Cynthia Rockwell

Investment Associate Zhao on the Art and Science of Portfolio Management

Doris Zhao, an investment associate in Wesleyan’s Investments Office, considers intellectual curiosity a key component for success in the field of portfolio management. (Photo by Olivia Drake ’08)

Doris Zhao, an investment associate with Wesleyan’s Investments Office, joined Chief Investment Officer Anne Martin’s team in 2013, after graduating from Yale. Since then, she has completed all three levels of the prestigious Chartered Financial Analyst credential. “My role here at Wesleyan is to help manage the portfolio through monitoring our current managers and selecting new managers,” she says. When we approached her for this Q&A, we discovered that scheduling was an issue: Zhao’s position sends her on frequent travel across the country and internationally, but on a sunny December afternoon she was on campus and spoke with us about her career, her background, and her interests beyond financial matters.

Q: How much time do you spend traveling?
A: When I first started, not as much, because it’s important to build foundational understanding before you go out. Now I travel almost every week, often for multiple days. In the extreme case, like November, I was only at home for one full workday in the month. And I just came back from Toronto yesterday—so you caught me in the office on my one day this week.

Q: With that schedule, It would be hard to have pets.
A: Yes. I don’t even have houseplants.

Q: What brought you to Wesleyan?
A: I was an Ethics, Politics, and Economics major (a multidisciplinary program similar to Wesleyan’s College of Social Studies) at Yale. I concentrated on international development, and my research focused on cash transfer programs as a method of alleviating long-term poverty in developing countries.

In my junior year I did an internship in investment banking and thought that would be my path, but in my senior year, I ended up working as a research assistant for a vice president of China’s sovereign wealth fund. We researched how to build and manage a good private equity program. That served as my gateway to portfolio management, and I started looking for opportunities in that field. Anne was recruiting for an analyst at the time. We connected and the rest was history.

East Asian Studies’ Aalgaard Aims to Amplify Voices That Challenge, Reshape Our Own Stances upon the World

Assistant Professor of East Asian Studies Scott Aalgaard first visited Japan when he was 12 and living in a small town on Vancouver Island. Interested in questions of collectivity, he says his scholarship “aims to hear and amplify voices that can challenge and reshape our own stances upon the world.” (Photo by Olivia Drake)

In this Q&A, we speak with Assistant Professor of East Asian Studies Scott Aalgaard. Originally a native of British Columbia, he joined Wesleyan after completing his doctorate at the University of Chicago. Affiliated with Wesleyan’s College of East Asian Studies, his courses this year included Pop Music Revolutionaries, Japanese Women’s Writing, and The Everyday in Modern Japan.

Q: Tell us a bit about your background.

A: I’ve been on the move for most of my life. I grew up in a small resource town on Vancouver Island, off the west coast of Canada; we had a sister city in northern Japan, and it was through that relationship that I got to visit Japan for the first time when I was 12. I was just a kid at the time, and in all honesty, it was more my mother’s idea that I should go to Japan and see the world beyond our little town than it was mine. But being able to see and experience a different part of the world and different ways of life had a real impact on me, and made me ask different questions, both of myself, and of what I was experiencing. I guess now I’d call that a thirst for knowledge, but I didn’t understand it in those terms at the time—I just felt that I needed to keep going back, keep talking to people, listening, learning.

I went back to Japan when I was 15, again when I graduated from high school, and that set the pattern—I’ve been living somewhere in between Canada, Japan, and now the United States for more than 30 years now. I’ve been fortunate to have a wide range of experiences in Japan—I’ve been a student, a farm worker, a local government employee; I’ve even worked in the music industry in Tokyo. I can’t say that any of this has brought me closer to any answers, but I hope that I’ve been able to refine the questions. How do individuals in Japan and elsewhere make sense of their lives? Why? How does this get expressed in things like literature and music? What are some of the consequences of that? These are some of the questions that drive me, and Wesleyan is an ideal place to pursue them.

Q: What drew you to Wesleyan?

A: Wes is renowned for attracting sharp, inquisitive, critically-minded students, and being able to think through these questions with them is a real treat for me. Rather than trying to offer up some stock answer to the question of what “Japan” is all about, in other words, I see my role as helping students to formulate and articulate different sorts of questions, in a way that not only addresses Japan and its cultures and contexts, but students’ own circumstances, contexts, and historical moments, as well.

Q: In your faculty bio, you say that your scholarship “aims to hear and amplify voices that can challenge and reshape our own stances upon the world.” Can you talk about how/where/if you’ve seen that happening today? How do you emphasize that in your work?

A: I’m really interested in questions of collectivity, and in how different social actors and cultural producers deal with those questions. Collectivity is something that we all need, but when that gets reduced to exclusionary, reactionary forms of nationalism, or questions of nation-state power and prestige, then we’ve got a problem. People grapple with this question of collectivity in different ways.

Nasta ’07 Presents Beman Triangle Research at CAAS

Visiting Assistant Professor of African American Studies Jesse Nasta ’07, top left, and the students in his service-learning class, Black Middletown Lives, are focused on an area near campus called “The Beman Triangle,” documenting the lives of the African Americans who owned those homes in the pre-Civil War era. The students are: (front row, l. to r.) Rose Johnson-Brown ’18, Sammi Aibinder ’18, Jumoke McDuffie-Thurmond ’19; (second row, kneeling): Angel Martin ’19; (back row, l. to r.) Professor Nasta ’07, Catherine Wulff ’18, Belén Rodriguez ’19, Nicole Hayes ’19, Henry Prine ’18, Tedra James ’18. Not pictured: Tatiana Ettensberger ’18, Julia Natt ’19, Jessi Russell ’20, Jess Wachtler ’18.

 

“This is the history of right here,” said Visiting Assistant Professor of African American Studies Jesse Nasta ’07, speaking of his work with Black Middletown Lives, his service-learning class. “We venture deep, but no farther than two blocks.” He and his class of 13 students are doing firsthand archival research on individual projects, documenting the lives of those African Americans who lived in the area now called “The Beman Triangle,” after the most prominent black property owner in that five-acre patch of land bordered on one side by Knowles Avenue to the corner where Neon Deli now stands at Cross and Vine.

Jesse Nasta and the students of Black Middletown Lives gather on Cross Street in front of one of the five surviving houses from the pre-Civil War community now commonly called “The Beman Triangle.”

On Tuesday, April 17, Nasta spoke about this work at the Center for African American Studies, noting that almost a dozen years ago, he was standing in the same spot, presenting his honors thesis, “Their Own Guardians and Protectors: African American Community in Middletown, Connecticut, 1822–1860.” Nasta, a Middletown native, is delighted to return to Wesleyan and pursue this project that captured his scholarly interests at a young age.

In his talk, he provided historical context for the development of this area, recounted brief biographies of some of the residents of the area, and discussed the work of the class in light of the Beman Triangle today.

Wesleyan in the News


In this recurring feature in The Wesleyan Connection, we highlight some of the latest news stories about Wesleyan and our alumni.

Recent Wesleyan News

  1. Variety: “Entertainment Education Report: The Best Film Schools in 2018”

Wesleyan is highlighted as one of the best schools to study film. An exceptional group of filmmakers, including Joss Whedon ’87 and Michael Bay ’86, have cited Jeanine Basinger, the Corwin-Fuller Professor of Film Studies, as a major influence on their understanding of film.

2. Hartford Courant: “New Bike Share at Wesleyan Offers Speedy Transport for Students”

Sustainability Director Jennifer Kleindienst discusses Wesleyan’s new partnership with San Francisco–based start-up Spin to provide bicycles on campus for quick and low-cost rental by students and other community members.

3. WNPR: “Where We Live”

Katja Kolcio, associate professor and chair of dance, and Anna Fox ’19 discuss Wesleyan’s partnership with a university in Kiev, Ukraine, their recent visit to the country, and what they have learned from activists involved in the country’s revolution in 2014. Kolcio is also associate professor of Russian, Eastern European, and Eurasian studies and associate professor of environmental studies. (Kolcio and Fox come in around 26 minutes).

4. Poets & Quants for Undergrads: “The Case for ‘Test Optional’ College Admissions”

A new study, which analyzed data from Wesleyan and many other schools that don’t require the SAT or ACT in admission, finds that “test optional” institutions tend to enroll a higher proportion of low-income, first-generation students on average, and students from more diverse backgrounds. The study also found that high school GPA was a better predictor of success in college than standardized test scores for these students.

5. Gizmodo“What Shapes Are Things in Outer Space?”

Meredith Hughes, assistant professor of astronomy, assistant professor of integrative sciences, paints a picture of the planet formation process, and explains why planetary systems tend to be flat.

Recent Alumni News

  1. Tech Crunch: With Loans of Just $10, This Startup Has Built a Financial Services Powerhouse in Emerging Markets”

    Shivani Siroya ’04 is founder and chief executive officer of Tala, a Santa Monica–based financial services start-up. The Tech Crunch article offers examples of lives that have been changed in places such as India, Mexico, the Philippines, and Tanzania with help from Tala. Additionally, author Jonathan Shieber reports that Steve Case’s Revolution Growth fund recently provided $65 million in new financing for Tala: “’We see Tala as a company building the future of finance. They have quickly become one of the leading mobile-first lenders in emerging markets where well over 3 billion consumers do not have access to traditional banks,’ says Case.”

2. Washington Post: “The Trailblazing Writing Life of Alexander Chee [’89]”

“Alexander Chee is best known as a novelist, and after the operatic plot of his Queen of the Night, readers may be surprised at the quiet intimacy of his first essay collection, How to Write an Autobiographical Novel,” writes reviewer Crystal Hana Kim. “By offering the reader such advice in the form of personal revelation, we are asked to journey with him, to learn how to write alongside him. In the ensuing essays, Chee reflects on his professional trajectory. In some, like ‘The Writing Life,’ which chronicles Chee’s class with Annie Dillard at Wesleyan University, he discusses craft explicitly. In others, like ‘The Rosary,’ he only alludes to his writerly life….”

 

3. Washington Post: Op-Ed: “I Thought Grit Would Bring Me Success. It Almost Killed Me,” by Nataly Kogan [’98]

Nataly Kogan, who arrived with her parents in the United States as Russian refugees when she was only 13, is the founder of Happier, a learning and technology platform. In this op-ed she writes about the pressure she put herself under to succeed in America, but through work with a life coach, she learned important lessons about self-compassion. She is the author of  Happier Now: How to Stop Chasing Perfection and Embrace Everyday Moments (Sounds True; May 1, 2018).

4.  Channel NewsAsia: Commentary: ”A Liberal Arts Education in Singapore and the Usefulness of ‘Useless’ Knowledge

Terry Nardin, professor of political science and director of Common Curriculum at Yale-NUS College in Singapore, offers an explanation of a liberal arts education that challenges the cultural expectation that “the purpose of tertiary education is to equip students with technical or other specialised skills that qualify them for a specific job and stable employment.” As an example of a liberal arts graduate who has met with success he offers:  “Luke Wood [’91] graduated in 1991 from Wesleyan University, an American liberal arts college, where he had majored in American studies. Wood was able to turn his passion for music into an internship at Geffen Records, after which he signed artists for DreamWorks and Interscope.” Nardin traces Wood’s path further, concluding that “Wood’s success is another good reminder that ‘useless knowledge’ can not only turn out to be useful after all, but also that usefulness is in the eye of the beholder.”

5. Variety:Bloom/Spiegel Partnership Unveils Participants of Second Edition (EXCLUSIVE)

Ostin Fam ’17 (Dung Quoc Pham ’17) was selected as one of eight filmmakers for “the second edition of the Bloom/Spiegel Partnership, an alliance between New York’s IFP Marcie Bloom Fellowship in Film and Jerusalem’s prestigious Sam Spiegel Film School.” The article includes this background on the Wesleyan alumnus: “Born in Vietnam and based in New York, Fam graduated from Wesleyan University and received the Steven J. Ross Prize for his senior film thesis. Fam is currently finishing the screenplay of his first feature, Small Wars. Taking place in a rural village in Vietnam, the story is about a family of three.”

Q&A With Novelist Kate Greathead ’05 on Writing Laura & Emma

Kate Greathead ’05, who majored in English at Wesleyan, is the author of Laura & Emma: A Novel (Simon & Schuster, 2018).

Laura & Emma, the debut novel by Kate Greathead ’05, was reviewed by Wesleyan magazine books editor Laurie Kenney, who wrote: “Nine-time Moth StorySLAM champion Greathead’s debut novel offers an insightful and witty exploration of class, family, and privilege in New York blue-blood society in the 1980s and early ’90s, as told through the eyes of Laura, an Upper East Side single mother born into wealth, and her daughter, Emma, conceived during a one-night stand. Filled with an eclectic cast of supporting characters and told in vignettes that span more than a decade, Laura & Emma offers a fresh take on the mother-daughter bond and the struggles of trying to find oneself. Booklist says, ‘Greathead’s smart and original take on the mother-daughter novel impresses and charms.'”

In a follow-up conversation with the Connection, Greathead reflected on the writing process, including her work with Wesleyan mentors, and offered advice for those still working toward publication.

Q: How did your work at Wesleyan influence this book? Any great writing advice you received?

A: I wasn’t a confident person when I arrived at Wesleyan. I had some very kind and generous professors—Anne Greene, Phyllis Rose, Roxana Robinson—who helped me develop confidence in my writing, which made me take myself more seriously as a student and a person. One of my most valuable writing experiences was writing my senior thesis, a collection of personal essays, under the guidance of Elizabeth Bobrick [then a visiting professor in English]. Every two weeks we’d meet and discuss my work. The craft of writing can be taught, but of equal importance, the substance of what you write, can’t unless the teacher tries to get to know you. The best teachers find gentle ways to push you towards your most fertile material. Elizabeth took the time to do that and I benefited greatly.

Q: Any significant discoveries you made as you wrote about mother/daughter relationships?

A: I can’t speak for all mother/daughter relationships but I suspect in most there’s a volatility that’s just as intense as a romantic one, an undercurrent of jealousy, resentment, hurt, contempt, and neediness complicating the love. It might rarely erupt, but it’s there, simmering beneath the surface.

Banks ’15 Receives Fulbright to Study International Crimes, Conflict, Criminology

Isabella Banks ’15 received a Fulbright Study/Research grant in International Crimes, Conflict, and Criminology for 2018–19.

Isabella Banks ’15 was awarded a 2018–19 Fulbright Study/Research Grant for the master’s program in International Crimes, Conflict, and Criminology at Vrije Universiteit Amsterdam. Combining perspectives and methodologies from the fields of criminology, law, psychology, sociology, and political science, the program also draws on resources available through its location near The Hague—home to the UN’s International Court of Justice and the International Criminal Court.

“I hope to focus my research on transitional justice, which applies restorative principles to systematic, conflict-related human rights violations,” says Banks, who majored in the College of Social Studies with a certificate in international relations while at Wesleyan. Her honors thesis, “The Jury Is Out: Negotiated Agreements in the German Inquisitorial System,” is an exploration of the United States’ adversarial system of justice in comparison with the German inquisitorial system. A 2015 article in the Connection noted that Banks said her interest in exploring alternatives to the U.S. system of criminal justice was initiated by what she observed as its “growing dysfunction” as well as the increasing measure of disapproval it garnered.

After graduating, Banks studied abroad on a one-year Watson Fellowship, pursuing research in restorative justice in countries such as New Zealand, Australia, England, and South Africa. For her project, “Making Crime Personal: Restorative Alternatives to Criminal Justice,” she interviewed individuals involved in a range of restorative justice processes and acted as a participant observer in schools, prisons, and community organizations working to implement restorative practices.

She is currently affiliated with the Center for Court Innovation in New York City, whose founding director was John Feinblatt ’73 and current director is Greg Berman ’89. Banks serves as a planner for the Research-Practice Strategies team led by Director of Policy and Research Julian Adler ’02.

“My Watson year opened my eyes to the importance of human relationships in justice processes and fostered a fascination with conflict transformation that I am sure will drive my learning for years to come,” said Banks.

 

Lobel ’97 Produces Empire on Blood Podcast

Empire on Blood, a new seven-part serialized podcast from Panoply, is produced by Mia Lobel ’97. The series investigates a 1992 double homicide in the Bronx, exploring the judicial process that led to a conviction. That conviction has now been overturned after Calvin Buari spent more than two decades in prison for these murders, which he did not commit.

The show, says Lobel, is the result of veteran journalist Steve Fishman’s six-year quest to determine the facts of the case.

“Steve brought us this incredibly complicated story he’d been working on,” recalls Lobel. “He had courtroom papers and 80 hours of taped interviews with all the key players. It was so exciting for me as a producer. The show takes a really deep look at the moral complexity of the criminal justice system: What happens if you are, actually, a criminal—but convicted of a crime you didn’t commit?”

An anthropology major at Wesleyan, Lobel earned her graduate degree in journalism, specializing in audio formats—“radio, at the time,” she says. She marks 2014 as the year the general public began to share her excitement for audio productions—podcasts—when Serial came out and smartphone technology made it accessible.

“People are being reintroduced to the power of sound alone—where you make all these pictures in your head,” she says.

All-Alumni Survey: Thank You, Participants!

For a four-week period in January and February, the Office of University Relations surveyed BA alumni to understand attitudes and preferences around key areas, including communications, Wesleyan events, and philanthropy.

Of the 27,000 alumni contacted via email, more than 5,400 participated. This 20-percent response rate far exceeded expectations. The average U.S. college survey response rate is closer to 5–10 percent.

“We are thrilled with the level of engagement shown by our alumni in responding to our most recent survey,” reports Thomas Diascro ’89, director of alumni and parent relations, “and I cannot thank them enough for taking the time to participate.”

In the coming weeks, University Relations staff will begin looking more closely at the full results, and they plan to share their findings with the entire community in early fall—but for those who want a teaser, Diascro offers the following:

  • 92 percent of respondents are proud to be Wesleyan alumni;
  • 86 percent of respondents have a positive feeling towards Wesleyan;
  • 84 percent of respondents believe Wesleyan is deserving of financial support from alumni.

Executive Producer Selkow ’96 Directs Hip-Hop Docu-Series Rapture

At SXSW film and music festival, members of the creative team behind Rapture are Executive Producer Ben Selkow ’96, Director Marcus Clarke, Executive Producer Peter Bittenbender (of Mass Appeal), and Executive Producer Sacha Jenkins (of Mass Appeal). Rapture, a docu-series produced by Mass Appeal for Netflix is available now. Netflix describes the project as: “star[ing] directly into the bright light that hip-hop culture shines on the world…. Rapture dives into the artists’ lives with their families and friends, to sitting front row in the studio and grinding on tour, to experiencing the ecstatic power of moving the crowd.” (Photo Credit: Daniel Boczarski/Getty for Netflix)

Rapture, a new eight-part docu-series on hip-hop that premiered on Netflix March 30, features Ben Selkow ’96 as executive producer, showrunner, and one of the directors. It is art with an overarching purpose: “We hope to bring audiences and fans closer to the artists’ experience by sharing their biography and showing the perseverance, talent, and luck that helped each transform and transcend their situation,” says Selkow, a film studies and African American studies major while at Wesleyan, who previously directed Reza Aslan’s CNN series Believer. After returning from the SXSW film and music festival in Austin, Texas, where the team showcased several episodes of Rapture, Selkow discussed the project.

Connection: What drew you into this project and made it personally compelling?
Ben Selkow: Netflix wanted to collaborate on a new hip-hop project with Mass Appeal, an on-the-rise culture media and content company. A Netflix executive introduced me to Mass Appeal’s Sacha Jenkins and Peter Bittenbender, who needed an executive producer and showrunner. We got on really well from jump—and spent the next 18 months conceiving, refining, staffing, shooting, editing, finishing, and promoting Rapture.

I was drawn to it on many levels. I’ve been listening to hip-hop since my first Beastie Boy, Ice-T, KRS-One, Big Daddy Kane, and Public Enemy tapes—yes, tapes! And at Wesleyan, I continued my education in hip-hop with Javaid Khan (DJ Van Vader) ’96, Phil Jenkins (DJ Casual Phil) ’96, Jason Rosado ’96, and my man Jake Sussman ’96 making me mixtapes, as well as partying at [Malcolm] X house, while Matt Dickerson (DJ Denmark) ’95 was spinning. And then—beyond my love of the music, the culture, the politics, and its growing power of expression and American reporting—I really dug Sacha and Peter. Of course, the opportunity to work with Netflix and connect with audiences in 190-plus countries/117 million subscribers was a dream.

Connection: What was your role on the project and what were your biggest challenges?
Ben Selkow: As showrunner and one of the executive producers, I worked with all our specialists in each area, leading the charge—from conception to the talent casting, to the aesthetic look, to team staffing, to legal, to music supervision, to running everything with our amazing post-production team and doing the general crisis control. I also directed the episode with 2 Chainz.

Hip-hop artist Nas (left) and Executive Producer and Director Ben Selkow ’96 attend the Rapture Netflix Original Documentary Series, Special Screening at The Metrograph in New York City, on March 20. (Photo by Johnny Nunez/Getty Images for Netflix)  Wesleyan viewers will want to know that Lin-Manuel Miranda ’02 makes a cameo appearance in Rapture‘s Nas/Dave East episode, when the three are shown filming the video for the Hamilton mixtape song, “Wrote My Way Out.”

As for challenges, we had no proof of concept as this was Season 1, so the initial casting was the first challenge. We wanted a diverse group of artists and we were trying to compel the artists to entrust their stories with us. We were also making big asks for their time—not just an interview and some B-roll, but we wanted to do longitudinal, observational cinema, which makes for totally unique narratives. But we were able to earn a tremendous amount of trust with all the artists. Then the challenge was keeping up with their kinetic lives and building narratives. In the end, it was both a relief and incredibly exciting to watch the artists’ reactions once we screened their episodes with them. Sitting in a screening room with Nas, Just Blaze, or 2 Chainz and hearing that they loved it and thanked us…. Man, amazing feeling.

Connection: Why is this piece important? What do you think are the most important points you are bringing to the world?
Ben Selkow: By selecting a wide breadth of artists who range aesthetically, regionally, generationally, racially, and gender-wise—as well as including a super producer—Rapture paints the portrait of hip-hop as a diverse, complex, and wildly dynamic music universe. By offering an immersive view of the artists’ personal lives—beyond just seeing them as superstars—we are afforded the privilege of witnessing the artists’ humanness and mortality, as well as seeing what it is to live a life of an international celebrity.
We hope that Rapture illuminates some of the misconceptions about hip-hop and rap culture. For so long society at large has written off hip-hop as being only for gangsters, thugs, people who were morally corrupt. But through Rapture, we sought to depict the brilliance, passion, intelligence, artistry, dexterity, humanness, complexity, and perseverance that has made hip-hop and rap music the dominant global form.

We hope the series shows the featured artists at the top of their game for a reason, rising because of supreme artistry, hard work, a desire to change their situation: in summary, rising through the American dream.

Connection: Were there some best moment, breakthroughs, or epiphanies? What did you learn?
Ben Selkow: We had many, many incredible moments—from rocking with Nas at JazzFest in New Orleans backed by a 10-piece brass band in the Soul Rebels, to watching T.I. and Harry Belafonte intensely examine contemporary issues. But one moment that I just experienced speaks to the moments of resonance, the nuances and many gems throughout this whole series: During the screening of the Nas episode at the 1,100-seat Paramount Theatre at SXSW, T.I. was sitting with Dave East in the audience (I was one row behind them). They were really enjoying the episode, where director Sacha is highlighting Nas’s power in hip-hop—and she tells him that legendary Bronx rapper Big Pun’s grandson’s given name is Ether (“Ether” was a famous diss track Nas made in 2001). On screen, Nas is visibly taken aback at hearing this—as, I can see, are T.I. and Dave East, Nas’s protégés.

The next thing that happens in the film is we play a line from “Ether” to punctuate the point, that Nas’s influence is deep: “I am the truest, name a rapper that I ain’t influenced.” When this line plays, the audience spontaneously sings this line together—led most loudly by T.I. and Dave East.

At that moment, I realized: Doesn’t matter what the reviews say; true hip-hop is feeling this project. We did it—and, hopefully, get an opportunity to keep telling these stories. [See trailer below].

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Sharing the Stage: Greenberger ’81 Wins Award, Whitford ’81 Presents

Sharing the Stage: Bradley Whiford ’81 (left) presents the Writers Guild Award to his senior-year housemate and fellow theater major, Dan Greenberger ’81. (Photo by Michael Buckner/Variety)

Dan Greenberger ’81 attended the Writers Guild Award as a nominee in the category of On-Air Promotion (“the TV equivalent of movie trailers,” he explains) on Feb. 11, 2018. As an award veteran (he’d already won twice previously), Greenberger had done his homework: checked who was presenting his category and prepared an acceptance speech in case he won.

Just before the ceremony, as people milled around the dinner tables, he ran into his Wesleyan senior-year housemate, Bradley Whitford ’81, who had news: the scheduled presenter in the on-air promotion category had canceled. Instead, “I’m presenting in your category,” Whitford told his friend.

And from there, everything went off script for Greenberger, who quickly tried to reformulate his prepared speech to celebrate the friendship on stage, should he win.

Greenberger was the winner, and when he dashed on stage, the two embraced and ribbed each other gently about their college housekeeping habits.

In a conversation afterward with the Connection, Greenberger acknowledged the uniqueness of sharing that moment with his fellow theater major. “Senior year was a bonding time, as we were both getting ready to go out into the world.

“Brad and I took a train together to New York to audition for Juilliard,” Greenberger recalls.”He got in and I didn’t—and that’s when I decided I would be a writer.” In fact, Whitford had appeared in Wesleyan plays that Greenberger had written.

“Obviously, at the presentation, we were joking around a lot—but how great a full-circle moment is that? To be on stage, getting an award, with someone to whom you’ve talked about dreams and hopes when we were in college—I’m just so proud of what Brad has done with his career. As an actor, he keeps getting better.”

Greenberger, whose current work at CBS includes writing the promotions for Kevin Can Wait, notes that his favorite assignment was also very Wesleyan: How I Met Your Mother, the nine-season sitcom written by Carter Bays ’97 and Craig Thomas ’97. “I loved the sensibility; it was smart, it was funny, it was edgy—and I loved the fact that it was created by Wesleyan guys,” he recalls.

And he also knew it well: “When you work on promoting a show, you really get to know it almost better than anyone. You watch every episode more than once, you take it apart, you take notes on it: ‘Oh, here’s a good line; there’s a good moment.’ These are the pieces of the puzzle that I use to build the promotion—a story in 20 seconds, and every syllable counts.”

As for Whitford, Greenberger maintains: “He’s one of the very funniest people I’ve ever known. I’ve always told him he should do more comedy.

“But seriously—any time I look at Brad I go back to those days at Wesleyan when we were both theater majors falling in love with ‘the business,’ and wondering, ‘how do we get into this, and how do we make our mark?’ It was so great to have our paths converge on that stage.”

 

Wesleyan in the News

In this recurring feature in The Wesleyan Connection, we highlight some of the latest news stories about Wesleyan and our alumni.

Recent Wesleyan News

  1. Hartford Courant“Extraordinary Life: He Had an Outsized Influence on Wesleyan, and Math”

This article celebrates the life and accomplishments of Bob Rosenbaum, who has been called “the most influential and constructive faculty member at Wesleyan in the second half of the 20th century.” In addition to teaching mathematics, he served as dean of students, provost, vice-president of academic affairs, and acting president.

2. WNPR’s Where We Live“Election Security, Prison Education, and an Explanation for ‘Hyped’ Winter Storms”

Kristen Inglis, Wesleyan Center for Prison Education academic development and planning manager, discusses CPE’s partnership with Middlesex Community College, which allows students to earn associate’s degrees.

3. NPR: “A New Song Cycle Contemplates Blackness”

Assistant Professor of Music Tyshawn Sorey MA ’11, a composer, is interviewed about his unique collaboration with an internationally renowned opera singer and a National Book Award-winning poet.

4. The New York Times“Can Steven Spielberg Remember How to Have Fun?”

Jeanine Basinger, the Corwin-Fuller Professor of Film Studies, comments on the changing style and focus of the famous director over time. Basinger, who is curator of the Wesleyan Cinema Archives, also discusses Spielberg’s new film, Ready Player One, in The Sydney Morning Herald.

5. The New York Times: “For the Love of ‘George and Martha'”

Amy Bloom, the Shapiro-Silverberg Professor of Creative Writing, write an appreciation of the late author James Marshall’s “George and Martha” children’s stories.

Recent Alumni News

  1. NPR—“Former U.S. Ambassador to NATO Discusses Russia’s Expulsion of U.S. Diplomats”

Robert Hunter ’62, former U.S. ambassador to NATO, talks to NPR correspondent Audie Cornish about the escalating tensions between Russia and the West. He says, “[A]t some point, grownups on both sides need to talk to one another and say, look; we understand that Russia is going to be a major power. You also have to understand you’re not going to be a superpower. You’re still of very limited capabilities. We would like to see a constructive relationship, but we can’t start that until, Mr. Putin, you stop things like interfering in others’ politics like you interfered in our elections. You’ve got to show that this fall, you’re not going to interfere in the American elections. Then we can sit down and talk about the future. But as of now, no.”

2. Wired: “The FCC Should Use Blockchain to Manage Wireless Spectrum,”

This op-ed by FCC Commissioner Jessica Rosenworcel ’93 offers blockchains as an alternative to the current auctions used to offer licenses for spectrum band distribution. Inside Towers, a newsletter for the wireless industry took notice: “FCC’s Rosenworcel Wants to Dump Spectrum Auctions, Modernize Allocation.

3. Politico—”How Veterans Are Powering the Democrats’ 2018 Hopes”This profile of Max Rose ’08, campaigning on Staten Island for a seat in Congress as “the first post-9/11 combat veteran to run for office in New York City history,” places his efforts within the context of a nationwide trend.

4. NBC Right Now“Knighted Ventures Co-Founder Jieho Lee [’95] Named to Aspen Institute’s 2018 Class of Henry Crown Fellows”“Jieho Lee, co-founder and managing partner of California-based Knighted Ventures, is one of 22 business leaders under the age of 45 selected by The Aspen Institute in Washington, D.C. as a 2018 Henry Crown Fellow.” The program was established “to mobilize a new breed of leaders to tackle the world’s most intractable problems.”

5. Albuquerque Journal—“ABQ’s New Leaders Are Women Ready to Change History”

Sarita Nair ’95, chief administrative officer, is 1 of 10 women in the highest-level jobs in Albuquerque Mayor Tim Keller’s administration.

International Women’s Day Celebrated with Alumnae Spotify Playlist

Featuring album covers from four alumnae musicians, the logo of the “Women of Wesleyan” playlist on Spotify highlights the range of music performed by Wesleyan artists. Wesleyan collected the 43 songs as part of the university’s celebration of International Women’s Day.

On March 8, Wesleyan’s Facebook post read: ”In honor of International Women’s Day, we’re celebrating some of the most talented musicians we know with our ‘Women of Wes’ Spotify playlist. There’s something for everyone in this eclectic mix of Wesleyan alumnae, including Amanda Palmer ’98, Santigold ’97, J.R. Rhodes ’90, and Dar Williams ’89. Listen here, or go to #NowPlaying #IWD18.”

Also included on this list of 43 songs were pieces by Flo Anito ’01, Jess Best ’14, Amy Crawford ’05, Beanie Feldstein ’15, Mary Halvorson ’02, The Overcoats (JJ Mitchell ’15 and Hana Elion ’15), Chris Pureka ’01, Anna Roberts-Gevalt ’09 (of Anna and Elizabeth), Peri Smilow ’92, Tierney Sutton ’86,  Julia Scolnik ’78, and Nina Zeitlin ’03.

If you are a Wesleyan musician on Spotify, please let us know, so that we can include you in future music highlights. Contact Wesleyan’s digital content manager Sami Jensen.