Tag Archive for CFA

Shasha Seminar 2017 Convenes Experts on Gun Legislation Debate, Paths Forward, Oct. 27-28

Guns in American Society, this year’s Shasha Seminar for Human Concerns, will be held on campus on Friday and Saturday, Oct. 27-28. Made possible by a generous grant from the Shasha family, the 16th annual event will convene experts, including Wesleyan faculty and administrators, as well as alumni from across the country, to examine current debates about the role of guns in American society and discuss ways of reducing the national incidence of gun violence.

According to seminar organizer Jennifer Tucker, associate professor of history and science in society and researcher in the history of technology, law and culture, guns are a topic of concern not just for those advocating for gun control but also for gun rights advocates, who see the issue as a question of personal liberty. The debate, she notes, is now moving onto college campuses, with the recent passage of legislation allowing guns on campus in 10 states. Additionally, 16 more states are considering such legislation.

Rudensky’s Post-Putin Era Photographs on Display at Davison Art Center

Photographs by Assistant Professor of Art Sasha Rudensky ’01 are on display in the Davison Art Center through Dec. 10. During a gallery talk, Rudensky explained how she rented an unsedated boa constrictor to make the photograph Snake Handlers, pictured in the center.

For more than a decade, Assistant Professor of Art Sasha Rudensky ’01 has repeatedly returned to Russia and the post-Soviet territories to photograph a lost generation that has come of age during the Vladimir Putin era.

On Sept. 13, Rudensky debuted a collection of these photographs at an exhibit titled “Acts and Illusions” at the Davison Art Center. The exhibition presents 24 photographs together with a video installation, revealing an unsettling view into contemporary life in the New East. Elijah Huge, associate professor of art, associate professor of environmental studies, collaborated with Rudensky on the video installation. Clare Rogan, curator of the Davison Art Center, coordinated the exhibition.

Studio arts major Rudensky was born in Russia and moved to the U.S. when she was 11 and returned as an artist in 2004. She’s also an assistant professor of Russian, East European and Eurasian studies and teaches Photography I and Digital Photography I this fall.

Photos of the “Acts and Illusions” reception and gallery talk are below: (Photos by Olivia Drake)

6th Annual The MASH Highlights Wesleyan’s Music Scene

Inspired by Fete de la Musique (also known as World Music Day), the sixth annual The MASH festival on Sept. 9 highlighted Wesleyan’s student music scene, with multiple stages on campus featuring everything from a cappella ensembles to student, faculty and alumni bands.

Stages were set up at Foss Hill, outside Olin Library and North College. More than 20 groups and soloists performed at Wesleyan’s The Mash including Bonanza, Good Morning CT, McCleary McCleary, MEG, Saint Something, Jal, The Basukes, Smokin’ Lilies, Jess Best ’14, Prometheus, New Group, Gabe & Brien, Savannah Jeffreys ’18, Johnny Gilmore ’18, Anna Savage ’18, Quasimodal, Sloane Peterson, ethereal whoosing, The Purple Windsounds, LAZ, Cicero Presley and Tasty Desert Creatures.

The MASH was held in conjunction with the City of Middletown’s Main Street Stroll, a family-friendly celebration of Middletown’s Main Street and the new Wesleyan RJ Julia Bookstore. The stroll featured music, street performers, specialty workshops and more.

Anna Savage '18 performed at the Olin stage.

Anna Savage ’18 performed at the Olin stage.

CFA Performing Arts Series Concert to Feature Italian Baroque Chamber Music

Photo by Andy Kahl

Tempesta di Mare will perform on March 31, concluding the 2016-2017 season of the Center for the Arts’ Performing Arts Series. (Photo by Andy Kahl)

Members of the Philadelphia-based ensemble Tempesta di Mare will perform baroque chamber music from Venice and Naples on period instruments for the Connecticut premiere of A Tale of Two Italian Cities in Crowell Concert Hall at 8 p.m., Friday, March 31.

This performance by Tempesta di Mare is part of the Performing Arts Series at the Center for the Arts, and the conclusion of the 2016-2017 season.

“These performances feature a wide array of world-class musicians, cutting-edge choreography, and groundbreaking theater,” explained Sarah Curran, director of the Center for the Arts. “We’re excited to include a baroque chamber orchestra this year and we think the audience will love experiencing the sounds and culture of Italy.”

The audience can expect to hear music that reflects the two cities’ different cultures, explained Richard Stone, co-director of Tempesta di Mare. “Venice was Italy’s party town, while Naples was where you’d go to university or, if you were a musician, to conservatory,” said Stone. “Neapolitan music grabs its listeners with a heady intensity, while the Venetian music catches you with technical brilliance. That’s the generalization though. Naples’ music could get pretty wild, and Venetian music can get pretty cerebral. They’re both great musical worlds to dive into.”

Celebrating their 15th anniversary season, the members of the ensemble performing at Wesleyan will play recorder, violin, cello, lute and harpsichord on trios, quartets and concerti written by Antonio Vivaldi, Alessandro Scarlatti, Dario Castello, Andrea Falconieri, Francesco Mancini and Giovanni Legrenzi.

Tickets can be purchased through the Wesleyan University Box Office. Tickets are $28 for the general public; $26 for senior citizens, Wesleyan faculty/staff/alumni, and non-Wesleyan students; and $6 for Wesleyan students and youth under 18.

J-Hoon Musical Ensemble Presents the Music and Dance of the Ancient People of Kermanshah

From 4 to 6 p.m. Feb. 11 in the World Music Hall, engage in a panel discussion on the diaspora of the Kurdish people, the largest ethnic group in the world without a country that they can call their own. The program focuses on the integration of the Kurdish people into Western societies as refugees, their trials and tribulations during their assimilation, as well as the current and the future position of the Kurds in the geopolitical landscape and the stability of the Middle East and the fight against terror.

This program will be followed by a musical and dance performance by the J-Hoon Ensemble, a NYC-based ensemble focused on the folkloric music and dances of Kurdistan.

Tickets are available at the Wesleyan Box Office.

JHoon_Feb_2017 (1)

More than 90 Students Perform in West African Drumming and Dance Concert

The Center for the Arts hosted a West African Drumming and Dance Concert Dec. 2 at Crowell Concert Hall. The performance featured master drummer Emmanuel Attah Poku; choreographer and artist-in-residence Iddi Saaka; and more than 90 Wesleyan students. In addition, the Kiniwe African Dance Ensemble from Tufts University also performed at the concert. The event showcased the vibrancy of West African cultures through their music and dance forms. (Photos by Will Barr ’18)

art_dan_2016-1202213822

Wesleyan Staff Perform in Beatles Benefit Concert

Screen Shot 2016-06-15 at 9.00.58 PM

Wesleyan’s Andy Chatfield and Shona Kerr performed along with 21 other singers and musicians at the second annual “Blackbird” Benefit Concert for the Stephanie Nelson Scholarship Fund on June 18.

On June 18, a 23-piece all-star band performed the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band album in its entirety at Chapman Hall at Middlesex Community College at a benefit concert in memory former Wesleyan Center for the Arts intern Stephanie Nelson, of Middletown, who passed away last year at the age of 25. This was the second annual benefit concert held in Nelson’s name. The first, held last summer, featured the Beatles’ White Album and raised almost $5,000 to establish the Stephanie Nelson Scholarship at Middlesex Community College (MCC), Nelson’s alma mater.

This year’s concert was organized by Andy Chatfield, press and marketing director for Wesleyan’s Center for the Arts. Nelson was Chatfield’s intern at the CFA. “This year, we played all of Sgt. Pepper’s Lonely Hearts Club Band, which is one of my favorite Beatles albums. Stephanie’s dad requested that we hold the event on the Saturday before Father’s Day, and clarinet player Catherine Rousseau, one of the musicians returning to perform with us this year, told me that June 18 also happened to be Paul McCartney’s birthday. So we played ‘When I’m Sixty-Four’ the day that Sir Paul turned 74.”

Beatles Benefit Concert Created in Memory of CFA Intern

A 21-member all-star band, featuring four members of the Wesleyan community, will come together to perform the Beatles White Album in its entirety at Blackbird: A Benefit Concert for the Stephanie Nelson Memorial Scholarship Fund, on Saturday, July 25 at Crowell Concert Hall. Pictured: Nadya Potemkina, Andy Chatfield, and Shona Kerr. (Photo by Cynthia Rockwell).

A 21-member all-star band, featuring four members of the Wesleyan community, will come together to perform the Beatles’ White Album in its entirety at Blackbird: A Benefit Concert for the Stephanie Nelson Memorial Scholarship Fund, July 25 at Crowell Concert Hall. Pictured, from left, are Wesleyan’s Nadya Potemkina, Andy Chatfield and Shona Kerr. (Photo by Cynthia Rockwell)

A 21-member all-star band will come together to perform the Beatles’ White Album in its entirety at Blackbird: A Benefit Concert for the Stephanie Nelson Memorial Scholarship Fund, at 8 p.m. Saturday, July 25 at Crowell Concert Hall. The concert is being held in memory of former Center for the Arts intern Stephanie Nelson, of Middletown, who passed away earlier this year at the age of 25. All proceeds from ticket sales will go toward creating a scholarship fund for Middlesex Community College students in support of internships at Wesleyan.

The concert is the brainchild of drummer Andy Chatfield, press and marketing director of the Center for the Arts. “Stephanie was the CFA’s first broadcast communications and multimedia intern from Middlesex Community College in 2013, and we all appreciated the energy and light that she brought to our office and to everything she did,” Chatfield said. “This event will celebrate Stephanie’s life with her family and friends and create a scholarship fund in her memory to support interns from Middlesex Community College to be paid for time spent working at Wesleyan.”

West African Rhythms Fill CFA Courtyard

On May 8, members of the Wesleyan community gathered in the CFA Courtyard for an invigorating performance filled with the rhythms of West Africa. Performing were choreographer Iddi Saaka, artist in residence in the dance department, and master drummer Abraham Adzenyah, adjunct professor of music, together with their students in three levels of West African dance courses, plus guest artists. After almost five decades at Wesleyan, Adzenyah will retire in May 2016. To honor his cultural contributions and to recognize his rich professorial and performing legacy, alumni, students, colleagues, and friends are hoping to “drum up” enough support to raise $300,000 for an endowed scholarship in his name. (Photos by Laurie Kenney.)

eve_africandrumming_2015-0511135602

Master drummer Abraham Adzenyah (center, with hat) and choreographer Iddi Saaka (directly behind Adzenyah) led their students in a West African drumming and dance performance in the CFA Courtyard on May 8.

ICPP Receives $100K Doris Duke Grant

Wesleyan's Institute for Curatorial Practice in Performance (ICPP) has received a $100K grant from the Doris Duke Foundation.

Wesleyan’s Institute for Curatorial Practice in Performance (ICPP) has received a $100K grant from the Doris Duke Foundation.

Wesleyan’s Institute for Curatorial Practice in Performance (ICPP) has been awarded a four-year, $100,000 grant from the Doris Duke Charitable Foundation to support the participation of low-income students and students of color in ICPP’s master’s and certificate programs through the ICPP Scholarship Fund.

Founded in 2010 and housed at Wesleyan’s Center for the Arts, ICPP is a center for the academic study of the presentation and contextualization of contemporary performance, and offers an interdisciplinary, graduate-level education in innovative and relevant curatorial approaches to developing and presenting time-based art. Starting in July 2015, the institute will offer a master’s degree in performance curation. ICPP’s ten-month, post-graduate certificate program is now in its fourth year.

“We are extremely grateful for the Doris Duke Charitable Foundation’s critical support for the Institute for Curatorial Practice in Performance’s expanded offerings,” said ICPP Director Samuel A. Miller ’75. “These funds will allow us to significantly enhance access to both our master’s and certificate programs.”