Tag Archive for Film Studies

Basinger Praised as Iconic Film Professor in The Hollywood Reporter

Jeanine Basinger, Corwin-Fuller Professor of Film Studies

Jeanine Basinger, Corwin-Fuller Professor of Film Studies (Photo credit: Smallz + Raskind)

Jeanine Basinger, Corwin-Fuller Professor of Film Studies, was recently featured in a Hollywood Reporter article “The Professor of Hollywood,” by film historian and best-selling author Sam Wasson ’03, who studied with Basinger at Wesleyan. The magazine brought together 33 of her former pupils who work prominently in the film industry for “an A-list class reunion” photo—and several of them talk about how Basinger inspired them, encouraging their self-expression while also sharing with them her love for the medium.

In the article, Basinger discusses how and why she came to devote her life to the study of film and how working as an usher in a movie theater, watching the same film over and over, helped her to understand the filmmaking process—and gave her the foundation for her future as a film scholar at a time when there were no film schools. In 1960 she began work in the advertising department at a scholastic publisher on the Wesleyan campus, but within a decade, she began teaching at the University some of first film study classes in America.

Hispanic Film Series Playing in Goldsmith Family Cinema

On Thursdays in September and October, Wesleyan is hosting a four-part Hispanic Film Series showcasing the power and artistry of contemporary Latin American and Spanish film. All films will be shown at 8 p.m. in the Goldsmith Family Cinema, and are free and open to the public. The series is sponsored by the Thomas and Catharine McMahon Fund, the Department of Romance Languages and Literatures, and the Latin American Studies Program.

The films being shown are as follows:

Sept. 24–Relatos Salvajes (Wild Tales)

Oct. 1–Mosquita Y Mari

Oct. 8–La Isla Mínima (Marshland)

Oct. 15–Hotel Nueva Isla

More details on each film are available in the posters below. For more information, please contact Ana Perez-Girones at aperezgirone@wesleyan.edu.

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Basinger Comments on Why Today’s TV is So Good

Jeanine Basinger, the Corwin-Fuller Professor of Film Studies, curator of the Cinema Archives, spoke with The Huffington Post about why today’s television is so good. TV has come a long way since 1961 when Federal Communications Commission Chairman Newton Minow proclaimed television “a vast wasteland” in an address to the National Association of Broadcasters. The article explores how advances in technology and television production have vastly improved the experience for viewers.

One of the biggest changes was the introduction of DVR and streaming services, which mean we’re no longer slaves to the television schedule, required to sit on the couch for an hour when our favorite show airs.

“I think that’s a very ‘old people’ view, that we’re all just sitting around on our couch and eating cookies,” Basinger told The Huffington Post. “That’s very 1960s. I don’t think people do that anymore. We can control our viewing of TV, when we watch it and how we watch it.”

The writer also argues that “TV is now the definitive space for starting a dialogue around social issues.”

“TV has become a global forum of discussion, information, entertainment and intellectual stimulation,” Basinger agreed. “Watching TV doesn’t eliminate your intellectual life. It actually adds to it.”

Jimmy Stewart Stars in Free Summer Film Series

stewardfilmsThis July, Wesleyan’s 2015 Summer Film Series presents “Hollywood Icons: Jimmy Stewart,” a four-film series sponsored by Wesleyan’s College of Film and the Moving Image (CFILM). Films will be shown at 7:30 p.m. on Tuesdays in July at the Center for Film Studies.

All films are free and open to the public and will be preceded by an introduction by Marc Longenecker, CFILM’s programming and technical director. The “Hollywood Icons: Jimmy Stewart” film series includes Mr. Smith Goes to Washington (July 7), Harvey (July 14), Rear Window (July 21), and Winchester ’73 (July 28).

See Wesleyan’s Summer Film Series website for more information.

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7 Faculty Promoted, 1 Awarded Tenure

In its most recent meeting, the Board of Trustees conferred tenure on Hari Krishnan, associate professor of dance. He joins seven other faculty members who were awarded tenure earlier this spring.

In addition, seven faculty members were promoted to Full Professor: Mary Alice Haddad, professor of government; Scott Higgins, professor of film studies; Tsampikos Kottos, professor of physics; Edward Moran, professor of astronomy; Dana Royer, professor of earth and environmental sciences; Mary-Jane Rubenstein, professor of religion; and Gina Athena Ulysse, professor of anthropology.

Brief descriptions of their research and teaching appear below.

Associate Professor Krishnan teaches studio- and lecture-based dance courses on Mobilizing Dance: Cinema, the Body, and Culture in South Asia; Modern Dance 3; and Bharata Natyam.  His academic and choreographic interests include queering the dancing body, critical readings of Indian dance and the history of courtesan dance traditions in South India. He is a scholar and master of historical Bharatanatyam and also an internationally acclaimed choreographer of contemporary dance from global perspectives.

Professor Haddad teaches courses about comparative, East Asian, and environmental politics. She has authored two books, Building Democracy in Japan and Politics and Volunteering in Japan: A Global Perspective, and co-edited a third, NIMBY is Beautiful: Local Activism and Environmental Innovation in Germany and Beyond. She is currently working on a book about effective advocacy and East Asian environmental politics.

Professor Higgins teaches courses in film history, theory, and genre, and is a 2011 recipient of Wesleyan’s Binswanger Prize for Excellence in Teaching.  His research interests include moving-image aesthetics, feature and serial storytelling, and cinema’s technological history. He is author of Harnessing the Rainbow: Technicolor Aesthetics in the 1930s and Matinee Melodrama: Playing with Formula in the Sound Serial (forthcoming), and editor of Arnheim for Film and Media Studies.

Professor Kottos offers courses on Quantum Mechanics; Condensed Matter Physics; and Advanced Topics in Theoretical Physics. He has published more than 100 papers on the understanding of wave propagation in complex media, which have received more than 3,000 citations. His current research focuses on the development of non-Hermitian Optics. This year, the Air Force Office of Scientific Research has recognized his theoretical proposal on optical limiters as a high priority strategic goal of the agency.

Professor Moran teaches introductory courses such as Descriptive Astronomy and The Dark Side of the Universe, in addition to courses on observational and extragalactic astronomy.  His research focuses on extragalactic X-ray sources and the X-ray background, and his expertise in spectroscopic instrumentation combined with an insightful conceptual appreciation of galaxy formation have positioned him as a leader in observational black hole research.

Professor Royer offers courses on Environmental Studies; Geobiology; and Soils.  His research explores how plants can be used to reconstruct ancient environments, and the (paleo-) physiological underpinnings behind these plant-environment relationships.  His recent work on the relationship between atmospheric carbon dioxide levels and climate over geologic time has had significant impact on the field of paleoclimatology.

Professor Rubenstein teaches courses in philosophy of religion; pre- and postmodern theologies; and the intersections of religion, sex, gender, and science.  Her research interests include continental philosophy, theology, gender and sexuality studies, and the history and philosophy of cosmology.  She is the author of Strange Wonder: The Closure of Metaphysics and the Opening of Awe, and Worlds without End: The Many Lives of the Multiverse.

Professor Ulysse offers courses on Crafting Ethnography; Haiti: Between Anthropology and Journalism; Key Issues in Black Feminism; and Theory 2: Beyond Me, Me, Me: Reflexive Anthropology. Her research examines black diasporic conditions. Her recent work combines scholarship, performance, and exposition to ponder the fate of Haiti in the modern world and how it is narrated in different outlets and genres.  She is the author of Downtown Ladies: Informal Commercial Importers, A Haitian Anthropologist and Self-Making in Jamaica, and Why Haiti Needs New Narratives.

Basinger Reflects on Star Wars Sequel Success

Though movie sequels had been successful in the past, it was a huge surprise when The Empire Strikes Back turned out to be as popular as the original Star Wars film, Jeanine Basinger, the Corwin-Fuller Professor of Film Studies, told the website Boing Boing for a story reflecting on Empire 35 years after it arrived in cinemas.

“When you have set a level that you set with Star Wars in terms of financial success, critical success, audience success, quality of production, greatness of storytelling, you don’t really think even if the second one is going to be good that it can hit that same level twice because Star Wars was a real landmark film,” Basinger said. “It was a real big impact film and so you don’t expect the next one in that sequence to also be a landmark. It just doesn’t seem possible the way storytelling works but Empire was a movie that did not let down the standards set by Star Wars and that was great. Everybody was thrilled.”

She added that Empire opened up in a new way the possibility of sequential storytelling on a giant scale.

Basinger also is curator of the Wesleyan Cinema Archives.

Screenwriters Lounge Supports Student Filmmaking on Campus

Members of the Wesleyan Film Project’s Screenwriters Lounge gathered at the Shapiro Creative Writing Center’s library Feb. 16 to discuss current projects. The Wesleyan Film Project is a student-run group that formed during the fall semester 2014 and supports filmmaking on campus. During Screenwriter’s Lounge sessions the students meet with each other, writers, directors and producers to review student-submitted scripts in order to prepare them for production.

For more information on the group, visit the Wesleyan Film Project on Facebook.

Photos of the Screenwriters Lounge gathering are below: (Photos by John Van Vlack)

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A. O. Scott Moderates Talk on Arts Criticism

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Four arts writers participated in a panel conversation titled “Criticism Now! A Conversation on the State of the Art” Nov. 11 at the Goldsmith Family Cinema, Center for Film Studies. A. O. Scott, Distinguished Professor of Film Criticism at Wesleyan and a chief film critic at The New York Times, moderated the event.

Garcia ’88 Leads Dwight Greene Symposium, Screens New Basketball Documentary

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World-renowned DJ, radio personality, streetball player and sneaker guru Robert ‘Bobbito’ Garcia ’88 led a movie screening and talkback during the 22nd Annual Dwight L. Greene Symposium, Sept. 26 in the Goldsmith Family Cinema. Garcia spoke about his journey to Wesleyan and beyond, in addition to sharing his award-winning independent documentary Doin’ it in the Park, which explores the history, culture, and social impact of New York’s summer basketball scene.

Shot at 180 courts in 75 days, the film covers a cross-section of players both professional and amateur, including Julius “Dr. J” Erving, Kenny Smith, “Pee Wee” Kirkland, “Fly” Williams, God Shammgod, Tim “Headache” Gittens, Corey “Homicide” Williams, Kenny Anderson, Jack Ryan, Richard “Crazy Legs” Colon, Niki Avery, Milani Malik, and the Park Pick-Up Players of New York City. The filmmakers traveled to most of the film locations by bicycle, carrying camera equipment and a basketball in their backpacks.

Shot at 180 courts in 75 days, the film covers a cross-section of players both professional and amateur, including Julius “Dr. J” Erving, Kenny Smith, “Pee Wee” Kirkland, “Fly” Williams, God Shammgod, Tim “Headache” Gittens, Corey “Homicide” Williams, Kenny Anderson, Jack Ryan, Richard “Crazy Legs” Colon, Niki Avery, Milani Malik, and the Park Pick-Up Players of New York City. The filmmakers traveled to most of the film locations by bicycle, carrying camera equipment and a basketball in their backpacks.

Audrey Hepburn Stars in July’s Summer Film Series

Audrey Hepburn stars in the 1961 romantic comedy Breakfast at Tiffany's. Hepburn was nominated for "Best Actress in a Leading Role" by the Academy of Motion Picture Arts and Sciences for her role as Holly Golightly. The film will be shown July 22 at the Center for Film Studies.

Audrey Hepburn stars in the 1961 romantic comedy Breakfast at Tiffany’s. Hepburn was nominated for “Best Actress in a Leading Role” by the Academy of Motion Picture Arts and Sciences for her role as Holly Golightly. The film will be shown July 22 at the Center for Film Studies.

“Hollywood Icons: Audrey Hepburn” is the theme of Wesleyan’s Summer Film Series, sponsored by the College of Film and the Moving Image (CFILM). All four films, featuring Oscar-award winning actress Audrey Hepburn (1929-1993), take place at 7:30 p.m. on Tuesdays in July.

Doors will open at 6:30 p.m. for the accompanying “Posters From the Collection” exhibition in the Rick Nicita Gallery.

All films will begin with an introduction by Marc Longenecker, CFILM programming and technical director.

All films are open to the public and are free of charge.

The films include:

Roman Holiday on July 8;
Sabrina on July 15;
Breakfast at Tiffany’s on July 22;
And Funny Face on July 29.

See the Summer Film Series website for more information and additional poster images.

Wesleyan’s Coursera Classes Begin April 21 with Basinger’s “Marriage in the Movies”

Professor Jeanine Basinger is teaching “Marriage in the Movies: A History," starting April 21.

Professor Jeanine Basinger is teaching “Marriage in the Movies: A History,” starting April 21.

Always wanted to take a course with legendary film professor Jeanine Basinger? Miss the first run of Professor of Psychology Scott Plous’ wildly popular “Social Psychology” MOOC? Now’s your chance!

The next round of Wesleyan’s massive open online courses (MOOCs) is starting up this month, with “Marriage in the Movies: A History” launching April 21. Basinger, the Corwin-Fuller Professor of Film Studies, is teaching the course based on her book, I Do and I Don’t: A History of Marriage in the Movies.

“This is essentially a descriptive course on stories and stars and business strategies,” says Basinger, who is also chair of film studies and curator of the cinema archives. “It provides information and shows clips for support and example. It’s not philosophical; it’s not a formalist analysis. It’s a simple study about content in the movies designed for people who love films and would like to have more information about some of them and have, what I hope, will be a fun conversation on the changes that evolved over time in stories about marriage that were made in Hollywood.”

In the course’s intro video, Basinger says the course will explore “how Hollywood had trouble telling the story and selling the story of marriage on film.”

Hispanic Film Series Begins March 27

In Cuba’s first zombie movie, residents of Havana scream in panic as flesh eating zombies swarm streets and buildings. Watch Juan de los Muertos (Juan of the Dead) on April 24 as part of the Hispanic Film Series.

In Cuba’s first zombie movie, residents of Havana scream in panic as flesh eating zombies swarm streets and buildings. Watch Juan de los Muertos (Juan of the Dead) on April 24 as part of the Hispanic Film Series.

The Department of Romance Languages and Literatures is hosting the 2014 Hispanic Film Series March 27 to April 24 at the Center for Film Studies.

“For the second year in a row, we’re showcasing recent award-winning films from Latin America and Spain,” said María Ospina, assistant professor of romance languages and literatures. “Last year, we had hundreds of students attend the screenings, and we’re hoping that this year the event is equally successful.”

All films start at 8 p.m. in the Goldsmith Family Cinema. Screenings are free of charge and are open to the public. Films have English subtitles.

March 27
Biutiful, directed by Alejandro González Iñárritu, Mexico/Spain, 2010
Javier Bardem brings admirable passion to the gritty story of Uxbal, a midlevel underworld figure whose main business is dealing with the black-market labor of illegal immigrants in Barcelona. Juggling two young children, a mentally unstable former wife and a terminal illness, he is faced with choices that test both his resolve and his decency, as he tries to be stoical, tough and compassionate.

April 3
Tanta agua (So Much Water), directed by Ana Guevara and Leticia Jorge, Uruguay/Mexico/Holland/Germany, 2013
Alberto, who doesn’t see his kids Lucía and Federico much since his divorce, refuses to allow anything to ruin his plans for vacation at a hot springs resort.