Tag Archive 'East Asian Studies'
Vera Schwarcz, the Mansfield Freeman Professor of East Asian Studies, professor of history, is the author of Ancestral Intelligence, published by Antrim House Books in 2013. She signed copies of her book and read selected poems at Broad Street Books on July 22. Photos of her book signing are below: (Photos by Eki Ramadhan ’16)
Su Zheng, associate professor of music, associate professor of East Asian studies, spoke in a recent China Daily USA article about the number of African musical artists in China and how their presence is “creating new types of harmony between the two lands.”
Zheng starts off by pointing out that “Wherever there are Africans, there is good music – just like wherever there are Chinese, there is good food.”
When she discovered that there were no reports on the presence of African music in China, she decided to research the music of the African diaspora herself. The research completed by Zheng and her team of three graduate students from the Shanghai Conservatory of Music shows, while it seems improbable, that African music will greatly influence Chinese music at some point.
Vera Schwarcz, the Mansfield Freeman Professor of East Asian Studies, professor of history, is the author of Ancestral Intelligence, published by Antrim House Books in 2013.
In Ancestral Intelligence, Schwarcz depicts the cultural landscape of contemporary China by creating “renditions” of poems by a mid-20th century dissident poet, Chen Yinke, and by adding a group of her own poems in harmony with Chen Yinke’s. Like his, her poems show a degradation of culture and humanity, in this case through comparison of classic and modern Chinese logographs.
In the tragic yet inspiring story of Chen Yinke, Schwarcz finds her own powerful way of articulating the horrors of political oppression, and also the smaller but no less difficult personal afflictions of growing old, seeing loved ones suffer. The book’s front cover design by Andy Youlieguo Zhou depicts the degradation of one’s culture and language.
Schwarcz was born and raised in Cluj, Romania, where she began her explorations of poetry in several languages. Her mother tongues include Hungarian and Romanian, with Yiddish, German, Hebrew, Russian and French added along the way. After emigrating to the United States in 1962, she pursued degrees in East Asian studies and history at Vassar, Yale and Stanford. A member of the first group of exchange scholars to be sent to China in the spring of 1979, she has returned to Beijing repeatedly during the past three decades. All along, her corpus of scholarly writing has been accompanied by the publication of poems in several languages in the United States, Europe and Asia. The daughter of Holocaust survivors, Schwarcz has made the quest for remembrance a central theme in all her works. Her writing has been nominated for the National Jewish Book Award and has been accorded several major grants, including a Guggenheim Fellowship.
Read Ancestral Intelligence poem samples online here.
Doreen Brown Freeman, who together with her husband, the late Houghton “Buck” Freeman ’43, generously supported Wesleyan and especially the Freeman Asian Scholars Program, died July 12 in Honolulu.
The Freeman family, including Buck, Doreen and their son Graeme Freeman ’77, established the Freeman Foundation in 1993 after the death of Buck’s father, Mansfield Freeman, Wesleyan class of 1916, who had contributed greatly to Wesleyan’s East Asian Studies Program.
Buck Freeman was chairman of the Freeman Foundation, and Doreen was a co-trustee. They demonstrated a hands-on style of giving that ensured a personal connection with all those receiving foundation support. She was especially attentive to the Freeman Asian Scholars Program – the foundation’s landmark contribution to Wesleyan. Established in 1995 to promote cross-cultural understanding between the United States and Asia, the program provides scholarships for exceptional students from 11 East Asian countries to earn bachelor’s degrees at Wesleyan. The program has supported more than 340 students.
Doreen was instrumental in interviewing Freeman Asian Scholar candidates each year until 2010, and was an especially staunch supporter of candidates who came from challenging backgrounds with limited opportunities to study abroad. She also was particularly interested in hearing from the program’s students and alumni about the details of their lives.
“For decades the Freeman family has helped Wesleyan fulfill its mission of providing the best in liberal arts education,” said Wesleyan President Michael Roth. “We are deeply grateful for all that the foundation has done and continues to do, and we mourn the passing of Doreen, who with her husband Buck, were wonderful friends. Our hearts go out to her daughter Linda, son Graeme and their families.”
Doreen was born in England in 1923. During World War II, she proudly served in one of Britain’s women’s service corps. At American International Group (AIG) – which was co-founded by Mansfield Freeman, and where her husband later rose to the top levels of company leadership – she took the initiative to “show the ropes” to younger AIG spouses. She was an avid reader and loved novels and memoirs about Asia.
Buck and Doreen’s generosity has made an enormous impact on Wesleyan. A gift at the end of the Campaign for Liberal Learning in the 1980s jump-started construction of Bacon Field House and the new pool in the Freeman Athletic Center. They also supported the Center for East Asian Studies, the Wesleyan Fund and other special projects. Their giving made them Wesleyan’s largest donors ever.
Wesleyan awarded Doreen an honorary degree in 2003, citing her as “a philanthropist whose strong compassion springs from commitment, grit, and a backbone of steel.”
Arrangements for remembrance will be private. Letters and notes are welcome at The Freeman Foundation, 1601 East West Road, Honolulu, HI 96848.
(Story contributed by Charles Salas, director of strategic initiatives)
“A golden example of what exchange should be between academic communities in the United States and China.” That’s how Gao Xiang, vice secretary of the Chinese Academy of Social Sciences (CASS) and editor-in-chief of the Social Sciences in China Press, described the Chinese-American Scholarly Exchange Forum that took place May 9-11 at Wesleyan’s Mansfield Freeman Center for East Asian Studies. The forum brought 15 distinguished scholars from China to Wesleyan to meet with American counterparts to discuss the topic of “Comparative Enlightenments.”
The forum was framed by Wang Weiguang, president of CASS, who expressed fervent hopes for this dialogue “between Eastern and Western civilizations as if a lamp is lit by another lamp, as if a dream illuminates another dream, and ultimately illuminates our entire human world.” CASS is far and away the most important center in China for studies in philosophy and the social sciences, and this is the second forum in which they’ve partnered with Wesleyan. The topic of the first forum (held a year and a half ago in Bejing) was “Tradition.” (more…)
For the past two years, Ao Wang has shared with his students at Wesleyan a passion for Chinese poetry and intellectual debate over East Asian cultural issues.
Wang came to Wesleyan in fall 2010 as a visiting professor. He was hired in the 2011-12 academic year as an assistant professor of Asian languages and literatures and East Asian studies.
Originally from Qingdao, China, Wang was drawn to the United States because of his love of American culture, particularly music and poetry. Though he didn’t have a specific career goal at that time, he eventually decided to become a translator of poetry—from Chinese into English, and English to Chinese. Wang went on to earn a Ph.D. from Yale in East Asian languages and literatures.
Prior to teaching at Wesleyan, Wang taught briefly at the University of California-Davis, and then for two years at Trinity College in Hartford. He was attracted to Wesleyan because of its vibrant and active intellectual community. “The students at Wesleyan are serious about their studies,” he says. “They dedicate themselves to their work, and push their teachers to do a better job.” In fact, Wang says, his students actually ask for more homework—the opposite of what he encountered in previous teaching jobs—and push for more intellectual challenge.
This past year, Wang taught “Introduction to Chinese Poetry.” Students in this course, who were not required to know the Chinese language, compared different translations of classical Chinese poems to examine how the image of ancient Chinese poetry was constructed in the process of cultural exchange.
Wang also taught “Gender Issues in Chinese Literature and Culture,” which he called a “fun class.”
“The students are very interested in the daily lives of ancient Chinese women—how they saved money, how they raised and educated their children—and Confucian ideas about Chinese women. These are all very interesting ideas, and still relevant for our time,” he says. The class read excerpts from Yale Law School professor Amy Chua’s parenting memoir, Battle Hymn of the Tiger Mother, and watched debates on YouTube over its messages. A diverse classroom make-up, with about half the students of East Asian descent, made for a very interesting discussion, says Wang.
Wang’s own research focuses on Medieval Chinese Poetry, which he says is not well studied. “There are still numerous important and great poets who have not yet been introduced to the Western world,” he says. “They need study and translation, and eventually will become part of world literature.” Wang is currently co-editing an anthology of contemporary Chinese poetry.
When not working, Wang enjoys reading, playing drums and guitar, and practicing a form of martial arts known as Kuntao.
The next FEAS lecture is on “Murakami Ryz and the Madonna Horror Complex,” at 4:30 p.m. March 29. View all upcoming FEAS lectures online here.
In this video, Artist-in-Residence Keiji Shinohara introduces “A Late Christmas Gift: Contemporary Prints from Japan” at the Mansfield Freeman Center for East Asian Studies on Feb. 1. The 46 prints in this exhibition represent a wide range of contemporary Japanese printmakers, from established artists to graduate students and includes works in all print media. Shinohara is an internationally known woodblock printer who has been at Wesleyan for almost 20 years.