Tag Archive for dance department

5 Faculty Conferred Tenure, 4 Promoted

monogramWesleyan’s Board of Trustees recently announced the promotions of nine faculty members, effective July 1, 2020.

Five faculty were conferred tenure with promotion. They join six other faculty members who were awarded tenure earlier this spring.

  • Joslyn Barnhart Trager, associate professor of government
  • Anthony Keats, associate professor of economics
  • Andrew Quintman, associate professor of religion
  • Michael Slowik ’03, associate professor of film studies
  • Takeshi Watanabe, associate professor of East Asian studies

In addition, four faculty members are being promoted. They join one other faculty member who was promoted earlier this spring.

  • Erika Franklin Fowler, professor of government
  • Barbara Juhasz, professor of psychology
  • Hari Krishnan, professor of dance
  • Phillip Resor, professor of earth and environmental sciences

Brief descriptions of their areas of research and teaching appear below:

Joslyn Barnhart Trager is a political scientist whose research focuses on international security and the effects of psychology and biology on international conflict. Her work examines the ways collective emotions shape national identity, how gender and suffrage interact to affect war and peace, and how rhetorical justifications for territory relate to the use of force. In her recent book, The Consequences of Humiliation: Anger and Status in World Politics (Cornell University Press, 2020), she argues that when international events trigger a sense of humiliation among people who identify with a country, those people become more likely to behave aggressively to restore the country’s image. She offers courses on Psychology and International Relations, Introduction to International Politics, and The Nuclear Age in World Politics, and she received Wesleyan’s Carol Baker Memorial Prize for excellence in teaching and research in 2019.

Erika Franklin Fowler’s research focuses on American politics, with a specialty in political communication—examining the ways political information is disseminated and the effects of such dissemination on political attitudes, knowledge, and behavior. Her Wesleyan Media Project, which provides information on spending and the content of political advertising, has received over $2.7 million in external grant funding. She has co-authored a book, Political Advertising in the United States (Westview Press, 2016), along with numerous peer-reviewed articles and invited publications. She received the APSA Political Organization and Parties Section’s Jack Walker Award for the best article in 2017, and Wesleyan’s Binswanger Prize for Excellence in Teaching in 2019. She teaches courses on American Government and Politics, Media and Politics, and Empirical Methods.

Barbara Juhasz is a cognitive psychologist who studies reading and word recognition in adults. Through her Wesleyan Eye Movement and Reading Laboratory she investigates how words and their meanings are represented in memory and processed during reading as revealed by eye movements. Her work seeks to answer questions such as what variables can predict how, and how quickly, a word is processed. She has published extensively in many peer-reviewed journals, including Journal of Experimental Psychology: Learning, Memory and Cognition; Memory and Cognition; and Behavior Research Methods, and her publications have received over 3,000 citations to date. She offers courses on Sensation and Perception, Psychology of Reading, Experimental Investigations into Reading, and Statistics: An Activity-Based Approach.

Anthony Keats’s research in development economics uses a variety of approaches, including randomized control trials conducted in the field and quasi-experimental methods using household survey data, to answer causal questions related to education, early child health, financial access and savings, and occupational choices in developing countries. His highly-cited work has been published in the Journal of Development Economics and the Economic Journal. He has received over $3.3 million in grants from the Bill and Melinda Gates Foundation, the World Bank Strategic Impact Evaluation Fund, Omidyar Network, and other funding organizations. He teaches courses on Quantitative Methods in Economics, Econometrics, and Development Economics.

Hari Krishnan is a dance artist and scholar, specializing in bharatanatyam, queer/contemporary dance, and the interface between dance history and film studies. Bridging theory and practice, he interrogates the boundaries between modern and traditional dance forms, engaging critically with questions of gender, sexuality, and race. His choreographies have been featured at esteemed venues including Jacob’s Pillow, La MaMa’s, Asia Society, Canada Dance Festival, HarbourFront Centre (Canada), Maison des Cultures du Monde (France), The Other Festival, and the Music Academy Dance Festival (India). He is a Bessie award nominee in the Outstanding Performance category, and his recent monograph, Celluloid Classicism: Early Tamil Cinema and the Making of Modern Bharatanatyam, was published by Wesleyan University Press. His courses include Bharatanatyam; Contemporary Dance from Global Perspectives; Mobilizing Dance and Cinema; and Queering the Dancing Body.

Andrew Quintman is a scholar of premodern Buddhist traditions in Tibet and the Himalayas. He has special expertise in biographical and autobiographical literature, in particular the analysis of Buddhist hagiography and historiography, religious poetry, and representations of sainthood. His monograph, The Yogin and the Madman: Reading the Biographical Corpus of Tibet’s Great Saint Milarepa (Columbia University Press, 2014), presents a systematic analysis of the entire Himalayan literary tradition about Milarepa, including all 128 biographies written about the 11th-century Tibetan saint. His book received numerous awards, including the American Academy of Religion’s Award for Excellence in the Study of Religion and Yale University’s Samuel and Ronnie Heyman Prize for Outstanding Scholarship. He offers courses on Buddhist Traditions of Mind and Meditation, Tibetan Buddhism, and Who is the Dalai Lama?

Phillip Resor is a structural geologist who studies rock deformation with an emphasis on fault zones. His research, which combines field work and modeling, has important applications in planetary science, energy resources, and present-day hazard assessment related to earthquakes. He has received grants from the National Science Foundation Tectonics Program, NASA’s Planetary Geology and Geophysics Program, and the Southern California Earthquake Center. He has published widely, and in 2019 he received Top Author recognition from NAGT Teach the Earth. In 2016 he received the Joe Webb Peoples Award in recognition of his contributions to promoting the understanding of Connecticut geology. He offers courses on Dynamic Earth, Structural Geology, Field Geology, Modeling the Earth and Environment, and Geologic Field Mapping.

Michael Slowik’s research focuses on the history of film and film aesthetics, with a special emphasis on the uses and evolution of sound and music in cinema. His book, After the Silents: Hollywood Film Music in the Early Sound Era, 1926-1934 (Columbia University Press, 2014), which provides a detailed analysis of the evolution of film music from the start of synchronized sound through 1934, was a top 10 finalist for the 2015 Kraszna-Krausz Foundation Moving Image Book Award. His latest manuscript, Defining Cinema: The Films of Rouben Mamoulian, is under contract with Oxford University Press. He teaches courses on Film Genres: The Western; History of Film Sound; Sex and Violence: American Filmmaking Under Censorship; and Cinema Stylists: Sternberg, Ophuls, Sirk, Fellini. Slowick is a 2003 alumnus of Wesleyan.

Takeshi Watanabe is a scholar of premodern Japanese literature. In his recent book, Flowering Tales: Women Exorcising History in Heian Japan (Harvard Asia Center, 2020), he examines the historical tale A Tale of Flowering Fortunes (c. 1000), and demonstrates how the rise of writing in the vernacular allowed a new type of historical writing that captured court gossip and channeled its divisive energy into stories that brought healing. He has published broadly in both English and Japanese, and his scholarship covers art history, material culture, and the history of food. He teaches courses on Japanese literature and culture and East Asian culture, including From Tea to Connecticut Rolls: Japanese Culture through Food; Samurai: Imagining, Performing Japanese Identity; and In Search of a Good Life in Premodern Japan.

Kolcio, Weiner, Winston to Serve as New Directors

In July, three faculty will begin new appointments at Wesleyan.

Katja Kolcio will succeed Peter Rutland as director of the Allbritton Center for the Study of Public Life; Stephanie Weiner will succeed Sean McCann as director of the Shapiro Center for Writing; and Krishna Winston will succeed David Beveridge and Alex Dupuy as director of the Wasch Center for Retired Faculty.

Katja Kolcio

Katja Kolcio

Katja Kolcio, associate professor of dance, received certificates from Free Ukrainian University and from Kyiv Institute of Art and Culture; and her PhD from The Ohio State University. Her work specializes in the role of creative physical engagement in education, research, and social change. She has received choreographic fellowships from the New England Dance Fund and New York State Council of the Arts. Recent projects include collaborating on Facing Disasters: A Provocation/Invitation, and This Side of the Curtain: Ukrainian Resistance in Uncertain Times, a panel and performance designed around the topic of social action in an uncertain political context. She presented her research in Washington, D.C., at an event hosted by the Congressional and Senate Ukraine Caucuses in March 2020.

Wesleyan in the News

NewsIn this recurring feature in The Wesleyan Connection, we highlight some of the latest news stories about Wesleyan and our alumni.

Wesleyan in the News

1. The Washington Post: “How One College Is Helping Students Get Engaged in Elections—and, No, It’s Not Political”

President Michael Roth writes about Wesleyan’s initiative to engage students meaningfully in work in the public sphere ahead of the 2020 elections, and calls on other colleges and universities to do the same. He writes: “Now is the time for higher education leaders to commit their institutions to find their own paths for promoting student involvement in the 2020 elections. This kind of direct participation in civic life provides an educational benefit that will help students develop skills for lifelong active citizenship; participants will gain organizational skills, learn to engage productively with others with whom they disagree and learn about themselves.”

2. The Journal of Blacks in Higher Education: “Nicole Stanton Will Be the Next Provost at Wesleyan University in Middletown, Connecticut”

Professor of Dance Nicole Stanton will begin her new role as Wesleyan’s 12th provost and vice president for academic affairs on May 15. She joined Wesleyan in 2007 as associate professor of dance, and currently serves as dean of the Arts and Humanities.

Stanton Announced as Provost and Senior Vice President for Academic Affairs

stanton

Nicole Stanton.

Nicole Stanton has been announced as Wesleyan University’s 12th Provost and Senior Vice President for Academic Affairs, with her tenure beginning on May 15, 2020.

Stanton joined Wesleyan in 2007 as an associate professor of dance, has twice served as chair of the department (2008–2011; 2014–2017) and is currently serving as Dean of the Arts and Humanities. A dance artist and an educator by training, Nicole’s work explores the cultures and histories of the African diaspora, especially the ways in which the arts and dance serve as sites of reclamation and platforms for cultivating community. Nicole earned a BA in dance and foreign civilizations and languages/European studies from Antioch College and an MFA in dance from The Ohio State University, where she was both an assistant and associate professor of dance and undergraduate studies chair from 2004 to 2007.

“At a time of rapid change in our field and country, Nicole’s inclusive leadership style and focus on shared governance will be critical in helping Wesleyan strengthen and hone its distinctive brand of liberal education going forward,” said President Michael S. Roth ’78. “She is the right choice at the right time for Wesleyan. I look forward to working with her.”

Krishnan Speaks on South Indian Cultural Forms at Wesleyan RJ Julia Bookstore

On Dec. 3, Hari Krishnan, associate professor of dance, presented a talk about his new book, Celluloid Classicism: Early Tamil Cinema and the Making of Modern Bharatanatyam, at the Wesleyan RJ Julia Bookstore. 

On Dec. 3, Hari Krishnan, associate professor of dance, presented a talk about his new book, Celluloid Classicism: Early Tamil Cinema and the Making of Modern Bharatanatyam, at the Wesleyan RJ Julia Bookstore.

Celluloid Classicism, published by Wesleyan University Press in August 2019, provides a detailed history of two important modern South Indian cultural forms: Tamil Cinema and Bharatanatyam dance. Krishnan addresses representations of dance in the cinema from an interdisciplinary, critical-historical perspective.

Celluloid Classicism, published by Wesleyan University Press in August 2019, provides a detailed history of two important modern South Indian cultural forms: Tamil cinema and Bharatanatyam dance. Speaking at the event, he observed that Wesleyan is “a primary site of the reinvention of the dance in the 20th century” with noted Bharatanatyam dancer T. Balasaraswati serving as the first artist in residence at Wesleyan University in the 1960s. Additionally, her brothers, T. Viswanathan and T. Ranganathan, taught in the Music Department for several decades. “So this art form is very much embedded into pedagogy into the DNA at Wesleyan,” he said, noting the responsibility he felt in continuing this tradition at Wesleyan, adding “I’m not interested in relegating Bharatanatyam as some kind of museum historical dance style. I’m interested in giving the form a kind of postmodern currency and how the form can live and breathe, mutate, transform in a variety of ways.”

Krishnan is an expert on queer subjectivities in South Asian and global dance performance, colonialism, post-colonialism and Indian dance, and the history of devadasi (courtesan) dance traditions in South India. He's also the artistic director of Toronto-based dance company inDANCE.

Reading from the introduction, he explained, “Much of this project is concerned with intersections—historical, aesthetic, political and social—between new cultural forms as they were circulated the early 20th century in South India.” Krishnan is an expert on queer subjectivities in South Asian and global dance performance, colonialism, post-colonialism and Indian dance, and the history of devadasi (courtesan) dance traditions in South India. He’s also the artistic director of Toronto-based dance company inDANCE. (Photos by Simon Duan ’23)

Krishnan Authors New Book on Tamil Cinema, Bharatanatyam Dance

Krishnan book Hari Krishnan, associate professor of dance, is the author of a new book, Celluloid Classicism: Early Tamil Cinema and the Making of Modern Bharatanatyam, published by Wesleyan University Press in August 2019.

According to the publisher:

Celluloid Classicism provides a rich and detailed history of two important modern South Indian cultural forms: Tamil Cinema and Bharatanatyam dance. It addresses representations of dance in the cinema from an interdisciplinary, critical-historical perspective. The intertwined and symbiotic histories of these forms have never received serious scholarly attention. For the most part, historians of South Indian cinema have noted the presence of song and dance sequences in films, but have not historicized them with reference to the simultaneous revival of dance culture among the middle-class in this region. In a parallel manner, historians of dance have excluded deliberations on the influence of cinema in the making of the “classical” forms of modern India. Although the book primarily focuses on the period between the late 1920s and 1950s, it also addresses the persistence of these mid-twentieth century cultural developments into the present. The book rethinks the history of Bharatanatyam in the 20th century from an interdisciplinary, transmedia standpoint and features 130 archival images.

Krishnan’s Company inDANCE Presents New England Premiere SKIN at Wesleyan

Hari Krishnan, associate professor of dance, celebrated the success of his New England premiere of SKIN during a Spring Faculty Dance Concert on April 26 at the Center for the Arts Theater.

Hari Krishnan, associate professor of dance, brought his Toronto-based company inDANCE to the Center for the Arts Theater for a Spring Faculty Dance Concert on April 26–27, with the New England premiere of SKIN. InDANCE is a progressive Canadian dance company whose work transcends boundaries of the familiar and culturally traditional. Offering, instead, surprising juxtapositions in styles, manner, and dress, inDANCE “subverts clichéd representations of ‘classical’ Indian dance, and speaks with an ‘obscenely loud,’ inimitable, and unorthodox global voice,” as noted in the program Krishnan prepared for the event.

SKIN, composed of five pieces, brought together on stage several members of Krishnan’s Toronto company and a select group of Krishnan’s current students: Mickey Kieu ’19, Amira Leila ’20, Gita Ganti ’21, Aditi Mahesh ’21, Luna Mac-Williams ’22, and Spenser Stroud ’22. Noteworthy also: first-year member of the inDANCE company, Eury German ’16, a dance and biology double major while at Wesleyan, was back on the CFA stage, as a dancer in “Holy Cow[s]!” the fifth piece of the evening. Professor Emeritus of Theater John Carr created the lighting design. A preshow performance, “Fantastic Beasts Meet on a Whimsical Beach…” included audience participation through phone texts.

Students Perform at 45th Annual Worlds of Dance Concert

Students who are enrolled in Introduction to Dance, Bharata Natyam I, and Jazz Technique performed during the 45th annual Worlds of Dance Concert Dec. 2 in Crowell Concert Hall.

Introduction to Dance covers the basic components of dance technique—stretching, strengthening, aligning the body, and developing coordination in the execution of rhythmic movement patterns. Through improvisation, composition, and performing, students develop a solid framework applicable to all forms of dance. The class is taught by Katja Kolcio, chair and associate professor of dance; associate professor, environmental studies; and associate professor, Russian, East European, and Eurasian studies.

Bharata Natyam I: Introduction of South Indian Classical Dance is designed to introduce students to the fundamental aesthetic, social, and technical principles underscoring the culture of Bharata Natyam dance in both its indigenous and modern contexts. The course introduces students to Bharata Natyam largely through classroom practice (in the form of rhythmic and interpretive exercises), supplemented by brief lectures outlining the sociohistorical and cultural contexts of the form. The class is taught by Hari Krishnan, associate professor of dance and associate professor, feminist, gender, and sexuality studies.

Jazz Technique is an introduction to the African American jazz dance vernacular. Students learn about alignment, centering, and technique through the context of jazz’s African roots. Class sessions consist of movement exploration including a comprehensive warm-up and online discussions and media to better understand the place of jazz dance in society and culture at large. The class is taught by Joya Powell, visiting assistant professor of dance.

Photos of the concert are below: (Photos by Rebecca Goldfarb Terry ’19)

 

Baerman, Stanton Receive Artist Fellowship Awards

Noah Baerman

Nicole Stanton

Two Wesleyan faculty were honored for their artistic excellence by the 2018 Artist Fellowship Program.

Nicole Stanton, associate professor of dance, African American studies, and environmental studies, and Noah Baerman, director of the Wesleyan Jazz Ensemble, each received a $3,000 grant in the program’s Performing Arts category.

The Artist Fellowship Program recognizes individual Connecticut artists in a variety of disciplines and allows these artists the opportunity to pursue new works of art and to achieve specific creative and career goals. The program is highly competitive: for the 2018 round, more than 235 applications were received and reviewed by 48 professional panelists representing a wide array of artistic disciplines.

Baerman and Stanton are among 39 artists in the state of Connecticut awarded Artist Fellowship Grants.

Stanton will use her Artist Fellowship to work on a movement-based performance tentatively called “The Welcome Table.”

“I’m interested in using the lens of food—its preparation, its cultivation, and the ways in which people, families, and communities consume and dispose of it—as a way of telling black women’s stories,” she explained. “I want to explore the ways questions of food justice, social justice, and environmental justice all interweave in women’s lives.”

Stanton already presented a version of the piece at the We Create Festival: Celebrating Women in the Arts in Boston in April (pictured), and she’s working towards a campus showing for the fall semester.

Baerman will use his award to seed the development and recording of a recent body of work in response to the loss of Claire Randall ’12, who was murdered in December 2016. Randall was Baerman’s student and subsequently became a collaborator both in music and in the work of Resonant Motion, Inc. (RMI), a nonprofit Baerman directs that addresses the intersection of music and positive change.

“After Claire was murdered, I began composing to process both my own grief and that of others bereaved by the loss, many of them also former students of mine at Wesleyan,” Baerman said. “The music was diverse enough stylistically that I couldn’t initially see how it might eventually come together, nor was that a short-term priority. Now I intend to take space to develop this music and eventually compile it into an album that embraces this eclecticism and the emotional rawness of the subject matter.”

The album will, in turn, serve as a benefit for Claire’s Continuum, an initiative that RMI is developing to commission new collaborations on music and interdisciplinary work that addresses social causes.

Krishnan Debuts Choreography at UC Davis, Jacob’s Pillow

“16 Shades of Red,” a full-length choreography created by Hari Krishnan, associate professor of dance, premiered at the Mondavi Center at the University of California, Davis, on May 12 and 13. Krishnan is a member of inDANCE, one of Canada’s most progressive dance companies. “16 Shades of Red,” presented in two chapters, integrates original courtesan dance from South India, complex choreography, and live music.

Watch a video of his performance below:

YouTube Preview Image

At Wesleyan, Krishnan teaches Bharata Natyam, or South Indian classical dance.

“BN1 and BN3 students had performed material this semester at Wesleyan so incredibly well, and it was a crucial layer to building this new work,” Krishnan said. “I truly appreciate my job at Wesleyan where pedagogy and choreography are inextricably intertwined.”

In addition, Krishnan served as a Pillow Scholar-in-Residence June 20–24 at Jacob’s Pillow in Becket, Mass. On June 22, he debuted his solo choreography “Black Box 3,” which showcases virtuosic Bharatanatyam technique. The work features complex footwork, intricate gestures, architectural design, and a pulsating sound design of Indian, global percussion, and vocalized drum syllables.

 

Dombrowski, Saaka, Taylor Receive Binswanger Prizes for Excellence in Teaching

President Michael Roth with Binswanger Prize for Excellence in Teaching honorees Lisa Dombrowski ’92 and Erika Taylor. Honoree Iddrisu Saaka is not pictured.

During Wesleyan’s 186th commencement ceremony on May 27, Wesleyan presented outstanding teachers with the Binswanger Prize for Excellence in Teaching. These prizes, made possible by gifts from the family of the late Frank G. Binswanger Sr., Hon. ’85, underscore Wesleyan’s commitment to its scholar-teachers, who are responsible for the University’s distinctive approach to liberal arts education.

Recommendations are solicited from alumni of the last 10 graduating classes, as well as current juniors, seniors, and graduate students. Recipients are chosen by a selection committee of faculty and members of the Alumni Association Executive Committee.

This year, Wesleyan honored the following faculty members for their excellence in teaching:

Lisa Dombrowski
Lisa Dombrowski ’92, associate professor of film studies, has been a member of Wesleyan’s faculty since 2001. She teaches in the College of Film and the Moving Image and is a core member of the College of East Asian Studies. She earned her BA in film studies and American studies at Wesleyan in 1992 and went on to receive an MA and PhD in film studies from the University of Wisconsin–Madison. Dombrowski is the author of The Films of Samuel Fuller: If You Die, I’ll Kill You! and the editor of Kazan Revisited. She has written for The New York Times, Film Comment, Film Quarterly, Film History, and the Criterion Collection, among others. Her research is concerned with the art and business of cinema, especially post-WWII film form and modes of production. Her teaching focuses on film history, the industry, and aesthetics in international art cinema, East Asian cinema, American independent cinema, and melodrama and the woman’s picture. Dombrowski is currently completing a book on director, screenwriter, and producer Robert Altman and American independent cinema in the 1990s and 2000s.

Iddrisu Saaka

Iddrisu Saaka (Photo by Perceptions Photography)

Iddrisu Saaka (unable to attend the ceremony)
Iddrisu “Iddi” Saaka, artist-in-residence in dance, has taught at Wesleyan since 2008. He earned a diploma in dance from the University of Ghana and an MFA in dance from UCLA. A dancer, dance teacher, and choreographer from Ghana, West Africa, Saaka has choreographed and performed at the World Festival of Sacred Music, the International Festival of Masks, the Skirball Center, Royce Hall, the Fowler Museum, Dance Arts Academy, Debbie Allen Dance Academy, El Portal Forum Theatre, and the Music Center in Los Angeles. At Wesleyan, he teaches courses in West African dance and also directs the West African Drumming and Dance Concert at the end of each semester. He has served as a visiting instructor of dance at UCLA, University of California San Diego, and the University of Ghana.

Erika Taylor
Erika Taylor, associate professor of chemistry, environmental studies, and integrative sciences, joined the Wesleyan faculty in 2007. She holds a BS in chemistry with honors from the University of Michigan at Ann Arbor and a PhD in chemistry from the University of Illinois at Urbana-Champaign. She was also a postdoctoral research associate at Albert Einstein College of Medicine. Throughout her career, Taylor has worked at the interface of chemistry and biology where she strives to find ways to exploit enzymes found in nature to perform chemistry that can help advance the fields of chemistry and medicine. She also employs chemical synthesis to help answer questions of both biological and medical interest. At Wesleyan, her research has focused on the identification and characterization of enzymes that are important for the development of antimicrobials for the treatment of Gram-negative bacterial infections—particularly bacteria that cause foodborne illnesses, such as E. coli and V. cholerae. She also studies enzymes that can improve the efficiency of biomass to biofuel conversion, particularly the breakdown and bacterial utilization of lignin. She teaches courses in the areas of organic chemistry, biochemistry, environmental chemistry, and biomedicinal chemistry, among others.

View previous Binswanger recipients online here.