Eiko Performs “A Body in a Station”

Lauren RubensteinOctober 2, 20141min
<div class="at-above-post addthis_tool" data-url="https://newsletter.blogs.wesleyan.edu/2014/10/02/eikoperformance/"></div>Johnston's associated photography exhibited at Pennsylvania Academy of the Fine Arts<!-- AddThis Advanced Settings above via filter on get_the_excerpt --><!-- AddThis Advanced Settings below via filter on get_the_excerpt --><!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons above via filter on get_the_excerpt --><!-- AddThis Share Buttons below via filter on get_the_excerpt --><div class="at-below-post addthis_tool" data-url="https://newsletter.blogs.wesleyan.edu/2014/10/02/eikoperformance/"></div><!-- AddThis Share Buttons generic via filter on get_the_excerpt -->

The New York Times featured a new performance by Visiting Instructor in Dance Eiko Otake, the first she has conceived and performed without Koma, her husband and artistic partner. Titled “A Body in a Station,” the work, presented by the Pennsylvania Academy of the Fine Arts, develops as a series of three-hour performances once a week. The museum is also featuring a exhibition of photography by William Johnston, professor of history, professor of East Asian studies, professor of science in society. The photographs show Eiko performing in abandoned train stations in Fukushima, Japan.

“The images, elegant, bleak and harrowing, place her in a desolate landscape devastated by the explosions at the Fukushima nuclear power plant after the 2011 earthquake and tsunami,”  the Times writes.