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Lauren RubensteinAugust 17, 20161min
University Professor of Music Sumarsam and several PhD students and alumni recently presented papers at the 4th Symposium of the International Council for Traditional Music Study Group on the Performing Arts of Southeast Asia (ICTM PASEA). The symposium was hosted by Universiti Sains Malaysia in Penang, Malaysia, from July 31 to Aug. 6. Sumarsam presented a paper titled, "Religiosity in Javanese Wayang Puppet Play," and demonstrated puppet movements. (more…)

Frederic Wills '19April 4, 20162min
Professor of Music Sumarsam was named as a fellow in the American Council of Learned Societies (ACLS) 2015-2016 fellowship competition. He was chosen as one of 69 fellows from a pool of nearly 1,100 applicants through a rigorous, multi-stage peer review process. As a fellow, Sumarsam will receive the opportunity to spend six to 12 months researching and writing full time on the project of his choosing, the support of the ACLS’s endowment. The ACLS is dedicated to supporting scholars in the humanities and related social sciences at the doctoral and postdoctoral levels. Matthew Goldfeder, director of fellowship programs at…

Olivia DrakeOctober 29, 20151min
On Oct. 28, as part of its Fall Puppet Forum Series, the Ballard Institute and Museum of Puppetry at the University of Connecticut hosted Javanase musician and scholar Sumarsam for a presentation on "Javanese Puppet Theater and the West." Sumarsam is the University Professor of Music at Wesleyan. Sumarsam's talk included discussion of the complex nature of Javanese wayang kulit shadow theater in the context of his recent research into the history of Javanese gamelan culture. Professor Sumarsam's work analyzes adaptations in gamelan art as a result of Western colonialism in 19th century Java, showing how Western musical and dramatic practices were domesticated…

Olivia DrakeAugust 5, 20151min
University Professor of Music Sumarsam is the author of an article titled “Bali–Java Cultural Exchange: Gamelan Carabalen,” published in Interculturalism and Mobility of the Performing Arts, Sound, Movement for the Proceeding of the 3rd Symposium of the International Council for Traditional Music Study Group on Performing Arts in Southeast Asia. Gamelan Carabalen is an ancient, processional Javanese ensemble whose creation was inspired by a processional Balinese gamelan. "Ethnicity and cultural identity is the product of specific historical condition. Viewed in a context of history of ethnic relations, we find very complex picture, dynamic process, and multifaceted forms and meanings of ethnicity…

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Bryan Stascavage '18July 27, 20152min
From July 14–23, two ethnomusicology PhD candidates — Christine Yong and Ander Terwilliger — along with five alumni —Tan Sooi Beng ’80, Donna Kwon ’95, Jonathan Kramer ’71, Sylvie Bruinders ’99, and Becky Miller ’94 — joined University Professor of Music Sumarsam at the 2015 conference of the International Council for Traditional Music (ICTM) in Astana, Kazakhstan. Tan Sooi Beng was elected to the ICTO executive board. The International Council for Traditional Music is a non-governmental organization in formal consultative relations with UNESCO. It aims to further the study, practice, documentation, preservation and dissemination of traditional music and dance of all countries. At the conference, Sumarsam presented a talk titled "Expressing…

Olivia DrakeJanuary 23, 20141min
Ethnomusicologist Sumarsam, University Professor of Music, delivered a paper titled, "Javanese Gamelan in a Changing World," during the annual meeting of the Asian Pacific Society for Ethnomusicology (APSE), hosted by Mahasarakham University, Thailand Jan. 6-9. He also chaired plenary sessions at the annual meeting. The main objectives of the APSE are to preserve and safeguard the ancient and traditional music and music of ethnic groups, which are invaluable cultural heritage of the world. The APSE has held a conference every year since 1994. Many ethnomusicologists, scholars, and musicians from all over the world, who are interested in Asian Pacific cultures, particularly,…

Olivia DrakeJanuary 23, 20142min
Ethnomusicologist Sumarsam, University Professor of Music, is the author of two new articles published in 2013. “Past and Present Issues of Javanese-European Musical Hybridity," was published in Recollecting Resonances: Indonesian-Dutch Musical Encounters by Leiden: Brill, pages 87-108. Soon after the introduction of European music in Java in the 18th century, Java-European musical hybrids emerged. In his article Sumarsam asks the following questions: how do we explain the incorporation of European sounds into the indigenous gamelan ensemble? Is this incorporation a kind of Javanese-European intercultural sonic dialogue, a subversive act of European authority, or the domestication of an exotic sound? Sumarsam addresses these…

Olivia DrakeJanuary 23, 20142min
Ethnomusicologist Sumarsam, University Professor of Music, received a Henry Luce Fellowship grant worth $5,000 from the American Institute for Indonesian Studies (AIFIS) in January 2014 for his research on “Expressing and Contesting Java-Islam Encounters in the Performing Arts.” Since 2001 due to global geo-politics, issues of religion and culture have been highlighted, especially within Muslim cultures that were repositioning in non-normative ways. "This adjustment, the popular if historically flawed perception of Islam as 'against performing arts' has made for significant dialogue about performing arts," Sumarsam said. "Inserted in a taking its cue from global dialogue between wahabi Islam and westernized global…

Olivia DrakeDecember 6, 20133min
Ethnomusicologist Sumarsam, University Professor of Music, participated in a festival and conference on Indonesian performing arts at the Smithsonian Institution Oct. 31-Nov. 3. Sumarsam and Andy McGraw Ph.D. ’06 helped organize the conference, "Performing Indonesia: Conference, Music, Dance, and Drama" with support from the Indonesian Embassy in Washington, D.C. Sumarsam delivered the conference's keynote address on “Traditional Performing Arts of Indonesia in a Globalizing World” on Nov. 2. He discussed Javanese musical and cultural interactions with the rest of the world, focusing on current trends in and the changing role of classical and contemporary gamelan music and other genres in…

Olivia DrakeOctober 23, 20132min
Ethnomusicologist Sumarsam, University Professor of Music, and Andy McGraw Ph.D. '06, now an associate professor at the University of Richmond, have been working with the Indonesian Embassy in Washington, D.C. and the Smithsonian Institution to organize and design a festival and conference on Indonesian performing arts. The festival will be held in the Smithsonian’s Freer and Sackler Galleries of Art, Oct. 31-Nov. 3. The Wesleyan Gamelan Ensemble will participate in the festival and Sumarsam will deliver the keynote address on “Traditional Performing Arts of Indonesia in a Globalizing World" on Nov. 2. Sumarsam will discuss Javanese musical and cultural interactions…

Olivia DrakeJuly 29, 20132min
Sumarsam, the University Professor of Music, is the author of Javanese Gamelan and the West, published by the University of Rochester Press on July 1. In Javanese Gamelan, Sumarsam examines the meaning, forms and traditions of the Javanese performing arts as they developed and changed through their contact with Western culture. The book traces the adaptations in gamelan art as a result of Western colonialism in 19th century Java, showing how Western musical and dramatic practices were domesticated by Javanese performers creating hybrid Javanese-Western art forms, such as with the introduction of brass bands in gendhing mares court music and West Javanese…

Olivia DrakeApril 1, 20132min
Sumarsam, the University Professor of Music, discussed Indonesian puppetry during the Playwriting, Puppets and Dramaturgy Symposium March 9 at the University of Connecticut Puppet Arts Complex. The symposium brought together playwrights, puppeteers, dramaturgs, students and puppetry enthusiasts to share ideas and experiences about the practice, theory, and history of puppetry’s uses of text in performance. Experts discussed ways the visual dramaturgy of puppetry’s sculpture in motion works in tandem with dramatic and narrative texts. Sumarsam and symposium organizer John Bell, director of the Ballard Institute and Museum of Puppetry at the University of Connecticut, spoke on “Puppets and Texts: Global…