Tag Archive for dance

Eiko Otake to Present Major Platform at Danspace in NYC, March 11

Eiko performing at Wesleyan's Alsop House.

Visiting Instructor in Dance Eiko Otake performed at Wesleyan’s Alsop House.

Building off research she did for her work “Body in Places” at Wesleyan in fall 2015, Visiting Instructor in Dance Eiko Otake will present a major platform at Danspace Project in New York City on March 11. The free talks include those by Wesleyan faculty members William Johnson, professor of history, professor of East Asian Studies, professor of science in society, professor of environmental studies, and Katja Kolcio, associate professor of dance, associate professor of environmental studies.

March 11 marks the fifth anniversary of the earthquake, tsunami and nuclear disaster in Fukushima, Japan. A photo collective by Eiko and Johnston will be on display in the St. Mark’s Church sanctuary for 24 hours. Singers and poets will mark each hour with a song and poem.

Johnston will speak at 4 p.m., together with Marilyn Ivy of Columbia University. Kolcio will speak at 6 p.m. together with Yoshiko Chuma, artistic director and choreographer of The School of Hard Knocks and Daghdha Dance Company.

Admission is free, and attendees are encouraged to RSVP here.

Learn more about Eiko’s month-long, multi-disciplinary program here. Read recent coverage of the project in The New York Times here and here. (All photos by William Johnston).

Eiko at Governors Island.

Eiko at Governors Island.

Eiko in Manhattan.

Eiko in Manhattan.

Eiko on Governors Island ferry.

Eiko on Governors Island ferry.

Adzenyah, Saaka Teach West African Dance, Drumming

On Nov. 7, Adjunct Professor of Music Abraham Adzenyah and Artist in Residence Iddi Saaka taught a joint Homecoming/Family Weekend workshop for students, families and friends on Ghanian drumming and dance. Participants performed in Crowell Concert Hall with alumni accompanying on drums. Current Wesleyan students also performed. The event was one of three held that day in honor of Adzenyah’s 46 years at Wesleyan. Wesleyan is working to raise $300,000 to establish an Abraham Adzenyah Endowed Wesleyan Scholarship after his retirement. Find more information or make a donation here. (Photo by John Van Vlack)

Participants in the West African Drumming and Dance workshop performed in Crowell Concert Hall on Nov. 7, with retiring Adjunct Professor of Music Abraham Adzenyah and alumni accompanying on drums. Current Wesleyan students also performed. (Photo by John Van Vlack)

Participants in the West African Drumming and Dance workshop performed in Crowell Concert Hall on Nov. 7, with retiring Adjunct Professor of Music Abraham Adzenyah and alumni accompanying on drums. Current Wesleyan students also performed. (Photo by John Van Vlack)

Krishnan Receives Choreomundus Scholars in Residence Award

Professor Hari Krishnan recently received a prestigious award and residency at  the University of Roehampton.

Professor Hari Krishnan recently received a prestigious award and residency at the University of Roehampton.
(photo c/o Stephen De Las Heras)

Hari Krishnan, assistant professor of dance, recently received the Choreomundus Scholars in Residence Award, which will support a three-week residence at the University of Roehampton in London, beginning May 18. During his residency, Krishnan will teach and mentor Choreomundus students who are working on their final project.

(photo c/o Michael Slobodian)

(photo c/o Michael Slobodian)

Krishnan expressed excitement over his award: “I am delighted and honored to be one of two recipients of the prestigious Erasmus Mundus grant for visiting scholars to the “Choreomundus International Masters in Dance Knowledge, Practice and Heritage” at the University of Roehampton’s Department of Dance in London.”

Crimea, Tatar Rights Explored at Panel Discussion, Multimedia Performance

Wesleyan will present "To Not Forget Crimea: Uncertain Quiet of Indigenous Crimean Tatars" Oct. 24. The event includes a panel discussion, faculty dance concert/multimedia presentation and reception.

Wesleyan will present “To Not Forget Crimea: Uncertain Quiet of Indigenous Crimean Tatars” Oct. 24. The event includes a panel discussion, faculty dance concert/multimedia presentation and reception.

 

On Oct. 24, the Dance Department and Center for the Arts present “To Not Forget Crimea: Uncertain Quiet of Indigenous Crimean Tatars,” a panel discussion and the Fall Faculty Dance Concert by Associate Professor of Dance Katja Kolcio.

While international media and political leaders are ignoring the situation in Crimea, this event draws public attention to the widespread violation of the Tatars’ human rights and the degree to which the Russian Occupation has forced them out of their ancestral homeland.

The evening will begin with a free panel discussion, “Indigenous Ukrainian Perspectives of Crimea Post Russian-Invasion,” from 6 to 7:30 p.m. in Fayerweather Beckham Hall. The discussion will revolve around the current situation in Crimea, the quest for indigenous status by its Tatar population, and the movement for Tatar rights under Mustafa Jemilev, which through non-violence and interfaith collaboration offers an inspiring model for other oppressed peoples.

The event will be live streamed; see here for information and the live stream link.

Panelists will include Arsen Zhumadilov, founder and chairman of the Crimean Institute for Strategic Studies; Ayla Bakkalli, United States representative of the Crimean Tatar Mejlis at the United Nations Permanent Forum on Indigenous Issues; and Greta Uehling, lecturer at the University of Michigan’s Program in International and Comparative Studies, and author of Beyond Memory: The Crimean Tatars’ Deportation and Return.

Krishnan Nominated for Dance Performance Award

Hari Krishnan

Hari Krishnan

Assistant Professor of Dance Hari Krishnan has been nominated for the Bessie Award for Outstanding Performer for his solo performance of “The Frog Princess,” which he performed as part of the La Mama Moves! Dance Festival in New York City in June and July.

Forty nominees for the 2012-13 Bessies, formally known as The New York Dance and Performance Awards, were announced at a press conference at the Gina Gibney Dance Center in New York on July 17. The 29th Annual Bessie Awards will be held on Oct. 7 at the Apollo Theater in New York.
Krishnan was one of 12 artists nominated for Outstanding Performer. See the full list here. Read a New York Times review of Krishnan’s performance, which he choreographed, here.

West African Drummers, Dancers Perform on CFA Green

Wesleyan’s West African Drumming and Dance performers.

Wesleyan’s annual West African Drumming and Dance concert, which took place on the Center for the Arts Green, was recently featured by the Middletown Patch.

The article, published on May 15, notes: “The exhilarating performance featured the work of Ghanian choreographer Iddi Saaka, Wesleyan world dance artist-in-residence; and master drummer Abraham Adzenyah, whose energetic and spirited students gave a sampling of what they’ve learned in West African dance courses this semester, accompanied by guest artists and drummers. ”

Read the article and see the video of the performance here.

Krishnan’s Dance Performance Praised in Canadian Media

Artist-in-Residence Hari Krishnan, pictured in back, performs "Fallen Rain."

Hari Krishnan, artist-in-residence in dance, received widespread media attention for his dance company’s performance season in Canada. Positive reviews and articles appeared in the Toronto StandardToronto.comXtra!To Live With CultureMooney on Theatreand Fab Magazine.

In other exciting news, Krishnan’s dance company, inDANCE, was invited to present “Quicksand” and a new solo (commissioned for Jacob’s Pillow) at the Canada Dance Festival, the country’s most prestigious contemporary dance festival, on June 11.

Schwartz MALS ’77 Co-Writes Life of Dancer Pearl Primus

Peggy MALS '77 and Murray Schwartz (Photo by Stan Sherer)

In The Dance Claimed Me (Yale University Press), Peggy MALS ’77 and Murray Schwartz provide an intimate perspective on the life of Pearl Primus (1919–1994) who made her mark on the dance scene in 1943 with impressive works incorporating social and racial protest into their dance aesthetic. Friends and colleagues of the dancer, the authors explore her influences on American culture, dance, and education. 

The Schwartzes trace Primus’s journey from her childhood in Port of Spain, Trinidad, through her rise as an influential international dancer, an early member of the New Dance Group (whose motto was “Dance is a weapon”), and a pioneer in dance anthropology. They interviewed more than 100 of the artist’s family members, friends, and fellow artists, and others.

Primus traveled extensively in the United States, Europe, Israel, the Caribbean, and Africa, and she played a significant role in presenting authentic African dance to American audiences. She was celebrated by dance critics and contemporaries such as Langston Hughes. But she found controversy in both her private and professional lives, marrying a white Jewish man during a time of segregation and challenging black intellectuals who opposed the “primitive” in her choreography. Her political protests and mixed-race tours in the South triggered an FBI investigation.

Peggy Schwartz is professor of dance and former director of the Dance Program at the University of Massachusetts, Amherst. Murray Schwartz is former dean of humanities and fine arts at the University of Massachusetts Amherst. He teaches literature at Emerson College.

For an interview with the authors, click here.

Krishnan’s Dance Troupe Presents Canadian Premiere

Artist-in-Residence Hari Krishnan, pictured in back, performs "Fallen Rain."

Artist-in-Residence Hari Krishnan’s dance company inDANCE presented the Canadian premiere of Fallen Rain Oct. 1-2 at the Robert Gill Theatre in Toronto, Canada. The dance troupe performs Indian classical dance style bharatanatyam with Western contemporary eroticism.

Under the artistic direction of Krishnan, inDANCE performed the 60-minute premiere as part of the Festival of South Asian Literature and the Arts and the University of Toronto’s The Centre for South Asian Studies. Initially choreographed as a series of solos and duets, the Canadian premiere of Fallen Rain features seven lyrical dancers and six musicians. It includes rare genres of dance that have never been presented on the Canadian stage.

Hari Krishnan in Fallen Rain.

“Fallen Rain animates by the poetic and kinetic world of dance in courtesan communities,” Krishnan explains. The repertoire, he says, is drawn largely from 19th-century Tanjavur, South India. Tanjavur is historically the royal city of South India, nurturing the arts, and is the birth place of bharatanatyam dance.

Krishnan teaches similar rare repertoires at Wesleyan, maintaining his two decades-long research of the traditional roots of Bharatanatyam dance.

“Bharatanatyam  is rarely taught and performed anywhere else in the world,” he says.

In Fallen Rain, inDANCE pushes the boundaries of professionalism in the areas of traditional bharatanatyam dance, inspiring live music, groundbreaking research, cutting edge lighting design and rich costume design. The group presents its classical work in the context of a contemporary aesthetic framework.

Dewey Dell Ends CFA Residency with Debut Performances

The Italian experimental theater company Dewey Dell presented "à elle vide," Sept. 9 and 10 in the Patricelli '92 Theater. Named after a character in William Faulkner's "As I Lay Dying," the group was formed in 2007 by Teodora, Demetrio and Agata Castellucci, along with Eugenio Resta. Their two-week residency at Wesleyan included the American debut performances of "à elle vide" and "Cinquanta Urlanti Quaranta Ruggenti Sessanta Stridenti" (not pictured).