Cynthia Rockwell

Nowell ’48, Lasker Prizewinner for Cancer Chromosome Finding, Dies at 88

Acclaimed cancer researcher Dr. Peter C. Nowell ’48 died Dec. 28, 2016. He was 88.

Acclaimed cancer researcher Dr. Peter Nowell ’48 died Dec. 28, 2016. He was 88 and was a trustee emeritus of Wesleyan.

Acclaimed cancer researcher Dr. Peter Nowell ’48, the Gaylord P. and Mary Louise Harnwell Emeritus Professor and former chair of the Department of Pathology and Laboratory Medicine at the Perelman School of Medicine, died Dec. 26, 2016, of complications from Alzheimer’s disease. He was 88.

A biology and chemistry major at Wesleyan, Nowell earned his medical degree from the University of Pennsylvania’s Perelman School of Medicine in 1952. He joined the faculty in 1956 as a member of the Department of Pathology and Laboratory Medicine, later serving as chair. He was also the first director of the University of Pennsylvania Cancer Center, now known as the Abramson Cancer Center at the University of Pennsylvania.

In 1960, Nowell and colleague David Hungerford, then a graduate student working at the Fox Chase Cancer Center’s Institute for Cancer Research, “made a startling observation that the number 22 chromosome in the tumor cells of individuals suffering from chronic myelogenous leukemia (CML) was abnormally small,” explains writer Bonnie Cook in the Philly.com obituary for Nowell. “The research broke new ground because it was the first consistent chromosome abnormality found in any kind of malignancy.” This came to be called “the Philadelphia chromosome.”

To put the enormity of the discovery in perspective, New York Times writer Denise Grady spoke to Mark Greene, director of the Immunobiology and Experimental Pathology Division at the Perelman School of Medicine at the University of Pennsylvania, who told her that, back in this era, “The notions of cancer were so bizarre. It was a total conundrum. There was no consistent theory at that time that was even recognized.”

“The finding,” wrote Grady, “published in 1960, took cancer research in a new direction, leading to an extraordinary advance by other scientists three decades later: the drug Gleevec. For many patients, Gleevec transformed chronic myeloid leukemia from a fatal disease to a chronic one that can be kept under control for many years.”

In 2007, Nowell reflected on his work in a paper published in the Journal of Clinical Investigation, “Discovery of the Philadelphia Chromosome: A personal perspective.” Nowell’s son, Michael, told Philly.com writer Cook, “He lived long enough to see it developed into treatment to allow individuals to lead longer lives.”

Nowell was named a Distinguished Alumnus of Wesleyan in 1968. Among the many other honors and awards Nowell received were the Lindback Distinguished Teaching Award, the 1998 Albert Lasker Clinical Medical Research Award (often called “the American Nobel Prize”), and the Benjamin Franklin Medal in Life Science. He served on Wesleyan’s Board of Trustees for 15 years and was elected trustee emeritus of the university.

Ainspan ’88 Receives Katzell Award for Work with Veterans, Research-Based Insight

Nathan Ainspan ’88, the editor of The Handbook of Psychosocial Interventions for Veterans and Service Members and When the Warrior Returns: Making the Transition at Home, received the Raymond A. Katzell Award in Industrial and Organizational Psychology.

Nathan Ainspan ’88, the editor of The Handbook of Psychosocial Interventions for Veterans and Service Members and When the Warrior Returns: Making the Transition at Home, received the Raymond A. Katzell Award in Industrial and Organizational Psychology.

Nathan Ainspan ’88, an industrial-organizational (I-O) psychologist with the Department of Defense’s Transition to Veterans Program Office, has received the Raymond A. Katzell Award in I-O Psychology from the Society for Industrial and Organizational Psychology (SIOP) for his work improving the lives of military veterans and for his commitment to promoting research-based insights designed to improve organizations and the lives of individuals.

Ainspan’s work has focused on influencing policy and educating service members, veterans, clinicians, and corporate leaders to improve the military-to-civilian transition process. The editor of When the Warrior Returns: Making the Transition at Home, The Handbook of Psychosocial Intervention for Service Members, and Returning Wars’ Wounded, Injured, and Ill: A Reference Handbook, he has just begun editing another handbook to guide private-sector human resource professionals on hiring and retaining military veterans in their companies.

An American Studies major at Wesleyan, he earned his doctorate from Cornell University’s School of Industrial and Labor Relations. He attributes his interest in I-O psychology to a course he took at Wesleyan and traces his work with veterans from there.

Christopher ’54 Remembered for Playing Father Mulcahy on M*A*S*H

William Christopher’54 was Father Francis Mulcahy on the hit 1970s-1980s TV series “M*A*S*H.” (Credit 20th Century Fox, via Everett Collection.)

William Christopher’54 was Father Francis Mulcahy on the hit 1970s-1980s TV series “M*A*S*H.” (Credit 20th Century Fox, via Everett Collection.)

Actor William Christopher ’54, best known for his role as Father Francis Mulcahy in the popular television comedy/drama series M*A*S*H, died Dec. 31, 2016, at his home in Pasadena, Calif. Christopher’s Mulcahy was a gentle Roman Catholic chaplain assigned to a Mobile Army Surgical Hospital during the Korean War on the CBS series, which aired from 1972 through 1983.

A theater major at Wesleyan, Christopher began his acting career in New York, playing in Broadway and Off-Broadway productions before moving to Los Angeles, where he worked in television and appeared in a number of popular shows.

In a New York Times article, writer Liam Stack quotes Loretta Swit—M*A*S*H nurse Margaret “Hot Lips” Houlihan—who called Christopher “‘TV’s quintessential padre… It was the most perfect casting ever known. He was probably responsible for more people coming back to the church.’”

Schwartz ’94 Provides Medical Assistance in Ecuador with Team Rubicon

during the hike to get one of these villages.  Some of the villages in Ecuador are rather remote in Jungle locations.  There are no roads.  Getting to these locations means walking through the Jungle to get there.  Many of the locals do it on Donkey back (we sorely regretted not taking more time to find donkeys, by the way).  It had recently rained the day before, and many of the usual trails were damaged or unpassable due to landslides and washout.  Where the trails were passable, the mud was as high as our hips and almost impossible to walk through.  We found it was easier to just hike IN the river at certain points rather than stay on the trails. 

“Some of the villages in Ecuador are rather remote in jungle locations,” says Dan Schwartz ’94, at right. “There are no roads. Many of the locals do it on donkey back (we sorely regretted not taking more time to find donkeys, by the way). It had recently rained, and many of the usual trails were washed out or damaged by landslides. Where the trails were passable, the mud was as high as our hips.  We found it was easier to just hike in the river at certain points rather than stay on the trails.”

Last spring, Dan Schwartz ’94 returned from Ecuador where he worked as a physician with Team Rubicon as a part of a rapid-deployment disaster medical assistance team after a 7.8M earthquake hit the area on April 16, 2016. Team Rubicon provided rescue, medical and reconnaissance aid to remote villages that could not be reached by the local government or non-governmental organizations.

“One of our mottos is, ‘We go where the others can’t or won’t,” Schwartz says.

Team Rubicon, a group of military veterans and first responders, was formed in 2010. In its first mission, the team brought lifesaving equipment and supplies to Haiti, which had been devastated by an earthquake with a magnitude of 7.0.

Schwartz joined Team Rubicon in 2015, only a year and a half before getting that phone call on April 21. “‘Can you go to Ecuador? Let us know—your flight leaves in eight hours.’” He was on board.

Saint John ’99 Named Women in Music Executive of the Year

Bozoma Saint John, photographed on Nov. 7, 2016 at Smashbox Studios in Culver City. (Photo by Ramona Rosales, appearing in BillBoard.)

Bozoma Saint John, photographed on Nov. 7, 2016 at Smashbox Studios in Culver City. (Photo by Ramona Rosales, appearing in Billboard.)

Bozoma Saint John ’99, head of global consumer marketing for iTunes and Apple Music, was named Women in Music executive of the year.

In an article for Billboard.com, writer Shirley Halperin interviewed Saint John, describing the recent months that catapulted the music executive into the industry’s spotlight and beyond. “A year ago, she was the streaming service’s secret weapon,” Halperin wrote. “Now, after a headline-making onstage appearance and a series of high-profile, star-studded ads, she’s the (glamorous) new face of Apple Music.”

Previously at Beats, Saint John had been only three months at that the job when Apple music acquired the company in 2014 and invited her to head up Apple’s music marketing division. In June of 2016 when she took the stage at Apple’s World Wide Developer’s Conference, Saint John brought a whole new perspective to the conference, reaching beyond the engineers in the auditorium with an approach to music marketing that grabbed attention.

Saint John explained to Halperin: “’The strategy was to talk to the people outside—those who are going to be watching in their office or on the phone, the people on social media,’ she says. ‘They need to feel like their best girlfriend just told them about this cool new thing. It needed to feel fun because that’s what the ­experience of music is.'”

Active in the Wesleyan community, Saint John was recently announced as a member of the selection committee for the first-ever Wesleyan University Hamilton Prize for Creativity. She is a member of the President’s Council and served as keynote speaker at WesFest 2016, the April event for admitted students and their families.

Sutton ’86 Nominated for Grammy with The Sting Variations

The Sting Variations, the latest album by The Tierney Sutton [’86] Band was nominated for a 2017 Grammy in the Best Jazz Vocal Album category,

The Sting Variations, the latest album by The Tierney Sutton [’86] Band, was nominated for a 2017 Grammy in the Best Jazz Vocal Album category,

Tierney Sutton ’86 has been nominated for a Grammy Award for Best Jazz Vocal Album. The Sting Variations is a collection of Sting and Police songs reinterpreted by The Tierney Sutton Band and released on the BFM Jazz label. Sutton had previously explored the music of Bill Evans, Frank Sinatra, and most recently Joni Mitchell, with her 2013 album, After Blue.

In a September interview for Billboard, Sutton told writer Melinda Newman that the choice to explore Sting’s work was a natural one: “‘[Sting’s] autobiography is full of references to Miles and Coltrane and the Great American Song tradition.’”

The Sting Variations includes both well known songs by the artist, such as “If You Love Somebody Set Them Free,” and “Message in a Bottle,” as well as lesser known pieces among the 14 tracks. The first track, “Driven to Tears,” is highlighted on Sutton’s website as a video of the band performing this song.

Also this year, Tierney Sutton and her band’s co-leader and pianist Christian Jacob collaborated with Clint Eastwood on the soundtrack to the movie Sully, about the pilot, Captain Chesley “Sully” Sullenberger (played by Tom Hanks), who, in 2009, became a national hero after successfully executing an emergency water landing of US Airways Flight 1549 in the Hudson River. Sutton described the experience with Eastwood as “really collaborative. …very much ‘Clint joins The Tierney Sutton Band.'” The singer and actor-director have even discussed further collaboration, Tierney told Billboard. The Sully soundtrack was released in October by Varese Sarabande.

Sutton was also recently announced as a member of the selection committee for the first-ever Wesleyan University Hamilton Prize for Creativity.

McCarthy ’75 Produces ‘Star-Studded’ Documentary Harry Benson: Shoot First

Stephen McCarthy ’75 is producer of the new documentary Harry Benson: Shoot First, opening this weekend.

Stephen McCarthy ’75 is partner/executive producer of the new documentary Harry Benson: Shoot First, opening Dec. 9, 2016.

Stephen McCarthy ’75, managing director at KCG Capital Advisors, is also partner/executive producer with Matthew Miele’s Quixotic Endeavors (QE) film production company, featuring corporate/individual biopics, such as Crazy About Tiffany’s (starring Jessica Biel and Katie Couric, among others) and Scatter My Ashes at Bergdorfs (starring Mary-Kate Olsen and Ashley Olsen, among others). Their third film Harry Benson: Shoot First, will be in theaters—including New York City—and video on demand, starting Dec. 9, 2016.

Harry Benson: Shoot First is a 90-minute documentary on one of the most accomplished photojournalists of the past five decades. Benson’s work has captured cultural icons in defining moments of history—including Robert Kennedy’s assassination—as well as in moments of playful ease—the Beatles in the midst of a pillow fight—with compassion, elegance, and intimacy. His photographs have graced the covers of TIME, LIFE, and People more than 100 times, notes film critic Isaac Guzman in the Nov. 26, 2016, issue of TIME. In Guzman’s review, titled “A Star-Studded Tribute to a Lovable Lensman,” he warns viewers, “Don’t blink…Every flutter of an eyelid risks blocking out a wonder of the photographic world: Michael Jackson frolicking like the Pied Piper at Neverland Ranch with a retinue of children; Bill and Hillary Clinton on the precipice of a kiss on a hammock; Bobby Fisher being nuzzled by a wild Icelandic horse.”

McCarthy’s involvement in QE (“a wonderful sidelight at this stage of my career”) began almost six years ago when director Matthew Miele, one of the QE founders, approached him through a mutual friend about the Bergdorf project. “I immediately got in touch with my dear friend/late classmate Seth Gelbum ’75, a prominent Broadway lawyer from Loeb and Loeb and worked with his partners on the first two film projects.” In addition, after a Homecoming visit to campus, McCarthy brought Miele to meet Corwin-Fuller Professor of Film Studies Jeanine Basinger, “who was been interested in and supportive of their ventures,” he says.

“To date, I’m enjoying this industry from the business side, but given the breadth and depth of ‘the Wesleyan mafia’ in Hollywood, you never know whom you’ll meet to potentially collaborate on upcoming projects (like our Norman Rockwell film in the works)!” As for his thoughts on Harry Benson: Shoot First: “To my mind, the film is the equivalent of walking through a fantastic gallery and instead of just looking at the photos, you are having the entire experience curated by someone who had been there at the exact historical moment each photo was taken—it’s riveting.”

Photographs by National Geographic Photographer Yamashita ’71 on Exhibit in Beijing

Acclaimed photographer Michael Yamashita ’71 captures the Meili Snow Moutains in all of their breathtaking grandeur. The photograph appears in the Return to Tea-Horse Road exhibition in Beijing.

Acclaimed photographer Michael Yamashita ’71 captures the Meili Snow Mountains in all of their breathtaking grandeur. The photograph appears in the Return to Tea-Horse Road exhibition in Beijing.

Return to the Tea-Horse Road, an exhibition by acclaimed National Geographic Magazine photographer Michael Yamashita ’71, will be featured in the Sony U Space in Beijing, from Dec. 6, 2016, to Jan. 8, 2017.

An exhibition by acclaimed photographer Michael Yamashita ’71 will be held in Beijing, starting Friday, Dec. 9, 2016.

An exhibition by Michael Yamashita ’71 will be held in Beijing, starting Dec. 6, 2016, and running through Jan. 8, 2017.

Drawn from a series of photographs created for a 2010 National Geographic article, “Tea Horse Road,” Yamashita traces the legendary trail of grand vistas, where both Chinese tea and Tibetan horses were traded. His photographs offer cultural highlights rendered with intimacy—equestrian festivals revealing pageantry and brightly-colored flags, travelers sipping tea by yak-butter candlelight, men squatting to gather worms for herbal healers—as well vast landscapes of distant mountains traced with switchback trails and breathtaking majesty.

The exhibition highlights and features large-scale prints of his work, some two-by-three meters in size. Multiple Sony 4K television monitors will play a 200-picture slide show.

Additionally, Yamashita will be on hand for portions of each day this upcoming weekend (Dec. 9–11, 2016). He’ll be at a reception on Friday, Dec. 9, signing books from 1 to 6 p.m., and on Saturday afternoon he will offer a slide show, as well as attending the show on Sunday. Admission is free, Yamashita notes and adds, “I hope to see many Wesleyan alumni.”

The gallery is located at Jiuxianqiao Road No. 2, 798 Art Zone, Taoci 3rd Street E05-8, Chaoyang, Beijing, China.

Composer/Drummer Sorey MA ’11 is “The Maestro”

Drummer and composer Tyshawn Sorey MA’11 is the subject of an article in JazzTimes by David Adler. Sorey will return to Wesleyan as an assistant professor of music in the fall semester of 2017. (Photo by John Rogers.)

Drummer and composer Tyshawn Sorey MA’11 is the subject of an article in JazzTimes by David Adler, who calls him “multifaceted and restlessly evolving.” Sorey will return to Wesleyan as an assistant professor of music in the fall semester of 2017. (Photo by John Rogers)

Tyshawn Sorey MA ’11 is the subject of a Nov. 26 article published in JazzTimes titled “Tyshawn Sorey: The Maestro.”

“It’s something to see,” writes David Adler for JazzTimes. “A fired-up young sideman blossoms into one of the most multifaceted and restlessly evolving artists of our time at age 36. It’s hard to tally just the most recent accomplishments.”

His accomplishments include premiering a work—Sorey on piano and drums—at the Ojai Festival in California that had been commissioned by the International Contemporary Ensemble (ICE) at the Ojai Festival in California last February—and another ICE commission is upcoming. His Alloy trio (pianist Cory Smythe and bassist Christopher Tordini) not only played a weeklong gig at the Village Vanguard, but has a work commissioned by the Newport Jazz Festival, which Sorey will release soon, containing material from his stint at the Vanguard.

Williams ’89: “Bridge Broadly and Creatively”—Interview in The Progressive

Dar Williams ’89 is touring on her Image by Tristan Loper

Dar Williams ’89 is on her Mortal City 20th Anniversary Tour and also writing a book on eight cities she has visited frequently, including Middletown, Conn. (Image by Tristan Loper)

“A featured performer at the The Progressive’s 100th anniversary party in 2009, [Dar] Williams [’89] has always identified with progressive causes,” writes Bill Luedes, associate editor of The Progressive magazine, by way of background to his Q&A with Williams that follows. “She toured with Joan Baez early in her career and has embraced feminist, anti-war, and pro-environment positions.  She’s taught a class titled ‘Music Movements in a Capitalist Democracy’ at her alma mater, Wesleyan University. A mother of two children, she has written a novel for young adults, Amalee, and is working on a sequel.”

In the interview, Luedes explores the reasons for the sense of community found among audience members at Williams’s concerts, as well as the meaning behind certain song lyrics to tease out her reaction to the recent political climate. When he asks her to recommend community action for individuals, Williams is first descriptive before prescriptive: “My particular expertise these days as a traveler is that I’ve watched towns and cities evolve and become very resilient, and fun, and unique, and prosperous on their own terms. And the secret is bridging. It’s when the local church has a fun clothing swap fundraiser with a temple, and then the next year they bring in the mosque. It’s one group working with the senior center, which works with the elementary school, which works with the Lion’s Club. … I would encourage people to bridge broadly and creatively in their communities, not just because that creates the most fun and resiliency, but also because it creates the most points of access for people to be part of the community, which is what democracy is at its best.”

 

Jazz Guitarist Halvorson ’02 Is “Unflinching and Full of Grace”

Credit Jacob Blickenstaff for The New York Times

Mary Halvonson ’02 has released her eight album, Away With You, reviewed in the New York Times by Nate Chinen. (Photo by Jacob Blickenstaff for The New York Times)

“There’s no other sound in music precisely like Mary Halvorson’s guitar, which she plays with a flinty attack, a spidery finesse and a shiver of wobbly delay,” writes New York Times jazz critic Nate Chinen in a review of her recent shows around Brooklyn in October. She also released her eighth album, Away With Youon Oct.28.

The album is produced by Firehouse 12, a production studio co-founded by fellow jazz musician Taylor Ho Bynum ’98 MA ’05, which has released his work, as well as the music of Halvorson’s and Bynum’s Wesleyan professor and mentor Anthony Braxton, whom Chinen calls “a formative influence as a musical thinker” for Halvorson. Chinen also notes another mentor Halvorson found in Connecticut: acclaimed free-jazz guitarist Joe Morris, “a staunch experimentalist,” with whom Halvorson took private lessons. (Morris is spouse of Anne Marcotty, senior designer in Wesleyan’s Office of Communications.)

Calling her new CD “the most accomplished statement Ms. Halvorson has made as a composer, her strongest turn as bandleader and a standout jazz release of the year,” Chinen notes that she is part of a “vibrant cohort,” and performs on cornetist Bynum’s most recent album, Enter the PlusTet, among other musical collaborations.

The article is both review and interview and part of Times‘ The New Vanguard series, which “examine[s] jazz musicians who are helping reshape the art form, often beyond the glare of the spotlight.” Concluding the interview, Chinen asks Halvorson “whether she had noticed her sound among any imitators …’Actually no, I don’t think so. I can’t think of a time when I heard someone and thought, ‘Oh, that sounds like what I’m doing.’ After a pause, she added: ‘Maybe that will happen. I don’t know.'”

Vidich ’72 Celebrated in Poets and Writers as First-Time Author

Paul Vidich ’72 is first-time author of the noir spy-thriller "An Honorable Man," garnering rave reviews.

Paul Vidich ’72 is first-time author of the noir spy-thriller An Honorable Man, garnering rave reviews.

The article in Poets and Writers begins, “From the National Book Foundation’s 5 Under 35 program to the New Yorker’s 20 Under 40 list, many organizations make a point of recognizing young, gifted authors at the start of their literary careers. In the November/December 2016 issue of Poets & Writers magazine, we feature five debut authors over the age of 50 … whose first books came out this past year, and who stand as living proof that it’s never too late to start your literary journey.”

Highlighted here was Paul Vidich ’72, whose first book, “An Honorable Man” was published in April 2016 by Atria/Emily Bestler, a division of Simon & Schuster, Inc. Kirkus Review called it “A moody debut spy novel inspired by real events…Dead-on Cold War fiction. Noir to the bone,” and Publisher’s Weekly listed it as one of their “top ten mysteries and thrillers of spring 2016.”

The novel is set in 1953, in the midsts of McCarthyism, and with the Cold War underway. Vidich’s hero, George Mueller, is assigned to help the CIA find the double agent in its midst who is selling secrets to the Soviets. Read the excerpt published in Poets and Writers here.

Prior to this novel, Vidich has written both fiction and nonfiction pieces that have appeared in the Wall Street Journal, Fugue, The Nation, Narrative Magazine, and elsewhere. His story, “Falling Girl,” was nominated for a 2011 Pushcart Prize and appeared in New Rivers Press’s American Fiction, Volume 12: The Best Unpublished Short Stories by Emerging Writers.

A College of Social Studies major at Wesleyan, Vidich previously served as executive vice president in charge of global digital strategy at Time Warner’s Warner Music Group. A past member of the National Academies committee on The Impact of Copyright Policy on Innovation in the Digital Era, he testified in Washington before rate hearings.

Vidich is currently a venture investor and serves as an advisor to Internet media companies in video and music. He is on the boards of directors of Poets and Writers, The New School for Social Research, and the Elizabeth Kostova Foundation. A former trustee of Wesleyan, he received a Distinguished Alumni Award and is a graduate of The Wharton School.