Scott Higgins, chair and professor of film studies, delivered the keynote address during the 2016 SERCIA Conference, held Sept. 8-10 in Paris, France. The topic of his talk was “Benefits of Incoherence: Seriality in the Studio Era,” largely based on book, Matinee Melodrama: Playing with Formula in the Sound Serial (Rutgers, 2016).
SERCIA, an organization established in France in 1993, encourages teaching and research in English-speaking cinema.
During the 22nd annual conference, Higgins joined film scholars from all over the world to explore links between the filmic form and seriality.
“I argued that American sound-serials in the 1930s and 1940s, with incoherent plots, nonetheless offered certain kinds of artistic refinement,” Higgins explained. His main example was the 1944 version of Captain America. Higgins shares similar ideas in his video-blog on the sound-serial fight sequence.
This was Higgins’ second international talk in the past six months. In June, he was the respondent to a conference hosted at the John F. Kennedy Institute at the Free University in Berlin, Germany titled “Seriality Seriality Seriality: The Many Lives of the Field that Isn’t One.” Higgins shares his thoughts about the conference online here.
Jeanine Basinger, the Corwin-Fuller Professor of Film Studies, admires her colleague for his recent international efforts.
“I think it’s a reflection on how important a young scholar he is,” Basinger said. “I feel happy that the future of Film Studies at Wesleyan is in such good hands because he is also a great teacher and colleague.”
At Wesleyan, Higgins teaches courses about film history, genre and aesthetics. His other books include Harnessing the Rainbow: Technicolor Aesthetics in the 1930s and Arnheim for Film and Media Studies. He offered the first ever Massive Open Online Course in film on Coursera, and maintains the blog Thinking Cinematically.