theater

Through a series of fun masterclasses and performances, members of The Second City integrated the company’s tenets of improvisation into the curriculum of four Wesleyan performance courses. Since its premiere in 1959, The Second City has revolutionized improv as an art form and launched the careers of iconic performers ranging from John Belushi, Dan Aykroyd, Bill Murray, and Gilda Radner to Mike Myers, Amy Poehler, Tina Fey, and Keegan-Michael Key. When Dean of the Arts and Humanities Roger Mathew Grant learned that The Second City would be available to come to Wesleyan, he thought about how improvisation is a foundational…

Wesleyan University’s Center for the Arts has announced the highlights of its 2023 spring season, including world premiere dance and Connecticut premiere theater and music performances, as well as solo exhibitions by both alumni and current faculty. “The Center for the Arts is thrilled to be hosting several projects that consider, with such care, different scales of human existence, memory, and sense of belonging,” said Joshua Lubin-Levy '06, Director of the Center for the Arts. “From the urgency of ‘Ocean Filibuster,’ which takes up humanity’s relationship to the vastness of the ocean, to the intimacy of Carrie Yamaoka’s ’79 in…

Are you already able to sing Lin-Manuel Miranda ’02, Hon. ‘15’s Hamilton word for word? Have you already binged Bradley Whitford ’81, Hon. ’20 in “The West Wing” and “A Handmaid’s Tale"? Have you read all of Amy Bloom’s books? So now where do you go next to get your Wesleyan creative fix? As winter curls around us, Wes grads and faculty have conjured a new batch of books, music, performances, and television shows to delight and challenge us as we get cozy over the chilly months. Here’s just a small sampling: “From Scratch” Tembe Locke ’92’s powerful memoir From…

With pride in their accomplishments and hopes for a bright future, fifteen students celebrated their initiation into the Connecticut Gamma Chapter of Phi Beta Kappa at a ceremony held on December 7 in the McKelvey Room at the Office of Admission. In order to be inducted into the nation’s oldest scholastic honor society, students must be nominated by the department of their major, have completed their general education expectations, and must have a grade point average of 93 or above. “For students elected in the fall, it is an especially exacting selection process because admittance is based on a student’s…

By Maia Bronfman ‘24 As the male love interest in Olivia Snow’s ’25 neo-Shakespearean drama, Lena Weiman ’25 said she had to learn to be a rake, and then to be a dead rake. Having never before in her life been a rake or dead, Weiman said she relied on the dialogues with her co-actors to inhabit the character of Claudio de’Bossi. Masquerade, the five act play which premiered in the 92 Theatre on November 11, was first imagined by Snow in her freshman year of high school. She read King Lear, A Midsummer Night’s Dream, Hamlet and other Shakespeare…

The kernel for “ABCD,” the first professionally produced play written by playwright, director, and dramaturg May Treuhaft-Ali ’17, started as a 10-page class assignment the spring of her senior year at Wesleyan. “ABCD,” which premiered at the Barrington Stage Company in Pittsfield, Massachusetts, this summer, began as part of her coursework at Wesleyan with Pulitzer Prize–winning playwright Quiara Alegría Hudes (“In the Heights”) that focused on writing historical plays. The crosslisted Theater and English course “Writing History” was an intermediate-level playwriting workshop. Treuhaft-Ali examined plays that used different dramaturgical strategies to grapple with, question, and invigorate the historical record; and…

Assistant Professor of Theater Maria-Christina Oliveras was supposed to be a lawyer. While growing up in the Bronx, Oliveras became fascinated with musicals thanks to her father, an immigrant from Puerto Rico with a passion for “Fiddler on the Roof” and “Man of La Mancha.” She performed at her high school in New Rochelle, then majored in Theater at Yale University. As an undergraduate, she interned at the Manhattan Theatre Club and started acting professionally in "South Pacific.” After two years auditioning in New York, she pursued her M.F.A. at the National Theatre Conservatory in Denver before joining with a…

Actor Greig Sargeant was watching a debate on YouTube in the fall of 2019 and he started getting very angry. It wasn’t new footage, though – the clip was over 54 years old. In February 1965, writers James Baldwin, one of the most powerful figures of the Civil Rights Movement, and William F. Buckley, Jr., the father of 20th century patrician conservatism, had been invited to the Cambridge University Union in England to debate the proposition “The American Dream is at the expense of the American Negro.” “It was definitely relevant for me, being a Black man and seeing this…

On March 18, the Center for the Arts presented "A Conversation with Theater Artist Miranda Haymon ’16." Haymon, visiting instructor of theater, is Wesleyan's inaugural Breaking New Ground Theater Artist-in-Residence, a new residency that brings early-career Black, Indigenous, People of Color (BIPOC) theater artists to campus. The discussion was led by Sam Morreale ’19. During the conversation, Haymon discussed artistic processes, Blackness, queerness, Brechtian analysis, the impacts of the pandemic on artmaking, and ideas for the future. Haymon compared a theater performance to a "living document" in which the performance, audience, and actors are constantly changing. "The work changes, and…

Edward Torres, assistant professor of the practice in theater, was named an Old Globe 2021 Classical Directing Fellow. Torres has directed multiple productions at the San Diego, Calif.-based Old Globe, including Familiar, Native Gardens, and Water by the Spoonful, as well as two readings for the Powers New Voices Festivals. He recently directed a podcast version of Macbeth for NEXT Podcast and Play On Shakespeare. Torres directed the premiere of Kristoffer Diaz’s The Elaborate Entrance of Chad Deity at Victory Gardens Theater and Teatro Vista, which won two Jeff Awards. He's also the artistic director emeritus at Teatro Vista. Led…

The Theater Department presented its fall show, SLABBER, Oct. 16–18 on the Center for the Arts green. The socially-distanced performances were open for groups of 48 audience members at a time. Directed by Assistant Professor of Theater Katie Pearl, SLABBER introduced the audience to a group of enigmatic figures who have traveled to Wesleyan to diagnose their mysterious condition—one they have been suffering from for years. As they reveal their research, audience members are pulled deep into a fable of an outcast little girl, the history of Middletown, and a soap-cutting machine known only as the slabber. This performance asked…

Watch the full event recording online here. And RSVP for the Theater Deparment's next event, "A Conversation with Associate Professor Rashida Shaw McMahon" at 4 p.m. Oct. 19. "Thank you again for all your support and presence," Oliveras said. "The first of many conversations, as we collectively lean into the stickiness and beautiful potential change of this moment."

The Second City Teaches Improvisation to Wesleyan students

“Sharing the World With Each Other:” Spring Performances at CFA

Wesleyan Creates: Recommendations

New Phi Beta Kappa Inductees Named

Olivia Snow’s ’25 neo-Shakespearean drama premieres in the 92 Theatre

“Take Big Risks:” Treuhaft-Ali ’17 on Playwriting and Her Premiere at Barrington Stage

“Building Muscles of Empathy:” Oliveras on Teaching Acting, a Pre-Broadway Run at Hartford Stage, and Embodying Antiracism

New Play Reflects on the Ongoing Effect of Racism on the American Dream

Haymon ’16, Morreale ’19 Discuss Theatermaking

Torres Named 2021 Classical Directing Fellow for Old Globe

Theater Department Performs Socially-Distanced Fall Show, SLABBER

BIPOC Artists and Theatermakers Discuss the Challenges of Working in White Spaces