On March 18, the Center for the Arts presented “A Conversation with Theater Artist Miranda Haymon ’16.” Haymon, visiting instructor of theater, is Wesleyan’s inaugural Breaking New Ground Theater Artist-in-Residence, a new residency that brings early-career Black, Indigenous, People of Color (BIPOC) theater artists to campus.
The discussion was led by Sam Morreale ’19. During the conversation, Haymon discussed artistic processes, Blackness, queerness, Brechtian analysis, the impacts of the pandemic on artmaking, and ideas for the future.
Haymon compared a theater performance to a “living document” in which the performance, audience, and actors are constantly changing.
“The work changes, and I change; we’re all changing. It’s that kind of symbiosis that I find really comforting actually. So I think a lot of my work is focused on the pure theatricality of the thing I love—when my actors are sweating, and they’re breathing hard, and they’re crying, . . . they’re laughing or they’re dancing. I’m obsessed with the human body; I’m obsessed with what it can do. I’m obsessed with what it can’t do. How can we make meaning from the human body?”
Haymon’s residency at Wesleyan is co-sponsored by the Theater Department, the Allbritton Center for the Study of Public Life, the Center for the Humanities, the African American Studies Department and the Center for African American Studies, and the Center for the Arts.
Haymon also has two related upcoming events:
A virtual Lunchtime Career Talk at noon, April 6, for Wesleyan students, faculty, and staff. Haymon will discuss their career post-Wesleyan as a freelance artist working in theater, television, film, and commercials, and how COVID-19 has shaped and changed that journey. RSVP is required.