On March 6, Gina Athena Ulysse, associate professor of anthropology, presented “Why Haiti Needs a Higher Love I,” a performative meditation on representation, ripostes and self-making at Central Connecticut State University’s Center for Africana Studies 20th Anniversary Conference.
Tag Archive 'Anthropology'
J. Kehaulani Kauanui, associate professor of American studies, associate professor of anthropology, was a distinguished guest panelist at the 2014 Andrew W. Mellon Postdoctoral Fellowship Program in the Humanities Conference at the University of California – Los Angles on March 7. She spoke on “Hawaiian Indigeneity, (Same-Sex) Marriage, and the Racial Politics of Colonial Modernity.”
She also spoke on “Till death Do Us Part? Settler Colonialism and (Same Sex) Marriage in Hawaii,” at the Women’s Studies and Consortium for Critical Interdisciplinary Studies on Feb. 20 and “New Directions in American Studies: Settler Colonialism and Critical Indigenous Studies,” at the Circuits of Influence: U.S. Israel, and Palestine Symposium at New York University on March 1.
She’ll speak on “Hawaiian Indigeneity and the Contradictions of Hawaiian Self-Determination,” at Tufts University, March 26 and on “Debt and the Commons: The Historical Present of Property and Indigenous Dispossession” at The Settler Colonial ‘Tragedy of the Commons’ and the Politics of Contemporary ‘Reclamation’” Symposium at Harvard University Law School on March 28.
J. Kehaulani Kauanui, associate professor American studies, associate professor of anthropology, participated in two recent conferences.
During the Transnational American Studies Conference, held at the Center for American Studies and Research, American University of Beirut, Jan. 6-9, Kauanui co-organized a roundtable on “Pinkwashing and Transnational Alliance: Challenging Settler Colonialism in Palestine/Israel, the United States, and Canada.” She also organized a panel on “Redwashing: Israeli Claims to Indigeneity and the Political Role of Native Americans,” and presented a paper on “The Politics of Recognition: Indigeneity, Sovereignty, and Redwashing.”
During the American Studies Association annual meeting held in Washington, D.C., Nov. 21-14, 2013, she participated in a panel that discussed “Settler Colonial Dispossession in Hawai‘i and the Contested Status of Public Lands.” The panel was part of the Racial Capitalism and Economies of Dispossession Panel Series.
In 2013, she also spoke at three invited talks: “Gender, Sovereignty and Decolonization in the Hawaiian Nationalist Struggle,” at the University of Saint Joseph, Oct. 30; “Nothing Common About ‘The Commons’: Settler Colonialism and the Indigenous Politics of Land Dispossession,” at Brown University, Oct. 9; and “The Enduring Question of Hawaii’s Sovereignty,” at the University of Connecticut, Avery Point, on Sept. 30.
Gina Athena Ulysse, associate professor of anthropology, associate professor of African America studies, wrote an article, “Presumed Innocent: On Bill Traylor’s Verve,” which appeared on the website Anthropology Now. Ulysse reflects on an exhibit at the American Folk Art Museum by Bill Traylor, a former slave who began drawing at the age of 85, and produced his entire body of work in three years.
Gina Athena Ulysse, associate professor of anthropology, associate professor of African American studies, wrote a review of artist Robert Pruitt’s Women, currently on exhibit at the Studio Museum of Harlem, in the Huffington Post. The exhibit features 20 portraits of contemporary black women drawn on brown butcher paper with conté-crayons.
In her new book Geographical Diversions (The University of Georgia Press), Tina Harris ’98 employs cultural anthropology, human geography, and material culture to explore the social and economic transformations that take place along one trade route that extends through China, Nepal, Tibet, and India. She makes connections between the seemingly mundane motions of daily life and more abstract levels of global change by focusing on two generations of traders and how they create “geographies of trade that work against state ideas of what trade routes should look like.” She observes the tensions between the apparent fixity of invisible national boundaries and the mobility of the local individuals. The book as a whole challenges and confronts established theories on an innovative smaller-scale perspective.
Harris considers what allows the traders along one trade route to make their own places through their markets and their way of life. She focuses on the effects of new infrastructure due to the economic rise of China and India on places that are rarely covered by international media. Alongside her detailed written analysis of the trade route, Harris provides numerous photographs to give readers a more visual sense of the world they are reading about. These pictures include a mule caravan loaded with Tibetan wool near Pharia, circa 1930s; a sign on National Highway 31A on the road to Gangtok, and the reopening ceremony that took place in July of 2006.
Storyteller and cultural anthropologist Ruth Behar ’77 is the author of Traveling Heavy: A Memoir Between Journeys (Duke University Press), in which she recounts her life as an immigrant child and later, as an adult woman who loves to travel but is terrified of boarding a plane. Behar shares moving stories about her Yiddish-Sephardic-Cuban-American family, as well as the kind strangers she meets on her travels. The author refers to herself an anthropologist who specializes in homesickness and repeatedly returning to her homeland of Cuba. She asks the question why we leave home to find home.
Kirkus Reviews writes: “A heartfelt witness to the changing political and emotional landscape of the Cuban-American experience.”
Behar is the Victor Haim Perera Collegiate Professor of Anthropology at the University of Michigan. She is the author of many books, including An Island Called Home: Returning to Jewish Cuba; The Vulnerable Observer: Anthropology That Breaks Your Heart; and Translated Woman: Crossing the Border with Esperanza’s Story, a New York Times Notable Book of the Year. Behar also is a poet, a fiction writer, and a documentary filmmaker. She wrote, directed, and produced Adio Kerida (Goodbye Dear Love), a film that has been shown at film festivals around the world. She has received many prizes, including a MacArthur “Genius” Award.
In this video, Sarah Croucher, assistant professor of anthropology, assistant professor of archaeology, discusses her community archaeology project in the “Beman Triangle” in Middletown, Conn. The houses built on this land from the 1840s were home to a community of African Americans living in Middletown, tied to the nearby A.M.E. Zion Church. Artifacts discovered in the area from 19th century trash pits shed new light on the lives of the community members, and the longstanding relationship between the church, Middletown and Wesleyan. Read more about Croucher’s project in this past Wesleyan Connection article.
J. Kehaulani Kauanui, associate professor of American studies, associate professor of anthropology, was appointed an Organization of American Historians (OAH) Distinguished Lecturer by the OAH Distinguished Lectureship Program.
In an e-mail to Kauanui, Alan M. Kraut, president-elect of the OAH wrote, “Since 1981, OAH presidents have appointed their most illustrious and dynamic colleagues to our program, making it one of the longest running and most successful efforts of its kind among scholarly associations. It has proven to be an ideal way to reach a broader audience while raising money for the organization’s initiatives on behalf of historians.”
As part of the appointment, Kauanui agrees to give one lecture per academic year for three years, donating those speaking fees to the OAH, and maintain membership in the organization.
“I’m thrilled to have been nominated for this appointment and to accept,” she said.
Kauanui also is also is an elected member of the American Antiquarian Society.
Gina Athena Ulysse, associate professor of anthropology, associate professor of African-American studies, was invited to perform her avant-garde meditation, ”Voodoo Doll, What if Haiti Were a Woman?” at two international conferences in 2013. Ulysse’s piece focuses on coercion and consent inspired by Gede, the Haitian Vodou spirit of life and death. She intersperses the story with Haiti’s geopolitical history, statistics, theory and Vodou chants.
On Jan. 12-19, Ulysse will attend the 8th Encuentro of the Hemispheric Institute of Performance and Politics at the Universidade de São Paulo, Brazil. There, she will join more than 400 artists, performers, scholars and activists who will examine the broad intersections between urban space, performance and political/artistic action in the Americas. The Encuentro is an interdisciplinary academic conference and performance festival that is focused on experimentation, dialogue and collaboration. Learn more at this link.
On May 16-19, Ulysse will participate in an international symposium of women writers from Africa and its diaspora titled “Yari Yari Ntoaso: Continuing the Dialogue.” The symposium will be held in Accra, Ghana, West Africa and include panels, readings, performances and film screenings. “Yari Yari Ntoaso” will be a gathering devoted to the study, criticism and celebration of the creativity and diversity of women writers of African descent. Learn more at this link.
Ulysse performed “Voodoo Doll” at Wesleyan on July 24. For more information see this Wesleyan Connection post.
A book by Margot Weiss, assistant professor of American studies, assistant professor of anthropology, received the 2012 Ruth Benedict Book Prize by the Association for Queer Anthropology.
Her book, Techniques of Pleasure: BDSM and the Circuits of Sexuality (Duke University Press, 2011) was honored in the category “Outstanding Monograph.” This prize is presented each year at the American Anthropological Association’s national meeting to acknowledge excellence in a scholarly book written from an anthropological perspective about a topic that engages issues and theoretical perspectives relevant to LGBTQ studies.
Techniques of Pleasure is a vivid portrayal of the San Francisco Bay Area’s pansexual BDSM (SM) community.