Actress Beanie Feldstein ’15 has made her Broadway debut as Minnie Fay in the sold-out, Tony-winning revival of Hello, Dolly! this past April. The role has her playing a fresh-faced shopgirl in this comedic musical theater hit about a meddlesome matchmaker named Dolly Gallagher Levi. Starring alongside the iconic Bette Middler and Broadway veteran Kate Baldwin, Feldstein is living out her childhood dream night after night in Broadway’s Shubert Theatre—and certain magazine outlets, such as Vogue, are asking whether we are seeing the next Middler in Feldstein.
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by Cynthia Rockwell •
Guns in American Society, this year’s Shasha Seminar for Human Concerns, will be held on campus on Friday and Saturday, Oct. 27-28. Made possible by a generous grant from the Shasha family, the 16th annual event will convene experts, including Wesleyan faculty and administrators, as well as alumni from across the country, to examine current debates about the role of guns in American society and discuss ways of reducing the national incidence of gun violence.
According to seminar organizer Jennifer Tucker, associate professor of history and science in society and researcher in the history of technology, law and culture, guns are a topic of concern not just for those advocating for gun control but also for gun rights advocates, who see the issue as a question of personal liberty. The debate, she notes, is now moving onto college campuses, with the recent passage of legislation allowing guns on campus in 10 states. Additionally, 16 more states are considering such legislation.
by Cynthia Rockwell •
In a program jointly sponsored by the Wadsworth Atheneum Museum of Art and The Amistad Center for Art & Culture, artist Glenn Ligon ’82 joined Dean and Professor of Art History at Northwestern University Huey Copeland for a discussion on Sept. 13 at the Atheneum in Hartford. The two, who noted their longstanding friendship as they began their onstage discussion, explored Ligon’s creative practices and Copeland’s research on the ways African American artists have addressed race in the history of American art.
Prior to the conversation, attendees were invited to view the Atheneum’s permanent installation of post-2000 contemporary art in the Hilles Gallery. Ligon’s piece, White #15 (1994, paintstick on linen and wood), is on exhibit there. Ligon had been featured at the Athenaeum in MATRIX 120, the 1992 exhibit in an ongoing and changing series of contemporary art exhibitions, initially funded 1974, with a grant from the National Endowment for the Arts.
The conversation between Ligon and Copeland explored Ligon’s work, including the installation, To Disembark (1993), and that of other contemporary artists, including Cameron Rowland ’11—as well as the museums charged with illustrating the history of African Americans, including the National Museum of African American History and Culture—in the context of current events.
Molly Jane Zuckerman ’16 is one of only 40 student ambassadors representing the United States at the World Expo 2017 in Astana, Kazakhstan, which brings together key leaders from the global business community, high-ranking government officials, and cultural representatives in the first world fair to take place in Central Asia.
The theme of this year’s international exposition is “Future Energy,” and the United States is one of more than 100 countries and international organizations to participate. As an intern for the USA Pavilion, Zuckerman conducts tours of the exhibit for both Kazakh and international visitors.
“The theme of our pavilion is human energy, and how we—humanity—are actually the source of infinite energy,” says Zuckerman.
by Cynthia Rockwell •
While still undergraduates, Julie Magruder ’17 and Jackson DuMont ’17 began filming The Face of Kinship Care, a documentary highlighting the important role that familial, but non-parental, caregivers provide in the lives of children. The documentary will be will be shown at Wesleyan—as well as more widely—at 8 p.m., Monday, Sept. 18, at the Powell Family Cinema. September, notes Magruder, is Kinship Care Month in a number of states. Through her work on this film, Magruder has become an advocate for highlighting the importance of kinship caregivers in all states.
The project began more than a year ago, when Christine James-Brown, president of the Child Welfare League of America (CWLA), requested a documentary on the topic. Through the W. T. Grant Foundation, DuMont was put in touch with James-Brown. DuMont knew of Magruder’s particular interest in nonfiction storytelling, and once the idea had been solidified, he reached out to collaborate.
by Cynthia Rockwell •
Writing in a New York Times opinion piece, Joseph J. Fins ’82, M.D., The E. William Davis, Jr., M.D., Professor of Medical Ethics and the chief of the Division of Medical Ethics at Weill Cornell Medicine, describes the startling case of a young woman thought to be in a vegetative state but later able to communicate through the movement of one eye.
In “Brain Injury and the Civil Right We Don’t Think About,” Fins says that many seemingly vegetative individuals are misdiagnosed and suffer a loss of personhood and civil rights when they do have some conscious awareness and are, in fact, in the minimally conscious state.
Because minimally conscious patients can feel pain while vegetative patients can not, a misdiagnosis of a patient’s brain state can lead to a lack of pain medication administered during a medical procedure, a horrifying possibility. So too, says Fins, is “segregating” these patients in “custodial care” facilities without offering them rehabilitative opportunities to foster their recoveries. He writes:
I use the verb “segregated” deliberately, to invoke a time when separate but equal was the law. In the wake of legal advances like the Americans with Disabilities Act and the United Nations Convention on the Rights of the Disabled, which call for the integration of people with disabilities into civil society, how is the pervasive segregation of this population justified?
Part of the problem is that when these laws were written, the notion of reintegration was focused on physical mobility … When we restore voice to these patients we bring them back into the room and the conversation.
I often speak to university students brought up in the era of L.G.B.T.Q. rights who can’t understand how my generation did not appreciate that people could love those they chose to love. … I caution against smugness, suggesting that their own children may well ask them how they allowed society to ignore conscious individuals and deprive them of their rights.
Fins, a co-director of the Consortium for the Advanced Study of Brain Injury, is the author of Rights Come to Mind: Brain Injury, Ethics, and the Struggle for Consciousness (Cambridge University Press, 2015) and the Solomon Center Distinguished Scholar in Medicine, Bioethics and the Law at Yale Law School. He spoke on these topics at Wesleyan in 2015 as the Kim-Frank Visiting Writer. A trustee emeritus of Wesleyan, he was named a Distinguished Alumnus of the university in 2012.
Clinical psychologist and YA novelist Becky Albertalli ’05 is the author of Simon vs. the Homo Sapiens Agenda, an award winning coming-of-age story published by Harper Collins in 2015. It follows Simon Spier, a junior in high school struggling to come to terms with his sexual identity without coming out, before a leaked email threatens to compromise his secret and his comfort zone. This past October, Fox 2000 Pictures and Temple Hill Entertainment began developing a movie adaptation of the book. The major motion picture will feature a star-studded cast––including Nick Robinson, Katherine Langford and Jennifer Garner––and is set to be released in March 2018.
Directed by Greg Berlanti, the comedy-drama film of the same name as Albertalli’s debut novel is currently in post-production. Fans of the popular book and members of the cast, like Alexandra Shipp, Logan Miller and Josh Duhamel, are excited to see an underrepresented, LGBTQA-centered story told on the big screen.
by Cynthia Rockwell •
On Sept.12 (check local listings), Public Broadcasting Service’s Frontline will broadcast Abacus: Small Enough to Jail, a new documentary by Steve James (Hoop Dreams, Life Itself) that tells the story of the only U.S. bank to be criminally charged in connection with the 2008 financial crisis. That bank is Abacus Federal Savings Bank, located in New York City’s Chinatown and founded in 1984 by Thomas Sung, an immigration lawyer and an immigrant himself, who saw the need for this within the insular community. Sung and his wife are the parents of four daughters—three lawyers and one medical doctor—including two affiliated with the bank: Jill Sung ’90, president and CEO of Abacus, and her elder sister Vera, who sits on the board.
The events that are chronicled were set in motion when the Sungs discovered that one of their loan officers was taking money from borrowers in order to create false loan documents. The Sungs immediately fired him, referred the matter to their regulator, and reported the incident to the police. Yet instead of prosecuting that individual, the district attorney’s office turned their scrutiny on the bank’s officers and employees. In an unprecedented turn of events, 18 Abacus employees were placed under arrest and the press was offered a shocking photo-op: 10 of these employees were “handcuffed to a chain and paraded down the hallway in the Criminal Court building in a staged perp-walk before the national news media like a herd of slaves being led to the auction block,” as Thomas Sung later described that event in his statement to the public after Abacus was found innocent of wrongdoing.
Before that day of vindication, however, the legal proceedings, machinations, and trial sprawled over five long, intense years. James was there to film key moments and conduct interviews, including one with New York City District Attorney Cyrus R. Vance Jr., who led the prosecution.
by Laurie Kenney •
Wesleyan students will have the opportunity to learn collaborative filmmaking skills before being transported to a metaphoric desert island with nothing but a camera phone and a song when award-winning independent filmmaker Michael Pope and singer-musician-writer Amanda Palmer ’98 team up for a new course this fall: The Art of Doing: Creative Project Production and Making It Happen. The studio class, which will be limited to 15 students, will focus on non-traditional video production techniques resulting in a class-created video featuring music and performance by Palmer.
Noah Hamlish ’16 is one of five delegates representing the U.S. in this year’s Youth Ag-Summit in Brussels. Organized by Crop Science, the summit is a weeklong event that connects youth leaders from 49 countries to brainstorm ideas for agricultural sustainability and tackle global food security issues.
In a feature article in Agrinews, Hamlish recounts the experiences that have spurred his interest in food challenges and farming innovation:
He is a graduate of Wesleyan University and has a bachelor’s degree in biochemistry and molecular biology.
“I’m a city boy through and through, but when I got to college, I started to focus a lot on food science and aquatic systems,” he explained. “I am interested in fish and seafood, where they come from, how we produce them and the science that goes along with it.”
Composer and musician Simon Riker ’14 showcased the original musical comedy Me Prometheus: Caveman Love Story at this year’s NY Summerfest Theatre Festival over the weekend. Conceived by Riker in 2010 and written in collaboration with friend Emerson Sieverts, the absurd full-length show about the prehistoric discovery of fire was produced first at Wesleyan and again at William and Mary. This summer, Me Prometheus appeared in its third live iteration with four sold-out shows on the New York Theatre Festival stage.
In an article for the Times Square Chronicles, Riker is described as a “composer, music director, singer, and keyboardist.” He developed his interest in music at a young age and continued to hone his skills as an undergrad:
by Cynthia Rockwell •
Adweek named Michele Roberts ’77, executive director—and first female leader—of the National Basketball Players Association (NBPA), to its “30 Most Powerful Women in Sports” list, which features outstanding executives, athletes and journalists, among others.
Previously an attorney with Skadden, Arps, Slate, Meagher & Flom, Roberts began her career as a public defender in Washington, D.C. In the June 26 article, Adweek’s Tim Baysinger noted that Roberts would be negotiating across the table from league commissioner Adam Silver when the two worked on a new collective bargaining agreement—and Roberts would be trying to avoid a lockout, something her two predecessors were not able to do. A government major at Wesleyan, Roberts earned her JD from the University of California at Berkeley.
The negotiations now completed, Roberts noted, “The deal we worked out with the league contained a number of favorable provisions for our players, including a 45 percent across-the-board salary increase for those players whose salaries are pre-set. And, no lockout!”
In 2015, Roberts spoke at Wesleyan’s Dwight L. Greene Symposium about her role with the players union and her deep commitment to the men she was representing: “Maybe it is okay for a professional athlete to be as politically apathetic as anyone else; they have the right not to care,” Roberts said. “But when I saw my guys wearing those ‘I can’t breathe’ t-shirts, I could not have been more proud.… We will defend to the death the right of our players to comment on political issues as they see fit as long as they don’t violate any laws.”