Tag Archive for CFA
by Olivia Drake •
Wesleyan’s Institute for Curatorial Practice in Performance (ICPP) received a two-year, $150,000 grant from the Ford Foundation.
The award will support a new leadership fellowship program; three curatorial mini-intensives for prospective students; and two global curatorial forums designed to bring an international perspective to the discussion and dissemination of best practices and forge a global network of performing arts curators. This funding will further ICPP’s efforts to advance diversity among participants and to amplify the graduate program’s impact on the field of performance.
“The Ford Foundation funding allows ICPP to support diverse perspectives in the field of performance curation, both in our student body and as our students advance professionally,” said Sarah Curran, director of the Center for the Arts and managing director of ICPP. “We are also grateful for the opportunity to create a global platform for curatorial exchange.”
“This support from the Ford Foundation allows ICPP to amplify a visible and inclusive path into the program and equitable opportunities as our students, in their second year, pursue leadership positions in the field,” said Samuel Miller ’75, director and co-founder of ICPP.
by Laurie Kenney •
Assistant Professor of Music Tyshawn Sorey MA ’11, a MacArthur “Genius” Award-winner, and Distinguished Fellow in the College of the Environment Allison Orr, artistic director of Forklift Danceworks, have been chosen as 2018 fellows by United States Artists (USA), an organization that illuminates the value of artists to American society. Sorey and Orr will each receive a $50,000 unrestricted award as part of the honor.
- Read more about Tyshawn Sorey’s MacArthur “Genius” Award
- Read more about Allison Orr’s work teaching dance and movement to local children
A total of 45 recipients were announced for the annual awards, which recognize achievements and innovation across nine disciplines, including architecture and design, crafts, dance, media, music, theater and performance, traditional arts, visual art, and writing. Dancer-choreographer-performance artist Okwui Okpokwasili, recipient of the 2015 Danspace/Institute for Curatorial Practice in Performance Creative Artist Residency, and jazz chanteuse Somi, who performed as part of the Center for the Arts’ Performing Arts Series in October 2017, were also recognized for their work.
Since its founding in 2006, United States Artists has awarded more than 500 accomplished and innovative artists with unrestricted awards totaling over $22 million of direct support.
by Olivia Drake •
(by Andy Chatfield)
The Center for the Arts, in collaboration with the College of the Environment, invites an artist or artists from areas affected by the hurricane season of 2017 to campus for a short-term residency in April 2018. Artists working in all disciplines from Florida, Texas, Puerto Rico, and the U.S. Virgin Islands may propose a project that explores the evolving human relationship to water, and responds to the following questions:
- How can the arts address and respond to the environmental and humanitarian crises wrought by climate change?
- How do we redefine humankind’s evolving relationship to nature, specifically to water?
- What role might the arts play in rebuilding after storms?
“Wesleyan’s Center for the Arts has a history of interdisciplinary programs, integrating the arts across campus,” said Wesleyan President Michael Roth. “This new one-time residency in collaboration with the College of the Environment will have an impact not only on the artist selected for the residency but also allow the Wesleyan community to respond to the environmental and social impact of these natural disasters.”
“The arts allow us to explore issues in ways no other medium does,” said Sarah Curran, director of the Center for the Arts. “The arts have a unique responsibility to help us improve our communities and world where ever we can. In these times of rebuilding after crisis, the arts can play a critical role in community building, envisioning, and imagining how we rebuild, and what we want to become.”
The Center for the Arts seeks to engage an artist in a 7 to 14 day residency in April 2018 on Wesleyan’s campus. Artists may work in any performing arts or visual arts discipline (music, dance, theater, visual arts), or in a practice that crosses disciplines. Artists are invited to create a work that responds to hurricanes and their environmental and social impact. We invite projects that also address environmental issues such as climate change, disaster, and disruption. The proposed project must include an opportunity for the Wesleyan community to interact with the creation of and/or presentation of the work. The project budget includes a $10,000 artist fee and up to $5,000 for travel and materials.
• Artist must have permanent residency in one of the states or U.S. territories most directly impacted by the hurricane season of 2017 (Florida, Texas, Puerto Rico, U.S. Virgin Islands). If a group of artists, the majority of the group must have residency as described above.
• Artist(s) must be available to travel to Middletown, Connecticut for a 7 to 14 day residency in April 2018 and be able to work within the budget outlined above.
• Artist(s) must be able to provide proof of eligibility to work in the United States.
• Application form, including project description, resume, three references, and work samples submitted here.
Proposals are due at 11:59 p.m., Friday, Nov. 17, 2017. Decisions will be announced no later than Dec. 15, 2017.
Residency is in April 2018 (dates to be determined in consultation with selected artist).
For additional information, contact Michelle Grove, interim associate director for programs.
“After seeing the scope of this year’s hurricane season, we thought this was a way that we could both address the needs of artists in those areas, while also deepen the conversation on campus about climate change on the human environment,” said Barry Chernoff, director of the College of the Environment, Robert Schumann Professor of Environmental Studies. Chernoff also is chair of the Environmental Studies Program, professor of biology, professor of earth and environmental sciences.
by Bill Holder •
Responding to the ongoing tragedy in Puerto Rico, Wesleyan is offering a free semester of study in the spring of 2018 to students enrolled in the University of Puerto Rico. Students will be expected to pay tuition at their home institution, and Wesleyan will offer free housing and meals as needed. Many other institutions across the country are stepping up as well and the University of Puerto Rico has developed a standard framework for this project.
Students enrolled at other institutions in Puerto Rico may be eligible as well, and should contact Wesleyan at firstname.lastname@example.org for more information.
“Opening our campus to students from Puerto Rico is a meaningful way we can provide assistance that will make a real difference in the lives of some students,” said President Michael Roth. “It’s so evident that the need for help is overwhelming, and I know our campus community will welcome students with open arms.”
by Cynthia Rockwell •
Guns in American Society, this year’s Shasha Seminar for Human Concerns, will be held on campus on Friday and Saturday, Oct. 27-28. Made possible by a generous grant from the Shasha family, the 16th annual event will convene experts, including Wesleyan faculty and administrators, as well as alumni from across the country, to examine current debates about the role of guns in American society and discuss ways of reducing the national incidence of gun violence.
According to seminar organizer Jennifer Tucker, associate professor of history and science in society and researcher in the history of technology, law and culture, guns are a topic of concern not just for those advocating for gun control but also for gun rights advocates, who see the issue as a question of personal liberty. The debate, she notes, is now moving onto college campuses, with the recent passage of legislation allowing guns on campus in 10 states. Additionally, 16 more states are considering such legislation.
by Olivia Drake •
For more than a decade, Assistant Professor of Art Sasha Rudensky ’01 has repeatedly returned to Russia and the post-Soviet territories to photograph a lost generation that has come of age during the Vladimir Putin era.
On Sept. 13, Rudensky debuted a collection of these photographs at an exhibit titled “Acts and Illusions” at the Davison Art Center. The exhibition presents 24 photographs together with a video installation, revealing an unsettling view into contemporary life in the New East. Elijah Huge, associate professor of art, associate professor of environmental studies, collaborated with Rudensky on the video installation. Clare Rogan, curator of the Davison Art Center, coordinated the exhibition.
Studio arts major Rudensky was born in Russia and moved to the U.S. when she was 11 and returned as an artist in 2004. She’s also an assistant professor of Russian, East European and Eurasian studies and teaches Photography I and Digital Photography I this fall.
CTNow featured Rudensky’s exhibit in a recent article.
Photos of the “Acts and Illusions” reception and gallery talk are below: (Photos by Olivia Drake)
by Olivia Drake •
Inspired by Fete de la Musique (also known as World Music Day), the sixth annual The MASH festival on Sept. 9 highlighted Wesleyan’s student music scene, with multiple stages on campus featuring everything from a cappella ensembles to student, faculty and alumni bands.
Stages were set up at Foss Hill, outside Olin Library and North College. More than 20 groups and soloists performed at Wesleyan’s The Mash including Bonanza, Good Morning CT, McCleary McCleary, MEG, Saint Something, Jal, The Basukes, Smokin’ Lilies, Jess Best ’14, Prometheus, New Group, Gabe & Brien, Savannah Jeffreys ’18, Johnny Gilmore ’18, Anna Savage ’18, Quasimodal, Sloane Peterson, ethereal whoosing, The Purple Windsounds, LAZ, Cicero Presley and Tasty Desert Creatures.
The MASH was held in conjunction with the City of Middletown’s Main Street Stroll, a family-friendly celebration of Middletown’s Main Street and the new Wesleyan RJ Julia Bookstore. The stroll featured music, street performers, specialty workshops and more.
by Olivia Drake •
Members of the Philadelphia-based ensemble Tempesta di Mare will perform baroque chamber music from Venice and Naples on period instruments for the Connecticut premiere of A Tale of Two Italian Cities in Crowell Concert Hall at 8 p.m., Friday, March 31.
This performance by Tempesta di Mare is part of the Performing Arts Series at the Center for the Arts, and the conclusion of the 2016-2017 season.
“These performances feature a wide array of world-class musicians, cutting-edge choreography, and groundbreaking theater,” explained Sarah Curran, director of the Center for the Arts. “We’re excited to include a baroque chamber orchestra this year and we think the audience will love experiencing the sounds and culture of Italy.”
The audience can expect to hear music that reflects the two cities’ different cultures, explained Richard Stone, co-director of Tempesta di Mare. “Venice was Italy’s party town, while Naples was where you’d go to university or, if you were a musician, to conservatory,” said Stone. “Neapolitan music grabs its listeners with a heady intensity, while the Venetian music catches you with technical brilliance. That’s the generalization though. Naples’ music could get pretty wild, and Venetian music can get pretty cerebral. They’re both great musical worlds to dive into.”
Celebrating their 15th anniversary season, the members of the ensemble performing at Wesleyan will play recorder, violin, cello, lute and harpsichord on trios, quartets and concerti written by Antonio Vivaldi, Alessandro Scarlatti, Dario Castello, Andrea Falconieri, Francesco Mancini and Giovanni Legrenzi.
Tickets can be purchased through the Wesleyan University Box Office. Tickets are $28 for the general public; $26 for senior citizens, Wesleyan faculty/staff/alumni, and non-Wesleyan students; and $6 for Wesleyan students and youth under 18.
by Olivia Drake •
This program will be followed by a musical and dance performance by the J-Hoon Ensemble, a NYC-based ensemble focused on the folkloric music and dances of Kurdistan.
Tickets are available at the Wesleyan Box Office.
by Olivia Drake •
The Center for the Arts hosted a West African Drumming and Dance Concert Dec. 2 at Crowell Concert Hall. The performance featured master drummer Emmanuel Attah Poku; choreographer and artist-in-residence Iddi Saaka; and more than 90 Wesleyan students. In addition, the Kiniwe African Dance Ensemble from Tufts University also performed at the concert. The event showcased the vibrancy of West African cultures through their music and dance forms. (Photos by Will Barr ’18)