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Olivia DrakeNovember 18, 20152min
(By Fred Wills '19) A composition by Assistant Professor of Music Paula Matthusen will debut in the U.S. on Nov. 21. Her work, “on the attraction for felicitous amplitude,” will be performed by the string quartet, Brooklyn Rider, in Crowell Concert Hall. Join Matthusen for a pre-concert talk at starting at 7:15 p.m. In addition, on Dec. 3, violinist Todd Reynolds will perform a composition written by Matthusen at CFA Hall. Matthusen returns to Wesleyan this fall after being named a 2014-2015 Rome Prize recipient. Through a fellowship awarded by The American Academy in Rome, she received the opportunity to expand upon her own professional and…

Lauren RubensteinNovember 13, 20152min
Graduate Liberal Studies will present a special concert and open session of the course Monk and Mingus: The Cutting Edge of Jazz with Jazz Ensemble Coach Noah Baerman, Nov. 30 in Russell House. Baerman will perform on piano, accompanied by bassist Henry Lugo, and Visiting Assistant Professor of Music and Private Lessons Teacher Pheeroan akLaff on percussion. The first hour of the class (6:30-7:30 p.m.) will be a discussion, demonstration and Q&A session, followed by a performance of music composed by and associated with Thelonious Monk and Charles Mingus. Attendees interested in learning more about Graduate Liberal Studies are encouraged…

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Olivia DrakeNovember 3, 20154min
#THISISWHY This year, four Wesleyan faculty are coordinating a year-long interdisciplinary project that enables students from an array of majors and academic disciplines to collaborate, create and work together as a learning community under the theme "Renaissance Projects: Reclaiming Memory, Movement and Migration." The Collaborative Clusters Initiative of the Allbritton Center enables faculty from a variety of departments and programs to develop a shared research project with a unifying theme. Cluster courses in 2015-16 provide perspectives from dance, music, English, and African American studies on the ways performance practices have engaged the past and present in the face of great…

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Olivia DrakeSeptember 1, 20152min
Wesleyan vibraphonist and composer Jay Hoggard was named the Music Ambassador for the City of Middletown on Aug. 31 at the Mayor’s Office. In addition to being recognized for his valuable artistic and creative contributions, the Music Ambassadors’ music becomes the featured ‘music on hold’ for all City of Middletown phones. Hoggard, who is a member of the Class of 1976, is an adjunct professor of music and adjunct professor of African American studies. City of Middletown Mayor Dan Drew also proclaimed that August 31 is Jay Hoggard Day. Read more in The Middletown Press. The Music Ambassadors' program is sponsored by…

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Laurie KenneyJuly 14, 20153min
A 21-member all-star band will come together to perform the Beatles' White Album in its entirety at Blackbird: A Benefit Concert for the Stephanie Nelson Memorial Scholarship Fund, at 8 p.m. Saturday, July 25 at Crowell Concert Hall. The concert is being held in memory of former Center for the Arts intern Stephanie Nelson, of Middletown, who passed away earlier this year at the age of 25. All proceeds from ticket sales will go toward creating a scholarship fund for Middlesex Community College students in support of internships at Wesleyan. The concert is the brainchild of drummer Andy Chatfield, press and marketing director of the Center for the Arts. "Stephanie…

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Olivia DrakeJune 23, 20152min
Stanley Scott, private lessons teacher in music, authored a chapter titled “Modernism in South Asian Art Music,” published in the The Modernist World, part of the Routledge Worlds series, in 2015. Scott traces modernism in South Asian art music from its 18th century roots to the 21st century. The examples, drawn from Pakistan, North India and Bangladesh, represent parallel developments throughout South Asia. The seeds of South Asian modernism were sown in 18th century Calcutta, with the emergence of British orientalist scholarship and the development of the urban South Asian intelligentsia. The orientalist discovery of India’s “golden age” allowed Hindu nationalists to find inspiration in an…

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Laurie KenneyMay 12, 20152min
On May 8, members of the Wesleyan community gathered in the CFA Courtyard for an invigorating performance filled with the rhythms of West Africa. Performing were choreographer Iddi Saaka, artist in residence in the dance department, and master drummer Abraham Adzenyah, adjunct professor of music, together with their students in three levels of West African dance courses, plus guest artists. After almost five decades at Wesleyan, Adzenyah will retire in May 2016. To honor his cultural contributions and to recognize his rich professorial and performing legacy, alumni, students, colleagues, and friends are hoping to “drum up” enough support to raise $300,000 for an…

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Bryan Stascavage '18February 24, 20156min
#THISISWHY In this Q&A, we speak with Peter Blasser, a music graduate student.  Q: What was your first experiences with music? When did you decide that music would be your life work? A: I was in elementary school in the 1980s when music programs were still part of the public school curriculum. I remember that those music classes were not very noteworthy at the time. In middle school I took a wood shop class and liked working with the tools. After taking classical civilization classes, I started to triangulate all three — I wanted to work with wood to make ancient Greek…

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Lauren RubensteinAugust 25, 20141min
Jean Redpath, a Scottish-born singer who delighted audiences worldwide and was described by The Boston Globe as “something very close to Scotland’s folk singer laureate,” died Aug. 21 at age 77. She brought her musical talent and extensive knowledge of Scottish history to Wesleyan and the Middletown community as an artist-in-residence in the 1970s. According to her official website, Redpath arrived in the United States in 1961 with $11 in her pocket. (more…)

Kate CarlisleApril 13, 20146min
Assistant professor of music Paula Matthusen has won a prestigious Rome Prize from the American Academy, which will allow her to spend the next year in the Eternal City working on the compelling compositions that distinguish her career. Matthusen is a composer of acoustic and electronic music who, among other things, teaches Laptop Ensemble at Wesleyan, and records sound in historic structures and architecture. The resulting work reflects the character of these spaces, which include the Old Croton Aqueduct in New York. As an American Academy fellow, she will visit the paths of the Roman aqueducts. “I’m elated,” Matthusen said.…