Tag Archive for Center for the Arts
by smccrea •
by Lauren Rubenstein •
The Andrew W. Mellon Foundation has awarded Wesleyan a $250,000 grant to implement an innovative artist residency model to deepen engagement with the arts on campus and expand their impact in the community. The grant will be spent over three-and-a-half years, in a period ending in June 2022.
Wesleyan has a long history of hosting artist residencies, in which visiting artists offer master classes and give talks based around a single performance or art installation. Most residencies have been relatively short-term, with a few notable exceptions. Under the Mellon grant, the University will establish an expanded version of the artist residency model with a focus on commissioning original, innovative work. Resident artists will teach a semester-long course, and will become embedded in a particular department but also work across departmental and community borders. They will also conceive and develop a piece of art or performance with student interns/apprentices who are integrally engaged in the generative process over a 12-month period, and premiere that commissioned piece as part of Wesleyan’s presenting or exhibition season or, depending on the work, in a venue off campus.
“Historically, universities have been crucial for artistic experimentation, and Wesleyan has long been a home for adventurous, creative work. With support from the Mellon Foundation, we will nurture, support, and promote innovative artistic work,” said President Michael S. Roth. “Our goal is to give artists the resources and stimuli to help them be cultural catalysts, while also infusing the arts more deeply into campus life at Wesleyan.”
Center for the Arts 2018–2019 Events Feature Urban Latin Dance, Court Dancers and Musicians of Yogyakarta
by Olivia Drake •
Wesleyan’s Center for the Arts announces the highlights of the 2018–2019 season, including two world, two New England, and four Connecticut premieres.
“This season we are taking a cue from CONTRA-TIEMPO, whose new work ‘joyUS justUS’ posits that the expression of joy is the greatest act of resistance,” said Sarah Curran, director of the Center for the Arts. “During the 2018–2019 season, we claim joy and expressive freedom, through which we represent, create, and expand our community. We are particularly excited about presenting the first solo exhibition in New England by up-and-coming multimedia artist Kahlil Robert Irving, including a number of new pieces commissioned by the Ezra and Cecile Zilkha Gallery.”
The 2018–2019 season includes:
- Sept. 7: Ninth annual “Bach to School” organ concert by Artist-in-Residence Ronald Ebrecht marks the start of a celebration of 30 years of his teaching at Wesleyan
- Sept. 8: Seventh annual “The MASH” festival highlighting Wesleyan’s student music scene, inspired by Fête de la Musique (also known as Make Music Day)
- Sept. 12–Nov. 30: “Chado—The Way of Tea” exhibition at College of East Asian Studies Gallery, including photographs from National Geographic photographer Michael Yamashita ’71
- Sept. 21: “Point of Interest” featuring a series of solos, duets, and quintets set to soundscapes by hip-hop dancer and breaking artist Raphael Xavier
- Sept. 26–Dec. 9: “Street Matter — Decay & Forever / Golden Age,” first solo exhibition in New England by Saint Louis–based multimedia artist Kahlil Robert Irving
- Sept. 30: Kitchen Ceilí—Private Lessons Teacher Stan Scott PhD ’97, Dora Hast PhD ’94, and George Wilson—joined by the Rangila Chorus and vocalist/guitarist Sam Scheer
- Oct. 5: Connecticut premiere of “They, Themself and Schmerm,” a disturbingly hilarious personal tale by New York City–based trans actor Becca Blackwell
- Oct. 7: “This Is It!” The Complete Piano Works of John Spencer Camp Professor of Music Neely Bruce: Part XVI, including world premiere of composer’s 12-tone piece “Homage to Aronchik”
- Oct. 11–14: 42nd annual Navaratri Festival of Indian music and dance, including the Connecticut debut of Bharata Natyam dancer Mythili Prakash
- Oct. 26: “The River,” a collaboration between adventurous string quartet ETHEL and Grammy Award-winning Taos Pueblo flutist and Native American instrument maker Robert Mirabal
- Oct. 26–27: Fall Faculty Dance Concert to feature new visiting assistant professors Julie Mulvihill and Joya Powell in collaboration with other Dance Department faculty and guest artists
- Oct. 28: The Castlefield Trio performs original jazz and blues tunes, including world premieres by torch heartbreaker Sarah LeMieux and drummer Andy Chatfield
- Nov. 9: Music and Dance of Yogyakarta, copresented with Yale University and the Asia Society in conjunction with a visit from Sultan Hamengkubuwono X, featuring the Wesleyan gamelan
- Nov. 15: Artist-in-Residence Ronald Ebrecht performs works for harpsichord to welcome a marvelous Frank Hubbard harpsichord to campus
- Nov. 16–18: Theater Department production of “Mr. Burns, a post-electric play,” written by Anne Washburn and directed by Visiting Assistant Professor of Theater Pirronne Yousefzadeh
- Nov. 30: Winslow-Kaplan Professor of Music and puppeteer Sumarsam and Wesleyan Gamelan Ensemble directed by Artist-in-Residence I.M. Harjito present a wayang kulit (Javanese puppet play)
- Feb. 8, 2019: New England premiere of “joyUS justUS,” a participatory urban Latin dance theater experience by Los Angeles–based CONTRA-TIEMPO
- Feb. 28–March 2, 2019: Connecticut premiere of “The Fever” by Brooklyn-based theater artists 600 HIGHWAYMEN, the duo of Abigail Browde and Michael Silverstone
- March 29, 2019: Connecticut debut of Alsarah (Sarah Mohamed Abunama Elgadi ’04) and The Nubatones’ lavish, joyful East African retro-pop, full of Arabic-language reflections on identity and survivalTickets are available Monday through Friday from 11 a.m. to 3 p.m., by phone at 860-685-3355, or in person at the Wesleyan University Box Office, located in the Usdan University Center.
Tickets may also be purchased at the door beginning one hour prior to each ticketed performance during the season, subject to availability. The Center for the Arts accepts cash, checks written to “Wesleyan University,” and all major credit cards. Groups of ten or more may receive a discount to select performances. No refunds, cancellations, or exchanges. Programs, artists, and dates are subject to change without notice. For more information on any of the events, visit the CFA website.
by Olivia Drake •
This summer, students seeking a master’s degree in performance curation from Wesleyan’s Institute for Curatorial Practice in Performance (ICPP) are working on six performing artist case studies funded by the Doris Duke Charitable Foundation.
On July 16, the ICPP Entrepreneurial Strategies class discussed their first artist — Becca Blackwell, an award-winning trans actor, performer and writer based in New York City. Blackwell is working with consultants and mentors at ICPP to develop a strategic framework for the next two to five years of their career. Blackwell will also be presenting their work at Wesleyan on October 5.
Photos of the class are below: (Photos by Richard Marinelli)
by Olivia Drake •
On May 27, seven students graduated with a Master of Arts in Performance Curation through the Center for the Arts Institute for Curatorial Practice in Performance (ICPP).
Since being introduced as a pilot initiative in 2011, ICPP has graduated 16 students from the ICPP Master’s program (including this year’s class). ICPP encourages emerging curators to enrich their understanding of intellectually rigorous, innovative, and artist-centered curatorial models. Through a low-residency model, ICPP asks its students to not only engage with ideas but also to simultaneously put those ideas into practice in their professional lives, developing responsive curatorial practices that address the interdisciplinary nature of performance work today.
The mix of ICPP instructors—artists, scholars, curators, cultural leaders, writers, and theorists—is intended to spark new possibilities and connections both intellectually and professionally. Instructors provide theoretical and practical tools for students to deepen their research methodologies through reading, writing, viewings, and discussion.
The degree recipients include Michèle Steinwald ’13, Ellina Kevorkian, Ali Rosa-Salas, Brian Hyunsuk Lee ’13, Katrina De Wees, Rachel Scandling, and Michelle Daly. Steinwald and Kevorkian were unable to attend the commencement ceremony.
Following the 186th Commencement ceremony, the recent alumni gathered for a reception with their friends and family at the Center for the Arts. Photos of the event are below: (Photos by Tom Dzimian)
by Olivia Drake •
Introduced as a pilot initiative in 2011, the ICPP is the first institute of its kind, a center for the academic study of the presentation and contextualization of contemporary performance. The low-residency program offers students a master’s degree in innovative and relevant curatorial approaches to developing and presenting time-based art.
The grant will be used to support performing artist case studies, working with artists at critical points in their careers to provide analysis of their entrepreneurial strategies, as well as engagement with the economic drivers of cultural production. This funding will further ICPP’s efforts to bring to light different models for artist development, and highlight successful tactics for philanthropic support over the arc of their career. Findings developed during the case studies, including best practices and replicable models, will be shared via a website and print publication, as well as at various conferences.
“As older infrastructure for arts support erodes, performing artists are developing inventive new models for sustaining a career,” said Sarah Curran, managing director of ICPP. “These case studies will allow us to work with artists to both assess and suggest new entrepreneurial strategies, and create and share models of best practice. Our hope is that this process will spark dialogue not only with artists and curators involved in the studies, but also with arts organizations, cultural policy makers, and grant makers about how best to support artists in this shifting arts economy.”
“The continued support of the Doris Duke Charitable Foundation recognizes the impact that the Institute for Curatorial Practice in Performance has beyond the Wesleyan campus,” said President Michael Roth. “These case studies will provide a new assessment of best practices and inventive strategies for the arts.”
At the end of April, Wesleyan University’s concert halls will be filled with the sound of rhythm during the 16th Annual Wesleyan Jazz Orchestra Weekend, on Friday, April 28 and Saturday, April 29. The weekend will kick off with the traditional performance by the Wesleyan University Jazz Orchestra and Jazz Ensembles on Friday evening. New this year, on Saturday, there will be percussion clinics hosted by the Connecticut Percussive Arts Society, followed by an evening concert by Eli Fountain’s Percussion Discussion.
Jay Hoggard, professor of music and African American studies, explained the idea behind this ambitious project. “For the first time ever, we’re combining the Wesleyan student ensembles and the Connecticut Percussive Arts Society program,” he said. “We thought that would be an interesting combination, but instead of doing it over a series of multiple weekends, as we have done in the past, it’s going to be one day with multiple performances, about 20 minutes each.”
by Olivia Drake •
Director and playwright Emily Mann will give a talk at Wesleyan on March 28 as part of the Performing Arts Series of the Center for the Arts. Mann will be in conversation with Wesleyan’s Shapiro Distinguished Professor of Writing and Theater Quiara Alegría Hudes.
“Emily Mann is a revered theatrical auteur,” said Hudes, a Pulitzer Prize-winning playwright who teaches playwriting to beginning and advanced writers at Wesleyan. “An accomplished playwright, director, and artistic director of a leading regional theater, Mann is known for her probing inquiry into our nation’s most urgent issues. Her art has time and again advanced the national conversation.”
Hudes believes those in attendance will benefit from hearing Mann’s views on the arts. Hudes explained, “The audience can expect to hear from a pioneer and trailblazer about what it means to have a vision, how to build and sustain an artistic vision over decades, and how word meets flesh at the intersection of the script and stage.”
“I am honored to be joining Quiara Alegría Hudes at Wesleyan for what will no doubt be an exciting day, both in our class workshop and our public conversation in the evening,” said Mann. “I am very much looking forward to an engaging talk with Quiara, discussing a wide range of topics including the state of the American theater, the American playwright, and opening doors to a whole new generation of voices.”
Known for her politically edgy and documentary style, Mann is currently in her 27th season as artistic director and resident playwright of the Tony Award-winning McCarter Theatre Center in Princeton, N.J. In 2015, she received both the Helen Merrill Distinguished Playwrights’ Award, and the Margo Jones Award, given to a “citizen of the theater who has demonstrated a lifetime commitment to the encouragement of the living theater everywhere.”
A Conversation with Emily Mann will take place in Memorial Chapel at 7 p.m., Tuesday, March 28 and is free and open to the public.
Members of the Philadelphia-based ensemble Tempesta di Mare will perform baroque chamber music from Venice and Naples on period instruments for the Connecticut premiere of A Tale of Two Italian Cities in Crowell Concert Hall at 8 p.m., Friday, March 31.
This performance by Tempesta di Mare is part of the Performing Arts Series at the Center for the Arts, and the conclusion of the 2016-2017 season.
“These performances feature a wide array of world-class musicians, cutting-edge choreography, and groundbreaking theater,” explained Sarah Curran, director of the Center for the Arts. “We’re excited to include a baroque chamber orchestra this year and we think the audience will love experiencing the sounds and culture of Italy.”
The audience can expect to hear music that reflects the two cities’ different cultures, explained Richard Stone, co-director of Tempesta di Mare. “Venice was Italy’s party town, while Naples was where you’d go to university or, if you were a musician, to conservatory,” said Stone. “Neapolitan music grabs its listeners with a heady intensity, while the Venetian music catches you with technical brilliance. That’s the generalization though. Naples’ music could get pretty wild, and Venetian music can get pretty cerebral. They’re both great musical worlds to dive into.”
Celebrating their 15th anniversary season, the members of the ensemble performing at Wesleyan will play recorder, violin, cello, lute and harpsichord on trios, quartets and concerti written by Antonio Vivaldi, Alessandro Scarlatti, Dario Castello, Andrea Falconieri, Francesco Mancini and Giovanni Legrenzi.
Tickets can be purchased through the Wesleyan University Box Office. Tickets are $28 for the general public; $26 for senior citizens, Wesleyan faculty/staff/alumni, and non-Wesleyan students; and $6 for Wesleyan students and youth under 18.