Tag Archive for alumni publications

Naegele, Aaron, Student Researchers Published in Journal of Neuroscience

Jan Naegele, Gloster Aaron and several Wesleyan researchers are the co-authors of an article titled “Long-Term Seizure Suppression and Optogenetic Analyses of Synaptic Connectivity in Epileptic Mice with Hippocampal Grafts of GABAergic Interneurons,” published in the October 2014 edition of The Journal of Neuroscience, Issue 34(40): 13492-13504.

Naegele is professor of biology, professor of neuroscience and behavior, and director of the Center for Faculty Career Development. Aaron is associate professor of biology, associate professor of neuroscience and behavior. The article is co-authored by Diana Lin ’15; graduate students Jyoti Gupta and Meghan Van Zandt; recent alumni Elizabeth Litvina BA/MA ’11, XiaoTing Zheng ’14, Nicholas Woods ’13 and Ethan Grund ’13; and former research assistants/lab managers Sara Royston, Katharine Henderson and Stephanie Tagliatela.

Studies in rodent epilepsy models suggest that GABAergic interneuron progenitor grafts can reduce hyperexcitability and seizures in temporal lobe epilepsy (TLE). Although integration of the transplanted cells has been proposed as the underlying mechanism for these disease-modifying effects, prior studies have not explicitly examined cell types and synaptic mechanisms for long-term seizure suppression. To address this gap, the researchers transplanted medial ganglionic eminence (MGE) cells from embryos into adult mice two weeks after induction of TLE.

The researchers found that TLE mice with bilateral MGE cell grafts had significantly fewer and milder electrographic seizures. These findings suggest that fetal GABAergic interneuron grafts may suppress pharmacoresistant seizures.

 

Low’s Short Story Published in Solstice Literary Magazine

David Low

David Low

David Low ’76, associate director of publications in University Communications, is the author of a short story titled “Elevor,” published in the Spring 2014 literary magazine Solstice.

“Elevor” is about a young Chinese American woman living and working in Manhattan who suffers from claustrophobia and has several surprising adventures around the city.

In addition to his many articles in Wesleyan magazine, Low’s fiction has appeared in the Ploughshares Reader, American Families, Under Western Eyes: Personal Essays from Asian America, Many Lights in Many Windows, and Mississippi Review.

He is a recipient of fellowships from the National Endowment of the Arts, the MacDowell Colony and Yaddo, a New York State Arts Council Grant, and a Wallace Stegner Writing Fellowship at Stanford University.

Novel by Guiney ’77 Addresses Women’s Health Issues in Cambodia

Sue Guiney '77

Sue Guiney ’77

Sue Guiney ’77 has published her second novel, Out of the Ruins (Ward Wood Publishing). At the beginning of the book, a Cambodian doctor is frustrated that the poor women in his country are dying needlessly. He reaches out to friends to help him create a new clinic for the local villages around Siem Reap’s world famous temples, and they answer his call.

An Irishman, Dr Diarmuid, arrives with his English assistant, Dr. Gemma, and a Canadian administrator Mr. Fred. Together they establish a place where poor women of Cambodia can find the basic care that so much of the world has long since taken for granted. A young and ambitious Cambodian nurse, Srey, acts as an interpreter and connection to the trust of the local community, but her idealized view of western medicine will be seriously challenged.

Tradition collides with science as East meets West, and though the doctors are all too eager to help, they have much to learn about their own personal demons in a desperate and seductive society.

Novel by Sue Guiney '77

Novel by Sue Guiney ’77

In a recent interview in The Phnom Penh Post, Guiney comments on an aspect of her writing process: “I do quite a lot of research for my books, both through reading and on the Internet, but most importantly, by immersing myself in the place, walking the streets and talking to the people. For example, to research Out of the Ruins, I found a Khmer guide in his 20s who was willing to take me to streets where there are karaoke bars and tin-roofed shacks with girls of all ages offering themselves up for sale. He was brave to take a middle-aged Western woman to places she had no right being in. And I suppose I was brave to go with him. But I need to see things with my own eyes, even if they are just buildings and surroundings. And I need to talk to people about their experiences if possible.”

Guiney has lived in London for nearly 20 years where she writes and teaches fiction, poetry, and plays. Her work has appeared in prestigious literary journals on both sides of the Atlantic, and her first book, published by Bluechrome Publishing in 2006, is the text of her poetry play Dreams of May, (now been relaunched by Ward Wood Publishing). which premiered at London’s Pentameters Theatre. Ward Wood has also published her poetry collection Her Life Collected and her first novel set in Cambodia, A Clash of Innocents.

Sue Guiney web site

 

Books by Gilbert ’98, Baumer ’00, Zimbalist P’02 Take Swings at Baseball History, Analytics

Book by Daniel A. Gilbert '98

Book by Daniel A. Gilbert ’98

Not one but two books about baseball by Wesleyan graduates have just hit the shelves. Daniel Gilbert ’98, assistant professor in the School of Labor and Employment Relations at the University of Illinois at Urbana-Champaign, has published Expanding the Strike Zone: Baseball in the Age of Free Agency (University of Massachusetts Press), while Benjamin Baumer ’00 and Andrew Zimbalist P’02 have co-written The Sabermetric Revolution: Assessing the Growth of Analytics in Baseball (University of Pennsylvania Press).

Book  by Benjamin Baumer '00 and Andrew Zimbalist P'02

Book by Benjamin Baumer ’00 and Andrew Zimbalist P’02

Expanding the Strike Zone takes a look at issues of work and territory that have come into play as baseball expanded since the mid-20th century. The book highlights how players, owners, writers and fans have reshaped the sport as a central element of popular culture from the postwar book to the Great Recession.

Gilbert examines recent research as well as fiction and film and shows how Major League Baseball grew to become a transnational popular culture, arguing that the sport exists within the development of neoliberal globalization. In particular, his study works as a labor history, spanning from integration and ballplayer unionism to big league stardom and baseball academies.

Chapters of the book cover such topics as the role of free agency; star power and solidarity in the United States and Mexico; Dominican baseball and the rise of the academies; and Seattle, the Mariners and the politics of location.

The Sabermetric Revolution closely examines the rise of player performance analytics depicted in the 2003 book (and 2011 movie) Moneyball, correcting common misinterpretations and developing new methods to assess the effectiveness of sabermetrics on team performance. Baumer, a visiting assistant professor of mathematics and statistics at Smith College and former statistical analyst for the New York Mets, and Zimbalist, the Robert. A Woods Professor of Economics at Smith, explore how analytics have changed since the 2002 season and question how useful sabermetrics will be in the future.

Baumer and Zimbalist provide an interesting case study of the use of statistics by general managers and front office executives. For fans and fantasy leagues, the book is an accessible primer on the real math behind moneyball including new insights into the changing business of baseball.

Andrew Zimbalist P'02

Andrew Zimbalist P’02

Daniel A. Gilbert '98

Daniel A. Gilbert ’98

Benjamin Baumer '00

Benjamin Baumer ’00

Co-Founder Pereira ’03 Speaks on Dress Circle Publishing for Theater Lovers

Roberta Pereira ‘03 is the co-founder and managing editor of Dress Circle Publishing, whose mission is to provide its readers with a peek behind the curtain through theater-themed books. The company publishes fiction and nonfiction, which attracts a varied audience, and especially theater-lovers everywhere.

Roberta Pereira '03 (Photo: Erik Pearson)

Roberta Pereira ’03 (Photo by Erik Pearson)

Dress Circle Publishing has just published The Untold Stories of Broadway, Volume 1, by musical theater historian and producer Jennifer Ashley Tepper, which records the stories of eight Broadway theaters and productions that have played there, as told by producers, actors, directors, writers, musicians, and the various other artists and workers involved. Pereira edited the book and says that even during the first read of the work she knew she had found something unique.

Book Published by Dress Circle Publishing

Book Published by Dress Circle Publishing

Pereira recently talked to us about her work and her Wesleyan experience.

How did Dress Circle Publishing come about?
I have always been an avid reader and a passionate theater lover. In fact, I am also a theater producer (with Bisno Productions) and have worked on shows such as Terrence McNally’s Mothers and Sons, starring Tyne Daly and now playing on Broadway. One evening, I was having a post-show cocktail at Sardi’s with my friend and fellow producer Brisa Trinchero, and we were bemoaning the fact that there was a lack of great theater-themed books. As two enterprising women, we immediately wanted to do something about that, and thus Dress Circle Publishing was born.

Did you always have an interest in theater?
Yes! When I was six years old I was obsessed with a show called The Butterfly Garden in Rio de Janeiro, Brazil, where I grew up. I asked my parents to take me back to see it every weekend for six weeks in a row. My favorite part was that The Wind was played by a dancer on roller skates.

Roberta Pereira '03 with Lin-Manuel Miranda '02 at launch party of The Untold Stories of Broadway by Jennifer Ashley Tepper. (Photo: Kristin Goehring)

Roberta Pereira ’03 with Lin-Manuel Miranda ’02 at launch party of The Untold Stories of Broadway by Jennifer Ashley Tepper. (Photo by Kristin Goehring)

Did you have a lot of publishing experience before founding the company? Was it difficult getting funding?
I had worked at Scholastic before embarking on my theater career and had further experience editing articles, programs, blogs, etc. Since both my co-founder and I are experts at raising money for theater, getting funding wasn’t too difficult. Besides, it is much easier when people are excited about your idea and our funders agreed with us that theater-themed books was an untapped market.

Would you talk about some of the favorite books you’ve published?
I love our Broadway Trilogy by Ruby Preston. Showbiz and Staged are out already and she is working on the last book right now. Those books are fun because they are inspired by real-life Broadway people and events, but tell a very engaging story of Scarlett Savoy, an up-and-coming producer who works for the less than nice “King of Broadway.” It is The Devil Wears Prada in the world of theater.

Do you rely on submissions or do you sometimes commission projects?
We have an open submission policy (info at dresscircepublishing.com) and so far we have been lucky that all our books have come to us through that. We are big proponents of first-time authors so we been able to support a lot of fresh new voices.

Trachtenberg ’60 Writes 2 Reports on New Jersey School Segregation

Paul Tractenberg ’60

Paul Tractenberg ’60

The Institute on Education Law and Policy (IELP), an interdisciplinary research project at Rutgers University-Newark that director Paul Tractenberg ’60 established in 2000, has produced two major reports [see one and two] on school segregation in New Jersey in collaboration with The Civil Rights Project at UCLA. “The findings were sobering, even for a state that has long been home to some of the most segregated schools in the country,” wrote Tractenberg for NJ Spotlight.

Tractenberg, who is also the Board of Governors Distinguished Service Professor and Alfred C. Clapp Distinguished Public Service Professor of Law at Rutgers School of Law-Newark, recently published Courting Justice: 10 New Jersey Cases That Shook the Nation (Rutgers University Press, 2013) which he edited, as well as authored two chapters. He discussed these cases on New Jersey Capital Report with Steve Adubato and Rafael Pi Roman. Adubato, who calls the book “provocative and fascinating,” brings up Tractenberg’s case number 10, Robinson v. Cahill, which declared that New Jersey’s school funding statute was unconstitutional because it violated the “thorough and efficient education” requirement of the state constitution. Tractenberg explains the genesis of the lawsuit:

“At the level of funding… urban kids were not getting a fair shake; they were not getting as much as advantaged suburban kids. … There was fundamentally unfair and unequal in taking the children with the greatest educational needs and giving them less resources, older buildings, weaker curricula…It was an effort to address a lot of things through funding.” [See it here: Tractenberg comes in at 9:40.]

A history major at Wesleyan, Tractenberg earned his J.D. from the University of Michigan and has been on the faculty at Rutgers Law School since 1973. He is spending his sabbatical year working on a comparative study of public education reform processes in Ontario, Israel and Finland, where he was appointed as a visiting professorial scholar at the law and education schools of the University of Toronto, Tel Aviv and Haifa Universities and University of Helsinki, respectively.

Fraser ’82 Launches Shebooks.net, Offering Short e-Books for Women

Laura Fraser '82

Laura Fraser ’82

Laura Fraser ’82, who majored in American studies, has cofounded and launched Shebooks, an e-publishing site dedicated to producing short e-books by and for women. The site went live in January, and it features exclusive memoirs, fiction and journalism by established authors like Hope Edelman, Marion Winik, Faith Adiele, Jessica Anya Blau and Suzanne Paola. Some contributing Wesleyan authors include Jennifer Finney Boylan ’80, who wrote an original novella for Shebooks and is on its advisory board, Virginia Pye ’82, who wrote an original novella, stories by Bonnie Friedman ’79 and some essays by Fraser herself.

All works, ranging from long articles to short books, are designed to be read in under two hours. They’re available on all major e-readers and soon by subscription directly from the shebooks.net site. Individually, each title costs $2.99.

“Women writers are looking for new outlets for their most personal work, and women readers crave great reads that fit into their busy lives,” said Laura Fraser, in a press release. “We are thrilled by the variety and quality of our first titles.”

Fraser’s own bestselling 2001 book, An Italian Affair, documented her post-divorce getaway to Italy and the romantic rendezvous that followed. Her more recent title, All Over the Map, continues the tale in Oaxaca, Mexico, where Fraser visited to celebrate her 40th birthday and reflect on her past experiences.

Any women writer can submit her own shebook for consideration, but be warned that it’s a carefully curated collection and a very selective process.

“Our main criteria for publication is that the writing is really good, and of interest to women,” reads the text on Shebooks’ submission page. “If you haven’t published anything elsewhere, it’s unlikely that we will be interested in your work, but not impossible. It all depends on how compelling your story is—whether we MUST keep reading.”

Anderson ’71 Publishes Book of Poetry

Clifton B. “Kip” Anderson ’71

Clifton B. “Kip” Anderson ’71

Clifton B. “Kip” Anderson ’71 has written a full-length poetry book, Mortal Soup and the Blue Yonder, published by White Violet Press in 2013. Anderson was a gardener with the PBS show “The Victory Garden” for over 20 years and only began writing poetry in 2003, at the age of 54. He e-published an e-chapbook, A Walk in the Dark, with The New Formalist Press in 2007. This new work is the first poetry collection he’s published using ink and paper.

Anderson’s poems are strongly influenced by the world of fertility and natural growth, but they are not simply an ode to nature — they’re an examination into the more difficult issues and questions that arise in life. His style draws from New Formalism, a movement exemplified by metrical and rhymed verses that evoke classic forms of poetry. The New Formalism movement, generally speaking, is a response to the anything-goes aesthetic that governs (or doesn’t govern) much modern poetry.

Anderson was a music major at Wesleyan. On the back cover of the book, his future plans are said to include “a severe reduction of his poetic output and a concomitant increase in his noetic input.”

Mortal Soup and the Blue Yonder

Book by Clifton B. “Kip” Anderson ’71

 

 

From Mortal Soup and the Blue Yonder:

 

Repast

Where woods and hayfield meet
beyond the fenced-in yard:
Our picnic ground, replete
with bone, chipped stone and shard.
Some ancient village dwelt
on this recycled place
Where recently we knelt
and said our table grace.

Collins ’81 Publishes New Poetry Collection

Michael Collins '81

Michael Collins ’81

Michael Collins ’81 has written a new book of poems, The Traveling Queen (Sheep Meadow Press). He sent us the following comments on his collection:

“This book is dedicated to Annie Dillard, who began teaching at Wesleyan University while I was there and who encouraged me to pursue a career as a writer so many times that she finally overcame my misgivings.

“In general, the writing of the book was informed by my sense that poems are promises. ‘So long as men can breathe or eyes can see/ so long lives this [poem],’ Shakespeare promises in one sonnet, ‘and this gives life to thee.’  Or, as Etheridge Knight writes in one poem, a lyric can be a chanted as ‘a spell to drive the demons away.’

Poetry by Michael Collins '81

Poetry by Michael Collins ’81

“In the language of the dollar, poems aspire to be ‘legal tender for all debts [that is to say, all promises], public or private’: legal tender for debts we incur in promising to be good as our word, to love ‘till death do us part’ (for the marriage vow is itself a little poem), to sprout up under the reader’s boot soles, like Walt Whitman, or to look long into the Medusa face of reality, so that the reader will not turn to stone. (Prayers and psalms are these sorts of poems).

“The fact that poems are promises gives the poet (at least at my level) something in common with the Ponzi schemer: For, like a Ponzi scheme, a poem is a lie whose worth is based entirely on what people invest in it. But, unlike a Ponzi scheme, a poem is a lie that becomes truer the more people invest in it, the more they allow it to structure their imaginations: Who would think of ‘Homer,’ who may or may not have existed—may or may not have been made out of ‘a mouthful of air,’ as Yeats said one of his poems was—if the Illiad had not made the fires of war and the wills of gods and nations grow out of Helen’s red hair?

“As this special sort of Ponzi schemer’s product, the poem always has the potential to rise in value to the point of becoming priceless—and the potential to become worthless, like the post-World War I German money people are said to have had to cart in wheelbarrows to make simple purchases.”

From The Traveling Queen:

The Funeral

Before they close the casket
the preacher tries to open heaven with his voice,
and whisper the strongman in.

In her review of the collection in the New York Journal of Books, Laverne Frith writes:

The Traveling Queen is a wildly rich and passionately far-reaching collection of poems about which it is almost impossible to make generalizations. One thing is clear—Michael Collins is a poet of obsessions. He is obsessed with history, obsessed with mythic women, obsessed with God. But most of all, Mr. Collins is obsessed with death.”

Born in Jamaica, Collins holds a PhD from Columbia University and teaches English at Texas A&M. He is the author of Understanding Etheridge Knight (University of South Carolina Press, 2013) and has authored literary criticism, creative nonfiction, journalism and fiction in various publications such as PMIA, Callaloo, and Singapore’s The Straits Times.

Crane ’93 Writes Book About AIDS Research in Africa

Johanna Tayloe Crane '93

Johanna Tayloe Crane ’93

Johanna Tayloe Crane ’93 is the author of a new study, Scrambling for Africa: AIDS, Expertise, and the Rise of American Global Health Science (Cornell University Press) which documents how and why Africa became a major hub of American HIV and AIDS research in recent years after having formerly been excluded from its benefits due to poverty and instability.

Book by Johanna Tayloe Crane '93

Book by Johanna Tayloe Crane ’93

“American AIDS researchers became interested in working in Africa for two major reasons—one humanitarian, and one having more to do with scientific/professional motivations,” Crane said. “Once effective HIV treatment was discovered in the mid-1990s and the American epidemic began to come under control, many U.S. researchers became interested in using the knowledge they had gained fighting HIV in the United States to fight HIV in the part of the world that was hardest hit. That’s the humanitarian piece.

“In addition, once international programs finally began to fund free HIV treatment in Africa in the early 2000s, researchers were drawn there by the scientific opportunity to study huge numbers of patients about to receive their first antiretroviral treatment ever. This large number of ‘treatment naïve’ patients did not exist in the United States because people had been getting experimental treatment since the 1980s, and so working in Africa became very appealing. It’s this second factor that the book is more focused on, as well as the inherent tension between scientific ambition and humanitarian concern.”

Crane is an assistant professor in the School of Interdisciplinary Arts and Sciences of the University of Washington-Bothell. Though her interest in AIDS/HIV research and its impact in Africa has Wesleyan roots, you wouldn’t guess it by looking at her undergraduate transcript.

“I was an English major at Wesleyan, largely because I thought I wanted to be a writer,” she said. “It took me some time to figure out that fiction writing wasn’t really for me, but that I did love telling stories about the ‘real world.’ This is partly what led me to study anthropology, and to write ethnography (which we often call ‘thick description’). So I think l learned a great deal about writing at Wesleyan that fed into my effort to write what I hope is an engaging, accessible ethnography of the politics of global HIV research.”

During her undergrad years, Crane tried and failed to enroll in the then-popular Wesleyan course “AIDS and its Discourses.” Instead, she studied critical theory and postcolonial theory. Those lenses on to power and inequality influenced her path to studying global health inequalities.

“I first started working in the field of AIDS research post-Wes, in the late 1990s, studying HIV among homeless folks in San Francisco,” she said. “I started working in Uganda in 2003.”

Book by Williams ’60 Studies History and Forensic Analysis

Robert C. Williams '60

Robert C. Williams ’60

In his new book, The Forensic Historian: Using Science to Reexamine the Past (M. E. Sharpe), Robert Williams ’60 demonstrates how seemingly cold cases from history have been solved or had new light shed on them by scientists and historians using new forensic evidence. He provides examples ranging in time from Oetzi the Iceman—who died 5,300 years ago in the Swiss Alps from an arrow wound, yet is known to have had brown eyes Lyme disease, type-O blood, an intolerance to lactose, cavities, and tattoos—to the process of identifying Osama Bin Laden’s body in 2011.

Book by Robert C. Williams '60

Book by Robert C. Williams ’60

“Since World War II, forensic pathology and anthropology have slowly given way to genetics and DNA ‘fingerprinting,’ along with computer hardware and software, as scientific evidence that can stand up in court,” Williams comments in his introduction. “This book highlights that transition through specific case studies showing how modern forensic historians and scientists do their work and what kinds of evidence they must obtain.”

Samples of Beethoven’s hair and bones were found to have abnormally high levels of lead, suggesting he may have died from lead poisoning. The Shroud of Turin was carbon-dated back to the 14th century, not the 1st. The Titanic was found to have been assembled using low-quality rivets that almost certainly played a part in its sinking in 1912. These high-profile cases continue to hold the public’s fascination, and Williams provides a concise synopsis of the methods used to reach conclusions for each. Be forewarned, however, that what you hear in the news relating to cases like these will not always convey the hard science correctly.

“The media cannot wait patiently until forensic historians and scientists finish their plodding work,” writes Williams. “Thus the media often rush to create a virtual reality that encourages forensic historians to publicize their findings prematurely, often without peer review.”

Williams retired in the spring of 2003 as Vail Professor of History at Davidson College, where he served for 13 years as vice president for academic affairs and dean of the faculty. He is the author of the best-selling Historian’s Toolbox and of numerous articles and books on Russian history, including Ruling Russian Eurasia: Khans, Clans, and Tsars; Russian Art and American Money, 1900–1940 (nominated by Harvard University Press for the Pulitzer Prize); Klaus Fuchs: Atom Spy; and Russia Imagined: Art, Culture, and National Identity, 1840–1995.

 

Sinnreich ’94 Investigates Consequences of Music Piracy Crusade

AramSinnreich

Aram Sinnreich ’94

Aram Sinnreich ’94 is the author of the new book The Piracy Crusade: How the Music Industry’s War on Sharing Destroys Markets and Erodes Civil Liberties (University of Massachusetts Press). An assistant professor of journalism and media studies at Rutgers University, he served as an expert witness on the 2010 court case Arista Records vs. Lime Group, which was settled out of court before he could present his 20,000-word report. The Piracy Crusade was built on the foundation of his unused research at the time.

Sinnreich argues that Hollywood, the recording industry, and the United States government are acting as crusaders who are waging a destructive war against digital technology innovators and so-called “pirates.” Attempting to shut down peer-to-peer sharing and unlicensed streaming of media, the industries have used excessive force against and attempted to dehumanize users in order to stop copyright infringement.

Sinnreich writes that the resulting laws and policies have only succeeded in hurting free speech, privacy, and open discourse while failing to curb the trend in pirating. The book begins by charting a social history of the music industry and examining its relationship with 20th-century technology. Challenging the dominant narrative of the changes undergone by the music industry, Sinnreich then looks at P2P, or peer-to-peer, file sharing in comparison to traditional music economics and recent trends in sales. He then exposes the “collateral damage” of the piracy crusade.

piracy crusade

New book by Aram Sinnreich ’94

Sinnreich is also the author of Mashed Up: Music, Technology and the Rise of Configurable Culture (University of Massachusetts Press) and has long been interested in music and intellectual property. He has published dozens of music recordings and performed with various musical ensembles.

During his time at Wesleyan, he studied with several music professors (Anthony Braxton, Jay Hoggard ‘76, Abraham Adzenyah, and Neely Bruce), worked at WEESU, and interned under Pete Ganbarg ’88 at SBK Records. After graduating Wesleyan he worked as an analyst for the New York-based Internet research firm Jupiter Communications.

“My clients were the major record labels and film studios, and my job was to keep them apprised of new technology developments and advise them about how best to take advantage of them,” Sinnreich says.

“When Napster was released in 1999, I fielded a survey that demonstrated P2P [peer-to-peer] users were actually buying more music than otherwise identical Internet users who hadn’t used the service. I thought my clients in the music industry would be delighted to hear this, but to my surprise they disputed my findings, and even issued a press release to discredit my report!

“That was the point at which I realized how complex, and often irrational, the entertainment industry’s relationship to intellectual property is.”

Sinnreich has also served as expert witness for cases such as MGM vs Grokster, the P2P suit that reached US Supreme Court in 2005. When he moved into the world of academia, he maintained his interest in the social and legal dimensions of music and technology.

As he wrote and researched The Piracy Crusade, Sinnreich published drafts of his work-in-progress on MediaCommons Press, an open scholarship platform that allowed him to receive comments and feedback from music industry executives, analysts, and attorneys as well as the general public. And, in the spirit of his research subject, the completed manuscript of his new book is available for free online under a Creative Commons license, as well as for sale on Amazon.