Bob Yorburg ’77, a master woodcarver renowned for his antique restorations of turn-of-the-20th-century carousels and calliopes, notes that the Jewish immigrant carvers of that era “raised the art of carousel carving to a new level.” “Their realism and extraordinary ornamentation defined the Coney Island style of carousel carving,” he writes. Additionally, these brilliant carvers translated their secular art into ornamentation that graced the historic synagogues of Brooklyn. Offering a photographic journey into the workshops of some of these artists—Marcus Charles Illions, Charles Carmel, along with Solomon Stein and Harry Goldstein—Yorburg will be speaking on "Coney Island Jewish Immigrant Carvers" at…

The paintings: Oprah is elegantly coiffed, gowned in a long blue dress, into which a portrait of her in The Immortal Life of Henrietta Lacks has been etched. Lincoln, his sad visage rising above the American flag that envelops him, stands in front of a reproduction of a painting by Henry Ogden, “The Battle of Spotsylvania.” Afong Moy, the first woman from China to arrive in the United States, is clad in a culturally traditional red wedding dress, hands primly—or nervously?—clasped at her waist; her head entirely concealed by a veil. We’ll never see her face—which the artist hopes might prod…