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Lauren RubensteinOctober 24, 20184min
On Oct. 20, Wesleyan held its inaugural Liberal Arts + forum in Shanghai, China. This year, the forum focused on film education and U.S.-China film collaborations, and featured discussions between three alumni in the entertainment industry; President Michael Roth; and Scott Higgins, director of the College of Film and the Moving Image. Each year, the forum will highlight a different area of liberal arts education for an audience of prospective families, alumni, and the general public in China. The centerpiece of this public event, which was attended by approximately 80 people, was a panel discussion featuring Jon Hoeber '93 and…

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Lauren RubensteinMarch 1, 20182min
Wesleyan faculty frequently publish articles based on their scholarship in The Conversation US, a nonprofit news organization with the tagline, “Academic rigor, journalistic flair.” Ahead of the 2018 Oscars ceremony that celebrates the best in film, The Conversation explores some of the worst film innovations of years past. Scott Higgins, director of the College of Film and the Moving Image, writes about Interfilm, a "choose your own adventure" theater technology that flopped in the early 1990s. Higgins is also the Charles W. Fries Professor of Film Studies, chair of Film Studies, and curator of the Wesleyan Cinema Archives. Read his bio on The Conversation.…

Frederic Wills '19September 22, 20162min
Scott Higgins, professor of film and chair of the College of Film and the Moving Image, is the author of a new book titled, Matinee Melodrama: Playing with Formula in the Sound Serial, published in February 2016 by Rutgers University Press. Higgins newest work delves into the genre of adventure serials as a distinct art form, unwrapping its different elements and what makes adventure serials so successful. Intrigued by the active, dedicated fan culture, Higgins suggests that serial’s incoherent plotting and reliance on formula, as well as, the use of other cinematic elements such as, stock characters and cliffhangers, are…

Olivia DrakeSeptember 15, 20163min
Scott Higgins, chair and professor of film studies, delivered the keynote address during the 2016 SERCIA Conference, held Sept. 8-10 in Paris, France. The topic of his talk was “Benefits of Incoherence: Seriality in the Studio Era," largely based on book, Matinee Melodrama: Playing with Formula in the Sound Serial (Rutgers, 2016). SERCIA, an organization established in France in 1993, encourages teaching and research in English-speaking cinema. During the 22nd annual conference, Higgins joined film scholars from all over the world to explore links between the filmic form and seriality. "I argued that American sound-serials in the 1930s and 1940s, with incoherent…

Lauren RubensteinJune 1, 20155min
In its most recent meeting, the Board of Trustees conferred tenure on Hari Krishnan, associate professor of dance. He joins seven other faculty members who were awarded tenure earlier this spring. In addition, seven faculty members were promoted to Full Professor: Mary Alice Haddad, professor of government; Scott Higgins, professor of film studies; Tsampikos Kottos, professor of physics; Edward Moran, professor of astronomy; Dana Royer, professor of earth and environmental sciences; Mary-Jane Rubenstein, professor of religion; and Gina Athena Ulysse, professor of anthropology. Brief descriptions of their research and teaching appear below. Associate Professor Krishnan teaches studio- and lecture-based dance courses on Mobilizing Dance: Cinema, the Body, and Culture…

Olivia DrakeFebruary 14, 20112min
Scott Higgins, associate professor of film studies, edited the book, Arnheim for Film and Media Studies, published by Taylor & Francis, 2010. Rudolf Arnheim (1904-2007) was a pioneering figure in film studies, best known for his landmark book on silent cinema Film as Art. He ultimately became more famous as a scholar in the fields of art and art history, largely abandoning his theoretical work on cinema. However, his later aesthetic theories on form, perception and emotion should play an important role in contemporary film and media studies. In this new volume, edited by Higgins, an international group of leading…