Game of Thrones cast members Emilia Clarke and Iain Glen are seen in this image by Annie Leibovitz for Vanity Fair.
On the eve of the fourth season of HBO’s fantasy hit Game of Thrones, Wesleyan Visiting Writer in English Jim Windolf talks with series creators D.B. Weiss ’93 and David Benioff and novelist George R.R. Martin – on whose works the show is based – in Vanity Fair:
“Based on ‘A Song of Ice and Fire,’ the epic series of fantasy novels by George R. R. Martin, the show seemed like an odd fit for HBO. But Benioff and Weiss believed it was in the tradition of The Sopranos,Deadwood, Oz, and other HBO shows in that it would breathe new life into a tired or maligned genre. It wasn’t an easy task, though, to persuade executives that something belonging to a category that includes Xena: Warrior Princess was right for the crown jewel of premium cable. ‘That was one of the big uphill sells,’ Weiss says. ‘It was just a question of convincing them that it applied to a genre that had never seriously crossed their minds before.’”
Windolf traces the history of the show’s creation and rocky HBO debut, and asks author Martin about the relationship between the source material and the series:
“Game of Thrones, which enters its fourth season this month, may be heading toward its second massive problem, as tough to solve as the messed-up pilot, which is this: the show is in danger of catching up to the books.
“Martin started writing the epic saga (more than 4,000 pages and counting) in July 1991. He has published five of a planned seven books. If the 2015 television season carries Benioff and Weiss through Book Five, which is possible, and if Martin has not completed Book Six (The Winds of Winter) by that time, which is also possible, there could be trouble.
“Asked if it’s conceivable the show could overtake its source material, Benioff says, ‘Yup.’ When I mention to Martin that Benioff and Weiss are catching up, he says, ‘They are. Yes. It’s alarming.’”
Windolf is editor of M magazine, contributing editor for Vanity Fair, columnist for Capital New York, and writer for The New York Times, The New Yorker, and The New York Observer.