Gina Athena Ulysse, professor of anthropology, professor of feminist, gender and sexuality studies, writes an “Ode to Haiti’s Neo-Comedians” in The Huffington Post about Haiti’s recently cancelled election runoff. The title of her essay refers to Graham Greene’s The Comedians, a book whose description read: “Set in Haiti, amid an atmosphere of brutal force and terror-ridden love, three desperate people work out their strange destinies.”
Relevance of The Comedians is apparent in Haiti’s recently cancelled election runoff that was set for this past Sunday. Indeed, until then, the outgoing president Michel Martelly, a chap with dictatorial tendencies who leads the “Bald Headed Haitian Party”—insisted on proceeding with business as usual. His would-be successor, Jovonel Moïse the so-called leading candidate, is eager to turn Haiti into a “banana republic,” a discursive play on his plantain plantation commerce. The opposition, Jude Celestin, boycotted the event and penned an op-ed disavowing the impending masquerade as a total farce. The masses who continue to suffer were being forced once again to absorb this electoral crisis and participate in a “selection,” as they say in the local parlance. It is hard to discern which is more comic and/or tragic in these instances.
“Surely you jest,” I say to myself in a mocking tone as elders decry, “the country has lost its dignity,” knowing full well that my late grandmother would use expletives.