In Musicking Bodies: Gesture and Voice in Hindistani Music (Wesleyan University Press), Matthew Rahaim ’00 studies the role of the body in Indian vocal music. Indian vocalists have long traced intricate shapes with their hands while improvising melody. Although every vocalist has an idiosyncratic gestural style, students inherit ways of shaping melodic space from their teachers, and the motion of the hand and voice are always intimately connected. Musicking Bodies is among the first extended studies of the relationship between gesture and melody. Rahaim draws on years of vocal training, ethnography, and close analysis to examine the ways in which…