of original choreography for the 80th anniversary season of the Jacob’s Pillow Dance Festival.
Krishnan also appears as the subject of The Religion Compass article, “Innovations in Contemporary Indian Dance: From Religious and Mythological Roots in Classical Bharatanatyam.” The three-part essay traces a history of the revival of bharatanatyam, citing Krishnan as a pioneer of Contemporary Indian Dance.
Krishnan currently teaches “Bharata Natyam I: Introduction of South Indian Classical Dance” at Wesleyan.
by Lauren Rubenstein •
Hari Krishnan, artist-in-residence in dance, received widespread media attention for his dance company’s performance season in Canada. Positive reviews and articles appeared in the Toronto Standard, Toronto.com, Xtra!, To Live With Culture, Mooney on Theatre, and Fab Magazine.
In other exciting news, Krishnan’s dance company, inDANCE, was invited to present “Quicksand” and a new solo (commissioned for Jacob’s Pillow) at the Canada Dance Festival, the country’s most prestigious contemporary dance festival, on June 11.
by Olivia Drake •
Artist-in-Residence Hari Krishnan’s dance company inDANCE presented the Canadian premiere of Fallen Rain Oct. 1-2 at the Robert Gill Theatre in Toronto, Canada. The dance troupe performs Indian classical dance style bharatanatyam with Western contemporary eroticism.
Under the artistic direction of Krishnan, inDANCE performed the 60-minute premiere as part of the Festival of South Asian Literature and the Arts and the University of Toronto’s The Centre for South Asian Studies. Initially choreographed as a series of solos and duets, the Canadian premiere of Fallen Rain features seven lyrical dancers and six musicians. It includes rare genres of dance that have never been presented on the Canadian stage.
“Fallen Rain animates by the poetic and kinetic world of dance in courtesan communities,” Krishnan explains. The repertoire, he says, is drawn largely from 19th-century Tanjavur, South India. Tanjavur is historically the royal city of South India, nurturing the arts, and is the birth place of bharatanatyam dance.
Krishnan teaches similar rare repertoires at Wesleyan, maintaining his two decades-long research of the traditional roots of Bharatanatyam dance.
“Bharatanatyam is rarely taught and performed anywhere else in the world,” he says.
In Fallen Rain, inDANCE pushes the boundaries of professionalism in the areas of traditional bharatanatyam dance, inspiring live music, groundbreaking research, cutting edge lighting design and rich costume design. The group presents its classical work in the context of a contemporary aesthetic framework.
by Olivia Drake •
Hari Krishnan, artist-in-residence in the Dance Department, was featured in the March 13 issue of The Toronto Star. In an article titled, “Dance: Traditional Meets the Postmodern,” Krishnan speaks about his dance troupe, InDANCE, which performs Indian classical dance style bharatanatyam with Western contemporary eroticism.
Krishnan was raised in Singapore, part of the small island republic’s Indian minority. He studied bharatanatyam and an imported European form of ballet. He embraced Western contemporary dance as an undergraduate in Canada. He holds a master’s degree in dance from York University in Toronto.
As a result, he’s hard to categorize and this has proved to be a problem for inDANCE, the ethnically diverse, multi-disciplinary company he founded in Toronto a decade ago.
“The handicap for me,” he says, “is that we do all kinds of work. We are not afraid to show skin, to talk about eroticism or sexuality using bharatanatyam as our medium. So, we have a problem accessing a solid audience in Toronto because people always want to box us. Either you’re a bharatanatyam company that propagates Indian family/cultural values or you’re not.”
According to the article, Krishnan travels widely, “commuting during the academic year to Middletown, Conn. – where he’s been artist-in-residence at Wesleyan University since 2001 – visiting India regularly for research, study and performances, and teaching in Britain.”